[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"subject-ping-shui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13634,"ping-shui","平水","平水画高清赏析","精选中国历代平水题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff76a5128c80eb99da06818edf285693f.jpg",0,2,[14,42],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},288135,"fang-ni-yun-lin-gu-mu-tu-cha-shi-biao-288135","仿倪云林古木图","清","查士标","藏地不详","查士标，查士标（1615-1698） ，字二瞻，号梅壑、懒老、梅壑散人，安徽休宁人。安徽休宁人。\n查士标（1615-1698）与弘仁、孙逸、汪之瑞称“新安四大家”。在新安四家中，是位高产书画家，就技法而言，以他为最高，作品也最多。后流寓扬州、镇江、南京。善书画、工诗文、精鉴赏。工书画，精鉴别。用笔不多，惜墨如金。与弘仁、孙逸、汪之瑞称“新安四大家”。\n山水师法黄公望、吴镇、倪瓒、董其昌，笔墨疏简，格调秀远，书法受董其昌影响。在新安四家中，是位高产书画家，他学倪黄，但能广泛吸收前人各家各派画法。就技法而言，以他为最高，作品也最多。\n其作品高达百万，甚至数百万。\n最早提出“新安画派”名称的是清朝康熙所间的艺术理论家张庚，张庚之后，人多沿用，“新安画派”遂成定称。新安画派成员众多，力量雄厚。画艺可观者近80人，其中卓然自成一家者约有20人，分为四个层面：先驱程嘉燧、李永昌、李流芳；画派领袖僧渐江；鼎盛期主要成员方式玉、王瘭素、吴山涛、程邃、汪家珍、戴本孝、吴龙、顺田生、程正揆、郑旼、汪之瑞、孙逸、查士标、汪洪度、雪庄；现代后继者黄宾虹。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35],"高清","国画","水墨","山水","立轴","临摹","枯树","山石","远山","孤木","印章","书法","荒寒","未知","Xcm*Xcm","",[],12,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":18,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":55,"material":38,"size":38,"collection":38,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},201610,"shan-shui-zhou-hong-ren-201610","山水轴","弘仁","上海博物馆","画面构图疏朗旷远，悬崖峭壁之上，孤亭依枯树而立，清寂之韵扑面而来。笔墨以干笔淡墨见长，山石轮廓用刚劲线条勾勒，辅以简洁皴擦，质感坚凝；远处山峦淡墨晕染，层次空灵。平展水面无波，与远岫相映，更添空濛悠远之感。整体意境孤高淡远，既含自然真趣，亦藏画家遗世独立的心境，是新安画派清逸冷寂风格的典型呈现。",[24,26,50,51,52,53,29,54,7,18],"干笔淡墨","皴法","悬崖","孤亭","远岫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F755e9940189622221b98592b190c93cf.jpg",[],7,"c7b496",1777535790212]