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他的画风格潇洒，笔致跌岩，意境苍茫，无尘俗之气，以幽为其画特色。他善画云山墨戏，笔下的景色多是冷寞，幽闭，尘俗绝少的地方：高山奇峰，深谷幽涧，古树老屋，野水孤舟，给人以深沉、奇特和悲壮之感。他早年的画严谨，晚年不拘于形，用笔奔放，满含激情。传世不多，人以礼求之，始为出其一二。尝言：“太行、居庸天下之岩险，其雄杰奇丽，皆古之名画，余所顾见者今皆见之，而有以慊吾志，充吾操，吾非若世俗者区区而至也。”盖学仙之颖然者，由无形而有形，虽有形终归无形，画能如是，其至矣乎？",[23,24,25,27,28,29,81,57,206,82,7,207,208,209],"石径","树林","墨色","写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92196c9b18f889805fafd87dc1ac75a2.jpg","91.3x63.5厘米",[39,41],20,{"id":215,"slug":216,"title":217,"dynasty":49,"author":218,"museum":155,"description":219,"tags":220,"thumbUrl":225,"material":226,"size":227,"collection":163,"collections":228,"showCount":229,"zanCount":11,"manualWeight":11,"mainColor":115},288736,"xiao-xiang-ba-jing-tu-juan-er-wang-hong-288736","潇湘八景图卷二","王洪","全卷呈现出一种全景式的山水大观，其中并没有体现出有『八景』的各自样态，因其用意并不在于『八景』。相比之下，王洪的《潇湘八景图》各景独立成画，各个表现不同之意境，应当是接近于宋迪所绘之《潇湘八景图》的形式样态。",[54,24,26,27,142,221,57,222,61,223,7,224],"江岸","孤舟","江河","清幽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e14357e1abb377052d447c26398dbb0.jpg","未知","Xcm*Xcm",[],16,{"id":231,"slug":232,"title":233,"dynasty":49,"author":170,"museum":155,"description":234,"tags":235,"thumbUrl":239,"material":163,"size":163,"collection":163,"collections":240,"showCount":241,"zanCount":11,"manualWeight":11,"mainColor":115},227885,"shui-cun-lou-ge-tu-ye-yi-ming-227885","水村楼阁图页","此作以平远之法铺陈水村之景，水墨晕染间漫开烟霭濛濛的空寂氛围。近岸浅滩林木错落，村阁隐于繁荫之中，扁舟系于汀渚，渔人偶见，野趣自生。远景山峦在淡墨晕染里渐隐于烟岚，虚实相生，尽显江南水乡湿润清润的暮色闲情。笔墨简淡松灵，不刻意雕琢细节，以氤氲水墨烘托出悠远超脱的隐逸意趣，将水村的静谧安闲融在烟水空濛之中，尽显山水小品尚简尚意的审美意趣，观之如身临水乡，忘却尘俗喧嚣。",[23,24,25,27,55,29,236,191,28,237,57,33,238,61,82,7],"界画","楼阁","村落","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed4a8c6f80550372908613f813f541d8.jpg",[],12,{"id":243,"slug":244,"title":245,"dynasty":138,"author":246,"museum":247,"description":248,"tags":249,"thumbUrl":251,"material":252,"size":253,"collection":163,"collections":254,"showCount":255,"zanCount":11,"manualWeight":11,"mainColor":44},234808,"wu-men-zhu-jia-shou-yuan-fang-zhai-san-jue-ce-zhang-zhou-yuan-tu-ye-wen-jia-234808","吴门诸家寿袁方斋三绝册-长洲苑图页","文嘉","北京故宫博物院","此册页是吴门画家文嘉、文伯仁、陆治、陈道复为姓袁者六十大寿而绘的吴门一带的盛景，每位画家绘制五开，共20开，妹夫对开均有提拔。",[24,25,191,55,29,57,250,61,7,28],"河流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89a520d1397b390fe6e861f5cfb2c669.jpg","纸本，设色","22.2*26.7cm",[],11,{"id":257,"slug":258,"title":259,"dynasty":18,"author":170,"museum":260,"description":261,"tags":262,"thumbUrl":266,"material":37,"size":267,"collection":163,"collections":268,"showCount":255,"zanCount":11,"manualWeight":11,"mainColor":115},223448,"han-jiang-dai-du-tu-yi-ming-223448","寒江待渡图","美国纳尔逊阿特金斯艺术博物馆","这是一幅典型的、表达入仕愿望的待渡图，幅中烟岚中的台阁象征仕途，待渡人仿佛严阵以待般静立江岸，等待一只前来接引的小舟。另一种说法是：山中俨然而立的是寺观，待渡者相反是要表达出世的愿望。结合它所创作的元代，两种解释似乎都能成立。",[23,24,27,28,55,29,222,33,158,263,264,57,61,82,7,265],"寒江","渡头","石矶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e77f66f7f33d72e246016b5833f6c12.jpg","30x32厘米",[],{"id":270,"slug":271,"title":272,"dynasty":49,"author":170,"museum":155,"description":273,"tags":274,"thumbUrl":276,"material":226,"size":227,"collection":163,"collections":277,"showCount":278,"zanCount":11,"manualWeight":11,"mainColor":115},290480,"bi-geng-yuan-shan-shui-tu-yi-ming-290480","笔耕园山水图","此作截取山野一隅，以平远之法铺展幽寂溪林之景。坡岸苍松虬曲盘错，枝叶郁然，与周遭杂木错落成林，浅滩间苔石隐现，晕染出湿润水汽。远山以淡墨轻勾慢染，虚实掩映间，将咫尺尺幅拓出辽远空阔的意境。画面留白尽显溪面空濛，不见水波却溢出幽宁清寂。笔墨简淡清润，萧散澹泊，将寄情林泉的隐逸意趣凝于纨扇之上，尽显山水重韵尚意的雅致品格。",[23,275,24,142,27,28,81,89,106,7],"扇面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8a0612503b4a3be40e7a4d98ea02d82.jpg",[],10,{"id":280,"slug":281,"title":282,"dynasty":75,"author":283,"museum":284,"description":285,"tags":286,"thumbUrl":289,"material":195,"size":163,"collection":163,"collections":290,"showCount":291,"zanCount":11,"manualWeight":11,"mainColor":44},214494,"shui-mo-tu-ce-9-zheng-min-214494","水墨图册-9","郑旼","私人收藏","郑旼是清代著名的画家，他的水墨图册是一件著名的绘画作品，它描绘了中国传统的山水风景。\n\n这件作品的画风精细，色彩鲜艳，构图巧妙。画中的山水风景清新自然，体现了郑旼对自然的热爱和对传统文化的尊重。他运用了水墨画的特点，使得整件作品显得舒缓而优美。\n\n郑旼是清代著名的画家，他的作品擅长运用色彩和线条来表现自然的美感。在水墨图册中，他运用了清新的色彩和精细的线条来描绘山水风景，使得整件作品显得舒缓而美丽。同时，他还运用了巧妙的构图来表现山水的层次感，使得这件作品充满生命力和真实感。\n\n总的来说，郑旼的水墨图册是一件精美的绘画作品，它描绘了中国传统的山水风景，也体现了郑旼对自然的热爱和对传统文化的尊重。通过这件作品，我们不仅能感受到郑旼的画风魅力，还能了解中国传统的山水风情。",[23,24,25,191,27,29,287,57,61,7,35,288,34],"竹子","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95a3682411b8116be39a6cc0139523ee.jpg",[],8,{"id":293,"slug":294,"title":295,"dynasty":138,"author":296,"museum":297,"description":298,"tags":299,"thumbUrl":10,"material":163,"size":163,"collection":39,"collections":301,"showCount":302,"zanCount":11,"manualWeight":11,"mainColor":303},203026,"shan-shui-tu-ce-liu-du-203026","山水图册","刘度","上海博物馆","笔墨清润雅致，设色淡逸天成。近景枯树疏枝间错落村落人家，平坡浅渚与墨色山石相映；中景水面开阔，远山以淡墨晕染，层峦含烟，尽显平远之致。水畔疏林偶缀丹红几点，烟波浩渺处淡峰隐现，意境空濛悠远，蕴藉文人山水的宁静意趣，于简淡笔触间见深致。",[24,29,191,55,158,61,7,238,90,27,300,23],"疏林",[39],4,"d4c0a7",1777535722737]