[{"data":1,"prerenderedAt":702},["ShallowReactive",2],{"subject-pen-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},644,"pen-jing","盆景","盆景画高清赏析","精选中国历代盆景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9548f1b961fa9a61e08768051e92752b.jpg",0,64,[14,44,60,77,88,108,126,147,169,182,194,214,228,236,248,259,265,273,282,292,301,313,325,333,342,351,362,373,381,391,402,413,420,430,438,446,459,467,479,488,495,502,510,520,529,538,548,558,564,574,581,589,598,607,614,622,631,641,650,658,667,674,684,693],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},288272,"sui-chao-tu-zou-yi-gui-288272","岁朝图","清","邹一桂","藏地不详","邹一桂（1688-1772），清代画家。字元褒，号小山、二知、让卿、乡森子，江苏无锡人。雍正五年(1727)进士，官至礼部侍郎。擅工笔花卉。尝作《百花》卷，各系一诗。传世作品有《白梅山茶图》、《太古云岚图》、《水仙红梅图》等。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36],"国画","名画","立轴","书画","水墨","设色","工笔","花鸟","梅","松","蟹","器","印章","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b31be5ac75272346afebc37aa3b5b24.jpg","未知","Xcm*Xcm","",[],109,"BDBDBD",{"id":45,"slug":46,"title":47,"dynasty":18,"author":48,"museum":20,"description":49,"tags":50,"thumbUrl":55,"material":40,"size":40,"collection":56,"collections":57,"showCount":58,"zanCount":59,"manualWeight":11,"mainColor":43},238318,"pen-hua-si-yong-zhou-dong-gao-238318","盆花四咏轴","董诰","董诰（1740年－1818年），字雅伦，号蔗林，浙江省杭州府富阳县（今浙江省杭州市）人，生于顺天府（今北京市），清代大臣、书画家。工部尚书董邦达长子，与其父有“大、小董”之称。\n乾隆二十九年（1764）中举，隔年会试，名列一甲第三，得中探花，乾隆帝 将其改为二甲第一，作金殿传胪，形降实升。嘉庆四年（1799），董诰六十岁，以从庶吉士、编修、工部侍郎、军机大臣、东阁大学士等，擢为文华殿大学士（即宰相），钦赐“紫禁城骑马”。直军机先后四十年。董诰精书法，善绘画，更通晓军事。他五次归还故里，生活简朴，平易近人，从不倨傲，深为邻里称道。董诰卒于嘉庆二十三年（1818），终年七十九岁。\n董诰死后六天，嘉庆帝亲临祭奠，所写哀诗中有“只有文章传子侄，绝无货币置田庄”之句，并亲自拨款建立“董公祠”。",[23,25,29,28,51,52,31,7,35,30,53,54],"牡丹","水仙","山石","花盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F876b0af7bf8e0501b0f448f609ce86c3.jpg","书法精选",[56],48,1,{"id":61,"slug":62,"title":63,"dynasty":18,"author":64,"museum":20,"description":65,"tags":66,"thumbUrl":72,"material":38,"size":39,"collection":73,"collections":74,"showCount":75,"zanCount":59,"manualWeight":11,"mainColor":76},270515,"yao-bian-you-pen-yu-shi-he-hua-pen-jing-yi-ming-270515","窑变釉盆玉石荷花盆景","佚名","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[67,68,69,70,71,7],"陶瓷","玉石","雕刻","荷花","荷叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4309ecdb93eb52d598c88d6247e7df0.jpg","瓷器精选",[73],35,"795548",{"id":78,"slug":79,"title":80,"dynasty":18,"author":64,"museum":20,"description":81,"tags":82,"thumbUrl":85,"material":38,"size":39,"collection":40,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":76},270502,"la-mei-hua-shu-pen-jing-yi-ming-270502","腊梅花树盆景","此盆景以虬曲古枝摹写寒梅傲骨，苍褐枝干蜿蜒舒展，自带岁月浸养的古拙意趣。黄玉裁就的花瓣凝润如蜜，层层吐蕊，晕开暖融融的冬日生机；白石雕成的素花莹洁似雪，清雅柔润，与黄梅相映成趣，明暗错落间尽显雅致。\n\n珐琅彩花盆釉色鲜亮明丽，缠枝花卉纹饰繁而不俗，华贵雅致。盆间配搭小石，点缀枝叶，将天工原石与匠心工艺相融，把寒梅凌霜盛放之态定格案头，既有文人爱梅的清隽意韵，又尽显造办技艺的极致精巧，藏着旧时造物的顶尖审美。",[7,31,83,84,68],"花卉","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbe851f8f4fc38fdc6871dcc27a42b19.jpg",[],32,{"id":89,"slug":90,"title":91,"dynasty":18,"author":64,"museum":20,"description":92,"tags":93,"thumbUrl":105,"material":38,"size":39,"collection":40,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":76},241961,"kong-que-shi-qian-zhu-bao-peng-lai-xian-jing-pen-jing-yi-ming-241961","孔雀石嵌珠宝蓬莱仙境盆景","以孔雀石叠作仙山基座，皴染出海上洞天的嵯峨灵秀。金为枝干，缀满红蓝宝石、粉碧玺作仙苑珍果，朱红珊瑚立成丹林玉树，攒珍珠为琼花缀枝，玛瑙雕琢成芝草瑶葩。鎏金仙人造像衣袂飘然，灵鹤瑞禽驻足其间，把缥缈的仙家胜境凝缩在方寸之中。诸般珍宝巧嵌互衬，将极致工巧与道家寻仙的浪漫遐想融为一体，尽显清宫御作的奢华雅致，是陈设珍玩里的精工佳构。",[94,95,69,68,96,97,98,99,100,101,7,102,53,103,104],"清代","嵌珠宝","珠宝","仙境","山水","树木","人物","灵芝","瑞兽","嵌饰工艺","盆景艺术","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc8ff59c8d887945606129714c16be4d.jpg",[],24,{"id":109,"slug":110,"title":111,"dynasty":18,"author":64,"museum":20,"description":112,"tags":113,"thumbUrl":123,"material":38,"size":39,"collection":40,"collections":124,"showCount":125,"zanCount":11,"manualWeight":11,"mainColor":76},229787,"yu-hai-tang-shi-shui-xian-pen-jing-yi-ming-229787","玉海棠式水仙盆景","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[94,68,84,114,69,52,115,116,7,117,118,119,120,121,122],"金器","海棠形","蜻蜓","工艺摆件","珐琅工艺","金属工艺","玉质","珐琅饰","金饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52c932b6a8ad60fdb74d5157e29621b6.jpg",[],20,{"id":127,"slug":128,"title":129,"dynasty":18,"author":130,"museum":131,"description":132,"tags":133,"thumbUrl":142,"material":143,"size":144,"collection":40,"collections":145,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":76},222993,"hong-lou-meng-118-sun-wen-222993","红楼梦118","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[134,23,29,28,100,135,136,137,7,138,139,140,141],"高清","仕女","红楼梦","室内场景","家具","屏风","博古杂项","形神兼备","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F967feb5c933d55b587a121a9b5ff6ac2.jpg","绢本","纵43.3厘米、横76.5厘米",[],19,{"id":148,"slug":149,"title":150,"dynasty":18,"author":130,"museum":131,"description":132,"tags":151,"thumbUrl":166,"material":143,"size":144,"collection":40,"collections":167,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":43},222932,"hong-lou-meng-57-sun-wen-222932","红楼梦57",[134,29,28,152,100,153,154,155,7,53,83,139,156,157,34,158,159,160,161,162,163,164,165],"界画","古典家具","桌椅","花瓶","笔墨纸砚","衣帽","室内陈设","织物","梅花","兰花","瓷器","木质","文房四宝","陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd79bf9a8889fce822830210a88a8fab7.jpg",[],18,{"id":170,"slug":171,"title":172,"dynasty":18,"author":64,"museum":20,"description":173,"tags":174,"thumbUrl":179,"material":38,"size":39,"collection":40,"collections":180,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":76},270505,"qing-hua-chan-zhi-bao-xiang-hua-wen-hai-tang-shi-pen-bai-se-bo-li-mei-hua-pen-jing-yi-ming-270505","青花缠枝宝相花纹海棠式盆白色玻璃梅花盆景","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[67,175,176,177,178,7,83],"青花","缠枝宝相花","海棠式盆","玻璃梅花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5904a399893e7db9dfa49a6618018752.jpg",[],17,{"id":183,"slug":184,"title":185,"dynasty":18,"author":64,"museum":20,"description":186,"tags":187,"thumbUrl":191,"material":38,"size":39,"collection":40,"collections":192,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":76},245651,"jin-chang-fang-pen-mu-shi-song-he-pen-jing-yi-ming-245651","金长方盆木石松鹤盆景","鎏金长盆錾刻蝠纹环绕团寿，暗藏福寿绵长的吉庆寓意。苍松虬曲古雅，翠叶攒簇如盖，尽显傲霜之姿；金枝红梅灼灼绽放，明艳鲜活。紫晶石为花、青玉细草点缀其间，仙鹤独立松下，神态悠然自若。\n整体布局疏密相宜，华贵材质与文人雅趣相融，将岁寒三友的清雅意致与祥瑞寓意揉合为一。匠师以精妙工艺，把天然晶石与造办匠心完美结合，成就这件兼具陈设美感与美好祈愿的案上清玩，尽显东方美学的雅致厚重。",[7,114,69,28,32,188,189,190],"木","石","鹤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55f5194e186fdb9f2423e38a0c1e9733.jpg",[],15,{"id":195,"slug":196,"title":197,"dynasty":18,"author":64,"museum":20,"description":198,"tags":199,"thumbUrl":212,"material":40,"size":40,"collection":40,"collections":213,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":43},234390,"hong-li-shi-yi-shi-er-tu-zhou-yi-ming-234390","弘历是一是二图轴","工笔淡彩晕染出雅致书斋，主人凭榻安坐，仆从侍侧奉茶。博古架上瓷瓶书卷错落，案头盆景清供雅致静立，将文人闲居意趣铺陈开来。\n线条秀逸细腻，设色柔和平静，画面写实入微，又暗藏是一是二的禅意哲思。主人凝睇画像，物我交融的意境悄然流露，将古时文人士大夫观照自我的精神世界定格绢素，让人身临其境触摸旧日清贵的闲雅日常。",[23,28,29,100,98,164,138,200,201,202,7,203,204,137,205,206,207,208,209,210,211,139],"器物","桌案","榻","松树","梅枝","笔","墨","纸","砚","香炉","几案","盆栽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a85e7afac4f195c0df770e25d47790.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":64,"museum":20,"description":218,"tags":219,"thumbUrl":224,"material":38,"size":39,"collection":40,"collections":225,"showCount":226,"zanCount":11,"manualWeight":11,"mainColor":227},270522,"hua-fa-lang-pen-mi-la-gui-hua-pen-jing-yi-ming-270522","画珐琅盆蜜蜡桂花盆景","宝蓝地画珐琅盆身，遍饰缠枝彩纹，浓艳富丽，古韵悠然。盆中花枝错落，蜜蜡凝就的桂花层次丰盈，与玉质枝叶相映，深浅花色交织，将盛放之态摹写得鲜活生动。角落点缀瑞兽小饰，为静雅景致添了几分灵动意趣。整座盆景以料器工艺复刻花木生姿之态，写实细腻，将手工造物的匠心融于雅致陈设，尽显内敛华贵的工艺美学意蕴，是仿生摆件中的精巧之作。",[220,7,221,222,223],"琺瑯器","蜜蜡","桂花","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6943aa75fd1580fd29c14496bc331822.jpg",[],11,"37474F",{"id":229,"slug":230,"title":231,"dynasty":18,"author":64,"museum":20,"description":112,"tags":232,"thumbUrl":234,"material":38,"size":39,"collection":40,"collections":235,"showCount":226,"zanCount":11,"manualWeight":11,"mainColor":76},270487,"ti-hong-wei-jiao-chang-fang-pen-yu-shi-mei-hua-pen-jing-yi-ming-270487","剔红委角长方盆玉石梅花盆景",[233,68,160,7,69,223],"漆器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd844d4a7a42bb053b425a1b21b3ceac2.jpg",[],{"id":237,"slug":238,"title":239,"dynasty":18,"author":64,"museum":20,"description":240,"tags":241,"thumbUrl":245,"material":38,"size":39,"collection":40,"collections":246,"showCount":226,"zanCount":11,"manualWeight":11,"mainColor":247},270138,"tong-du-jin-qian-hua-fa-lang-chang-fang-pen-fei-cui-ye-shan-hu-ju-hua-pen-jing-yi-ming-270138","铜镀金嵌画珐琅长方盆翡翠叶珊瑚菊花盆景","以珊瑚雕琢为菊，朱红饱满，瓣层叠舒展，尽摹秋菊盛放之态。翡翠斫作叶片，莹润绿意晕染枝梢，随风轻曳生灵动之姿。盆中缀有色石塑就的山居小景，野趣横生。铜金长盆錾刻缠枝纹为饰，壁间嵌珐琅八宝图纹，宝光流转，富丽雅致。\n\n整器将天然珍玩与宫廷细作工艺相融，把清秋隽逸菊韵凝缩案头，华贵雅致间尽显极致匠心，是陈设赏玩的绝佳妙品。",[7,84,114,242,68,243,244,83],"铜制","珊瑚","菊花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d8fd0d19a1e8432f9fa17bec434cce7.jpg",[],"F48FB1",{"id":249,"slug":250,"title":251,"dynasty":18,"author":64,"museum":20,"description":252,"tags":253,"thumbUrl":256,"material":38,"size":39,"collection":40,"collections":257,"showCount":258,"zanCount":59,"manualWeight":11,"mainColor":227},270526,"fen-cai-ba-bao-wen-tong-shi-pen-yu-shi-bo-li-yu-lan-pen-jing-yi-ming-270526","粉彩八宝纹筒式盆玉石玻璃玉兰盆景","这件盆景重工巧作，铜胎珐琅盆身以湖蓝为底，缠枝莲纹间点缀八宝饰样，鎏金铺陈口沿、底足与兽耳，华贵雍容。盆中景致生机盎然，枝干摹拟枯木苍劲之态，白玉碾琢的玉兰花苞饱满、盛放舒展，温润莹洁如凝霜积雪。粉翠玉石雕琢的牡丹层叠娇妍，与通透玻璃花叶相映成趣，晕染出春日盛景。匠师以各色珍料摹写花姿，将玉石凝润、珐琅明丽融于一器，既有案上清供雅致之趣，尽显宫廷精工细作的华贵风貌，是清代仿生盆景的精妙之作。",[7,68,254,220,255,51,223,34],"玻璃","玉兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F782c21b69229cd58b6cb3bf8f720dc12.jpg",[],9,{"id":260,"slug":261,"title":63,"dynasty":18,"author":64,"museum":20,"description":65,"tags":262,"thumbUrl":263,"material":38,"size":39,"collection":73,"collections":264,"showCount":258,"zanCount":11,"manualWeight":11,"mainColor":76},270516,"yao-bian-you-pen-yu-shi-he-hua-pen-jing-yi-ming-270516",[67,68,70,7,34,69],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c2ee8be250a533b6a9f42cbe3b9f99a.jpg",[73],{"id":266,"slug":267,"title":268,"dynasty":18,"author":64,"museum":20,"description":112,"tags":269,"thumbUrl":271,"material":38,"size":39,"collection":40,"collections":272,"showCount":258,"zanCount":11,"manualWeight":11,"mainColor":76},270511,"yin-lei-si-qian-yu-shi-bo-li-pen-yin-ye-yu-shi-cha-hua-pen-jing-yi-ming-270511","银累丝嵌玉石玻璃盆银叶玉石茶花盆景",[7,34,114,270,68,84,31],"银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff0bf6c4bd181eedf2f586ac1148035e.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":18,"author":64,"museum":20,"description":112,"tags":277,"thumbUrl":280,"material":38,"size":39,"collection":40,"collections":281,"showCount":258,"zanCount":11,"manualWeight":11,"mainColor":43},270498,"hua-fa-lang-mei-hua-shi-pen-yu-shi-bo-li-hua-guo-pen-jing-yi-ming-270498","画珐琅梅花式盆玉石玻璃花果盆景",[220,68,278,7,279,83,117],"玻璃器","葡萄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d084fcd2ea8f94d078a4369625e9cbe.jpg",[],{"id":283,"slug":284,"title":285,"dynasty":18,"author":64,"museum":20,"description":112,"tags":286,"thumbUrl":289,"material":38,"size":39,"collection":40,"collections":290,"showCount":291,"zanCount":11,"manualWeight":11,"mainColor":227},270512,"yin-lei-si-qian-yu-shi-bo-li-pen-yin-ye-yu-shi-tao-hua-pen-jing-yi-ming-270512","银累丝嵌玉石玻璃盆银叶玉石桃花盆景",[7,270,68,220,287,83,288,117],"桃花","银累丝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd08fb25e10500e2e3215307fbc1832a2.jpg",[],8,{"id":293,"slug":294,"title":295,"dynasty":18,"author":64,"museum":20,"description":296,"tags":297,"thumbUrl":298,"material":38,"size":39,"collection":40,"collections":299,"showCount":300,"zanCount":11,"manualWeight":11,"mainColor":43},270503,"hua-fa-lang-wei-jiao-chang-fang-pen-bai-se-bo-li-shui-xian-pen-jing-yi-ming-270503","画珐琅委角长方盆白色玻璃水仙盆景","此盆景以珐琅盆为座，盆身绘缠枝花卉，填彩妍丽饱满，勾勒柔婉细腻，尽显珐琅工艺的华贵精巧。白色玻璃水仙冰姿莹润，瓣型舒展灵动，仿真肌理鲜活逼真，金属制叶片脉络分明，鎏金饰边晕出雅致光泽。旁生配花错落点缀，让整体疏密有致，层次丰盈。\n\n整作写实生动，将水仙清雅脱俗的气韵尽数彰显，把匠心工艺与花艺意趣相融，尽显案头清供的静雅意韵，是仿生盆景中的精巧之作。",[7,220,254,52,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc37acfcec93fa197b18f0e4bf7b892d9.jpg",[],7,{"id":302,"slug":303,"title":304,"dynasty":18,"author":64,"museum":20,"description":305,"tags":306,"thumbUrl":311,"material":38,"size":39,"collection":40,"collections":312,"showCount":300,"zanCount":11,"manualWeight":11,"mainColor":76},245520,"jin-qian-fa-lang-chang-fang-pen-chuan-zhu-mei-hua-pen-jing-yi-ming-245520","金嵌珐琅长方盆穿珠梅花盆景","虬曲梅枝古拙苍劲，以莹润珍珠缀作寒英，素洁雅致，暗合冬梅的冰清傲骨。旁侧粉碧玺荷花亭亭舒展，晕开柔丽水色，珊瑚灵芝鲜妍俏立，细草点缀生趣，将冬春意趣汇于一方。珐琅长盆纹饰精丽鎏金，华贵底色托衬雅意清供，工巧技法与文人意趣绝妙融合，在尺幅案头勾勒出幽澹隽永的小景，尽显雅致闲情。",[94,307,308,160,7,309,28,83,220,114,310,70,161],"金嵌珐琅","穿珠","珐琅盆","草木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07db6c2dc76fe745d31a4d6064492ff9.jpg",[],{"id":314,"slug":315,"title":316,"dynasty":18,"author":64,"museum":20,"description":112,"tags":317,"thumbUrl":322,"material":38,"size":39,"collection":40,"collections":323,"showCount":324,"zanCount":11,"manualWeight":11,"mainColor":227},270497,"bi-xi-hai-tang-jing-qia-si-fa-lang-qian-yu-bi-ping-yi-ming-270497","碧玺海棠景掐丝珐琅嵌玉壁瓶",[84,68,318,319,320,321,7,83],"掐丝珐琅","嵌玉","海棠","壁瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf4fedc2ce96c541729f69082461a108.jpg",[],6,{"id":326,"slug":327,"title":328,"dynasty":18,"author":64,"museum":20,"description":329,"tags":330,"thumbUrl":331,"material":38,"size":39,"collection":40,"collections":332,"showCount":324,"zanCount":11,"manualWeight":11,"mainColor":227},270147,"yin-lei-si-hai-tang-hua-shi-pen-shan-hu-mu-dan-pen-jing-yi-ming-270147","银累丝海棠花式盆珊瑚牡丹盆景","朱红珊瑚为干，遒劲舒展，莹润鲜亮。枝桠间缀满玛瑙、翡翠、碧玺雕就的花叶佳果，五色错落，鲜活灵动。树下碧玉堆叠成苔石，衬得珊瑚愈显妍丽。银累丝花盆錾刻精细纹饰，鎏金边晕开华贵底色。\n\n诸般珍宝巧思糅合，精工细作，将盆栽清雅意趣与皇家造物的极致奢华相融，尽显工艺匠心，藏东方花艺造物之灵秀雅致。",[34,7,243,51,270,69,68],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4492a2316f0e21e7967786bd39ec0e93.jpg",[],{"id":334,"slug":335,"title":336,"dynasty":18,"author":64,"museum":20,"description":337,"tags":338,"thumbUrl":340,"material":38,"size":39,"collection":40,"collections":341,"showCount":324,"zanCount":59,"manualWeight":11,"mainColor":43},270142,"bi-xi-tao-shu-pen-jing-yi-ming-270142","碧玺桃树盆景","老树虬枝苍劲古朴，以碧玺琢成的桃实凝泽饱满，缀于枝头；玉石裁就的花苞嫩叶点缀其间，晕开将绽未开的春日生机。下层配植金石花卉，细茎挺秀，瓣色妍丽，花叶错落叠映出鲜活意趣。\n花盆以珐琅满饰缠枝粉莲，宝蓝底色衬得花团秾艳华贵，描金边棱勾勒端庄器型。整件作品集玉雕、錾花、珐琅工艺于一身，将桃林春景凝缩案头，尽显雅致华贵，藏着旧时案头清供的风雅意韵，是匠师精工巧思的缩影。",[220,68,7,339,287,51,69,83,223,34],"桃树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99612eefd327845c8ea6a838fd93360f.jpg",[],{"id":343,"slug":344,"title":345,"dynasty":18,"author":64,"museum":20,"description":112,"tags":346,"thumbUrl":348,"material":38,"size":39,"collection":40,"collections":349,"showCount":350,"zanCount":59,"manualWeight":11,"mainColor":227},270513,"bi-yu-pen-yu-shi-hai-tang-hua-pen-jing-yi-ming-270513","碧玉盆玉石海棠花盆景",[68,347,7,320,83,69,34],"碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70a75062aa59ed503d40f0ae877c4965.jpg",[],4,{"id":352,"slug":353,"title":354,"dynasty":18,"author":64,"museum":20,"description":355,"tags":356,"thumbUrl":360,"material":38,"size":39,"collection":40,"collections":361,"showCount":350,"zanCount":11,"manualWeight":11,"mainColor":76},270510,"cheng-cha-xian-ren-pen-jing-yi-ming-270510","乘槎仙人盆景","这件盆景以古木槎为骨，珠玉翠料攒作花枝，垂悬的珠果莹润灵动，晕开清润仙气。中央仙人衣袂飘然，敛目安坐，神态恬然超逸。两侧鎏金珐琅宝瓶，插满百宝缀成的花树，宝光交错间尽显华贵。下方绿釉底座塑出水芙蕖，菡萏亭亭、莲叶柔卷，漾出江南水泽的清灵意韵。它集木雕、珐琅与玉石镶嵌工艺于一体，将世外仙隐的悠然意趣，与清代极致造办精工相融，以人工匠造描摹世外清境，尽显盛世匠人的绝佳工艺与浪漫遐思。",[357,7,358,70,99,83,68,69,223,359,211],"神话人物","仙人","珠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd986d89b343e54cb932b0f47b6716487.jpg",[],{"id":363,"slug":364,"title":365,"dynasty":18,"author":64,"museum":20,"description":366,"tags":367,"thumbUrl":371,"material":38,"size":39,"collection":40,"collections":372,"showCount":350,"zanCount":11,"manualWeight":11,"mainColor":76},270488,"tong-du-jin-qian-bai-yu-ba-bao-hai-tang-shi-pen-yu-shi-lan-hua-pen-jing-yi-ming-270488","铜镀金嵌白玉八宝海棠式盆玉石兰花盆景","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[7,68,161,368,369,370,69,223],"铜镀金","白玉","海棠盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fabf090413018a95b1dba91bde65e24.jpg",[],{"id":374,"slug":375,"title":376,"dynasty":18,"author":64,"museum":20,"description":366,"tags":377,"thumbUrl":379,"material":38,"size":39,"collection":40,"collections":380,"showCount":350,"zanCount":11,"manualWeight":11,"mainColor":76},270486,"tong-du-jin-qian-bai-yu-ba-bao-hai-tang-shi-pen-yu-shi-mei-hua-pen-jing-yi-ming-270486","铜镀金嵌白玉八宝海棠式盆玉石梅花盆景",[7,68,114,242,160,69,223,369,378,177],"八宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aa52fdf470ae4b7b6e20b2776bbb8fd.jpg",[],{"id":382,"slug":383,"title":384,"dynasty":18,"author":64,"museum":20,"description":385,"tags":386,"thumbUrl":389,"material":38,"size":39,"collection":40,"collections":390,"showCount":350,"zanCount":11,"manualWeight":11,"mainColor":43},270137,"ti-hong-tong-shi-pen-xiu-yan-shi-wan-nian-qing-pen-jing-yi-ming-270137","剔红筒式盆岫岩石万年青盆景","这件盆景工致精妙，剔红筒盆朱红莹润，满刻缠枝纹与回纹锦地，古雅端庄。岫岩玉琢为万年青叶，凝脂般清透莹润，脉络宛然，舒展间自带隽雅风姿。挺秀花茎上，攒簇珊瑚小花丹红似火，鲜活灵动，暗合长青纳福的吉庆寓意。\n\n盆面错落陈设玉石、玛瑙雕就的芝草灵菇，配搭镂雕木株，野趣横生，更衬出主体清雅端方。它集雕刻、宝玉镶嵌工艺于一体，将人工匠心与天然意趣融于一炉，尽显清代工艺的卓绝水准，藏着岁岁长安的美好祈愿。",[7,233,69,68,387,388],"万年青","摆件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba528c72b61d768a58440000cb9cf1ef.jpg",[],{"id":392,"slug":393,"title":394,"dynasty":18,"author":64,"museum":20,"description":395,"tags":396,"thumbUrl":400,"material":38,"size":39,"collection":40,"collections":401,"showCount":350,"zanCount":11,"manualWeight":11,"mainColor":76},245373,"jin-chang-fang-pen-mu-shu-pen-jing-yi-ming-245373","金长方盆木树盆景","苍劲木干虬曲舒展，粉晶梅花攒簇枝头，柔润胭色将春日凝缩在枝桠间。翠羽小鸟停驻其上，为静景添上灵动生气。盆中玛瑙灵芝艳若丹霞，青玉细竹修长清雅，各色珍石相映成趣，暗合岁寒三友的风雅意涵。\n\n鎏金长盆錾刻蝠纹环绕团寿，华贵工致。这方案头盆景将文人情趣与宫廷工巧相融，把融融春意封存在案几之上，未触便觉暗香浮动，尽显旧时造物的绝妙匠心。",[94,114,163,160,397,398,53,7,69,399,28],"鸟","竹子","镶嵌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68a6f0eaeabe22c7f5cb9203109a566b.jpg",[],{"id":403,"slug":404,"title":405,"dynasty":18,"author":64,"museum":20,"description":112,"tags":406,"thumbUrl":410,"material":38,"size":39,"collection":40,"collections":411,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":76},270518,"hong-mu-qian-yu-chang-fang-pen-bi-xi-pu-tao-pen-jing-yi-ming-270518","红木嵌玉长方盆碧玺葡萄盆景",[7,68,69,279,407,223,408,409],"红木","藤蔓","假山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbec5f434d136f09371fe0a21a728d909.jpg",[],3,{"id":414,"slug":415,"title":276,"dynasty":18,"author":64,"museum":20,"description":112,"tags":416,"thumbUrl":418,"material":38,"size":39,"collection":40,"collections":419,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":43},270499,"hua-fa-lang-mei-hua-shi-pen-yu-shi-bo-li-hua-guo-pen-jing-yi-ming-270499",[220,68,278,7,100,417,211],"花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F128110109bf17f21c97e6f2a74d12d7e.jpg",[],{"id":421,"slug":422,"title":423,"dynasty":18,"author":64,"museum":20,"description":424,"tags":425,"thumbUrl":428,"material":38,"size":39,"collection":40,"collections":429,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":227},270492,"tong-du-jin-qian-song-shi-yin-ding-shi-pen-shan-hu-shi-liu-hua-pen-jing-yi-ming-270492","铜镀金嵌松石银锭式盆珊瑚石榴花盆景","此作为清宫仿生花艺的上乘之作。鎏金铜胎珐琅盆身，满饰缠枝繁花，珐琅彩料明丽鲜亮，如意形足托起华贵气韵。紫檀虬枝古拙苍劲，珊瑚攒成石榴花，丹红似燃，尽显宝石的温润光泽。点翠叶片清碧莹润，将春日生机凝于枝桠。\n\n旁侧青金石菊花幽蓝沉静，与丹朱石榴相映成趣，更有细碎小花错落点缀，凭添野趣。以砂壤衬底，将诸般珍材谐和为一，把庭间鲜活秋景凝缩案头，既集宝石工艺的奢雅精巧，又兼具文人清供的隽逸意境，是匠心与美学交融的陈设佳制。",[7,242,114,84,243,426,427,244,30],"松石","石榴花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58682f107cacab046ccb5276bf90e12b.jpg",[],{"id":431,"slug":432,"title":239,"dynasty":18,"author":64,"museum":20,"description":433,"tags":434,"thumbUrl":436,"material":38,"size":39,"collection":40,"collections":437,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":43},270483,"tong-du-jin-qian-hua-fa-lang-chang-fang-pen-fei-cui-ye-shan-hu-ju-hua-pen-jing-yi-ming-270483","此作重工雅致，尽显奢华匠心。方盆珐琅彩饰繁丽精妙，宝光内蕴。金枝挺拔舒展，承托莹润翡翠叶片，似将清秋绿意凝于枝上。珊瑚煅就的艳红菊花，瓣层叠盛放，如将丹砂熔作花魂，热烈夺目。配景的小摆件雕琢入微，添了山居幽趣。\n天然珍宝与匠心工艺相融，把清秋菊景定格，既有文人赏菊的清雅意韵，又满溢华贵雍容的气度，是陈设佳器里的上乘之作。",[7,220,242,114,68,243,435,34],"菊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3b4eafd1b5f9138bad0beb0593e2eb2.jpg",[],{"id":439,"slug":440,"title":441,"dynasty":18,"author":64,"museum":20,"description":112,"tags":442,"thumbUrl":444,"material":38,"size":39,"collection":40,"collections":445,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":76},270482,"ti-hong-wei-jiao-chang-fang-pen-yu-shi-hai-tang-pen-jing-yi-ming-270482","剔红委角长方盆玉石海棠盆景",[7,233,69,68,320,435,102,443,83],"剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F780ee589a6720b6336da022f4930b984.jpg",[],{"id":447,"slug":448,"title":449,"dynasty":18,"author":64,"museum":20,"description":450,"tags":451,"thumbUrl":457,"material":38,"size":39,"collection":40,"collections":458,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":76},270418,"hua-lan-shi-pen-mu-diao-he-niao-pen-jing-yi-ming-270418","花篮式盆木雕荷鸟盆景","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[7,452,114,68,84,69,453,454,455,456],"木雕","象牙","兰","红果","蘑菇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37b84b42ba9b8e1abb2ccf55de96dab3.jpg",[],{"id":460,"slug":461,"title":462,"dynasty":18,"author":64,"museum":20,"description":463,"tags":464,"thumbUrl":465,"material":38,"size":39,"collection":40,"collections":466,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":76},270151,"yin-shuang-he-pen-jing-yi-ming-270151","银双鹤盆景","银鹤造型写实入微，翎羽纹理纤毫毕现。一鹤昂首远眺，身姿舒展挺拔，似在唳唳长鸣；一鹤垂首相顾，正轻理绒羽，温婉静雅。二者动静相映，将仙鹤出尘高洁的气韵尽数彰显。\n\n基座取江海叠石之形，浪涛纹饰灵动婉转，色彩晕染层次柔和，将仙鹤托于云水之间，既呼应仙鹤波上栖止的意趣，也晕开了烟波浩渺的悠远意境。整体融精巧錾刻工艺与祥瑞意象于一身，工致典雅间寄托着长寿嘉祥的美好祈愿，尽显旧时工艺的极致匠心。",[270,190,69,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa58f67c42146073855722586856c5358.jpg",[],{"id":468,"slug":469,"title":470,"dynasty":18,"author":64,"museum":20,"description":471,"tags":472,"thumbUrl":477,"material":38,"size":39,"collection":40,"collections":478,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":76},245647,"jin-chang-fang-pen-mu-shi-tao-lu-pen-jing-yi-ming-245647","金长方盆木石桃鹿盆景","此盆景金盆錾刻蝠纹拱寿，流光溢彩华贵端庄。木枝桃树遒劲苍古，翠叶舒展间，玛瑙与碧玉寿桃垂缀枝头，饱满莹润，鲜活如生。配景以玉石雕就灵鹿，憨态可掬静立一隅，衬以玛瑙花与翠色仙草，错落生趣。\n它集雕琢、錾镶工艺于一身，将长寿、福禄的吉庆寓意藏于细节，把匠心巧思融于雅致陈设中，尽显工艺卓绝精巧，是东方吉祥意涵与造物美学融为一体的绝佳摆件。",[473,69,114,163,189,474,475,476,7],"工艺","桃","鹿","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaa865d3e9a3f4ce455932e57c344cd7.jpg",[],{"id":480,"slug":481,"title":482,"dynasty":18,"author":64,"museum":20,"description":112,"tags":483,"thumbUrl":485,"material":38,"size":39,"collection":40,"collections":486,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":76},270520,"zan-tai-fa-lang-tong-shi-pen-bi-yu-wan-nian-qing-pen-jing-yi-ming-270520","錾胎珐琅筒式盆碧玉万年青盆景",[220,7,387,347,484],"錾胎珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13755cf885248ece0978fe67bbb71984.jpg",[],2,{"id":489,"slug":490,"title":491,"dynasty":18,"author":64,"museum":20,"description":112,"tags":492,"thumbUrl":493,"material":38,"size":39,"collection":40,"collections":494,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":227},270517,"bi-yu-pen-bi-xi-ju-hua-pen-jing-yi-ming-270517","碧玉盆碧玺菊花盆景",[68,69,7,435,34],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04be41f2e8a705e7c977950610f70074.jpg",[],{"id":496,"slug":497,"title":498,"dynasty":18,"author":64,"museum":20,"description":112,"tags":499,"thumbUrl":500,"material":38,"size":39,"collection":40,"collections":501,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":76},270514,"bi-yu-pen-shan-hu-ju-hua-pen-jing-yi-ming-270514","碧玉盆珊瑚菊花盆景",[7,68,243,244,69,34,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F651a8f257b61cc393a9eba76bcbf2683.jpg",[],{"id":503,"slug":504,"title":505,"dynasty":18,"author":64,"museum":20,"description":112,"tags":506,"thumbUrl":508,"material":38,"size":39,"collection":40,"collections":509,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":227},270491,"tong-du-jin-qian-yu-shi-bo-li-hai-tang-shi-pen-yu-shi-song-shu-pen-jing-yi-ming-270491","铜镀金嵌玉石玻璃海棠式盆玉石松树盆景",[7,203,68,368,84,223,177,507],"玉石雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F645231127b84e654eaac26b779fcf8eb.jpg",[],{"id":511,"slug":512,"title":513,"dynasty":18,"author":64,"museum":20,"description":514,"tags":515,"thumbUrl":518,"material":38,"size":39,"collection":40,"collections":519,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":76},270150,"huang-yang-mu-qian-bo-li-pen-ran-gu-san-xing-pen-jing-yi-ming-270150","黄杨木嵌玻璃盆染骨三星盆景","葫芦形黄杨木框架温润雅致，以玻璃为界，将蓬莱胜景凝缩在方寸之间。下层湖石隐立、亭台静伫，草木点缀出园林幽趣；上层仙者乘云而来，染骨嵌饰让衣袂似携云气，鲜活灵动。暖棕木色、通透玻璃与明丽染骨相映成趣，将人间清景与世外仙乡融为一体，把祈福的美好意涵藏进案头清玩里，静立便似将瑶池云岫缩于手边，尽显工艺的精巧灵秀，藏着古人对仙境的遐思与温柔祈愿。",[34,163,69,453,516,100,7,517],"亭","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F275ed24507cdbce240c5d257cc9b9d4b.jpg",[],{"id":521,"slug":522,"title":523,"dynasty":18,"author":64,"museum":20,"description":524,"tags":525,"thumbUrl":527,"material":38,"size":39,"collection":40,"collections":528,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":43},270146,"ran-ya-shui-xian-hu-shi-pen-jing-yi-ming-270146","染牙水仙湖石盆景","此件盆景工艺极尽工巧，染牙水仙莹白带润，瓣边晕出柔浅鹅黄，舒展灵动，仿若将水仙盛放的清雅瞬间定格。翠绿叶片修长挺括，鲜活质感十足，将凌波仙子脱俗姿态复刻传神。配搭黝黑嶙峋的湖石，瘦皱通透，与纤秀水仙相映，衬出雅致意趣。\n\n木盆回纹繁而不乱，古雅端庄，承托整体景致更显沉静。整作配色清新和谐，写实精妙，将文房清供的隽雅意境尽数铺展，尽显清代仿生盆景工艺之精巧，把水仙疏韵与文人意趣凝在一方小景之中。",[7,69,453,52,526,34],"湖石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbea1ec7eb8fa8bd23e2a556e71446967.jpg",[],{"id":530,"slug":531,"title":532,"dynasty":18,"author":64,"museum":20,"description":533,"tags":534,"thumbUrl":536,"material":38,"size":39,"collection":40,"collections":537,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":43},270063,"tong-du-jin-pen-hong-shan-hu-pen-jing-yi-ming-270063","铜镀金盆红珊瑚盆景","这盆盆景以深海红珊瑚为主体，朱红莹润的色泽如同凝住的云霞，虬曲舒展的枝桠天然摹写出古木苍劲的姿态，将深海灵韵搬至案头，自带山海间的清奇野趣。\n\n铜镀金盆身錾刻细密卷草纹，开光处珐琅设色晕染雅致，湖石花木意趣悠然，人工巧思贴合天然造物，将精工华贵与清雅意致相融。静立之间尽显旧日案头清供的雍容雅致，是天工与匠心碰撞出的上乘佳器。",[7,535,368,84,223],"红珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F961e2393df258ab67a51b315fcd3ff34.jpg",[],{"id":539,"slug":540,"title":541,"dynasty":18,"author":64,"museum":20,"description":542,"tags":543,"thumbUrl":546,"material":38,"size":39,"collection":40,"collections":547,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":227},246199,"hei-qi-miao-jin-jiao-ye-wen-ling-zhi-pen-jing-yi-ming-246199","黑漆描金蕉叶纹灵芝盆景","此作是清隽雅致的案头珍玩。盆身髹黑漆为底，描金绘就蕉叶缠枝纹饰，金彩莹亮，在沉郁底色衬托下尽显华贵端庄，线面排布工整细腻，尽显匠人之工。芝株枝干仿天然虬曲苍劲，铜鎏金灵芝朵朵饱满莹润，仿若撷取仙山灵草移至案头，既有写实生趣，又承载着祥瑞长寿的美好寓意。整器将金属细工与漆作工艺精妙融合，雅静古拙中透着规整工细，陈设于案上自带清贵文气，尽显中式古典赏玩器物的含蓄风雅。",[233,544,101,545,7],"描金","蕉叶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F715ed399ba1758d6f5fca27c7f51e201.jpg",[],{"id":549,"slug":550,"title":551,"dynasty":18,"author":64,"museum":20,"description":552,"tags":553,"thumbUrl":556,"material":38,"size":39,"collection":40,"collections":557,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":227},270525,"qing-jin-shi-chang-fang-pen-shan-hu-zhi-mi-la-miao-shi-shan-zi-pen-jing-yi-ming-270525","青金石长方盆珊瑚枝蜜蜡苗石山子盆景","以青金石为盆，幽蓝间凝着斑驳色泽，自带沉静古意。朱红珊瑚虬枝舒展，似枯木逢春，横斜生姿，将深海灵韵化作案头佳木。蜜蜡叠作层岩，凝腻温润；松石点缀如苔草幽石，翠色柔化了朱红与赤褐的厚重。\n\n整体排布错落谐和，把山海珍宝裁为案上清供，将天然灵材糅合中式盆景的写意意趣，尽显巧思匠心，将深壑林泉的雅致意境缩于方寸之间，藏着旧时文人案头赏玩的闲情雅致。",[7,34,69,68,243,221,554,555],"青金石","石山子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa424a361cdd1fa15249ed001ae7752fa.jpg",[],{"id":559,"slug":560,"title":482,"dynasty":18,"author":64,"museum":20,"description":112,"tags":561,"thumbUrl":562,"material":38,"size":39,"collection":40,"collections":563,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":76},270521,"zan-tai-fa-lang-tong-shi-pen-bi-yu-wan-nian-qing-pen-jing-yi-ming-270521",[220,7,347,387,484,34],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46aab320eeb7a3c7944fb4435323049a.jpg",[],{"id":565,"slug":566,"title":567,"dynasty":18,"author":64,"museum":20,"description":112,"tags":568,"thumbUrl":572,"material":38,"size":39,"collection":40,"collections":573,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":76},270509,"mu-diao-shan-zi-shan-hu-shou-xing-yu-shi-hua-hui-pen-jing-yi-ming-270509","木雕山子珊瑚寿星玉石花卉盆景",[69,452,7,569,68,243,83,570,435,163,571],"寿星","竹","雕刻工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F890db49acca6c0071f78f84545d96a3c.jpg",[],{"id":575,"slug":576,"title":577,"dynasty":18,"author":64,"museum":20,"description":112,"tags":578,"thumbUrl":579,"material":38,"size":39,"collection":40,"collections":580,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":76},270508,"bi-yu-pen-yu-shi-shan-hu-ju-hua-pen-jing-yi-ming-270508","碧玉盆玉石珊瑚菊花盆景",[68,243,347,7,244,223],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facbe4aaa09a0ef3f48298853431545eb.jpg",[],{"id":582,"slug":583,"title":584,"dynasty":18,"author":64,"museum":20,"description":173,"tags":585,"thumbUrl":587,"material":38,"size":39,"collection":40,"collections":588,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":76},270506,"qing-hua-chan-zhi-bao-xiang-hua-wen-hai-tang-shi-pen-huang-se-bo-li-mei-hua-pen-jing-yi-ming-270506","青花缠枝宝相花纹海棠式盆黄色玻璃梅花盆景",[67,7,160,175,176,586],"玻璃工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F039b4eb8c9659a6e908d63f8dc2dc455.jpg",[],{"id":590,"slug":591,"title":592,"dynasty":18,"author":64,"museum":20,"description":593,"tags":594,"thumbUrl":596,"material":38,"size":39,"collection":40,"collections":597,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":76},270504,"hua-fa-lang-wei-jiao-chang-fang-pen-bo-li-xuan-cao-pen-jing-yi-ming-270504","画珐琅委角长方盆玻璃萱草盆景","盆身珐琅彩绘缠枝繁花，开光留白题字添古雅意趣。橙褐玻璃萱草舒展如沐朝晖，色阶渐变灵动鲜活。莹白玉雕素花点缀其间，似凝露初绽，衬以点翠细枝，深浅碧色错落晕染。下承雕花漆座，朱红底托提亮整器格调。\n以人工攒花复刻天工意趣，将料器、玉雕、点翠诸般工艺集于一炉，尽显造办匠心。案头小景藏纳生机，华贵精巧间不失娴静清供之美。",[7,220,595,83,117,68,254],"萱草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F618cbc3376d16d485bdc1f5806068fb6.jpg",[],{"id":599,"slug":600,"title":601,"dynasty":18,"author":64,"museum":20,"description":602,"tags":603,"thumbUrl":605,"material":38,"size":39,"collection":40,"collections":606,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":227},270152,"dai-shan-tong-he-pen-jing-yi-ming-270152","带山铜鹤盆景","两只丹顶仙鹤情态各异，一鹤挺身伫立，昂首远眺尽显清傲风骨，一鹤垂颈偎依，似在私语流露柔婉意趣。铜胎施色精妙，玄色翎羽晕开幽蓝光泽，丹顶朱红鲜亮醒目，将仙鹤的灵秀神韵复刻传神。假山底座皴石逼真，缀饰细草生趣盎然，搭配漆器底座更衬古雅质感。\n\n整体动静相生，以仙鹤寄寓长寿祥瑞的美好祈愿，把工艺巧思与吉祥意趣相融，尽显清隽雅致的格调，是兼具审美价值与文化意涵的精巧造物。",[604,69,190,7,53],"铜器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F967c4c8bdfe1829b297ec201b4359853.jpg",[],{"id":608,"slug":609,"title":610,"dynasty":18,"author":64,"museum":20,"description":112,"tags":611,"thumbUrl":612,"material":38,"size":39,"collection":40,"collections":613,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":227},270148,"tong-du-jin-qian-yu-shi-bo-li-pen-bo-li-ju-hua-pen-jing-yi-ming-270148","铜镀金嵌玉石玻璃盆玻璃菊花盆景",[7,244,68,242,220,254,83,223],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac8d9058c15aba9e6e0cc95f3c2d7b81.jpg",[],{"id":615,"slug":616,"title":617,"dynasty":18,"author":64,"museum":20,"description":618,"tags":619,"thumbUrl":620,"material":38,"size":39,"collection":40,"collections":621,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":227},270145,"fang-ge-you-pen-yu-shi-ju-hua-pen-jing-yi-ming-270145","仿哥釉盆玉石菊花盆景","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[67,68,244,7,223,34],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11c24256857d77e799673a3db93ad46f.jpg",[],{"id":623,"slug":624,"title":625,"dynasty":18,"author":64,"museum":20,"description":626,"tags":627,"thumbUrl":629,"material":38,"size":39,"collection":40,"collections":630,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":76},270143,"mi-la-fo-shou-pen-jing-yi-ming-270143","蜜蜡佛手盆景","苍褐木枝虬曲古雅，蜜蜡佛手色泽红润凝腻，肌理莹润写实，如将秋日佳果采撷案头。青玉裁为叶片，翠色通透鲜亮，与蜜蜡相映成趣，间缀细小花蕊，添得几分灵动生机。\n\n掐丝珐琅盆身以宝蓝为底，粉荷舒展、缠枝婉转，鎏金饰边勾勒出华贵气度，将玉石雅趣与宫廷珐琅工艺相融，以盆景定格祥瑞清趣，尽显清代造艺的精工雅致，是陈设雅玩中的绝妙之作。",[7,221,68,84,628,70,223],"佛手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2cfd573196b536d74015747cec2d415.jpg",[],{"id":632,"slug":633,"title":634,"dynasty":18,"author":64,"museum":20,"description":635,"tags":636,"thumbUrl":639,"material":38,"size":39,"collection":40,"collections":640,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":43},270141,"qia-si-fa-lang-tao-fu-shan-zi-pen-hong-shan-hu-pen-jing-yi-ming-270141","掐丝珐琅桃蝠山子盆红珊瑚盆景","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[220,318,7,535,474,637,638,34],"蝙蝠","寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09acd1a0b990a1923c40d23a98203c39.jpg",[],{"id":642,"slug":643,"title":644,"dynasty":18,"author":64,"museum":20,"description":645,"tags":646,"thumbUrl":648,"material":38,"size":39,"collection":40,"collections":649,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":227},270524,"hua-fa-lang-hai-tang-shi-pen-bai-shan-hu-pen-jing-yi-ming-270524","画珐琅海棠式盆白珊瑚盆景","它以深海白珊瑚为景，虬枝舒展宛若枯木逢春，天然肌理自带清隽风骨，将深海灵韵凝为案上疏朗雅致的山林意趣。珐琅盆身重工彩饰繁而不乱，开窗处花鸟灵动如生，宝蓝镶边提亮华贵气韵，墨色雕花底座沉稳古雅，稳稳托举这方小景。天工造物与人工巧思相融，既有天然珊瑚自带的清灵空寂之美，又饱含精细工巧的雅致格调，将山海意趣敛于案头，尽显中式清供雍容雅致的美学意涵。",[7,220,243,69,647],"枯树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed7f78ee2728621205245a5dc20109d9.jpg",[],{"id":651,"slug":652,"title":653,"dynasty":18,"author":64,"museum":20,"description":112,"tags":654,"thumbUrl":656,"material":38,"size":39,"collection":40,"collections":657,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},270519,"hong-mu-qian-yu-chang-fang-pen-zi-jing-pu-tao-pen-jing-yi-ming-270519","红木嵌玉长方盆紫晶葡萄盆景",[7,279,409,407,68,655,223,69,163],"紫晶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03226487e79f80c5f63472b90f173281.jpg",[],{"id":659,"slug":660,"title":661,"dynasty":18,"author":64,"museum":20,"description":662,"tags":663,"thumbUrl":665,"material":38,"size":39,"collection":40,"collections":666,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},270507,"mu-zuo-hai-shi-jun-mu-ling-zhi-pen-jing-yi-ming-270507","木座海石菌木灵芝盆景","这件盆景取法天然，以海石为桩，撑起一柄莹白菌盖，肌理舒展如层叠云袖，自带清灵之气。旁侧配两株赤红木灵芝，凝润厚重，与白菌形成冷暖相映的视觉层次，下方金黄小菌片点缀其间，更添生机。\n围栏式木座施以透雕，古雅端庄，将天造灵物与人工意趣相融，把山海间的清灵萃集案头，既藏着天然造物的野趣，又契合文房清供的雅致审美，尽显古人将林泉意趣收于几席的巧思。",[7,101,664,163,69,34],"海石菌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faacaa36eead9ad3e85637143e3721d34.jpg",[],{"id":668,"slug":669,"title":670,"dynasty":18,"author":64,"museum":20,"description":112,"tags":671,"thumbUrl":672,"material":38,"size":39,"collection":40,"collections":673,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},270493,"tong-du-jin-qian-yu-shi-bo-li-hai-tang-shi-pen-yu-shi-mei-hua-pen-jing-yi-ming-270493","铜镀金嵌玉石玻璃海棠式盆玉石梅花盆景",[7,242,114,68,254,84,160,101,163,69,223,34],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F269c31d1fe8d4c58fcc62321516d5db3.jpg",[],{"id":675,"slug":676,"title":677,"dynasty":18,"author":64,"museum":20,"description":678,"tags":679,"thumbUrl":682,"material":38,"size":39,"collection":40,"collections":683,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},270484,"ti-hong-ju-ban-shi-pen-hong-se-bo-li-tian-zhu-pen-jing-yi-ming-270484","剔红菊瓣式盆红色玻璃天竹盆景","此件仿生盆景，剔红菊瓣盆雕纹繁丽古雅，托举案间清趣。红色玻璃摹刻的天竹果实饱满鲜亮，朱色凝润，纤枝擎起串串丹实，如凝霞缀枝，灵动鲜活。兰叶柔韧舒展，浅黄柔花轻绽，与天竹错落相生，幽姿雅致。\n\n工匠以精妙匠心摹写草木之态，将玻璃、漆艺与仿生造花工艺相融，写实中暗含文人情趣，把案头清赏的雅致意蕴尽致诠释，尽显工艺雅致精巧，藏着东方文房的静美情致。",[233,69,7,680,681,117],"天竹","草叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35e780b32d64f6b66301ca3d269eac1c.jpg",[],{"id":685,"slug":686,"title":687,"dynasty":18,"author":64,"museum":20,"description":688,"tags":689,"thumbUrl":691,"material":38,"size":39,"collection":40,"collections":692,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},270062,"bai-shan-hu-pen-jing-yi-ming-270062","白珊瑚盆景","以天然白珊瑚摹写枯木之姿，虬枝肆意舒展，莹白似凝霜覆雪，自带清冷疏朗的林下意趣，恍若将崖畔冬景移至案头。深石雕座沉稳古雅，衬得珊瑚愈发素洁温润，点缀的微型造景又添几分灵动生机。\n\n下方花盆以五彩绘就花鸟景致，禽鸟顾盼生姿，花叶饱满鲜活，釉色明丽晕染自然，艳色恰好中和了珊瑚的清寂，雅与艳相映成趣。\n\n整体将山海灵物与匠造工巧相融，既有天然造物的朴拙意韵，又含案头清供的雅致格调，尽显对自然意趣的精妙捕捉与营造。",[7,690,67,30,34,223],"白珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F188281bed4e2c7f63abbd667fe723710.jpg",[],{"id":694,"slug":695,"title":696,"dynasty":18,"author":64,"museum":20,"description":697,"tags":698,"thumbUrl":700,"material":38,"size":39,"collection":40,"collections":701,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},245652,"jin-shao-lan-fang-hua-pen-yi-ming-245652","金烧蓝方花盆","虬曲老干自带苍古意趣，天然纹理尽显岁月雕琢的苍劲。枝头凝脂白玉为梅，莹润素洁，淡绿点饰花萼，清雅动人。盆侧白玉仕女衣袂翩跹，仿佛正驻足嗅闻梅香，将赏梅幽情定格于案头。鎏金盆底錾刻缠枝宝纹，流光溢彩，衬得盆中景致愈发清逸出尘。\n\n这件作品融天然意趣与精工巧思为一体，把冬春梅景凝缩成案头清供，古木的浑朴厚重配玉雕的莹润灵秀，尽显东方雅致隽永的审美意韵，是极具匠心的文房雅玩精品。",[84,114,69,7,31,53,399,699,34],"植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34067f93bb7e13c35d2d38545e129253.jpg",[],1777535707367]