[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"subject-ping-min":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7849,"ping-min","平民","平民画高清赏析","精选中国历代平民题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69cc6fd0b4f42c884fbe86cc1b1ee9ac.jpg",0,2,[14,42],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":37,"size":38,"collection":39,"collections":40,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":41},238545,"chen-shu-hua-li-dai-di-wang-dao-tong-tu-qian-chen-qun-shu-zan-he-ce-chen-shu-238545","陈书画历代帝王道统图钱陈群书赞合册","清","陈书","藏地不详","陈书（1660～1736）字南楼，号上元弟子，晚号南楼老人，秀水（今浙江嘉兴）人，适海监钱纶光，善画花鸟虫草，家贫，卖画自给，教子甚严。以长子钱陈群诰封太淑人。\n陈书擅长人物、山水、花卉，书法也秀丽遒劲，诗文颇为精通。她成年后嫁于钱纶光为妻，钱氏为嘉兴望族，惜乎她的丈夫很早就离开了人间。她只能勤俭持家，夜来纺纱织布，苦度岁月，对于子女的教育从不放松，教子读经吟诗至深夜。其子钱陈群在她的精心培育下，在清康熙六十年中了进士，进入朝廷担任侍读学士等官职。陈书教子成名，自己画了一幅“夜纺授经图”，此图描绘夜深人静一边纺纱，一边教子读经，神态毕俱。这幅面得皇帝的赞赏，并题诗二首在画上，当时乾隆皇帝带头题诗称道这幅画，那些高官名人也纷纷题诗歌颂之。这幅令人瞩目的“夜纺授经图”，后来刻在石上，嵌在嘉兴中山路钱氏故居壁间，笔者曾见其拓本，原作是否存在，已不得而知。但其刻石仍保存在钱氏后裔手中。因在扩展中山路时有人看到其石刻完好地嵌在墙间，现钱氏故居已拆除，其旧址即现在中国银行嘉兴支行这块地基上。\n陈书在书画方面的造诣很高，笔墨娴雅，结构严谨。当时书画家评论她画的人物称得上逸品，画的山水、花卉称为神品，可见对她的评价相当高。陈书的子孙受她的影响也能书画，在笔墨技法上很像她，可以说一门数代继承家风。她的作品曾为清代皇室珍藏，流传民间也不少。嘉兴博物馆藏有她的花卉真迹，笔者在杭州、苏州、扬州等地也看到过她的作品。她的诗为人们所重视，《复庵吟稿》收集了她诗作的精华，流传至今。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7],"国画","书画","册","设色","工笔","人物","行书","书法","印章","楼阁","台阶","栏杆","帝王","臣子","未知","Xcm*Xcm","",[],"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":20,"description":48,"tags":49,"thumbUrl":56,"material":37,"size":38,"collection":39,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":41},288825,"pedro-orrente-thomas-of-villanova-archbishop-of-valencia-distributing-alms-yi-ming-288825","Pedro Orrente--Thomas of Villanova, Archbishop of Valencia Distributing Alms","不详","佚名","这幅红褐素描以质朴笔触铺陈出满溢慈悲的场景。前景中主教俯身递出施舍，指尖相触的瞬间定格了温厚善意，赤贫的乞者垂首承接，嶙峋脊背写尽困顿里的谦卑与感激。\n\n背景街巷里人群涌动，神职者将赈济递向簇拥的流民，喧闹烟火气与前景的静谧共情形成对照，让善举从个体温情延伸为普惠的悲悯。\n线条松弛却精准，主教衣褶的垂坠感勾勒出庄重气度，流民粗糙肌理以简笔带过，明暗晕染烘托出柔和光影层次，没有刻意修饰，却将信仰中的人道关怀刻入每一处细节，让慈善的温度跃然纸面。",[50,51,52,53,54,7,55],"宗教","人物画","素描","施舍","神职人员","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7775fcacbad573507be7004fb0c2e5d8.jpg",[],1,1777535797255]