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北宋大观宋徽宗命大臣编绘宣和殿所藏古器，修成《宣和博古图》三十卷。后人因此将绘有瓷、铜、玉、石等古代器物的图画，叫做“博古图”，有时以花卉、果品等装饰点缀。“博古图”有博古通今、崇尚儒雅之寓意，常用于书香门第或官宦人家的宅第装饰，这也造成了其在艺术品投资领域中不俗的地位。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7,39],"高清","国画","书画","设色","工笔","人物","松","石","梅","古物","器物","庭院","孩童","文人","桌案","古玩","花木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e71958042d8dd75fd60dcfa63880052.jpg","绢本,设色","","宋画精选",[43,45],"人物画精选",164,3,"795548",{"id":50,"slug":51,"title":52,"dynasty":53,"author":54,"museum":20,"description":55,"tags":56,"thumbUrl":65,"material":66,"size":67,"collection":68,"collections":69,"showCount":71,"zanCount":72,"manualWeight":11,"mainColor":73},222766,"shi-er-yue-ling-tu-7-yue-lang-shi-ning-222766","十二月令图（7月）","清","郎世宁","清院本版的“赏花”图是清佚名版《行乐图》中没有的，显然是新增的时令图，替换清佚名版的《三月赏桃图》。笔者将其命名为“赏花”，是根据其主景（近景）确定的。其文字介绍也说：“画中描绘了树木渐茂，百花竞放，人们在连绵的细雨中执伞顶笠，赏花、消遣的景象。”如果将其命名为“赏桃”，显然名不符实。其余时令图与《雍正十二月行乐图》的十一种图基本相同。说“基本相同”是因为也有不同之处，下面分别说明。\n1、在《行乐图》之《正月观灯图》中，雍正站在廊式围墙的大门间。在《月令图》之《正月观灯图》中，雍正站在围墙大门右边的廊下。\n2、在《月令图》之《二月踏青图》中，雍正前后的栏杆、围墙与《行乐图》之《二月踏青图》的不同。\n3、在《月令图》之《三月流觞图》中，其溪流右边的楼阁与《行乐图》之《四月流觞图》的不同。\n4、在《月令图》之《五月竞舟图》中，主要是雍正位于的高台凉亭与《行乐图》之《五月竞舟图》的不同。\n5、在《月令图》之《六月纳凉图》中，主要是雍正位于的高台楼阁与《行乐图》之《六月纳凉图》的不同。\n6、在《月令图》之《七月乞巧图》中，主要是雍正所处的房屋后面的树木、雾霭与《行乐图》之《七月乞巧图》的不同。\n7、在《月令图》之《八月赏月图》中，主要是雍正位于的高台楼阁的四周树木、山石与《行乐图》之《八月赏月图》的不同。\n8、在《行乐图》之《九月赏菊图》中，雍正所处房屋的月亮门前是石墙填土的高台院子。在《月令图》的《九月赏菊图》中，雍正所处房屋的月亮门前不是高台，而是山石低岸。\n9、在《行乐图》之《十月画像图》中，雍正所处房屋与对面房屋的通道没有栏杆。在《月令图》的《十月画像图》中，则有红色栏杆。\n10、在《行乐图》之《十一月参禅图》中，雍正所处房屋中有一排字画，靠墙的花几上有一件插了花的青铜觚，门口有一只雌孔雀。这些内容在《月令图》的《十一月参禅图》中都没有。\n11、在《行乐图》之《腊月赏雪图》中，鹿场左侧有九曲桥与对面相通。在《月令图》的《腊月赏雪图》中则没有",[23,27,26,57,28,58,59,60,61,34,7,62,63,64],"界画","楼阁","山水","树木","亭","栏杆","远山","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F425083d660510da46b778f7c49814e14.jpg","绢本设色","188.2*102.2cm","山水画精选",[68,70],"设色画精选",68,1,"FF9800",{"id":75,"slug":76,"title":77,"dynasty":53,"author":78,"museum":20,"description":79,"tags":80,"thumbUrl":99,"material":100,"size":101,"collection":42,"collections":102,"showCount":103,"zanCount":104,"manualWeight":11,"mainColor":105},223096,"zi-guang-ge-ci-yan-tu-juan-yao-wen-han-223096","紫光阁赐宴图卷","姚文瀚","乾隆二十五年（1761年），紫光阁修缮完成，乾隆下旨将平定准部、回部的100名功臣画像张悬于四壁。次年正月，乾隆皇帝又在此设庆功宴，王公贵族、文武大臣、蒙古族首领以及西征将士百余人出席。此幅描绘了当时宴庆的宏大场面。图中建筑借助西洋绘画手法而沿用中国画传统的手卷形式来表现。位于中南海内的紫光阁始建于明代，到清代成为皇帝阅射和殿试武举之所，乾隆时重修，至今依然保持着当年盛世的形貌，图画中之建筑与紫光阁实景两相对照，饶有情趣。",[23,27,26,57,28,58,81,60,82,83,84,34,85,86,87,88,89,90,91,92,93,94,95,96,97,7,98],"飞鸟","旗帜","帐篷","队列","宫殿式建筑","仪仗","人群","冬季树木","建筑群","台阶","红色服饰","蓝色服饰","黄色帐篷","落叶树","常绿树","旗帜飘扬","飞鸟群","围栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb785c231aa7f19856cb11465734c15e7.jpg","绢本，设色","纵45.7厘米，横486.5厘米",[],45,4,"BDBDBD",{"id":107,"slug":108,"title":109,"dynasty":110,"author":111,"museum":112,"description":113,"tags":114,"thumbUrl":125,"material":126,"size":127,"collection":68,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":48},237436,"bi-shu-qing-bo-zhou-wen-jia-237436","碧树晴波轴","明","文嘉","北京故宫博物院","文嘉（1501年～1583），字休承，號文水，南直隸蘇州府長洲（今江蘇蘇州）人。大書畫家文徵明次子。\n吳門派代表畫家。初為烏程訓導，後為和州學正。\n能詩，工書，小楷清勁，亦善行書。精於鑑別古書畫，工石刻，為明一代之冠。畫得徵明一體，善畫山水，筆法清脆，頗近倪瓚，着色山水具幽澹之致，間仿王蒙皴染，亦頗秀潤，兼作花卉。明人王世貞評：“其書不能如兄，而畫得待詔（文徵明）一體。”詹景鳳亦云：“嘉小楷輕清勁爽，宛如瘦鶴，稍大便疏散不結束，徑寸行書亦然，皆不逮父。”",[24,25,115,116,117,118,59,60,61,119,120,121,63,122,7,123,124],"立轴","水墨","皴法","文人画","水波","山石","枯树","近树","松树","溪流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9d9fc885c6617d281bea024eab1ab57.jpg","纸本","长88cm 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以准确地推求出灭点的具体位置，从而加强了平面画幅的立体、纵深效果，在有限的画面上扩展出无限的空间。此图册于乾隆三年（1738年）绘成后深得乾隆皇帝的赞赏。\n乾隆帝于六年谕令皇宫“造办处”的优秀匠人，如擅镶嵌技艺的常存，擅牙雕工艺的陈祖章、陈观泉父子及顾彭年、萧汉振等，以陈枚的这本图册为画稿，用象牙、玉石等进行雕刻。匠人们精雕细琢，密切结合牙雕和镶嵌的技艺特点，令画面层次分明，富有立体感。这件雕有103人的牙雕精品被称作“百美图”。乾隆皇帝在为它题写诗文时将其正式定名为《月曼清游》。",[24,25,159,27,26,28,206,58,146,7,62,141,140,207],"美人","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10589546004da7f4ecf501d448c867ca.jpg","未知","Xcm*Xcm",[],{"id":213,"slug":214,"title":215,"dynasty":216,"author":217,"museum":203,"description":218,"tags":219,"thumbUrl":227,"material":209,"size":210,"collection":42,"collections":228,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},232502,"he-er-bai-yin-161-he-er-bai-yin-232502","荷尔拜因161","不详","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[220,28,221,7,222,223,224,225,226],"宗教","古典柱式","素描","白描","写实","衣纹","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febf68bba6d2e01f3b32856493481879b.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":216,"author":217,"museum":203,"description":218,"tags":233,"thumbUrl":238,"material":209,"size":210,"collection":42,"collections":239,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":48},232463,"he-er-bai-yin-122-he-er-bai-yin-232463","荷尔拜因122",[220,28,222,224,234,235,236,237,7],"明暗","男性","荆棘冠","布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb594ac7d42eddca9762b2c904eb599d2.jpg",[],2,{"id":242,"slug":243,"title":244,"dynasty":216,"author":245,"museum":203,"description":246,"tags":247,"thumbUrl":255,"material":209,"size":210,"collection":42,"collections":256,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":105},232316,"a-er-ma-43-lao-lun-si-a-er-ma-ta-de-ma-232316","阿尔玛43","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[248,249,26,28,206,250,251,252,253,254,7,62],"油画","新古典主义","大理石","海景","蓝天","花卉","古典服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1472c4421ffd373363685a710dbbcf8b.jpg",[],{"id":258,"slug":259,"title":260,"dynasty":53,"author":19,"museum":261,"description":262,"tags":263,"thumbUrl":269,"material":41,"size":42,"collection":42,"collections":270,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":48},215997,"di-jian-tu-shuo-cai-hui-ben-8-yi-ming-215997","帝鉴图说彩绘本-8","法国国家图书馆","层叠的殿宇依山而建，朱红廊柱与青绿瓦当相映，蓝檐翘角衬着淡赭底色，晕染出古雅的宫廷气韵。上层殿堂内，端坐者似正凝思或训诫，侍从恭立两侧；下层松枝掩映，有人于水畔小亭对谈，或执卷沉思，动静相宜。画作以细腻笔触勾勒人物情态，明快设色铺陈场景，将历史典故转化为直观可感的画面，既见宫廷叙事的规整，又含生活气息的灵动，让帝王鉴戒的深意随笔墨流转，尽显传统彩绘本的艺术表现力与教化巧思。",[24,26,57,28,58,59,123,34,90,60,264,144,62,7,265,266,267,268],"草地","石阶","廊柱","门窗","人物活动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf7e366d9b7df0bc26401b4d5e0e5107.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":216,"author":245,"museum":203,"description":246,"tags":275,"thumbUrl":281,"material":209,"size":210,"collection":42,"collections":282,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":48},232315,"a-er-ma-42-lao-lun-si-a-er-ma-ta-de-ma-232315","阿尔玛42",[248,26,224,28,206,276,253,277,278,7,279,280],"乐器","藤蔓","柱子","地毯","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad7ebced2e4a9709ff372372d8ee2de5.jpg",[],{"id":284,"slug":285,"title":286,"dynasty":216,"author":19,"museum":203,"description":287,"tags":288,"thumbUrl":293,"material":209,"size":210,"collection":42,"collections":294,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":105},225492,"fu-shi-hui-250-yi-ming-225492","浮世绘250","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[289,26,290,28,58,123,7,291,292],"浮世绘","木刻","远景","屋顶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76778b4af551d3b43c6a13124673cca1.jpg",[],1777535724978]