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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[100,101,102,73,7,103],"陶瓷","笔筒","青花","芭蕉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51d577eab1eb323fd7867f8c1826fb3f.jpg",[],11,{"id":108,"slug":109,"title":110,"dynasty":67,"author":19,"museum":20,"description":98,"tags":111,"thumbUrl":113,"material":33,"size":34,"collection":35,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":39},256433,"qing-hua-qi-lin-wen-pan-yi-ming-256433","青花麒麟纹盘",[67,100,102,7,112],"纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2a0a8d1f9955a5d257cdf81ad457f17.jpg",[],8,{"id":117,"slug":118,"title":119,"dynasty":18,"author":19,"museum":20,"description":120,"tags":121,"thumbUrl":125,"material":33,"size":34,"collection":35,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":62},249860,"qia-si-fa-lang-qi-lin-shi-zhu-tai-yi-ming-249860","掐丝珐琅麒麟式烛台","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[177,135,73,7],"玉石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7107088d9ae6f4f0dc9ea1513e95d736.jpg",[],{"id":181,"slug":182,"title":183,"dynasty":18,"author":19,"museum":20,"description":184,"tags":185,"thumbUrl":188,"material":33,"size":34,"collection":35,"collections":189,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":39},269679,"kang-xi-kuan-pao-zhi-qi-lin-wen-wei-jiao-si-fang-ping-yi-ming-269679","康熙款匏制麒麟纹委角四方瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[186,135,7,73,187],"器","匏器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd976f1bed311f5b8d7ec8ef929f3639a.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":67,"author":19,"museum":20,"description":194,"tags":195,"thumbUrl":199,"material":33,"size":34,"collection":35,"collections":200,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":93},251986,"bai-yu-tou-diao-qi-lin-lian-hua-wen-qian-jian-yi-ming-251986","白玉透雕麒麟莲花纹嵌件","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[177,196,7,73,197,198],"透雕","莲花","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d9ddd5b269ae02a203e28e94f9ff54c.jpg",[],{"id":202,"slug":203,"title":174,"dynasty":67,"author":19,"museum":20,"description":175,"tags":204,"thumbUrl":205,"material":33,"size":34,"collection":35,"collections":206,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":93},250481,"qing-yu-qi-lin-yi-ming-250481",[177,135,73,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7182fea8c89f190ddc6a9f4b0930790f.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":19,"museum":20,"description":211,"tags":212,"thumbUrl":219,"material":33,"size":34,"collection":35,"collections":220,"showCount":221,"zanCount":11,"manualWeight":11,"mainColor":93},274406,"tong-du-jin-xian-yuan-xian-shou-qi-lin-tuo-zhong-yi-ming-274406","铜镀金仙猿献寿麒麟驮钟","最早的钟原本是指古代汉族 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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[265,266,135,55,7,73,186,267],"漆器","剔彩","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53f1bead8d38ea8ac21704afc21e4503.jpg",[],{"id":271,"slug":272,"title":273,"dynasty":18,"author":19,"museum":20,"description":274,"tags":275,"thumbUrl":277,"material":33,"size":34,"collection":35,"collections":278,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},273498,"rong-tou-hua-yi-ming-273498","绒头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[198,276,51,7,25,73],"绒花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ba192b85eb541e5eb21158a16df9a22.jpg",[],{"id":280,"slug":281,"title":282,"dynasty":18,"author":19,"museum":20,"description":283,"tags":284,"thumbUrl":288,"material":33,"size":34,"collection":35,"collections":289,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},261787,"wu-cai-kai-guang-hua-hui-qi-lin-tu-wan-yi-ming-261787","五彩开光花卉麒麟图碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[100,285,286,287,55,7,73,50],"日用具","五彩","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdda2cbc1996f56669dc045ba81011c03.jpg",[],{"id":291,"slug":292,"title":254,"dynasty":18,"author":19,"museum":20,"description":175,"tags":293,"thumbUrl":294,"material":33,"size":34,"collection":35,"collections":295,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},251677,"qing-yu-qi-lin-tu-shu-yi-ming-251677",[226,177,135,73,7,256],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11b479f64b369d698c82af1c93344f99.jpg",[],1777535718100]