[{"data":1,"prerenderedAt":307},["ShallowReactive",2],{"subject-qi-feng":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},187,"qi-feng","奇峰","奇峰画高清赏析","精选中国历代奇峰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9379624ab34494693db323230b352b99.jpg",0,20,[14,48,79,94,111,125,143,157,168,184,197,206,218,231,239,256,265,275,285,296],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":45,"zanCount":46,"manualWeight":11,"mainColor":47},219566,"xi-yuan-ya-ji-tu-chou-ying-219566","西园雅集图","明","仇英","大英博物馆","层叠奇峰拔地而起，晕染出幽寂高远的山境，霜林点丹、佳木凝翠，清溪蜿蜒穿绕岩谷。林麓间亭台隐现，雅集之人或立谈论艺，或执卷沉吟，侧旁侍童恭谨随侍，右下角二童煎茶添趣，将文人林下雅聚的闲逸意趣尽数铺陈。\n画作工细妍雅，设色清丽古润，以院体精工勾勒人物神态衣袂，又以文人画的萧散意韵晕染山水林泉，复刻出雅集的风流意气，将古今文人心心念念的林下清欢，凝于绢素之上，尽显古雅悠然的中式意趣。",[23,24,25,26,27,28,7,29,30,31,32,33,34,35,36,37,38],"高清","国画","名画","设色","工笔","山水","霜林","佳木","清溪","亭台","文人雅集","侍童","煎茶","闲逸意趣","古雅悠然","林下雅聚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0809efd85a8a77ee96ecfd1cf70ae5e.jpg","绢本,设色","纵127.90横54厘米","人物画精选",[42,44],"设色画精选",273,2,"795548",{"id":49,"slug":50,"title":51,"dynasty":52,"author":53,"museum":54,"description":55,"tags":56,"thumbUrl":71,"material":72,"size":73,"collection":74,"collections":75,"showCount":76,"zanCount":77,"manualWeight":11,"mainColor":78},233122,"sou-jin-qi-feng-tu-juan-shi-tao-233122","搜尽奇峰图卷","清","石涛","北京故宫博物院","画卷迎首处，石涛自题：“搜尽奇峰打草稿”，钤“老涛”。画尾的空白处，有石涛于画兴之余所题写的长篇画论：“郭河阳论画，山有可望者、可游者、可居者。余曰：江南江北，水陆平川，新沙古岸，是可居者。浅则赤壁苍横，湖桥断岸，深则林峦翠滴，瀑水悬争，是可游者。峰峰入云，飞岩堕日，山无凡土，石长无根，木不妄有，是可望者。今之游于笔墨者，总是名山大川未览，幽岩独屋何居？出郭何曾百里入室，那容半年交泛滥之酒杯，货簇新之古董，道眼未明，纵横习气安可辩焉？自之曰：此某家笔墨，此某家法派，犹盲人之示盲人、丑妇之评丑妇尔，赏鉴云乎哉。不立一法，是吾宗也，不舍一法，是吾旨也，学者知之乎。时辛未二月，余将南还客且憨斋，宫纸余案，主人慎庵先生索画并识请教，清湘枝下人石涛元济。”钤“苦瓜和尚”、“冰雪悟前身”、“石涛”。\n后隔水及尾纸，有墨香堂、陈奕禧、徐云、叶河音布等家题诗和题记。全幅钤鉴藏印数十方。\n此图是他50岁云游京师所作。图中有一段对长城的描绘，这不仅是长城图像首次在山水画中出现，同时，也印证了此画的写实性以及作者所提倡的师法造化“搜尽奇峰打草稿”的美学观。该画在表现上，于奇险中见雄浑，严谨处寓虚空。虽看似笔墨豪放，皴擦点染尽在无意，而在整体上却把握了峰峦层次，云气走向及林木隐现的神韵。特别是，它的构图虽然充塞满纸，却丝毫不失疏朗空灵，这的确是只有搜尽奇峰才能炼就出的本领。",[24,57,58,59,28,60,61,62,63,7,64,65,66,67,68,69,70],"书画","长卷","水墨","皴法","书法","印章","行书","山峦","河流","树木","山石","云雾","舟楫","屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2509a448a26e43ea37e9080967b1229.jpg","纸本，墨笔","纵42.8厘米，横285.5厘米","",[],118,1,"BDBDBD",{"id":80,"slug":81,"title":82,"dynasty":83,"author":84,"museum":85,"description":86,"tags":87,"thumbUrl":89,"material":40,"size":90,"collection":91,"collections":92,"showCount":93,"zanCount":77,"manualWeight":11,"mainColor":78},215110,"qi-feng-wan-mu-tu-yan-wen-gui-215110","奇峰万木图","宋","燕文贵","台北故宫博物院","这幅作品中除了峭拔的奇峰外，并未见有燕文贵画风的特点。而由山石的造型、皴法、树法、点苔、设色等，也都比较接近南、北宋之交院画家李唐的「江山小景」卷来看，应当是一幅南宋习自李唐风格的作品。\n登临高山之顶，一幕奇峰汇聚、林木茂盛、云雾蒸腾的景致，正置于观者眼前。大自然的神奇与灵秀，使得这一座座高耸峭拔的奇峰与挺劲丛生的松杉，看来犹如刺天入云的绿色天柱，由近至远，幽缈地在天地之间起落、绵延。",[23,24,25,57,88,59,26,28,66,7,60,68],"册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90ce2e5b35c1ba22aa5ee4dea5f39ab1.jpg","24.5 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中，有沈周影响的风格很少，可能早年作品亦多不存，所以难以知道。\n唐寅较为人所理解的，是拜画家周臣为师。研究认为他也许是在泄题案之后，才开始向周臣请益。由于周臣的画风远摹南宋画家李唐、刘松年，所以唐寅的作品也多被人认为有李刘风格。美术史对唐寅山水画的讨论中有周臣代笔的问题，目前仍没有比较清晰的理解。唐寅的作品以山水画、人物画出名，亦有花鸟竹石的作品存世。一般而言，都将唐寅的绘画风格分做三期，但由于许多有纪年的作品多集中在唐寅的晚年，早年的风格分期便有许多争议。唐寅 亦好，早年的书风比较靠近颜真卿，后来比较接近李邕、赵孟睢\n自明末以来，在讨论唐寅作品，均把他分到吴派，并与沈周、文征明、仇英等画家并称“吴门四家”，或称“明四大家”。但唐寅的画风与沈周、文征明并不相同，而严格来说，也不能将唐寅的风格迳归为吴派。因为相较于一般吴派多追随元四大家的画风，唐寅作品里元四家的影响相当的少，反而有比较多南宋院画家的影子。但多数的人，都称唐寅是揉合“南”、“北”的重要画家。",[23,24,57,101,26,60,28,7,151,152,120,66,67,137,68],"瀑布","小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83dc2042fc9030013065e4ae628ede20.jpg","75x56",[],33,{"id":158,"slug":159,"title":160,"dynasty":52,"author":53,"museum":54,"description":161,"tags":162,"thumbUrl":164,"material":72,"size":165,"collection":74,"collections":166,"showCount":167,"zanCount":11,"manualWeight":11,"mainColor":78},234047,"yuan-ji-qi-feng-tu-shan-ye-shi-tao-234047","原济奇峰图扇页","此幅应是原济晚年之作。图绘黄山两处重要景观莲花峰和文殊院。构图新颖大胆，极尽含蓄隐现之妙。画幅中部的莲花峰以“截取法”表现，重点刻画了交叠错落的山顶，其山腰以下的部分利用“无中生有”的艺术手法，通过虚无飘渺的白云将它隐去，从而反衬出此峰的高深与雄伟，令整个画面也由此成为一个烟云流动、气势壮丽而又深邃空灵的小世界。",[24,163,59,60,28,7,66,62],"扇面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a7869dbee107a474422c0cb53686895.jpg","纵17.5厘米，横49厘米",[],16,{"id":169,"slug":170,"title":171,"dynasty":172,"author":173,"museum":174,"description":175,"tags":176,"thumbUrl":10,"material":74,"size":74,"collection":91,"collections":181,"showCount":182,"zanCount":11,"manualWeight":11,"mainColor":183},203167,"fang-hong-ren-shan-shui-tu-zhou-feng-chao-ran-203167","仿弘仁山水图轴","近代","冯超然","上海博物馆","此图承弘仁山水之清冷孤峭，以劲挺线条勾勒奇峰怪石，折带皴法皴擦山石肌理，尽显岩壑峻拔之势。山间枯松虬曲，枝干如铁，与嶙峋山体相映成趣；溪流蜿蜒穿谷，茅舍隐于林麓，添几分烟火气却未破清寂。淡墨层层晕染，留白疏密有致，营造出空灵悠远的禅意。笔法简洁而意韵深厚，既得弘仁“瘦处见腴、密处见空”之妙，又融自身笔墨情致，为仿古山水之佳构。",[24,101,28,59,60,177,7,178,179,180,23],"临摹","枯松","溪流","茅舍",[91],14,"cec4b5",{"id":185,"slug":186,"title":187,"dynasty":52,"author":188,"museum":54,"description":189,"tags":190,"thumbUrl":193,"material":106,"size":194,"collection":74,"collections":195,"showCount":196,"zanCount":11,"manualWeight":11,"mainColor":78},220299,"huang-shan-tu-ce-27-hong-ren-220299","黄山图册-27","弘仁","《黄山图册》共六十开，装裱成六册，又有题跋一册。可以说是弘仁在黄山纪游写生的最集中展现，在他的每一幅作品上都题写了纪游写生的地名，著名的有天都峰、莲花庵、小心坡、观音岩、一线天、光明顶、白龙潭、慈光寺、文殊院、桃花沟等等。",[23,24,57,88,59,60,28,7,191,192],"松树","夕阳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc0591dac27e4656fed4c0da07eb4188.jpg","21.5x18.3厘米",[],11,{"id":198,"slug":199,"title":200,"dynasty":52,"author":188,"museum":54,"description":189,"tags":201,"thumbUrl":203,"material":106,"size":194,"collection":74,"collections":204,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":78},220265,"huang-shan-tu-ce-57-hong-ren-220265","黄山图册-57",[23,24,57,88,59,28,60,191,7,202],"怪石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cea407de83160040dcae42aa0719f88.jpg",[],8,{"id":207,"slug":208,"title":209,"dynasty":172,"author":210,"museum":174,"description":211,"tags":212,"thumbUrl":215,"material":74,"size":74,"collection":91,"collections":216,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":217},202934,"shan-shui-tu-zhou-pu-ru-202934","山水图轴","溥儒","古松虬枝盘曲，松针以浓淡墨色点染，层次分明；旁侧奇峰拔地，山石皴法细腻，线条挺秀如铁。树下二人对坐清谈，衣袂轻扬，意态闲适，尽显文人雅聚之趣。画面设色淡雅，赭石与墨色交融，晕染出悠远山林气息。右侧题字笔力清劲，与画风相得益彰，印章朱红点缀，更添古朴雅致。整幅画作气韵连贯，笔墨兼具工致与洒脱，将山水之幽、文人之逸融于一纸，尽显传统文人画的清雅意境。",[28,26,60,213,7,214,61,62,23],"古松","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13b432f3cc9145edf2cac03fff8287c7.jpg",[91],"9f8057",{"id":219,"slug":220,"title":221,"dynasty":52,"author":222,"museum":54,"description":223,"tags":224,"thumbUrl":227,"material":228,"size":74,"collection":74,"collections":229,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":78},234757,"huang-shan-tu-ce-jiang-zhu-234757","黄山图册","江注","江注（1626～1685），字允凝，号若米舫。一些美术画论和辞典称其又字允冰，徽州歙县桃源坞人，僧渐江之侄，能诗善画，著有《允凝诗草》，幼从渐江学画，意境幽僻，用笔清劲，笔墨苍古，清远冷峻，常年隐于黄山，曾陪伴弘仁在黄山纪游写生，搜胜穷幽，颇得渐江真传，与姚宋、祝昌、吴定并称为“渐江四弟子”。\n江注《黄山图册》册页五十帧，现收藏于故宫博物院。由于渐江亲授，在绘画思想和风格上“酷肖弘仁”。他常和渐江结伴出游，一样痴迷黄山，有“渐公坐文殊台上吹笛，江允凝倚歌和之，发音嘹亮，上彻云表”之故事。",[24,57,88,59,26,63,61,60,28,118,225,226,68,7],"石","树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07be6bbf7f5a59544ae1e4a3e17092d5.jpg","纸本，设色",[],6,{"id":232,"slug":233,"title":234,"dynasty":83,"author":84,"museum":85,"description":86,"tags":235,"thumbUrl":236,"material":237,"size":90,"collection":74,"collections":238,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":78},221422,"qi-feng-wan-mu-yan-wen-gui-221422","奇峰万木",[23,24,25,163,59,26,60,28,7,134,68,63,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d6ff8fa0d000df2a0092b1241184c30.jpg","绢本设色",[],{"id":240,"slug":241,"title":242,"dynasty":52,"author":243,"museum":130,"description":244,"tags":245,"thumbUrl":253,"material":74,"size":74,"collection":74,"collections":254,"showCount":255,"zanCount":11,"manualWeight":11,"mainColor":78},238906,"fang-song-yuan-shan-shui-ce-dong-gao-238906","仿宋元山水册","董诰","此作用笔清润淡远，以淡墨晕染出山林野居之境。层叠奇峰或峻削如戟，或浑厚苍莽，以宋元古法皴擦出山石肌理，古意盎然。\n\n水泽之畔，村居错落隐于茂林修竹间，草木俯仰生姿，尽显幽谧生机。滩头水榭凌波而立，一叶扁舟随波徐行，渔者垂坐船头，野逸闲淡的意趣扑面而来。\n\n画面以留白衬出水色空濛，不见浓墨重彩，只以简淡笔墨铺陈出萧散清远的林泉之境，将寄情山水的雅意藏于每一处勾勒晕染之中。",[24,57,88,59,60,28,7,246,247,248,136,249,250,251,252],"茂林修竹","村居","亭","渔乐","水泽","野逸闲淡","萧散清远","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23dae855bd383daac77f5cf6c0db70c0.jpg",[],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