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in de Provence","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[24,78,79,80,81,82,83,7,84,85,86,61,37,87,88,89,90],"油画","后印象派","厚涂","色彩浓烈","笔触奔放","田野","石墙","拱门","干草堆","小路","花草","天空","云朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c0ec8b667688d44a5bb0209d76d2bd1.jpg","未知","Xcm*Xcm","油画精选",[94],55,{"id":98,"slug":99,"title":100,"dynasty":73,"author":74,"museum":75,"description":76,"tags":101,"thumbUrl":110,"material":92,"size":93,"collection":94,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":48},225719,"bloembedden-in-holland-fan-gao-225719","Bloembedden in Holland",[78,79,102,103,104,105,106,7,107,61,89,37,108,109],"厚重笔触","色彩鲜明","色块构图","花田","彩色花卉","茅草屋顶","田园景观","田野小径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F816cbfa7b6843d6d0cd78620c7aabb79.jpg",[94],52,{"id":114,"slug":115,"title":116,"dynasty":117,"author":118,"museum":119,"description":120,"tags":121,"thumbUrl":130,"material":131,"size":132,"collection":133,"collections":134,"showCount":135,"zanCount":11,"manualWeight":11,"mainColor":136},220018,"dong-zhuang-tu-ce-zhi-zhu-tian-shen-zhou-220018","东庄图册之竹田","明","沈周","南京博物院","东庄是沈周的好友吴宽的庄园。原作有24幅，明末后只存21幅。",[23,25,27,28,122,123,124,125,126,127,128,129,7],"竹","册","皴法","田地","房屋","小径","远山","近水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8e87a0381a50c5450296ebf70e92533.jpg","纸本,设色","纵28.6厘米，横33厘米","",[],51,"BDBDBD",{"id":138,"slug":139,"title":140,"dynasty":73,"author":74,"museum":75,"description":76,"tags":141,"thumbUrl":149,"material":92,"size":93,"collection":94,"collections":150,"showCount":151,"zanCount":47,"manualWeight":11,"mainColor":48},225844,"the-harvest-june-fan-gao-225844","The harvest (June - )",[78,79,80,142,143,86,7,128,89,144,61,145,146,83,147,126,148],"麦田","收获场景","栅栏","马车","农民","土地","作物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35f6054f82c98bf41a6f35ab5e3ee208.jpg",[94],50,{"id":153,"slug":154,"title":155,"dynasty":73,"author":156,"museum":75,"description":157,"tags":158,"thumbUrl":166,"material":92,"size":93,"collection":94,"collections":167,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":136},225911,"cart-on-the-snow-covered-road-with-saint-simeon-farm-1865-mo-nai-225911","Cart on the Snow Covered Road with Saint-Simeon Farm, 1865","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[159,78,160,161,145,7,61,162,163,164,37,165,89],"印象派","雪景","道路","冬季","雪地","车辙","积雪屋顶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24915be9be79482c21b3c4d54acb5f56.jpg",[94],43,{"id":170,"slug":171,"title":172,"dynasty":73,"author":74,"museum":75,"description":76,"tags":173,"thumbUrl":184,"material":92,"size":93,"collection":94,"collections":185,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":48},225776,"les-vessenots-in-auvers-1890-fan-gao-225776","Les Vessenots in Auvers 1890",[78,79,174,175,176,177,83,105,126,178,61,128,89,179,180,181,7,182,183],"笔触粗犷","色彩鲜艳","设色明快","厚涂法","村庄","溪流","草地","山丘","绿植","云彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59d96b48c7f50705bc820c7d8d46b723.jpg",[94],{"id":187,"slug":188,"title":189,"dynasty":73,"author":74,"museum":75,"description":76,"tags":190,"thumbUrl":193,"material":92,"size":93,"collection":94,"collections":194,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":48},225744,"farmhouse-in-a-wheatfield-fan-gao-225744","Farmhouse in a wheatfield",[78,79,191,103,142,7,61,89,192,180,83],"笔触厚重","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99996059a343e52197373a7b63606710.jpg",[94],{"id":196,"slug":197,"title":198,"dynasty":199,"author":200,"museum":75,"description":201,"tags":202,"thumbUrl":208,"material":133,"size":133,"collection":133,"collections":209,"showCount":210,"zanCount":47,"manualWeight":11,"mainColor":136},228037,"mo-lou-shu-geng-zuo-tu-chang-juan-cheng-qi-228037","摹楼璹耕作图（长卷）","元","程棨","此作以长卷铺陈田家岁时劳作全程，从垦壤播种到刈获登场，每段农事场景鲜活写实，农人的动作、形制各异的农具、田陇桑野的细节皆一一细致摹绘，还原出耕织劳作的质朴烟火。笔墨兼具宋画的精工写实，又暗含元人淡和的写意韵致。卷上题跋鉴印层层累叠，带着历代递藏的厚重脉络，将田家稼穑的日常，与文人题咏的雅致融于一卷，既是记录古代农桑的图像实录，也是承载着鉴藏史迹的书画珍存。",[23,25,56,26,203,57,58,204,205,37,60,206,7,125,61,59,207,34],"临摹","书法","印章","农具","稻禾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67c64d15f526a4ae7c823223adca9895.jpg",[],32,{"id":212,"slug":213,"title":214,"dynasty":73,"author":74,"museum":75,"description":76,"tags":215,"thumbUrl":222,"material":92,"size":93,"collection":94,"collections":223,"showCount":224,"zanCount":47,"manualWeight":11,"mainColor":48},225722,"boerendorp-in-de-avond1884-fan-gao-225722","Boerendorp in de avond1884",[78,216,217,7,107,61,83,37,218,86,219,220,221],"写实","乡村","黄昏","傍晚","自然景观","田园","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F817d2b11651cbf2f2bbb290d49ca5c3f.jpg",[94],31,{"id":226,"slug":227,"title":228,"dynasty":18,"author":229,"museum":75,"description":230,"tags":231,"thumbUrl":237,"material":92,"size":93,"collection":133,"collections":238,"showCount":239,"zanCount":11,"manualWeight":11,"mainColor":48},289782,"xi-shan-chun-xiao-tu-yi-ming-289782","溪山春晓图","佚名","平远视角铺展出江南早春的缱绻景致，淡墨晕染山峦，烟岚轻笼起伏丘壑，晕开朦胧温润的春日底色。坡岸桃枝缀着浅绯新花，杂木抽芽，深浅绿意与粉红花色交织，漫开融融春意。\n\n溪湾回环，水面空明如镜，三两渔舟泛波，艄公悠然摇橹，野舍错落藏于林麓间，溪桥横陈连通幽境。笔墨秀雅清润，水墨间施淡彩，轻重相宜地勾勒出春日山水的柔婉生机，将江南乡野的静谧恬美尽数铺陈，把春风拂过溪山的温柔瞬间定格绢素，尽显平和悠远的山水雅意。",[23,24,25,26,57,28,124,232,61,233,59,234,34,7,235,236],"山峦","桃花","孤舟","春景","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc064e439aeef992d464680650ec944d9.jpg",[],28,{"id":241,"slug":242,"title":243,"dynasty":244,"author":229,"museum":75,"description":245,"tags":246,"thumbUrl":253,"material":92,"size":93,"collection":133,"collections":254,"showCount":255,"zanCount":11,"manualWeight":11,"mainColor":256},273003,"zi-tan-bian-fa-lang-gua-ping-yi-ming-273003","紫檀边珐琅挂屏","清","金地为底，珐琅釉色晕染出青绿山峦，层叠起伏间皴笔有致，翠色鲜亮柔和。水网田垄错落交织，茅舍隐于林樾，耕牛静卧田埂，乡农驻足叙话，将春日郊野的恬然烟火铺陈眼前。\n\n边角题诗点出田家闲趣，铜饰挂钮精巧雅致，紫檀边框衬得画面愈发明丽华贵。整幅将文人诗意融于珐琅工艺，把乡野春耕的悠然意趣刻画入微，尽显雅致清和的审美意韵，方寸间凝住田园生机，是工艺与画意兼备的上乘之作。",[247,248,249,250,57,28,221,251,34,7,37,61,204,252],"琺瑯器","木质","挂屏","青绿","耕牛","农耕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a29cfe1ff77dd9aabf7e530a98d631a.jpg",[],19,"0D904F",{"id":258,"slug":259,"title":260,"dynasty":73,"author":156,"museum":75,"description":157,"tags":261,"thumbUrl":264,"material":92,"size":93,"collection":94,"collections":265,"showCount":266,"zanCount":11,"manualWeight":11,"mainColor":48},225938,"haystack-at-giverny-1886-mo-nai-225938","Haystack at Giverny, 1886",[78,159,86,262,7,105,263],"田园风景","树林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F456bf3a4abcbbc2cd0ab328203333193.jpg",[94],14,{"id":268,"slug":269,"title":270,"dynasty":73,"author":271,"museum":75,"description":272,"tags":273,"thumbUrl":276,"material":92,"size":93,"collection":133,"collections":277,"showCount":278,"zanCount":11,"manualWeight":11,"mainColor":48},231754,"ming-zhi-nian-chun-mu-you-hua-dong-jing-qian-jing-zhong-231754","明治年春亩油画(东京)","浅井忠","浅井忠，日本画家，1856年6月21日出生于江户（今东京），1907年12月16日卒于京都。",[78,216,57,37,62,7,61,87,180,274,275],"劳作场景","春天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2a866db631edd06bd11d398a0ab2ed2.jpg",[],9,{"id":280,"slug":281,"title":282,"dynasty":73,"author":74,"museum":75,"description":76,"tags":283,"thumbUrl":291,"material":92,"size":93,"collection":94,"collections":292,"showCount":278,"zanCount":11,"manualWeight":11,"mainColor":48},225743,"farm-with-stacks-of-peat-november-fan-gao-225743","Farm with stacks of peat (November - )",[78,79,102,7,284,83,89,285,286,287,288,289,147,161,290],"泥炭堆","乡村景观","暗沉色调","表现主义风格","自然景物","乡村建筑","植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F520506924402f42250cb9d9fecbce29e.jpg",[94],{"id":294,"slug":295,"title":296,"dynasty":244,"author":297,"museum":298,"description":299,"tags":300,"thumbUrl":308,"material":133,"size":309,"collection":133,"collections":310,"showCount":311,"zanCount":11,"manualWeight":11,"mainColor":136},223178,"geng-zhi-tu-ce-jiao-bing-zhen-223178","耕织图册","焦秉贞","北京故宫博物院","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[25,301,57,58,302,252,62,37,303,7,61,304,206,204,305,306,307],"册页","焦点透视","雨景","河流","七言诗","农作","农村生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9713b706bc255ed12e1e7e3295878625.jpg","34.7cm×27.7cm",[],3,{"id":313,"slug":314,"title":315,"dynasty":244,"author":229,"museum":75,"description":316,"tags":317,"thumbUrl":322,"material":92,"size":93,"collection":133,"collections":323,"showCount":324,"zanCount":11,"manualWeight":11,"mainColor":48},270234,"zong-zhu-gu-bian-hei-mian-ni-jin-hua-geng-zhi-tu-mian-zhe-shan-yi-ming-270234","棕竹股边黑面泥金画耕织图面折扇","以黑面为底，泥金勾勒乡野耕织图景，田垄间农人身形鲜活，抬手驱犊、俯身劳作的细节历历可见；侧畔屋舍错落，似能听见机杼轻鸣。泥金在沉色上晕出温润光泽，将桑麻稼穑的烟火日常凝缩在扇面方寸中。棕竹扇股指节苍润，纹理自带朴拙古意，和画面相得益彰。\n\n岁月晕染让墨色稍暗，却未减图景意趣，将田家劳作升为诗意绘卷，把日用器具化作载着田园理想的风物，静静诉说往昔的太平烟火，藏着旧时文人对乡居雅趣的追慕。",[318,25,37,319,320,321,7],"扇面","耕织","泥金","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F961049a27ccecd576731b9736f6fa40c.jpg",[],2,{"id":326,"slug":327,"title":296,"dynasty":244,"author":297,"museum":298,"description":299,"tags":328,"thumbUrl":333,"material":133,"size":309,"collection":133,"collections":334,"showCount":324,"zanCount":11,"manualWeight":11,"mainColor":136},223185,"geng-zhi-tu-ce-jiao-bing-zhen-223185",[24,25,56,58,57,329,204,330,37,7,61,331,206,221,252,332,59],"界画","行书","柳树","稻垛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb06fbf0d04d79780f5ae8f6162575ed6.jpg",[],{"id":336,"slug":337,"title":296,"dynasty":244,"author":297,"museum":298,"description":299,"tags":338,"thumbUrl":341,"material":133,"size":309,"collection":133,"collections":342,"showCount":324,"zanCount":11,"manualWeight":11,"mainColor":136},223171,"geng-zhi-tu-ce-jiao-bing-zhen-223171",[24,25,56,339,58,57,301,37,60,252,340,7,61,206],"清代","田亩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b13e23b1d69d7aa0bc8a0c9644ff767.jpg",[],{"id":344,"slug":345,"title":346,"dynasty":73,"author":229,"museum":75,"description":347,"tags":348,"thumbUrl":359,"material":92,"size":93,"collection":133,"collections":360,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},289313,"master-of-the-months-of-lucas-the-month-of-june-shearing-sheep-yi-ming-289313","Master of the Months of Lucas--The Month of June, Shearing Sheep","这幅素描以全景铺陈开仲夏乡野日常，朴拙灵动的线条勾勒出鲜活的剪羊毛图景。前景里，妇人闲坐看顾嬉闹的孩童，提刃女子正预备为羊只剪毛，身旁牧人稳稳按住躁动的羊。右侧男女携着蔬果缓步而来，将市井烟火气揉进农忙图景中。\n\n远处村舍错落，更多农人或俯身劳作，或围坐闲话，把六月乡村松弛又忙碌的氛围尽数铺展。没有繁复晕染，仅以简练排线定格人物情态与乡野细节，将乡野仲夏的蓬勃生机与质朴温情妥帖留存，让人仿佛置身蝉鸣阵阵的夏日乡村，触摸汗水裹挟笑语的鲜活日常。",[349,350,217,7,351,352,353,354,355,356,357,358],"白描","素描","绵羊","农妇","孩童","农夫","剪羊毛","农事","田园生活","线描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe380129b795024e222589a25e68fde16.jpg",[],{"id":362,"slug":363,"title":364,"dynasty":73,"author":229,"museum":75,"description":365,"tags":366,"thumbUrl":373,"material":92,"size":93,"collection":133,"collections":374,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":375},289237,"rembrandt-cottage-near-the-entrance-to-a-wood-yi-ming-289237","Rembrandt--Cottage near the Entrance to a Wood","这幅速写以棕褐底色晕开郊野意趣，短促线条勾画出农舍的质朴轮廓，茅草屋顶的蓬松肌理、木构门庭的烟火细节，都带着随性的鲜活感。侧旁林木以晕染铺就朦胧暗影，和清晰的农舍形成虚实对照，让画面有了呼吸感。\n\n干湿浓淡的墨色区分光影层次，松弛的笔法如同郊野漫步时的随手记录，将乡野日常的闲散安宁凝于纸面，粗粝笔触里藏着郊野乡居的静谧诗意，仿佛能听见风掠过茅草的轻响，窥见乡居角落的松弛日常。",[367,350,368,369,370,7,371,372],"速写","淡彩","西洋画","乡村风景","林间","小屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba7f1930c7c5ca15172aba193737313e.jpg",[],"F48FB1",{"id":377,"slug":378,"title":379,"dynasty":73,"author":229,"museum":75,"description":380,"tags":381,"thumbUrl":384,"material":92,"size":93,"collection":133,"collections":385,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},289235,"rembrandt-group-of-farm-buildings-yi-ming-289235","Rembrandt--Group of Farm Buildings","这幅速写以朴拙笔墨铺陈乡野意趣，连片茅草农舍占据视觉中心，粗粝排线勾勒出蓬松厚实的草顶，笔意苍劲又带着随性松弛，将乡野建筑的粗粝质感尽数呈现。前景浅滩泽地，寥寥数笔勾出水畔荒草、零散木架，留白晕染出湿润空蒙的郊野氛围，淡墨点染的树丛错落点缀，柔化了建筑的硬朗轮廓。\n\n整幅画没有繁复雕琢，松弛的笔触间流淌着慵懒的乡野日常感，将郊农舍的静谧烟火气凝于纸面，仿佛能嗅见田埂间湿润的泥土气息，尽显质朴又鲜活的乡野意韵。",[367,27,382,217,7,383,83,61],"风景画","茅草屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe63df3f0a05014e8c9932c09c5f5e8f.jpg",[],{"id":387,"slug":388,"title":389,"dynasty":73,"author":229,"museum":75,"description":390,"tags":391,"thumbUrl":396,"material":92,"size":93,"collection":133,"collections":397,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},289088,"jean-jacques-de-boissieu-farmyard-yi-ming-289088","Jean Jacques de Boissieu--Farmyard","这幅乡野画作用明暗晕染铺陈出松弛的午后日常。笔触朴拙自然，将柔光揉进粗粝的乡居肌理里，木构阳台爬着荒草，石墙带着风霜磨蚀的痕迹，堆置的干草捆漫溢慵懒的山野气息。\n\n三两村人散落各处，阳台孩童凭栏眺望，近景的农夫歇坐长木休憩，墙根路人蜷卧酣睡，闲散松弛漫在风里。左侧林木枯荣交织，虬曲枝桠和乡居的破败粗朴相映，勾勒出未加修饰的原生野趣。\n明暗层次晕开静谧氛围，将乡居烟火的温柔日常定格，满是质朴治愈的松弛暖意。",[350,369,392,7,393,394,217,37,395,216],"风俗画","枯树","庭院","干草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb79807babc00ca6f5c74e6dffa05938a.jpg",[],{"id":399,"slug":400,"title":401,"dynasty":73,"author":229,"museum":75,"description":402,"tags":403,"thumbUrl":407,"material":92,"size":93,"collection":133,"collections":408,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},289080,"jonas-umbach-june-one-of-a-series-representing-the-labors-yi-ming-289080","Jonas Umbach--June (one of a series representing the labors","红粉笔晕开暖调天光，铺就乡野仲夏底色。前景农人们围坐剪羊毛，动作熟稔松弛，妇人膝头安抚幼崽，将劳作里的温柔揉在日常里。线条松灵随性，勾勒出农人的憨态，剪落的羊毛散在脚边，粗粝又鲜活。\n\n背景村舍旁，牧羊人与羊群静立，云絮柔缓舒展在天际，烟火气漫过田埂。没有繁复雕琢，只以质朴笔触定格乡野劳作的悠然，将乡野耕织的细碎温情藏进每一道线条里，软风似的把仲夏乡野的松弛漫开，让日常劳作也浸着恬淡暖意。",[350,392,37,404,7,217,405,406],"羊","农事劳动","田园场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15ce4993b8f26a3c5d5ba926afac0582.jpg",[],{"id":410,"slug":411,"title":412,"dynasty":73,"author":229,"museum":75,"description":413,"tags":414,"thumbUrl":419,"material":92,"size":93,"collection":133,"collections":420,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},289078,"jonas-umbach-november-one-of-a-series-representing-the-labors-yi-ming-289078","Jonas Umbach--November (one of a series representing the labors","暖棕红调晕开郊野行旅的松弛日常，灵动线条勾勒出休憩的旅人图景。骑手勒马驻望天际，侍仆持枪前驱探路，猎犬逡巡脚畔，驮马垂首暂歇，将行将歇的松弛感跃然纸上。远景丘峦层叠，村舍隐在林莽间，飞鸟划破淡云天色，草木枝蔓的写意线条鲜活又蓬勃，揉合了深秋郊野的清寂与乡居烟火气。\n\n红粉笔粗粝又柔润的笔触带着速写特有的即兴鲜活，将行猎途中的片刻驻留定格为充满生活质感的一隅，仿佛能嗅见郊野草木的涩意，听见马蹄轻踏泥土地的闷响，把乡野行旅的日常诗意娓娓道来。",[350,37,415,416,417,61,7,418,369],"马","犬","郊野","狩猎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c4f403eb1db791c874f595516a86bd5.jpg",[],{"id":422,"slug":423,"title":424,"dynasty":73,"author":229,"museum":75,"description":425,"tags":426,"thumbUrl":430,"material":92,"size":93,"collection":133,"collections":431,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":375},289062,"karel-van-mander-a-proverb-wealth-and-poverty-yi-ming-289062","Karel van Mander--A Proverb Wealth and Poverty","两位围坐木墩的年轻人正酣然谈笑、把酒寻欢，神态松弛沉溺，满是世俗富足的闲散意态。一旁佝偻的老者赤足拄杖而立，衣衫褴褛枯瘦，目光紧锁二人，眼尾翻涌着艳羡又苦涩的怅然。\n\n这幅素描以粗粝又传神的线条铺陈开强烈的贫富对照，淡晕的墨色晕染出郊野萧瑟底色，将市井冷暖直白铺展。耽于享乐的富足与窘迫失意的困顿并置，暗讽财富催生的沉溺慵懒，也道尽贫苦者的望尘莫及，潦草鲜活的笔触将世俗世情的辛辣藏在画面里，让贫富隔阂与荒诞跃然纸上。",[37,350,358,427,217,428,7,61,429],"饮酒","老者","贫富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a9a0efb288fb9f2cd484967e03ce265.jpg",[],{"id":433,"slug":434,"title":435,"dynasty":73,"author":229,"museum":75,"description":436,"tags":437,"thumbUrl":441,"material":92,"size":93,"collection":133,"collections":442,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},288613,"johannes-van-doetecum-the-elder-large-farm-with-draw-well-yi-ming-288613","Johannes van Doetecum the elder--Large Farm with Draw Well","这幅蚀刻版画以洗练的线条织就乡野日常。疏云漫过浅淡天际，两只飞鸟轻划开岑寂。错落的茅草农舍静立中央，石砌墙身带着朴拙肌理，窗棂与汲水井藏着细碎烟火。林木疏密有致，近旁高树舒展枝桠，远木虬枝错落，温柔框住农庄的松弛日常。创作者以细腻排线铺陈明暗，无刻板描摹，只凭蚀刻线条勾勒光影层次，将郊野的安恬定格，把乡居的闲散与静谧封存在纸面，晕开旧时光里的温柔质感。",[438,349,217,7,221,61,63,439,440],"版画","水井","土路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7dbfd2a833a6798f62501a844d54021.jpg",[],{"id":444,"slug":445,"title":446,"dynasty":73,"author":229,"museum":75,"description":447,"tags":448,"thumbUrl":453,"material":92,"size":93,"collection":133,"collections":454,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},288606,"jonas-umbach-december-one-of-a-series-representing-the-labors-yi-ming-288606","Jonas Umbach--December (one of a series representing the labors","这帧红粉笔素描以粗粝随性的笔触，定格乡野宰牲的日常图景。前景男女跪身合力制住生猪，紧绷的肩背肌肉线条，将蛮力拉扯的张力尽显。背景农舍下众人围忙，窗沿有人探首旁观，远处田舍错落、云绕疏林，乡野烟火气四下漫开。\n\n作者以利落排线铺陈体积光影，没有精雕细琢，却将村人协作的热络、劳作的憨直藏在笔痕中，把腊月农闲宰牲的鲜活瞬间凝在纸上，让乡土冬日的粗朴暖意顺着纸笔缓缓漫溢。",[350,449,392,217,7,450,321,451,162,452],"人物画","猪","户外","生活场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53d94d609ae4ec1f5320d53e322b0b86.jpg",[],{"id":456,"slug":457,"title":458,"dynasty":73,"author":229,"museum":75,"description":459,"tags":460,"thumbUrl":463,"material":92,"size":93,"collection":133,"collections":464,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},288603,"jonas-umbach-july-one-of-a-series-representing-the-labors-yi-ming-288603","Jonas Umbach--July (one of a series representing the labors","以红棕粉笔铺就乡野日常，前景农人与依偎的女子鼻尖相抵，缱绻不舍漫在松弛的笔触里，左侧同伴正打理农具，藏着奔赴田垄的匆忙。远景田埂间众人攒动，麦草垛高高堆起，错落村舍晕开质朴烟火。暖调笔触松弛细腻，没有繁复修饰，将农忙间隙的温柔相守，与田野间的劳作烟火揉作一处，把乡野日常里细碎鲜活的人情定格，晕开独属于旧时光田园的平凡暖意，让观者触摸到乡土劳作里的鲜活温度。",[350,37,7,62,321,461,206,217,392,462],"麦垛","农耕场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c947095d6846a6fd792e78f47cc500.jpg",[],{"id":466,"slug":467,"title":468,"dynasty":244,"author":469,"museum":75,"description":470,"tags":471,"thumbUrl":474,"material":92,"size":93,"collection":133,"collections":475,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},238461,"mian-yi-mian-hua-tu-ce-mian-yi-238461","绵亿棉花图册","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[25,56,123,57,58,37,59,61,126,472,331,304,7,473],"农耕劳作","田间","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff057bad01e43e5b3294d07a38b8ddb16.jpg",[],{"id":477,"slug":478,"title":479,"dynasty":73,"author":480,"museum":75,"description":481,"tags":482,"thumbUrl":485,"material":92,"size":93,"collection":133,"collections":486,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},232118,"de-jia-60-de-jia-232118","德加60","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[78,159,483,484,61,83,7,218],"乡村风光","风车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F820ac0a6fc8977aed7fc97410ee4c002.jpg",[],{"id":488,"slug":489,"title":296,"dynasty":244,"author":297,"museum":298,"description":299,"tags":490,"thumbUrl":496,"material":133,"size":309,"collection":133,"collections":497,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":136},223190,"geng-zhi-tu-ce-jiao-bing-zhen-223190",[25,301,58,57,37,7,491,492,493,494,495],"祭祀","耕织题材","民俗","木刻","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c9565c216a8094254b880d509fb0e66.jpg",[],{"id":499,"slug":500,"title":501,"dynasty":244,"author":502,"museum":75,"description":503,"tags":504,"thumbUrl":509,"material":92,"size":93,"collection":133,"collections":510,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":136},229749,"cao-su-gong-yu-zhi-geng-zhi-tu-shi-si-mo-cao-su-gong-229749","曹素功 御制耕织图诗籭墨","曹素功","曹素功（1615—1689年），原名圣臣，号素功，安徽歙县人，清代四大制墨名家之一。他早年潜心科举仕宦之途，因不遂心愿，便返乡以制墨为业。最初借用名家吴叔大的墨模和墨名，并开店营业，以后墨质和工艺造型日渐精良，名声亦渐远扬，其墨业更加兴旺。后移店至苏州、上海等地，常为权贵和名流定版制墨，在社会上层影响很大，被誉为“天下之墨推歙州，歙州之墨推曹氏”。",[505,506,57,507,319,7,508,58,340,204],"墨","雕刻","篆书","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cc52ec3dec9986d503aba988bfbd377.jpg",[],1777535713609]