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砂黑漆描金菊花壶","清","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[40,43,7,44,45,46],"陶瓷","描金","菊花","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24cabab986548635e9db1a0d0ff8a03c.jpg","未知","Xcm*Xcm",[31],67,{"id":53,"slug":54,"title":55,"dynasty":40,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":66,"material":48,"size":49,"collection":30,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":35},248709,"hei-qi-qian-luo-dian-xiang-ya-hua-hui-wen-hai-tang-shi-bi-tong-yi-ming-248709","黑漆嵌螺钿象牙花卉纹海棠式笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[7,58,59,27,60,61,62,63,64,65],"嵌螺钿","象牙","海棠式","黑漆","花鸟纹","器物","镶嵌工艺","清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f96eca1da40d23bceb99f8c8ce87a64.jpg",[],41,{"id":70,"slug":71,"title":72,"dynasty":40,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":82,"material":48,"size":49,"collection":30,"collections":83,"showCount":84,"zanCount":34,"manualWeight":11,"mainColor":85},270163,"xue-qing-se-chou-xiu-lan-hua-tu-mian-hei-qi-diao-hua-bing-tuan-shan-yi-ming-270163","雪青色绸绣兰花图面黑漆雕花柄团扇","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[75,76,77,78,79,7,80,81],"扇面","刺绣","兰","布料","木质","日用具","工笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e27f929a3fe13987b6a3650e8ab9ca9.jpg",[],38,"BDBDBD",{"id":87,"slug":88,"title":89,"dynasty":40,"author":19,"museum":20,"description":90,"tags":91,"thumbUrl":98,"material":48,"size":49,"collection":30,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},270225,"hei-qi-gu-li-wen-tian-shu-liang-de-run-hua-he-hua-tu-mian-zhe-shan-yi-ming-270225","黑漆股李文田书梁德润画荷花图面折扇","此扇绘面设色秀雅，粉荷柔婉含露，白荷莹洁似玉，晕染细腻，将菡萏的娇柔与清灵尽数铺展。荷叶以浓淡墨色分出阴阳向背，叶脉勾勒精工，墨色晕染间带着水汽氤氲的鲜活，浅描的塘水浮萍更衬出莲塘的幽寂清宁。\n\n黑漆扇骨莹润乌亮，节状纹理颇具巧思，尾端回纹雕饰古雅端方。开合之间，将莲塘清趣纳于尺幅，摇拂时恍若携来荷间清风，把文人的幽居雅意藏于一折一画中，尽显清雅悠然的晚清风致，是赏用俱佳的雅致佳物。",[75,92,93,94,95,81,96,97,7],"国画","书画","书法","设色","荷花","花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3144a8ad31a3b8965562195972aec288.jpg",[],31,"795548",{"id":103,"slug":104,"title":105,"dynasty":18,"author":19,"museum":20,"description":106,"tags":107,"thumbUrl":111,"material":48,"size":49,"collection":30,"collections":112,"showCount":100,"zanCount":34,"manualWeight":11,"mainColor":85},227332,"xi-que-deng-zhi-qi-pan-yi-ming-227332","喜鹊登枝漆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[7,108,97,109,110],"螺钿","梅","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde6c7932c3eb5eb981b7f6ddef7cb426.jpg",[],{"id":114,"slug":115,"title":116,"dynasty":40,"author":19,"museum":20,"description":117,"tags":118,"thumbUrl":125,"material":30,"size":30,"collection":31,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":85},246681,"ti-hong-chan-zhi-lian-wen-kai-guang-hua-hui-wen-mei-hua-shi-ping-yi-ming-246681","剔红缠枝莲纹开光花卉纹梅花式瓶","此瓶取梅花为形，口、足呼应一体。通体髹朱漆雕刻，地子纹锦密致细腻，开光内剔刻折枝花卉，梅朵清妍、花枝舒展，四时花木娇柔含韵。开光以回纹为边，器身满饰缠枝莲纹，颈部雕回纹配变体兽面，层次分明，刀工圆熟沉厚。朱红莹亮温润，棕地衬得雕花愈显妍丽饱满，将漆雕的精工雅致与花艺的柔婉雅致相融，尽显清时漆作的华贵考究，静穆间藏着匠人的造物巧思，是雕漆工艺中的上乘之作。",[119,7,120,24,121,122,123,124,46],"清代","剔红","缠枝莲纹","花卉纹","梅花","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56dfcb76a9213a9fad385f5baf3182d2.jpg",[31],25,{"id":129,"slug":130,"title":131,"dynasty":40,"author":19,"museum":20,"description":106,"tags":132,"thumbUrl":136,"material":48,"size":49,"collection":30,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":35},248395,"hei-qi-qian-wen-zhu-gui-hua-wen-chang-fang-pan-yi-ming-248395","黑漆嵌文竹桂花纹长方盘",[7,133,134,46,135],"嵌文竹","桂花","长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F832a3ecb83834248b8575a4eeac5b5d7.jpg",[],23,{"id":140,"slug":141,"title":142,"dynasty":40,"author":19,"museum":20,"description":143,"tags":144,"thumbUrl":146,"material":48,"size":49,"collection":30,"collections":147,"showCount":148,"zanCount":11,"manualWeight":11,"mainColor":85},270161,"fen-hong-se-sha-xiu-hua-die-tu-mian-zi-qi-miao-jin-bing-tuan-shan-yi-ming-270161","粉红色纱绣花蝶图面紫漆描金柄团扇","是传统刺绣形式之一。它是在方格纱的底料上严格按格数眼进行刺绣的。不仅图案美丽，而且随 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品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[233,7,95,81,234,235,236,237,238,239,240,241,242],"浮世绘","人物","美人","楼阁","亭","竹子","树木","山石","建筑","乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac7ff525e9b9ad13515af96fc67cf3c4.jpg",[],15,{"id":247,"slug":248,"title":249,"dynasty":40,"author":19,"museum":20,"description":250,"tags":251,"thumbUrl":255,"material":48,"size":49,"collection":30,"collections":256,"showCount":257,"zanCount":11,"manualWeight":11,"mainColor":101},272958,"qi-xiang-qian-ci-hua-niao-tu-gua-ping-yi-ming-272958","漆镶嵌瓷花鸟图挂屏","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[252,7,64,97,96,253,254],"挂屏","鸳鸯","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0401789e4c10db1c8ecc2f378b1ee35a.jpg",[],14,{"id":259,"slug":260,"title":261,"dynasty":40,"author":19,"museum":20,"description":153,"tags":262,"thumbUrl":268,"material":48,"size":49,"collection":30,"collections":269,"showCount":257,"zanCount":11,"manualWeight":11,"mainColor":101},269087,"zi-tan-bai-bao-qian-hua-lan-tu-yao-yuan-he-yi-ming-269087","紫檀百宝嵌花篮图腰圆盒",[7,79,24,263,264,97,109,265,266,267],"百宝嵌","花篮","菊","牡丹","器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6466a97ae2e5f3236e4ec3329c788baa.jpg",[],{"id":271,"slug":272,"title":273,"dynasty":274,"author":19,"museum":20,"description":106,"tags":275,"thumbUrl":280,"material":48,"size":49,"collection":30,"collections":281,"showCount":257,"zanCount":11,"manualWeight":11,"mainColor":101},246225,"jia-jing-kuan-ti-cai-lian-tang-long-zhou-wen-he-ye-shi-pan-yi-ming-246225","嘉靖款剔彩莲塘龙舟纹荷叶式盘","明",[276,7,277,24,95,278,185,173,279,96,46],"明代","剔彩","莲塘","荷叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5401e06e7807f981fbcd1dcc40472ca3.jpg",[],{"id":283,"slug":284,"title":285,"dynasty":40,"author":19,"museum":20,"description":286,"tags":287,"thumbUrl":288,"material":48,"size":49,"collection":30,"collections":289,"showCount":257,"zanCount":34,"manualWeight":11,"mainColor":35},245988,"hei-qi-miao-jin-hua-niao-tu-hai-tang-shi-shou-lu-yi-ming-245988","黑漆描金花鸟图海棠式手炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[119,7,44,97,60,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd29d9256a200acc18f9ec5830426397.jpg",[],{"id":291,"slug":292,"title":293,"dynasty":40,"author":19,"museum":20,"description":153,"tags":294,"thumbUrl":296,"material":48,"size":49,"collection":30,"collections":297,"showCount":257,"zanCount":11,"manualWeight":11,"mainColor":35},230095,"jin-qi-xiang-long-peng-zhu-wen-fang-he-yi-ming-230095","金漆祥龙捧珠纹方盒",[7,295,95,173,46],"金漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bb64591706d2a20b7e1793867e698c2.jpg",[],{"id":299,"slug":300,"title":171,"dynasty":40,"author":19,"museum":20,"description":153,"tags":301,"thumbUrl":302,"material":48,"size":49,"collection":30,"collections":303,"showCount":304,"zanCount":11,"manualWeight":11,"mainColor":305},248755,"hei-qi-qian-luo-dian-yun-long-wen-chang-fang-cuan-he-yi-ming-248755",[7,61,58,173,174,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ee110b72ac254e60c65b8a02734cf08.jpg",[],13,"F48FB1",{"id":307,"slug":308,"title":309,"dynasty":40,"author":19,"museum":20,"description":193,"tags":310,"thumbUrl":311,"material":48,"size":49,"collection":30,"collections":312,"showCount":304,"zanCount":11,"manualWeight":11,"mainColor":35},248458,"miao-jin-cai-qi-dan-feng-wen-dai-zuo-pie-kou-hua-ping-yi-ming-248458","描金彩漆丹凤纹带座撇口花瓶",[7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8e4b37bbac7129f536aada4f0179789.jpg",[],{"id":314,"slug":315,"title":316,"dynasty":40,"author":19,"museum":20,"description":317,"tags":318,"thumbUrl":323,"material":48,"size":49,"collection":30,"collections":324,"showCount":325,"zanCount":34,"manualWeight":11,"mainColor":101},272977,"ti-hong-bian-qian-yu-hua-guo-tu-gua-ping-yi-ming-272977","剔红边嵌玉花果图挂屏","此挂屏边框剔红纹饰古雅规整，屏心以百宝嵌工艺造景。虬曲苍劲的桃枝舒展于上，莹润玉桃悬于枝头，翠叶随枝点缀，旁侧修竹清瘦挺拔，下方配奇石小花，层次分明。将玉石的温润肌理、材质天然色泽巧妙结合，写实还原花果生机，文人雅致的意趣尽显其中。匠师以精妙手法把天然材质之美与造景巧思相融，整体气韵沉静古雅，将百宝镶嵌工艺的精湛造诣诠释得淋漓尽致，雅致静美，尽显古典造物的隽秀意韵。",[252,7,319,97,110,320,321,322,120],"玉石镶嵌","竹","桃","花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69c381749d7aa76383dfa701b93bdf08.jpg",[],12,{"id":327,"slug":328,"title":329,"dynasty":40,"author":19,"museum":20,"description":106,"tags":330,"thumbUrl":333,"material":48,"size":49,"collection":30,"collections":334,"showCount":325,"zanCount":11,"manualW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Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[7,473,24,962,973],"鹿角","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff19d75cd7d31ee6ddeae2cff875143c2.jpg",[],{"id":977,"slug":978,"title":979,"dynasty":40,"author":19,"museum":20,"description":56,"tags":980,"thumbUrl":984,"material":48,"size":49,"collection":30,"collections":985,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":35},248853,"hei-qi-bai-bao-qian-mei-zhu-feng-die-wen-bi-tong-yi-ming-248853","黑漆百宝嵌梅竹蜂蝶纹笔筒",[7,263,95,109,320,981,982,983],"蜂","蝶","笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaf58cb5343f32cf706d0380137c9094.jpg",[],{"id":987,"slug":988,"title":989,"dynasty":40,"author":19,"museum":20,"description":153,"tags":990,"thumbUrl":991,"material":48,"size":49,"collection":30,"collections":992,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":85},248846,"hei-qi-qian-luo-dian-ba-xian-tu-fang-xing-wei-jiao-he-yi-ming-248846","黑漆嵌螺钿八仙图方形委角盒",[7,58,61,234,728,962,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c29a0ba09bd7288304ea26d1e3faa65.jpg",[],{"id":994,"slug":995,"title":996,"dynasty":40,"author":19,"museum":20,"description":153,"tags":997,"thumbUrl":998,"material":48,"size":49,"collection":30,"collections":999,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":85},248733,"hong-qi-qian-luo-dian-tuan-hua-wen-cuan-he-yi-ming-248733","红漆嵌螺钿团花纹攒盒",[119,7,58,767,46,95],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95b58a518f68e9a095624df398b77a41.jpg",[],{"id":1001,"slug":1002,"title":329,"dynasty":40,"author":19,"museum":20,"description":106,"tags":1003,"thumbUrl":1004,"material":48,"size":49,"collection":30,"collections":1005,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":101},248665,"hei-qi-miao-jin-shan-shui-tu-hai-tang-shi-pan-yi-ming-248665",[7,44,186,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb45bcb1a7423340aa35b3700436e344.jpg",[],{"id":1007,"slug":1008,"title":1009,"dynasty":40,"author":19,"museum":20,"description":1010,"tags":1011,"thumbUrl":1014,"material":48,"size":49,"collection":30,"collections":1015,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":101},248653,"hei-qi-miao-jin-ba-xian-tu-yin-li-wan-yi-ming-248653","黑漆描金八仙图银里碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[119,7,492,234,1012,46,1013],"神仙","银里","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb91542f06bc7e819b275d46b5fe50abb.jpg",[],{"id":1017,"slug":1018,"title":1019,"dynasty":40,"author":19,"museum":20,"description":106,"tags":1020,"thumbUrl":1024,"material":48,"size":49,"collection":30,"collections":1025,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":101},248625,"ti-cai-long-feng-ji-fu-kui-ban-shi-pan-yi-ming-248625","剔彩龙凤集福葵瓣式盘",[7,277,24,119,173,1021,1022,1023,46],"凤","福字","葵瓣式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3905cea2c47cb5e31b0a1c28f2f482b0.jpg",[],{"id":1027,"slug":1028,"title":1029,"dynasty":40,"author":19,"museum":20,"description":1030,"tags":1031,"thumbUrl":1033,"material":48,"size":49,"collection":30,"collections":1034,"showCount":878,"zanCount":11,"manualWeight":11,"mainColor":101},248573,"hei-qi-chen-se-luo-dian-tuan-hua-wen-chang-fang-xiang-yi-ming-248573","黑漆衬色螺钿团花纹长方箱","髹漆黑为地，沉穆如夜，将螺钿的清辉尽数托举而出。盖面团花匀整排布，彩钿裁作花叶翎羽，拼接出饱满雅致的窠纹，暗含规整秩序之美。箱体周身散落折枝小花与碎钿，如星子坠于幽夜，疏密随性打破沉闷，添上灵动生机。衬色螺钿工艺尽显巧思，彩贝随光线晕出虹彩微光，在漆色之上织就明丽雅致的花间图景，将雅致意趣藏入箱匣，是匠心与审美相融的工艺佳作。",[7,1032,157,95,46,27],"衬色螺钿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c9bf58dc4f6f4b76ce16854c0bb2a9c.j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鲜亮沉稳。描金勾绘如意云纹，卷舒灵动，中心点饰小花钿，将祥瑞意趣藏于纹饰之中。素净长柄与饰纹繁丽的扇面形成虚实对比，简奢相映尽显巧思。把日用掌扇化作雅致清玩，带着旧时光的温婉匠心，素雅华贵兼具，晕开传统漆作工艺的脉脉温情。",[7,75,44,184,383,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9af77e842dad13e3d4206a8bed3e40e.jpg",[],{"id":1911,"slug":1912,"title":1913,"dynasty":40,"author":19,"museum":20,"description":1914,"tags":1915,"thumbUrl":1920,"material":48,"size":49,"collection":30,"collections":1921,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":101},272986,"hei-qi-bian-hui-chou-di-dong-yang-xiu-shan-shui-tu-wei-ping-yi-ming-272986","黑漆边灰绸地东洋绣山水图围屏","整体色调清雅沉静，灰绸底色晕染出如雾的水色长空。左畔浅渚生翠，草木含露，野趣悠然。中景单舟扬白帆，破开细浪，带着江海行旅的清寂诗意。远岫如黛，淡晕出的山影静立水天尽头，两艘小帆遥遥点缀，拉阔出悠远空蒙的意境。\n\n绣作针脚细腻，以绣代笔，将水波柔态、草木清润与风帆挺括晕染入微，揉合空灵意趣与中式雅致，暗合东方禅意留白美学。淡而不寡，静中藏动，将烟江渡头的闲澹景致定格屏间，观之便觉襟怀舒展，尘俗尽消。",[1273,76,186,895,1916,1917,1918,7,78,1919],"帆船","远山","水岸","宁静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3f5cadc1388978cd467ad16a8839f91.jpg",[],{"id":1923,"slug":1924,"title":1925,"dynasty":40,"author":19,"museum":20,"description":1926,"tags":1927,"thumbUrl":1931,"material":48,"size":49,"collection":30,"collections":1932,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},272959,"hei-qi-qian-cai-shi-xiao-gui-yi-ming-272959","黑漆嵌彩石小柜","黑漆为底，以彩石与螺钿嵌饰百灵。丹凤傲然、仙鹤伫立、锦鸡顾盼，群鸟或振翅穿林，或栖落松枝，翎羽色泽明丽鲜活，衬以苍松、花卉，满铺柜体却疏密有致。\n\n柜体边角以素铜包镶，搭配圆形铜质面叶，古拙雅致。将百鸟朝凤的祥瑞吉意，融于榫卯与嵌饰之间，把中式匠人的审美巧思凝于方寸柜体。髹漆莹润内敛，嵌饰工艺精妙入微，既有置物收纳的实用之能，亦饱含赏玩怡情的审美意趣，是传统工艺美学与吉祥寓意结合的精巧之作。",[7,1928,97,1929,1453,575,1930,27,79],"柜","嵌彩石","鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F196b09400920d1ea67a9eb5857459a4a.jpg",[],{"id":1934,"slug":1935,"title":1936,"dynasty":40,"author":19,"museum":20,"description":1253,"tags":1937,"thumbUrl":1939,"material":48,"size":49,"collection":30,"collections":1940,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},272934,"mu-hong-qi-miao-jin-wan-fu-tuan-hua-qu-shui-shuang-xi-zi-wen-yi-zi-yi-ming-272934","木红漆描金万蝠团花曲水双喜字纹椅子",[7,79,896,44,184,1938,767,373,80],"蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32c80445902556b3b3f30c9dad923dc6.jpg",[],{"id":1942,"slug":1943,"title":1944,"dynasty":40,"author":19,"museum":20,"description":1945,"tags":1946,"thumbUrl":1948,"material":48,"size":49,"collection":30,"collections":1949,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":101},272787,"hei-qi-miao-jin-qian-yin-luo-dian-long-wen-xiang-yi-ming-272787","黑漆描金嵌银螺钿龙纹箱","通体髹黑漆为底，以描金填色搭配螺钿镶嵌，满饰行龙穿梭于层叠祥云之中。龙形矫健苍劲，龙鳞纹路细腻清晰，须发飘逸灵动，祥云晕染柔和舒展，层次分明。\n\n箱体形制精巧，顶箱配多屉，兼具收纳实用性与陈设装饰性。整体构图疏密有致，威严龙纹辅以祥云烘托，尽显庄重华贵之感。沉静漆黑底色，托衬出金彩的华贵光泽与螺钿的温润珠光，明暗相映间纹饰愈发鲜活生动，是重工漆作的典型器物，将实用器形与华美装饰融于一体，尽显传统漆艺匠心，勾勒出雍容华贵的审美意趣。",[7,46,173,44,1947,80],"嵌银螺钿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cd89352d1f9649c333270d70870ee14.jpg",[],{"id":1951,"slug":1952,"title":1953,"dynasty":40,"author":19,"museum":20,"description":1954,"tags":1955,"thumbUrl":1956,"material":48,"size":49,"collection":30,"collections":1957,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},272774,"hei-qi-qian-luo-dian-ge-yi-ming-272774","黑漆嵌螺钿格","此格高挑秀雅，框架以螺钿锦纹勾边提亮黑漆底色，分层设制方圆花形敞格，虚实错落打破规整板滞，兼顾收纳陈设双重功用。\n\n板面以螺钿并描金饰景：芦雁穿翔苇丛，竹石清隽挺秀，水畔山居悠然静谧。螺钿莹润光泽与描金的富丽雅致相映，将灵动生机与清雅意境晕染其上，构图疏密有度，于深沉底色里晕开东方雅致意趣，尽显漆作镶嵌工艺与家具形制的精妙融合，把日常器用晕染出隽永的古典审美意韵。",[7,79,340,97,320,186,236,110,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cd1ac9b83283d95e8e67c2b8beb444d.jpg",[],{"id":1959,"slug":1960,"title":1961,"dynasty":40,"author":19,"museum":20,"description":1962,"tags":1963,"thumbUrl":1965,"material":48,"size":49,"collection":30,"collections":1966,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},272765,"hei-qi-miao-jin-xiang-ji-yi-ming-272765","黑漆描金香几","此香几取海棠花形制，束腰透雕缠枝纹样，疏朗灵动，打破整器沉郁底色。外翻卷边牙板勾勒柔婉弧线，与四条弯足相映成趣。弯足以描金回纹勾勒轮廓，间饰彩漆缠枝瑞草，描金提亮纹饰层次，于黑漆地子上晕染出华贵古韵。足部包镶鎏金铜质卷云套脚，下承海棠形托泥，上下造型呼应统一，视觉和谐规整。\n整器重工髹漆描金，将雅致雕工与富丽髹饰相融，尽显清代漆作的精湛工法，陈设之间尽显古雅雍容的东方意趣。",[7,79,44,24,1964,896,46],"香几","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93ac47d78ec9551a4a6c2ce11758b02e.jpg",[],{"id":1968,"slug":1969,"title":1970,"dynasty":40,"author":19,"museum":20,"description":1971,"tags":1972,"thumbUrl":1974,"material":48,"size":49,"collection":30,"collections":1975,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},272740,"hong-qi-miao-jin-long-wen-xiang-yi-ming-272740","红漆描金龙纹箱","朱红为底，描金饰纹，整体华贵雍容。箱体正面腾龙穿云破浪，龙身矫健盘绕，龙爪遒劲张扬，祥云翻卷环伺四周，下方海浪奔涌翻腾，层次分明间尽显龙威浩荡的磅礴气势。\n\n下承弯腿束腰座，牙板与腿足皆饰卷草纹样，描金走线细腻流畅，和箱身龙纹遥相呼应，形制端庄沉稳又暗含灵动雅致。漆色历经岁月依旧沉静饱满，金彩虽蒙时光轻尘却仍熠熠生辉，尽显髹漆描金工艺的精湛造诣，是传统工艺与龙纹吉祥意象融合的上乘之作。",[7,79,44,632,1973],"箱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bb40ed490a96e70ef04ccff5d28aabc.jpg",[],{"id":1977,"slug":1978,"title":1310,"dynasty":274,"author":19,"museum":20,"description":1979,"tags":1980,"thumbUrl":1981,"material":48,"size":49,"collection":30,"collections":1982,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":101},272467,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272467","以乌亮黑漆为地，描金饰纹如星子落墨。龙凤身姿辗转灵动，羽翼麟爪纤毫毕现，缠枝花卉柔妍饱满，瑞兽与繁花相映，既有威仪大气，亦含雅致生机。笔身题字端方周正，晕开文人气韵。笔头兼毫挺括，刚柔相济，是赏用皆宜的文房佳器。将匠心工艺融于文房雅物，把东方审美藏进一笔一纹，尽显古人文玩的雅致意趣，凝聚着旧时造物的精工巧思。",[1313,7,44,173,1021,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c44d0db0380cdad8548a9ab210afd07.jpg",[],{"id":1984,"slug":1985,"title":1986,"dynasty":274,"author":19,"museum":20,"description":1987,"tags":1988,"thumbUrl":1989,"material":48,"size":49,"collection":30,"collections":1990,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},272457,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272457","万历款彩漆龙凤纹管笔","此笔以黑漆为底，金彩朱红勾勒晕染，龙凤身姿遒劲灵动，缠枝花卉柔婉舒展，祥云迤逦相随，纹饰繁而不乱，线条细劲流畅，配色浓妍沉稳。\n\n铜饰包边提亮周身，让漆黑底色愈显莹润，衬得纹样愈发华贵醒目。毫锋饱满挺括，将髹漆之精工与文房之用巧融为一体，既是挥毫研墨的趁手良伴，又是陈设赏玩的风雅佳器，尽显富丽古雅的雅致意趣，凝着旧时案头的沉静风雅。",[1313,7,173,1021,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe14701790102890d39a97296970ebdc4.jpg",[],{"id":1992,"slug":1993,"title":1994,"dynasty":40,"author":19,"museum":20,"description":1995,"tags":1996,"thumbUrl":1998,"material":48,"size":49,"collection":30,"collections":1999,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":101},271190,"hu-kai-wen-xun-zhou-ba-jing-mo-dong-ta-hui-lan-mo-yi-ming-271190","胡开文浔州八景墨－东塔回澜墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[1997,7,94,1314],"墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11a055a4078dd51a440b330d9b7de6b8.jpg",[],{"id":2001,"slug":2002,"title":2003,"dynasty":40,"author":19,"museum":20,"description":250,"tags":2004,"thumbUrl":2007,"material":48,"size":49,"collection":30,"collections":2008,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},271001,"fen-cai-ci-tuan-feng-wen-yin-ni-he-yi-ming-271001","粉彩瓷团凤纹印泥盒",[43,7,2005,80,2006,961,24],"印泥盒","粉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ac459a0465a2eec6e15c06c074d5892.jpg",[],{"id":2010,"slug":2011,"title":2012,"dynasty":40,"author":19,"museum":20,"description":2013,"tags":2014,"thumbUrl":2015,"material":48,"size":49,"collection":30,"collections":2016,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":35},270759,"huang-qi-miao-jin-cai-hui-long-feng-wen-guan-zong-hao-zhua-bi-yi-ming-270759","黄漆描金彩绘龙凤纹管鬃毫抓笔","笔管以黄漆为地，描金彩绘龙凤穿梭于祥云之间，朱红线条点缀流云尾翼，色彩明丽华贵。龙凤身姿舒展灵动，仙鹤伴于其间，流云漫卷，将祥瑞雅致的意蕴融于寸管之上。\n\n饱满劲挺的鬃毫攒聚成锋，束线工整紧实，既保证了书写时的力道雄浑，又与精工细作的笔管呼应，将髹漆彩绘的装饰之美与制笔的实用匠心融为一体，尽显工艺的考究雅致。",[1313,7,44,473,173,1021,210,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42857d4c11b3eee0e26df14c483ca6f4.jpg",[],{"id":2018,"slug":2019,"title":2020,"dynasty":40,"author":19,"museum":20,"description":2021,"tags":2022,"thumbUrl":2024,"material":48,"size":49,"collection":30,"collections":2025,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":101},270248,"qi-gu-bian-xuan-tong-di-hua-song-tu-mian-zhe-shan-yi-ming-270248","漆股边宣统帝画松图面折扇","此扇面以水墨绘古松，老干虬曲斑驳，尽显嶙峋古拙之意，松针攒簇如戟，笔墨劲挺爽利，苍浑中带着秀逸灵动。构图虚实相宜，左侧挥毫写松，右侧留白题字，疏密错落间，将松树坚劲傲然的风骨尽显无余。朱红漆骨温润亮泽，与素白扇面雅艳相映，将文人画的清逸意趣融于掌中清玩。笔墨凝练传神，把苍松岁寒不凋的品格凝于尺幅之间，尽显清雅高古的林下之风。",[75,92,2023,574,93,94,80,7],"水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F107d25925e2c1559c4213caab4e74401.jpg",[],{"id":2027,"slug":2028,"title":2029,"dynasty":40,"author":19,"museum":20,"description":2030,"tags":2031,"thumbUrl":2033,"material":48,"size":49,"collection":30,"collections":2034,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":85},270219,"qi-gu-diao-bo-gu-tu-bian-qian-ci-xi-yu-xi-hua-hua-hui-tu-mian-zhe-shan-yi-ming-270219","漆股雕博古图边钤慈禧御玺画花卉图面折扇","这柄折扇漆骨雕刻博古纹样，刀工细腻匀净，古雅沉静，暗合文玩清趣。画心以淡彩绘折枝花卉，花瓣晕染柔润，粉白交融间尽显娇柔，枝叶舒展灵动，笔致秀逸简淡，自带温婉雅致的闲趣。另一面题字娟秀端雅，与画面相得益彰，整体将工致雕刻与写意绘事相融，轻摇时便携来清润古意，尽显雅致格调，藏着旧时文人案头摇风赏玩的闲情。",[75,92,95,97,94,254,7,24,2032],"芙蓉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb85283be6cd1ad281595c1e8f478688.jpg",[],{"id":2036,"slug":2037,"title":2038,"dynasty":40,"author":19,"museum":20,"description":2039,"tags":2040,"thumbUrl":2043,"material":48,"size":49,"collection":30,"collections":2044,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":305},270210,"zhu-gu-tian-qi-bian-wang-jie-shu-fu-chang-an-hua-zhe-shan-yi-ming-270210","竹股填漆边王杰书福长安画折扇","此扇以乌漆为底，泥金挥毫作书，行楷兼具，笔力匀整秀雅。金墨与乌地相映，雍容华贵之余更显沉静雅致。字迹排布错落合宜，通篇行气连贯，笔意温润端方，尽显旧时文人的雅致情致。\n填漆饰边的竹股打磨匀净质朴，古雅质感与扇面的华贵气质相得益彰，将传统制扇工艺与书法美学精妙融合，是一件兼具赏玩与收藏价值的文人雅扇佳作。",[75,565,94,544,2041,7,2042],"竹质","金字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc60a9f9419b61160a275cca0c7b1106e.jpg",[],{"id":2046,"slug":2047,"title":2048,"dynasty":40,"author":19,"museum":20,"description":2049,"tags":2050,"thumbUrl":2054,"material":48,"size":49,"collection":30,"collections":2055,"showCount":1820,"zanCount":11,"manualWeight":11,"mainColor":101},270183,"bian-cao-ping-jin-qian-bo-li-zhu-hua-tu-mian-hei-qi-diao-hua-bing-tuan-shan-yi-ming-270183","编草平金嵌玻璃珠花图面黑漆雕花柄团扇","以编草为底，平金勾勒回纹边框，浅地托衬下纹样疏朗规整，自带沉静古意。中心蓝地之上，平金织就花鸟小景，枝蔓柔婉舒展，禽鸟灵动欲飞，晕染出鲜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鲜明和谐，将实用收纳与陈设装饰精妙结合，尽显古典雅致的传统美学意韵。",[7,3153,3154,122,3155,896],"架格","雕填描金","朱漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb71a6d171a082281718f6572a0fb0f98.jpg",[],{"id":3159,"slug":3160,"title":3161,"dynasty":40,"author":19,"museum":20,"description":433,"tags":3162,"thumbUrl":3165,"material":48,"size":49,"collection":30,"collections":3166,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":85},272773,"hei-qi-qian-luo-dian-hua-die-wen-ge-yi-ming-272773","黑漆嵌螺钿花蝶纹格",[7,58,3163,3164,355],"花蝶纹","博古架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67aaefc1d7a54504014e89292030a787.jpg",[],{"id":3168,"slug":3169,"title":3170,"dynasty":40,"author":19,"museum":20,"description":3171,"tags":3172,"thumbUrl":3173,"material":48,"size":49,"collection":30,"collections":3174,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":101},272766,"hei-qi-miao-jin-yuan-xiang-ji-yi-ming-272766","黑漆描金圆香几","此香几身姿秀挺，四弯腿向内柔婉兜转，线条似流云垂卷，将雅致风骨藏于曼妙轮廓之中。牙板描金錾刻缠枝纹样，金彩在黑漆底色映衬下愈显灵动华贵，束腰回纹环绕，晕开古朴雅致的气韵。足部卷云落脚，连以罗锅枨稳固结构，兼顾美观与实用。\n\n它将文人焚香的雅趣与工艺匠心相融，历经时光涤荡，漆色依旧沉敛温润，金彩残留着旧时风华，尽显清代家具华而不奢的审美意趣，静静诉说着往昔厅堂里的慢雅日常。",[7,79,44,24,1964,80,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16a7749a29e502e4dda8db8cf43513c4.jpg",[],{"id":3176,"slug":3177,"title":3178,"dynasty":40,"author":19,"museum":20,"description":3179,"tags":3180,"thumbUrl":3181,"material":48,"size":49,"collection":30,"collections":3182,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":85},272738,"ti-hong-xiang-ji-yi-ming-272738","剔红香几","此香几取海棠形台面，束腰开光走线玲珑，六条弯腿弧度柔婉舒展，下承同形托泥，上下呼应，形制秀雅空灵。通体髹朱漆，以回纹为锦地，满工浮雕缠枝纹样，刀工圆熟细腻，纹饰繁而不紊，朱红漆面莹润沉穆，再配铜质系带饰件提亮，古意盎然。它将剔红工艺的华美雕饰与家具的简约风骨相融，静穆中透着雅致华贵，尽显旧时案头陈设的风雅意趣，是工艺与审美兼具的绝佳雅器。",[7,24,1964,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd48536570000cf3958151a1ad23b6b95.jpg",[],{"id":3184,"slug":3185,"title":1310,"dynasty":274,"author":19,"museum":20,"description":3186,"tags":3187,"thumbUrl":3189,"material":48,"size":49,"collection":30,"collections":3190,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":101},272478,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272478","此笔以乌亮黑漆为地，描金纹饰似星子落于幽夜之上，华贵雅致扑面而来。龙凤穿梭于缠枝花卉间，龙姿矫健遒劲，凤态婉转柔媚，翎羽鳞爪皆刻画细腻入微，缠枝花卉舒展柔婉，刚柔相衬，尽显灵动雅致。描金熠熠生辉，在沉郁漆色的衬托下更显富丽堂皇。工艺上将髹漆与描金技法相融，笔触细腻精准，尽显制器的考究匠心，暗合了当时的审美意趣，将文房雅具的精致奢华推向极致，藏着旧时手作的精妙心思。",[1313,7,44,173,1021,27,3188],"文房器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ab8854a141df439cdcdf0c9745a89c6.jpg",[],{"id":3192,"slug":3193,"title":1310,"dynasty":274,"author":19,"museum":20,"description":3194,"tags":3195,"thumbUrl":3196,"material":48,"size":49,"collection":30,"collections":3197,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":101},272473,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272473","此笔以乌亮黑漆为地，通体描金饰纹。笔管与笔套之上，龙凤身姿矫健灵动，穿梭于缠枝花卉之间，翎羽纤毫毕现，花叶柔婉舒展，金彩熠熠，在沉黑底色衬托下更显华贵雍容。\n笔管末端题识工整，添几分文人情致，笔锋兼采紫毫与羊毫，形制饱满规整，刚柔相济，兼顾实用与赏玩。\n髹漆描金的匠心工艺，将宫廷审美融入文房雅物，把装饰美学与书写功能精妙合一，尽显古雅富丽的极致风韵。",[1313,7,44,173,1021,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40a70ff8007ad7abb551e4b1cc3576c5.jpg",[],{"id":3199,"slug":3200,"title":3201,"dynasty":274,"author":19,"museum":20,"description":3202,"tags":3203,"thumbUrl":3204,"material":48,"size":49,"collection":30,"collections":3205,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":305},272470,"wan-li-kuan-cai-qi-shuang-long-wen-guan-bi-yi-ming-272470","万历款彩漆双龙纹管笔","此笔以黑漆为底，彩漆敷饰双龙穿云，赤金龙躯蜿蜒矫健，鳞爪灵动张扬，祥云缠枝错落点缀，恍见游龙傲翔云间。管身与笔帽皆以铜料镶口，兼顾耐用与雅致，暗含旧时造物的精工巧思。兼毫笔头锋颖饱满，劲润相宜，藏纳挥毫落纸的底气。\n\n整器将髹漆工艺与文房雅器相融，既有威仪华贵之气韵，又不失文房清供的隽秀雅致，是漆艺与制笔技艺合璧的精品，尽展旧时文房的风雅意致。",[1313,7,173,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F349621f45f412c9097c0429c20a161f1.jpg",[],{"id":3207,"slug":3208,"title":1986,"dynasty":274,"author":19,"museum":20,"description":3209,"tags":3210,"thumbUrl":3211,"material":48,"size":49,"collection":30,"collections":3212,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":85},272466,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272466","此笔以黑漆为底，以彩漆描金饰龙凤纹样，龙凤身姿舒展灵动，祥云花卉错落点缀，填色明丽饱满，描金走线细腻流畅，华贵雅致之感扑面而来。笔管留白处题饰金漆款识，字体端正隽秀，更添文雅意韵。黄铜包边衔接笔身与狼毫，用料考究，兼顾美观与实用。它将髹漆工艺与文房器具精妙融合，既是挥洒笔墨的趁手良具，亦是匠心凝练的漆作精品，尽显晚明工艺的奢华气韵与雅致审美。",[1313,7,173,1021,1151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab5c87b02b12e321518f2604fcd8e742.jpg",[],{"id":3214,"slug":3215,"title":1986,"dynasty":274,"author":19,"museum":20,"description":3216,"tags":3217,"thumbUrl":3218,"material":48,"size":49,"collection":30,"collections":3219,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":85},272462,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272462","笔身髹漆黑为地，描金填彩绘就龙凤穿花。苍龙矫健遒劲，彩凤柔婉灵动，缠枝花卉蜿蜒点缀，线条精细流畅，金彩与朱色晕染相映，华贵雅致。管身题款端正隽秀，和繁丽纹饰相得益彰，尽显制笔工艺的极致匠心。整件器物将髹漆重工与文房雅器气质相融，富丽却无艳俗之感，把华贵仪范与文房清趣巧妙结合，是兼具工艺价值与审美价值的文房珍品。",[1313,7,173,1021,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffec5f931cf22b33528bbb1ca875db885.jpg",[],{"id":3221,"slug":3222,"title":1310,"dynasty":274,"author":19,"museum":20,"description":3223,"tags":322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sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 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"collections":5762,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275839,"bi-yu-bao-liang-zuan-wu-ce-yi-ming-275839","碧玉宝良缵武册","此件以深褐髹漆为底，全器以描金技法妆点。主面双龙矫健身姿穿云破浪，龙爪遒劲，鬃须飞扬，每一处鳞片都细腻勾勒，祥云缱绻环绕龙身，下方海波层叠翻涌，动感跃然眼前。器身边角以回纹收束，基座饰莲瓣纹呼应整体，让规整形制中带着柔婉气韵。\n\n描金线条明丽醒目，于沉穆底色之上更显华贵雍容，将重工髹漆工艺的精巧展现极致，庄重威严的纹饰搭配精湛工艺，尽显不俗气度。",[7,415,173,24,44,1630],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc51776b16f97423405225d84f10143f.jpg",[],{"id":5764,"slug":5765,"title":5766,"dynasty":40,"author":19,"museum":20,"description":5767,"tags":5768,"thumbUrl":5769,"material":48,"size":49,"collection":30,"collections":5770,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275838,"bi-yu-yu-zhi-jing-qing-zhai-si-yong-ce-yi-ming-275838","碧玉御制镜清斋四咏册","通体髹饰金漆，浅刻缠枝花卉与云纹，花叶舒展柔婉，云气萦回缱绻，金泽内敛沉静，历经岁月仍明丽温润。底座镂雕卷草开光，线条古雅灵动，承托方正盒身，端庄雅致尽显。\n\n内藏碧玉册页，玉质凝润莹澈，阴刻御题诗文，刀工匀净秀挺，墨色填文与苍润玉色相映，文辞雅意与匠作精工相融，尽显宫廷造办处不俗水准，静述往昔皇家雅赏之趣。",[415,353,94,1220,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ee3bd2a04733e738cc9eddc3bad2489.jpg",[],{"id":5772,"slug":5773,"title":5774,"dynasty":40,"author":19,"museum":20,"description":5775,"tags":5776,"thumbUrl":5777,"material":48,"size":49,"collection":30,"collections":5778,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},275835,"bi-yu-yu-zhi-jin-gui-shuo-ce-yi-ming-275835","碧玉御制搢圭说册","此盒以硬木为地，错金嵌银勾勒纹饰。缠枝金莲舒展盛放，银丝萦纡为枝蔓，明暗交织间尽显华贵。盖面文饰与莲纹呼应，边角回纹利落规整，将富丽与雅致融于一体。金辉银晕衬着沉穆木色，尽显匠心造诣，把宫廷制器的严谨精巧尽数展现，将礼制气度与工巧美学相合，是清代金属细作与木作工艺结合的上乘之作。",[7,79,24,96,353,737,415,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33bf07725d5b8dbae23bf9e7bab4a215.jpg",[],{"id":5780,"slug":5781,"title":5782,"dynasty":40,"author":19,"museum":20,"description":5783,"tags":5784,"thumbUrl":5785,"material":48,"size":49,"collection":30,"collections":5786,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275833,"bi-yu-sui-bian-jing-zhi-ce-yi-ming-275833","碧玉绥边经制册","此器以硬木为地，百宝嵌饰尽显匠心。宝相花缠枝舒展环绕，金彩明丽、蓝彩沉静、黄彩娇妍，于深褐底色之上晕染出华贵威仪。盖面嵌饰碧玉牌，温润质感中和了彩饰的繁丽，文气自生。器身比例匀停，下承雕花底座，卷草纹柔婉托举箱体，线条流畅自然。整器工致规整，将宫廷重工华彩与文房清隽气质相融，尽显清代细作工艺的精妙，暗合雅致端庄的审美意趣。",[7,737,353,95,27,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff80e7b6a944880d9adf29c32e540f9cc.jpg",[],{"id":5788,"slug":5789,"title":5790,"dynasty":40,"author":19,"museum":20,"description":5791,"tags":5792,"thumbUrl":5793,"material":48,"size":49,"collection":30,"collections":5794,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},275832,"bi-yu-yu-zhi-gui-mao-shuo-ce-yi-ming-275832","碧玉御制圭瑁说册","此匣以硬木为骨，漆色如夜沉敛。周身错金镶贝，金莲灼灼似凝晓光，螺钿缠枝柔婉萦回，拐子纹饰于四方，以规整中和缠枝柔媚。盖心留白题字，与周遭繁丽相映成趣，疏密之间尽显分寸匠心。器壁纹饰与盖面相呼应，整器华贵不失端方，将百工巧思凝于寸匣。静穆中带着雍容气度，暗合宫廷造物的雅致格调，是细作工艺的精妙缩影。",[7,353,415,94,24,96,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd479cd8f714a0d294f28858d7b329b0.jpg",[],{"id":5796,"slug":5797,"title":5798,"dynasty":40,"author":19,"museum":20,"description":5799,"tags":5800,"thumbUrl":5801,"material":48,"size":49,"collection":30,"collections":5802,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275831,"bi-yu-yu-bi-gu-xi-shuo-ce-yi-ming-275831","碧玉御笔古希说册","此盒以髹漆戗金为工，盒身双龙穿游于祥云惊涛之间，龙躯矫健雄劲，鳞爪毕现，江崖海水纹层叠细腻，将威仪与祥瑞意蕴融于一处。盒面题字錾刻工整，古意盎然。\n\n棕褐底色衬以赤金纹路，沉穆底色点亮华彩金辉，器型方正雅致，线条利落挺括，每一处纹饰尽显精工规制，内敛华贵之间藏着旧时宫廷文玩的匠心底蕴，静诉往昔宫廷器物的典雅风骨。",[7,46,173,44,24,353,415,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88e5f0e65ffe6a839d9dfb16f43eef57.jpg",[],{"id":5804,"slug":5805,"title":5806,"dynasty":40,"author":19,"museum":20,"description":5807,"tags":5808,"thumbUrl":5809,"material":48,"size":49,"collection":30,"collections":5810,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275828,"bi-yu-yu-bi-re-he-kao-ce-yi-ming-275828","碧玉御笔热河考册","此匣髹深褐漆为地，以戗金工艺装饰满幅纹饰。匣身游龙矫健身姿穿梭于缠枝云海之中，龙鳞爪角分毫清晰，下衬翻卷海涛，将皇家威严与磅礴气势融于一体。盖面留白錾刻御题，辅以细密卷草锦地，繁简相映，层次分明。\n\n戗金线条细劲流畅，金辉在沉色漆面之上熠熠生辉，尽显造办极致匠心。它既是典册的庄重载体，亦是一件独运匠心的工艺佳器，将华贵矜重的皇家气度诠释得淋漓尽致。",[7,44,173,415,737,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73a6a659124bff10af12afb90c65fff6.jpg",[],{"id":5812,"slug":5813,"title":5814,"dynasty":40,"author":19,"museum":20,"description":5815,"tags":5816,"thumbUrl":5817,"material":48,"size":49,"collection":30,"collections":5818,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},275826,"bi-yu-yu-zhi-ning-shou-gong-ming-ce-yi-ming-275826","碧玉御制宁寿宫铭册","褐漆为底，金莳绘晕染松竹景致。苍松虬枝舒展，带着凌霜不凋的古拙意韵，修竹叶脉清灵，尽显君子清雅风骨。盒身轮廓圆柔温润，转角处消弭了冷硬棱角，如意形铜质锁扣，色泽沉敛和融，为整件器物添了几分庄重质感。\n\n髹漆匀净莹润，莳绘走线细腻自然，将文人心头的岁寒雅趣，藏进这一方小盒之中。它既是收纳文玩的实用佳器，亦是融绘艺与漆艺的雅致摆件，沉静古朴里藏着旧时案头的闲逸意趣。",[7,80,574,320,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F361f357678e45ad6451ae6088ad79147.jpg",[],{"id":5820,"slug":5821,"title":5822,"dynasty":40,"author":19,"museum":20,"description":5823,"tags":5824,"thumbUrl":5825,"material":48,"size":49,"collection":30,"collections":5826,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275824,"bi-yu-bu-yong-zhan-sheng-kuo-er-ka-zhi-tu-xu-ce-yi-ming-275824","碧玉补咏战胜廓尔喀之图序册","此件外盒以戗金描漆工艺精工而成，通体以卷云为地，双龙矫健身姿穿梭云海间，利爪遒劲，龙髯舒展，灵动威严兼具。下缘江崖海水纹饰沉稳厚重，呼应龙纹磅礴气势。盖面嵌红木题牌，与漆地形成材质对比，层次分明。戗金线条细劲流畅，描金光泽凝润古朴，将宫廷礼制的庄重与漆作匠人的巧思融于一体，尽显清代宫廷工艺的华贵典雅，将皇家威仪藏于方寸漆盒，是清代漆作匠心的绝佳体现。",[415,353,7,79,24,173,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60f2cfc2e71c6725cbd90a9f8b0a6ada.jpg",[],{"id":5828,"slug":5829,"title":5830,"dynasty":40,"author":19,"museum":20,"description":5831,"tags":5832,"thumbUrl":5833,"material":48,"size":49,"collection":30,"collections":5834,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275823,"qing-yu-dong-gao-shu-yu-zhi-san-lao-wu-geng-shuo-ce-yi-ming-275823","青玉董诰书御制三老五更说册","此件以黑漆为底，描金绘就水乡秋居图景，芦丛水禽悠然、茅舍归人恬适，江南野趣跃于盒身，笔触细腻雅致。盒内青玉册页碾刻精工，字纹隽秀挺括，玉质莹润温糯，与外盒漆绘相映成趣。御制文辞凝于良玉，髹金漆饰衬其雅韵，将文辞深意与工艺巧思相融，尽显制器的细腻匠心，藏纳着传统文人的隐逸意趣，又不失端整气度，是文房清玩中的上乘佳制。",[7,353,415,94,24,186,237,234,110,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3310cf501b0a8a8ce5e085abe5d49198.jpg",[],{"id":5836,"slug":5837,"title":5838,"dynasty":40,"author":19,"museum":20,"description":5839,"tags":5840,"thumbUrl":5841,"material":48,"size":49,"collection":30,"collections":5842,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275822,"qing-yu-yu-bi-ning-shou-gong-ming-ce-yi-ming-275822","青玉御笔宁寿宫铭册","此盒以黑漆为底，描金为饰，盖面开光题字，通身游龙腾跃于流云骇浪之中。描金线脚细密灵动，龙躯矫健遒劲，云纹舒卷连绵，海涛翻涌磅礴，繁丽纹饰排布严整不乱，金辉与乌漆相映，华贵雍容尽显。器形规整沉稳，将皇家威严气度与漆作工艺的极致工巧相融，尽显宫廷造物的精巧匠心，是清代漆艺的上乘之作。",[7,173,24,44,353,415,94,737],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6303b3a1442d34bda9e622bc6ca677cc.jpg",[],{"id":5844,"slug":5845,"title":5846,"dynasty":40,"author":19,"museum":20,"description":5847,"tags":5848,"thumbUrl":5849,"material":48,"size":49,"collection":30,"collections":5850,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275801,"qing-yu-qian-long-yu-bi-jian-cun-you-yi-ce-yi-ming-275801","青玉乾隆御笔鉴存游艺册","硬木为匣，戗金错银装饰器身，宝相花居于中心，蝠纹环簇四周，晕开吉庆雍容的氛围。漆面沉敛古雅，构图规整富丽，线条婉转灵动，尽显造办精湛匠心。册页取青玉为材，镌刻御笔，玉质莹润温糯，书法苍劲浑厚，文心与工美相融，是雅艺礼制相合的典范，藏纳着旧时皇家的审美意趣与文玩雅好。",[415,353,7,79,24,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5186821cf6c0bb06f8e1c24c31ba02a7.jpg",[],{"id":5852,"slug":5853,"title":5854,"dynasty":40,"author":19,"museum":20,"description":5855,"tags":5856,"thumbUrl":5858,"material":48,"size":49,"collection":30,"collections":5859,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275800,"qing-yu-yu-zhi-bi-shu-shan-zhuang-wu-fu-ji-ce-yi-ming-275800","青玉御制避暑山庄五福记册","以硬木为胎，采用错金错银工艺装饰器身。缠枝莲纹迤逦舒展，卷草柔婉灵动，间饰佛家八宝纹样，宝相庄严华美，构图繁密却丝毫不显拥塞。金色厚重莹润，银色素净雅致，与深沉的木色相互衬映，华贵雍容尽显御造的不俗格调，将吉祥寓意融于细腻工巧之中，是清代金属镶嵌工艺的精巧之作，尽显盛世的工艺水准与典雅审美意趣。",[415,353,46,7,79,24,1899,5857],"银饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26a6ab7bf2bb27f57dfe5273edc141fd.jpg",[],{"id":5861,"slug":5862,"title":5863,"dynasty":40,"author":19,"museum":20,"description":5864,"tags":5865,"thumbUrl":5866,"material":48,"size":49,"collection":30,"collections":5867,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275796,"qing-yu-yu-zhi-chuang-ye-shou-cheng-nan-yi-shuo-ce-yi-ming-275796","青玉御制创业守成难易说册","整器以剔红工艺精雕而就，器身满饰矫龙遨游于沧溟怒浪间，龙躯蜿蜒遒劲，爪牙张弛有力，戏珠于云涛之中，剔刻刀工爽利落拓，浮雕层次错落分明，朱漆色泽沉凝莹润。方正箱体配雕花束腰矮足，将皇家威仪与匠造巧思相融，尽显清代雕漆工艺的极致水准，是一件兼具收纳实用与陈设赏鉴价值的漆作佳器。",[7,24,173,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff96a5e84f20d11740bbac60984fb0ccb.jpg",[],{"id":5869,"slug":5870,"title":5871,"dynasty":40,"author":19,"museum":20,"description":5872,"tags":5873,"thumbUrl":5874,"material":48,"size":49,"collection":30,"collections":5875,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275793,"qing-yu-qian-long-yu-bi-wen-jin-ge-ji-ce-yi-ming-275793","青玉乾隆御笔文津阁记册","此盒以乌木为地，取戗金工艺装饰，整器华贵雍容。盒身双龙矫健灵动，于流云间辗转腾挪，戏珠相争，下衬海浪江崖，暗合江山永固之意。金线在深褐底色上熠熠生辉，走线细腻流畅，将龙的威严气势刻画得栩栩如生。\n\n盖面戗金题字笔力遒劲端方，与整体肃穆华贵的气韵相得益彰。整器将收纳之用与陈设雅趣相融，尽显宫廷工艺的精湛考究，把皇家威严气度与盛世审美藏入这一方匣盒之中。",[7,46,173,24,353,415,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc32d563f2be3204af4102e60fdd29663.jpg",[],{"id":5877,"slug":5878,"title":5879,"dynasty":40,"author":19,"museum":20,"description":5880,"tags":5881,"thumbUrl":5882,"material":48,"size":49,"collection":30,"collections":5883,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275792,"qing-yu-yu-zhi-sou-miao-xian-shou-shuo-ce-yi-ming-275792","青玉御制蒐苗狝狩说册","此盒取紫檀为胎，通身戗金填漆饰游龙云海，金线流转勾勒出龙姿矫健昂然，云纹舒卷灵动，尽显皇家富丽堂皇的重工气韵。盒面嵌青玉牌，莹润玉料上阴刻题字，刀工秀雅挺劲，木、金、玉三色交融，华贵之中兼具文气。\n\n册页以青玉裁就，将古制礼制凝于莹润玉面，以玉载文，把清代宫廷木雕髹漆、玉作镌刻的极致精工，与典章文脉的厚重底蕴藏纳于方寸之间，雅韵与重工相得益彰。",[46,7,4585,24,173,415],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71c1ad637eea48642c9807db9c025cf2.jpg",[],{"id":5885,"slug":5886,"title":5887,"dynasty":40,"author":19,"museum":20,"description":5888,"tags":5889,"thumbUrl":5890,"material":48,"size":49,"collection":30,"collections":5891,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275791,"qing-yu-yu-zhi-jin-chuan-ping-ding-gao-cheng-tai-xue-bei-wen-ce-yi-ming-275791","青玉御制金川平定告成太学碑文册","此盒以黑漆为底，戗金技法勾勒纹饰。游龙矫健身姿穿绕在层叠云海之中，龙鳞鬃须分毫毕现，灵动威严。下部江崖海水纹细密齐整，暗喻江山永固。盒面题字端严规整，与周身纹样相得益彰。金漆在乌亮漆地烘托下愈显华贵雍容，整体构图饱满繁密却不失秩序，尽显宫廷造办的极致工法，带着皇家器物特有的威仪气度，是漆作工艺与礼制美学交融的上乘佳作。",[7,173,24,415,353,46]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xing-yi-ming-275196","乾隆款天蓝釉髹黄漆凸花铏","天蓝釉是瓷器釉色名。一种高温色釉。由“天青”演变而来，清康熙时创烧。釉色浅而发蓝，似天蓝色，故名。含钴量在2%以下，釉中铜、铁、钛等金属元素均起呈色剂作用；呈色稳定、莹洁菁雅，可与豇豆红媲美，是古代工匠精湛的工艺技巧和不朽的艺术造型的完美体现。天蓝釉器物种类，康熙时均属小件文房用具，至雍正、乾隆才见瓶罐等器型。",[43,7,6304,385,63],"礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47412682f6c0ebe141e1c8cedf4d5b89.jpg",[],{"id":6308,"slug":6309,"title":6301,"dynasty":40,"author":19,"museum":20,"description":6302,"tags":6310,"thumbUrl":6311,"material":48,"size":49,"collection":30,"collections":6312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275195,"qian-long-kuan-tian-lan-you-xiu-huang-qi-tu-hua-xing-yi-ming-275195",[43,7,385,6304,46,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7df7ba8341681c4562cf23be6fd01ce8.jpg",[],{"id":6314,"slug":6315,"title":6316,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6318,"thumbUrl":6319,"material":48,"size":49,"collection":30,"collections":6320,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275194,"qian-long-kuan-bai-you-xiu-huang-qi-tu-jin-wen-xing-yi-ming-275194","乾隆款白釉髹黄漆凸锦纹铏","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[7,43,6304,385,24,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2475fd4a67eead9163f48abac610772.jpg",[],{"id":6322,"slug":6323,"title":6316,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6324,"thumbUrl":6327,"material":48,"size":49,"collection":30,"collections":6328,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275193,"qian-long-kuan-bai-you-xiu-huang-qi-tu-jin-wen-xing-yi-ming-275193",[43,7,6304,385,6325,6326,1394],"凸锦纹","白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58bc3647cb0994262675728b3fdf2670.jpg",[],{"id":6330,"slug":6331,"title":6316,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6332,"thumbUrl":6333,"material":48,"size":49,"collection":30,"collections":6334,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275192,"qian-long-kuan-bai-you-xiu-huang-qi-tu-jin-wen-xing-yi-ming-275192",[7,43,6304,385,6325,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1079a79031932ba4d092ce10db899200.jpg",[],{"id":6336,"slug":6337,"title":6316,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6338,"thumbUrl":6339,"material":48,"size":49,"collection":30,"collections":6340,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275191,"qian-long-kuan-bai-you-xiu-huang-qi-tu-jin-wen-xing-yi-ming-275191",[43,7,385,6325,209,5130,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad5a87c968a03b30f6a319673b423ec8.jpg",[],{"id":6342,"slug":6343,"title":6316,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6344,"thumbUrl":6345,"material":48,"size":49,"collection":30,"collections":6346,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275190,"qian-long-kuan-bai-you-xiu-huang-qi-tu-jin-wen-xing-yi-ming-275190",[7,43,6304,385,6325,209,5130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6805573dccac8127c819acba889cc75a.jpg",[],{"id":6348,"slug":6349,"title":6316,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6350,"thumbUrl":6351,"material":48,"size":49,"collection":30,"collections":6352,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},275189,"qian-long-kuan-bai-you-xiu-huang-qi-tu-jin-wen-xing-yi-ming-275189",[7,43,6304,385,24,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F901ba9ec82ba0514ba7c6405845e79bf.jpg",[],{"id":6354,"slug":6355,"title":6356,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6357,"thumbUrl":6360,"material":48,"size":49,"collection":30,"collections":6361,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275170,"qian-long-kuan-bai-you-xiu-huang-qi-tu-chi-wen-gui-yi-ming-275170","乾隆款白釉髹黄漆凸螭纹簋",[43,7,385,6304,6358,6359],"螭纹","簋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48c26492b5c54b45409fafbc0aecd052.jpg",[],{"id":6363,"slug":6364,"title":6356,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6365,"thumbUrl":6366,"material":48,"size":49,"collection":30,"collections":6367,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":305},275169,"qian-long-kuan-bai-you-xiu-huang-qi-tu-chi-wen-gui-yi-ming-275169",[43,7,6304,385,6358,6359],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d6a8614dd0d131ffc179fe156b7938c.jpg",[],{"id":6369,"slug":6370,"title":6356,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6371,"thumbUrl":6372,"material":48,"size":49,"collection":30,"collections":6373,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275168,"qian-long-kuan-bai-you-xiu-huang-qi-tu-chi-wen-gui-yi-ming-275168",[7,43,385,24,6358,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F357d08fc9305891cf86e6d2769bb4be4.jpg",[],{"id":6375,"slug":6376,"title":6356,"dynasty":40,"author":19,"museum":20,"description":6317,"tags":6377,"thumbUrl":6378,"material":48,"size":49,"collection":30,"collections":6379,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},275167,"qian-long-kuan-bai-you-xiu-huang-qi-tu-chi-wen-gui-yi-ming-275167",[43,7,6304,385,6358,6359],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d3f5b1fec45c295d53460bd6c0a1a44.jpg",[],{"id":6381,"slug":6382,"title":6383,"dynasty":40,"author":19,"museum":20,"description":1806,"tags":6384,"thumbUrl":6385,"material":48,"size":49,"collection":30,"collections":6386,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":305},275166,"qian-long-kuan-ji-lan-you-xiu-huang-qi-fu-yi-ming-275166","乾隆款霁蓝釉髹黄漆簠",[46,7,43,385,6304,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd37e52ab757c214021c46b569331a3b0.jpg",[],{"id":6388,"slug":6389,"title":6390,"dynasty":40,"author":19,"museum":20,"description":6391,"tags":6392,"thumbUrl":6393,"material":4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uan-bi-yi-ming-272471","此笔以髹漆为骨，乌亮漆地之上，朱红描金勾勒龙凤穿云，线条灵动舒展，龙凤身姿矫健遒劲，祥云缠萦左右，尽显华贵威仪。填彩技法精妙考究，色漆饱满鲜亮，经岁月洗练仍明艳如初，笔身金属饰件包浆温润，与漆色相映成趣，勾勒出器物的精致细节。\n\n整体形制修长隽秀，将文房雅器的静雅风骨，与皇家纹饰的雍容气度相融，是漆艺制笔的精妙之作，藏着古人工匠的匠心巧思，尽显彼时文玩工艺的巅峰水准。",[1313,7,173,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90bce6002d28b23f88e779d72dc0741a.jpg",[],{"id":7248,"slug":7249,"title":7221,"dynasty":274,"author":19,"museum":20,"description":7250,"tags":7251,"thumbUrl":7252,"material":48,"size":49,"collection":30,"collections":7253,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},272469,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272469","此笔以黑漆为底，描金饰纹，华贵雅致。双龙矫健遒劲，于云涛间辗转腾挪，鬃须张扬、爪锋锐利，尽显威严大气。云纹舒卷灵动，衬得龙姿更见雄浑磅礴。笔管尾端题字端正隽秀，与恣肆龙纹相映成趣，平衡画面气韵。\n\n兼毫笔尖齐整紧实，可见制笔工艺精湛独到。髹漆与制笔技艺相融，既为文房实用佳器，亦是匠心独具的装饰珍品，暗合明代尚雅重礼的文玩之风，尽显宫廷造物的考究工致，静静诉说着旧时文房的风雅意趣。",[1313,7,44,632,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa29a6909900f4f8593526b9d8a9750.jpg",[],{"id":7255,"slug":7256,"title":7221,"dynasty":274,"author":19,"museum":20,"description":7257,"tags":7258,"thumbUrl":7259,"material":48,"size":49,"collection":30,"collections":7260,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},272468,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272468","以素净黑漆为底，描金饰绘双龙遨游云海，龙身矫健遒劲，鳞片纹理分毫毕现，祥云迤逦环绕于江崖海涛间，威仪尽显。管身填金款识规整隽秀，细节处处尽显匠心。兼毫笔锋挺拔利落，兼具实用与赏玩价值。金漆交相辉映，华贵雅致扑面而来，将漆艺与制笔工艺精妙融合，尽显明代工匠顶尖造诣，凝缩着旧时文房雅器的极致审美意趣。",[1313,7,44,173,6912],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb8001121b526fa5bbc2a8543c16798a.jpg",[],{"id":7262,"slug":7263,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7264,"tags":7265,"thumbUrl":7266,"material":48,"size":49,"collection":30,"collections":7267,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272465,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272465","以漆黑为底，描金间填朱彩雕琢龙凤纹样。龙凤身姿舒展灵动，祥云与缠枝花卉错落铺陈，纹饰繁而不乱，华贵雅致。笔管尾端描金题款秀挺工整，为器物更添文雅意趣。紫毫笔头锋颖锐利饱满，将文房实用功能与装饰工艺融于一体，尽显明代髹漆工艺的精湛造诣，是文房雅器中的上乘之作。",[1313,7,173,1021,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d6517350d02e08175993404be532b35.jpg",[],{"id":7269,"slug":7270,"title":3201,"dynasty":274,"author":19,"museum":20,"description":7271,"tags":7272,"thumbUrl":7273,"material":48,"size":49,"collection":30,"collections":7274,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272464,"wan-li-kuan-cai-qi-shuang-long-wen-guan-bi-yi-ming-272464","笔身以黑漆为底，金、朱彩漆填绘双龙。龙躯矫健遒劲，鳞爪凌厉鲜活，火珠与云纹环绕其间，烘托出威严灵动之势。彩漆描金线条精细入微，漆色莹润亮泽，尽显漆作工艺的精湛考究。修长笔管搭配沉厚包浆的铜饰，黑漆与金朱相互映衬，华贵雅致兼具。将文房雅器的清隽意趣与宫廷造办的精工质感相融，暗合当时崇文重艺之风，静静承载着旧时工巧匠心，是漆制文房中的上乘之作。",[1313,7,632,1151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc44779963b33c515e93146c29ce518d8.jpg",[],{"id":7276,"slug":7277,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7278,"tags":7279,"thumbUrl":7280,"material":48,"size":49,"collection":30,"collections":7281,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272463,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272463","此笔以黑漆为地，金红彩漆填饰龙凤纹。龙姿矫健蜿蜒，凤羽舒展灵动，祥云缭绕其间，纹饰层次分明、鲜亮夺目，铜饰镶边更添华贵质感。\n它将文房制笔与髹漆工艺精妙相融，漆色莹润沉稳，构图疏密相宜，既带着宫廷器物的规整大气，又兼具文房雅器的清隽意趣，把实用属性与装饰美学完美结合，尽显高超工艺水准，藏着古人赏用一体的文房审美哲思。",[1313,7,173,1021,1151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdff036c9b4d02c831331857da31a0500.jpg",[],{"id":7283,"slug":7284,"title":3201,"dynasty":274,"author":19,"museum":20,"description":7285,"tags":7286,"thumbUrl":7287,"material":48,"size":49,"collection":30,"collections":7288,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272461,"wan-li-kuan-cai-qi-shuang-long-wen-guan-bi-yi-ming-272461","笔管以黑漆为底，朱红描焰、金彩勾纹，双龙矫然蜿蜒，翔游于祥云之间，龙睛凌厉有神，鳞爪张弛尽显遒劲气势。漆色莹润乌亮，红金亮色于沉黑之上鲜明夺目，纹饰繁密却层次井然，尽显华贵雅致。\n\n锋颖锐利紧实的笔毫，兼具实用之效与赏玩之趣，将髹漆工艺与文房雅器相融，尽显制艺的细腻考究，勾勒出案头清供的雅致意韵。",[1313,7,632,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98acc3887da568aad006ac8a70bc4d59.jpg",[],{"id":7290,"slug":7291,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7292,"tags":7293,"thumbUrl":7294,"material":48,"size":49,"collection":30,"collections":7295,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272459,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272459","笔身以黑漆为底，金彩填饰龙凤穿花，苍龙腾挪灵动，彩凤翩跹柔婉，缠枝花卉舒展娇妍，繁密纹饰层次井然，尽显髹漆工艺的极致精妙。\n\n黄铜饰件点缀笔管首尾，冷润金属与温润漆色相映，添了几分华贵庄重。填金落款雅致端方，将祥瑞寓意与文房雅韵相融，龙凤呈祥衬以盛放繁花，既有宫廷器物的富丽规制，又带着明代髹漆技艺的典型特质。\n\n这是文房雅器中的精工之作，藏着旧时匠人的极致审美与沉潜匠心，将实用与赏玩完美合二为一。",[1313,7,173,1021,1151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7be0c55a6524ab4bb04dff1e86804ab4.jpg",[],{"id":7297,"slug":7298,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7299,"tags":7300,"thumbUrl":7301,"material":48,"size":49,"collection":30,"collections":7302,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272458,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272458","此笔以黑漆为底，彩绘龙凤穿游于云海浪涛之间。龙姿矫健张扬，凤形柔婉翩跹，红彩点染鳍羽，描金勾勒纹路，深浅明暗交织晕染，让瑞兽仿佛破云而出，灵动鲜活。\n\n铜质包边温润内敛，磨痕载着岁月余温，与漆色冷暖相映，既固笔身，更添庄重雅致。狼毫笔锋挺括饱满，将文房雅器的审美意趣与实用属性相融，把髹漆与制笔工艺精妙结合，尽显华贵古雅的宫廷文玩气韵。",[1313,7,173,1021,1151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F397c6d0b119b2d6f9e7130742c392bcb.jpg",[],{"id":7304,"slug":7305,"title":1310,"dynasty":274,"author":19,"museum":20,"description":7306,"tags":7307,"thumbUrl":7308,"material":48,"size":49,"collection":30,"collections":7309,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},272455,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272455","黑漆为地，以描金勾勒龙凤祥纹，凤羽层叠分明，龙形隐现于缠枝花卉间，金彩在黑底晕衬下愈见鲜亮华贵。线条婉转流畅，将瑞兽的威仪与花饰柔巧相融，笔身落款填金端正雅致，细节处尽显精工巧思。紫毫笔锋劲挺锐利，与华美笔管相映成趣，文气与匠意兼具，尽显古雅雍容的造物美学，是文房雅器中的上乘之作。",[1313,7,44,173,1021],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27d36404e7fd082463ed314ed46078f8.jpg",[],{"id":7311,"slug":7312,"title":7221,"dynasty":274,"author":19,"museum":20,"description":7313,"tags":7314,"thumbUrl":7315,"material":48,"size":49,"collection":30,"collections":7316,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},272453,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272453","以黑漆为素地，描金饰双龙穿云遨游，龙躯矫健灵动，鳞爪锋芒毕现，流云缠缀环绕，金彩明丽鲜亮，与乌地相映，尽显华贵雍容。笔管錾刻题款，笔意端正隽秀，为器物添上文雅注解。紫毫笔锋紧实挺括，锋颖锐利，兼具绝佳形制与实用性能。它是髹漆与制笔工艺相融的佳作，将文房清玩的雅致与宫廷工艺的精细完美结合，静静承载着古时文房案头的风雅意趣，尽显明代手作的极致匠心。",[1313,7,44,632,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77a2a811661094d1f37eee1167597e7f.jpg",[],{"id":7318,"slug":7319,"title":7320,"dynasty":274,"author":19,"museum":20,"description":7321,"tags":7322,"thumbUrl":7324,"material":48,"size":49,"collection":30,"collections":7325,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272452,"xuan-de-kuan-cai-qi-yun-long-wen-guan-diao-hao-bi-yi-ming-272452","宣德款彩漆云龙纹管貂毫笔","此笔以黑漆为地，描金敷彩作云龙图景。游龙矫健灵动，穿曳于朱红云霭之间，金彩勾边让纹饰棱角分明，明暗相映下，龙身肌理仿若跃然管上。漆面莹润亮泽，彩漆晕染自然细腻，纹饰排布疏密相宜，将髹漆妙技藏于文房雅物中，把祥龙瑞云的吉庆意蕴凝于寸管，尽显古雅雍容的旧时审美，是兼具工艺价值与审美意趣的文房精工之作。",[1313,7,632,1151,7323],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8a35c754e1785ffb73067f1eb3f2b1a.jpg",[],{"id":7327,"slug":7328,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7329,"tags":7330,"thumbUrl":7331,"material":48,"size":49,"collection":30,"collections":7332,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272451,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272451","此笔以黑漆为底，描金敷彩勾勒龙凤穿云图景。金龙矫健身姿穿梭云间，丹红鳞爪张弛有力；彩凤羽翼柔婉舒展，翎羽纤毫毕现。祥云卷舒环绕，火焰纹饰点缀其间，明暗交错间尽显华贵妍丽。\n\n紫毫笔头锋颖饱满锐利，兼顾装饰与实用。管身款识古雅端凝，髹漆、描金工艺交融无间，将晚明华贵雅致的审美意趣凝缩于寸管之上，是文房雅器中集工艺美学与实用价值的精工之作，藏着旧时文人案头的风雅余韵。",[1313,7,632,961,1151,3188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62f3b64e8519b84865279630e1ef5391.jpg",[],{"id":7334,"slug":7335,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7336,"tags":7337,"thumbUrl":7338,"material":48,"size":49,"collection":30,"collections":7339,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272450,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272450","此笔以乌漆为地，莹亮如镜，描金敷彩饰龙凤纹样。矫龙腾跃于祥云浪涛之间，翎凤婉转掩映，朱色金彩相映，线条细劲流畅，纹饰繁丽华贵，尽显宫廷御制器物的雍容气度。\n\n笔管铭牌金边环绕，更添规整端雅。笔毫劲挺饱满，兼合书写实用之能，将髹漆工艺的华美与文房用器的雅致融为一体，尽显明代制笔髹漆工艺的巅峰水准，是文房雅器中兼具审美与实用价值的上乘之作。",[1313,7,173,1021,1151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61d1ae1e93910b1f5a106b418a2b4c53.jpg",[],{"id":7341,"slug":7342,"title":1986,"dynasty":274,"author":19,"museum":20,"description":7343,"tags":7344,"thumbUrl":7345,"material":48,"size":49,"collection":30,"collections":7346,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272449,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272449","笔管以黑漆为底，描金敷彩勾勒游龙舞凤。金红龙身矫健灵动，凤羽婉转柔丽，缠卷祥云衬于其间，纹样饱满华贵，尽显雍容气度。管身填金题字端方古雅，与繁丽纹饰相映成趣。金属饰箍光泽内敛，划分出雅致层次，紫毫笔锋齐挺锐利，兼融实用与装饰之美。\n\n整器漆色莹润亮泽，髹饰工艺精湛考究，纹饰排布疏密得宜，将传统漆艺与文房雅器精妙结合，是工艺美学与文房实用价值融合的典范，携带着旧日东方雅致意趣，静静诠释着古人案头的风雅追求。",[1313,7,173,1021,1151,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40789e52a80e28450342e1f3f55d1424.jpg",[],{"id":7348,"slug":7349,"title":7350,"dynasty":274,"author":19,"museum":20,"description":7351,"tags":7352,"thumbUrl":7353,"material":48,"size":49,"collection":30,"collections":7354,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272448,"xuan-de-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272448","宣德款黑漆描金龙凤纹管笔","此器以髹黑漆为底，金彩为饰，龙凤身姿矫健灵动，穿梭于缠枝花卉之间，线条婉转细腻，纹饰繁丽饱满。描金漆色明丽鲜亮，与深沉乌漆相映，尽显华贵雍容。龙凤气韵生动，缠枝柔媚舒展，将瑞兽灵姿与雅致花韵相融，细节处尽显工艺匠心。落款字体端雅方正，古意盎然，整体器型修长匀整，将宫廷制器的富丽精致与文房雅器的隽永格调合二为一，是髹漆制笔工艺的上乘之作。",[7,1313,44,173,1021],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bcd4abd0ff38ad755102c7903faaf09.jpg",[],{"id":7356,"slug":7357,"title":7358,"dynasty":274,"author":19,"museum":20,"description":7359,"tags":7360,"thumbUrl":7361,"material":48,"size":49,"collection":30,"collections":7362,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},272447,"xuan-de-kuan-hei-qi-miao-jin-yun-long-wen-guan-bi-yi-ming-272447","宣德款黑漆描金云龙纹管笔","此笔以乌亮黑漆为底，描金云龙纹饰蜿蜒其上。龙躯矫健遒劲，穿游于云霭之间，身姿灵动张扬，尽显磅礴威仪。金彩在漆地映衬下愈显鲜亮夺目，线条勾勒细腻流畅，每一处纹路都尽显匠者精妙工力。纹饰排布疏密相宜，繁而不杂，漆色莹润饱满，虽经岁月淘洗，依旧光泽动人。将祥瑞寓意与髹漆工艺相融，把器物的实用价值与美学价值揉合无间，尽显传统工艺的极致匠心与东方器物美学的独特意蕴。",[1313,7,44,632],"https:\u002F\u002Foss.chuangqi.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勾勒得鲜活生动。铜质束腰衔接管身，冷调金属光泽与乌亮漆色相映成趣，平衡了文房器物的柔润与端重。整体形制修长匀挺，髹漆工艺与描金技法相融无间，将文房雅器的隽秀与祥瑞金贵之气揉为一体，把实用与装饰美学完美结合，尽显手作工艺的精妙匠心，是一件兼具赏玩与实用价值的文房佳物。",[1313,7,173,1021,44,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe498296a26f6e23f23249ccfb32ec953.jpg",[],{"id":7582,"slug":7583,"title":7584,"dynasty":274,"author":19,"museum":20,"description":7585,"tags":7586,"thumbUrl":7587,"material":48,"size":49,"collection":30,"collections":7588,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},270783,"ti-hong-long-wen-guan-bi-yi-ming-270783","剔红龙纹管笔","此器通体髹饰莹润朱漆，以圆润藏锋的刀法雕就游龙纹样。龙躯矫捷蜿蜒，穿梭于云气之间，龙鳞纤毫毕现，龙须飘逸灵动，将神龙威严姿态描摹得淋漓尽致。管身辅以规整回纹为饰，静穆雅致，与龙纹的恣肆灵动相映成趣，繁简错落间尽显匠心巧思。\n\n朱漆色泽沉古厚重，包浆自然温润，刀法磨工皆称精妙，将文房清趣与重工髹饰融于一体，既是实用文房佳器，亦是明代雕漆工艺的上乘之作，尽显古人文玩雅韵。",[7,120,24,173,1313],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F636e3c8bd593bd0b18d20dccde66d2ed.jpg",[],{"id":7590,"slug":7591,"title":7592,"dynasty":274,"author":19,"museum":20,"description":7593,"tags":7594,"thumbUrl":7595,"material":48,"size":49,"collection":30,"collections":7596,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270782,"cai-qi-shuang-long-wen-guan-bi-yi-ming-270782","彩漆双龙纹管笔","以黑漆为素地，以红、金彩漆绘就双龙穿云，龙躯矫健腾挪，云纹迤逦舒展，线条灵动劲挺，设色浓艳鲜亮。金属束箍点缀其间，冷色金饰配暖调漆彩，更衬华贵雅致。描金款识沉稳内敛，暗合古雅气韵。\n将髹漆绝技融于文房雅器，既是挥毫利器，亦是案头清供，尽显重工精丽的审美意趣，是传统工艺与文房雅韵交织的精妙造物，晕染出旧时文人案头的雅致风华。",[1313,7,173,1151,3188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f1300092c417287d393b17315d96eb7.jpg",[],{"id":7598,"slug":7599,"title":7600,"dynasty":40,"author":19,"museum":20,"description":7601,"tags":7602,"thumbUrl":7604,"material":48,"size":49,"collection":30,"collections":7605,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270767,"hei-qi-miao-jin-zhe-zhi-hua-wen-guan-dou-zi-hao-ti-bi-yi-ming-270767","黑漆描金折枝花纹管斗紫毫提笔","此提笔造型敦雅圆润，笔斗饱满舒展，紫毫锋颖锐利挺拔，外缘衬裹红褐色副毫，虚实明暗相映，兼具实用属性与视觉层次。\n\n漆黑地子匀净莹亮如镜，描金折枝花纹纤细灵动，花叶舒展柔婉，金彩在乌色衬托下愈显华贵明丽，将文房雅器的静穆雅致与宫廷华贵融于一体。髹漆工艺精湛，描金走线细腻流畅，折枝纹疏朗分布，于简约中透着雅致隽秀的文人情趣，尽显传统漆艺与文房审美结合的精妙意趣。",[1313,7,44,1314,7603],"折枝花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81c0bb3e74044c2cf897728edea50a26.jpg",[],{"id":7607,"slug":7608,"title":7609,"dynasty":40,"author":19,"museum":20,"description":7610,"tags":7611,"thumbUrl":7613,"material":48,"size":49,"collection":30,"collections":7614,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270763,"hong-qi-miao-jin-xian-shan-lou-ge-tu-guan-zong-hao-zhua-bi-yi-ming-270763","红漆描金仙山楼阁图管鬃毫抓笔","髹朱红漆为地，描金饰纹尽显华贵。管身纹饰上下区分，上部云气舒卷，仙鹤振翅穿行其间，晕染出清逸仙气，暗含长寿祥瑞之喻；下部缠枝蝠纹辗转环绕，暗合纳福祈吉之意。\n配套鬃毫劲挺饱满，锋颖齐整，兼顾实用书写与案头陈设。描金走线细腻流畅，朱漆莹润亮泽，金彩熠熠生辉，二者相映成趣，尽显漆作工艺的精致考究，是融装饰美学与文房雅用为一体的精工佳器，尽显传统文房器物的雅致意韵。",[1313,7,44,236,110,7612],"鬃毫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdeb861f6f1dc4979f85a370acefc957c.jpg",[],{"id":7616,"slug":7617,"title":7618,"dynasty":40,"author":19,"museum":20,"description":7619,"tags":7620,"thumbUrl":7621,"material":48,"size":49,"collection":30,"collections":7622,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270761,"hei-qi-miao-jin-pan-long-wen-guan-dou-zi-hao-ti-bi-yi-ming-270761","黑漆描金蟠龙纹管斗紫毫提笔","此提笔以黑漆为骨，描金蟠龙隐现管身，乌金相映间龙姿蜿蜒灵动，华贵雅致尽显。紫毫笔头锋颖饱满挺括，泛红颖部晕染出温润层次，蓄墨趁手，兼顾实用与赏玩价值。漆色莹润光亮，描金走线精细入微，将宫廷文房的矜贵气度凝于一管，是清代髹漆制笔工艺的精巧之作，静静承载着旧时文人案头的风雅意趣。",[1313,7,173,44,1314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8051702110315211eebfd11e727f8cc.jpg",[],{"id":7624,"slug":7625,"title":7626,"dynasty":40,"author":19,"museum":20,"description":7627,"tags":7628,"thumbUrl":7629,"material":48,"size":49,"collection":30,"collections":7630,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270758,"hei-qi-miao-jin-yun-long-wen-guan-zong-hao-zhua-bi-yi-ming-270758","黑漆描金云龙纹管鬃毫抓笔","此笔以黑漆为底，描金饰纹尽显华贵气韵。上部笔管行龙穿云，龙身矫健灵动，祥云迤逦环绕，尽显威严富丽；下部卷草花卉缠枝蔓延，柔婉雅致，中和龙纹刚猛，刚柔并济。鬃毫饱满挺括，锋颖内敛，将髹漆工艺与文房实用完美相融，尽显清代制笔工艺的精巧造诣，承载着传统文房雅器的极致审美意趣。",[1313,7,173,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45225e300109f042a89db7823dd35e14.jpg",[],{"id":7632,"slug":7633,"title":7634,"dynasty":40,"author":19,"museum":20,"description":7635,"tags":7636,"thumbUrl":7637,"material":48,"size":49,"collection":30,"collections":7638,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},270757,"cai-qi-chan-zhi-lian-wen-zi-hao-bi-yi-ming-270757","彩漆缠枝莲纹紫毫笔","黄漆为底，以朱、绿二色晕染缠枝莲纹。枝蔓萦回柔婉，莲花娇妍雅致，纹样疏密有致覆满笔杆，将富丽雅致的意蕴融于笔身。紫毫笔尖挺劲爽利，适配书画创作的细腻笔触需求。笔管口沿配象牙镶边，温润质感调和漆彩的明艳，于细节处彰显做工匠心。整体器形修长秀雅，髹漆工艺精工细致，将文房实用之效与装饰美感融为一体，尽显传统文玩器物的雅致意趣。",[1313,7,1151,121,7454],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba2d7100042b991bc69d3bdd247fbf2e.jpg",[],{"id":7640,"slug":7641,"title":7642,"dynasty":40,"author":19,"museum":20,"description":7643,"tags":7644,"thumbUrl":7645,"material":48,"size":49,"collection":30,"collections":7646,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},270753,"hei-qi-miao-jin-yun-long-wen-guan-zi-hao-bi-yi-ming-270753","黑漆描金云龙纹管紫毫笔","乌亮漆地为底，描金云龙蜿蜒游走。金线流转间，龙身矫健灵动，鳞爪锋芒暗藏，云纹舒卷萦回，晕开缥缈仙气，将宫廷华贵融入文房雅器。紫毫笔头锋颖修挺，色呈青褐，兼具刚劲与柔韧，下笔可肆意铺陈亦可精细勾勒。\n\n此笔将髹漆描金的精湛工艺与制笔匠心融为一体，把文房用具升华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形成动静韵律。\n\n整器型制端方规整，漆色莹润亮泽，雕工细腻入微，将髹漆工艺与文人尚古雅趣相融，既是收纳实用之具，亦是陈设赏玩的漆艺佳制，尽显清时漆作的精湛工巧与雅致格调。",[119,7,532,120,24,121,124,1117,63,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F848d2444d357969245b3159704ec5a77.jpg",[],{"id":20252,"slug":20253,"title":20210,"dynasty":40,"author":19,"museum":20,"description":20254,"tags":20255,"thumbUrl":20257,"material":48,"size":49,"collection":30,"collections":20258,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246614,"ti-hong-chan-zhi-lian-wen-kai-guang-bo-gu-wen-gui-yi-ming-246614","柜身剔红摹仿竹编肌理，四扇柜门开光内以百宝嵌陈设博古清供，瓶花、瑞器错落排布，珊瑚、碧玉等珍材点缀其间，雅致雍容。铜质錾花合页与拉手，衬得朱漆柜体愈发沉稳大气，下屉浮雕缠枝莲纹，线条婉转灵秀。\n\n它将雕漆与百宝嵌技法相融，华贵不失清雅，把文人士大夫钟爱的雅玩意趣凝于柜体之上，尽显清代手作的匠心与盛世雅致审美。",[119,120,24,124,121,1117,7,20256,46],"柜子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3438d29348f4b1816954551bdcd95c86.jpg",[],{"id":20260,"slug":20261,"title":20262,"dynasty":40,"author":19,"museum":20,"description":56,"tags":20263,"thumbUrl":20264,"material":48,"size":49,"collection":30,"collections":20265,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246613,"qian-long-kuan-ti-hong-shan-shui-ren-wu-tu-yuan-bi-tong-yi-ming-246613","乾隆款剔红山水人物图圆笔筒",[119,7,120,24,186,234,237,778],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d5613c27db33e5265bddacd4d681bf1.jpg",[],{"id":20267,"slug":20268,"title":20269,"dynasty":40,"author":19,"museum":20,"description":56,"tags":20270,"thumbUrl":20272,"material":48,"size":49,"collection":30,"collections":20273,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},246612,"lv-di-ti-hong-shi-ba-luo-han-bi-tong-yi-ming-246612","绿地剔红十八罗汉笔筒",[119,7,24,120,20271,3867,3657,234,426,240,2999],"绿地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28d18fb10b4b33ba2b15064c527776ae.jpg",[],{"id":20275,"slug":20276,"title":20277,"dynasty":40,"author":19,"museum":20,"description":20278,"tags":20279,"thumbUrl":20280,"material":48,"size":49,"collection":30,"collections":20281,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246611,"ti-hong-hai-shui-long-zhu-wen-gui-yi-ming-246611","剔红海水龙珠纹柜","通体髹饰朱红漆，以细密回纹为锦地，烘托起满柜华纹。四扇柜门高浮雕海水龙纹，矫龙翻腾于怒浪之中，龙身遒劲舒展，须发张扬，利爪攫浪追动火珠，威仪尽显。海浪层叠翻卷，肌理饱满立体，将海天龙吟的磅礴气势刻画入微。\n\n铜鎏金合页包角朱金交辉，沉稳华贵。整体刀工爽利圆润，形制规整端方，把漆雕的厚重质感与龙纹的威严气场相融，尽显重工漆作的巅峰水准，将清宫极致匠心与皇家雍容审美凝于一身。",[40,7,120,24,173,1170,4434,1928],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55d6d63a9db38540aa5593655a0912bf.jpg",[],{"id":20283,"slug":20284,"title":20285,"dynasty":40,"author":19,"museum":20,"description":20286,"tags":20287,"thumbUrl":20288,"material":48,"size":49,"collection":30,"collections":20289,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246610,"ti-hei-bian-ti-hong-xin-hai-shui-long-wen-gui-yi-ming-246610","剔黑边剔红心海水龙纹柜","这件立柜以色构境，乌漆为骨，朱雕为魂。柜门上下分设，上方小柜内祥龙盘踞方隅，身姿遒劲婉转，气宇轩昂；下方柜门里神龙遨游沧溟，浪涛翻涌间尽显威仪。\n\n边框剔黑錾刻缠枝纹样，细密繁丽，将朱红龙纹衬得愈发醒目浓烈，上下顾盼间章法井然。柜体侧边镂雕纹饰与柜面呼应，通体纹饰饱满却不显拥塞，刀工爽利圆润，起线流畅劲挺。\n\n红黑撞色对比强烈，既带着华贵大气，又将髹雕精湛技艺尽显无余，配色鲜明、雕工精绝，是漆作家具中的上乘之作。",[119,7,24,2359,120,173,1630,896],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4baae6a06ecea545b9fc4aa294c4cca.jpg",[],{"id":20291,"slug":20292,"title":4910,"dynasty":40,"author":19,"museum":20,"description":20293,"tags":20294,"thumbUrl":20295,"material":48,"size":49,"collection":30,"collections":20296,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246609,"qian-long-kuan-ti-hong-yun-long-wen-kui-ban-shi-zhan-tuo-yi-ming-246609","朱红漆色莹润沉厚，衬色古雅沉静，葵瓣造型温婉雅致。盏沿回纹规整内敛，器身云龙矫健灵动，龙身辗转腾挪于云气之间，爪牙张弛尽显威严。刀工圆熟利落，浮雕层次分明，流云舒展环伺，将龙的神威烘托得淋漓尽致。整体刚柔并济，既带着祥瑞庄重的气度，又尽显髹漆工艺的精湛造诣，把皇家器物的威仪与匠人的极致匠心融为一体，是一件极具审美价值的工艺佳作。",[40,7,120,24,173,210,676,1023,4913],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F331168526e67872b6bbb43691968e5bf.jpg",[],{"id":20298,"slug":20299,"title":4910,"dynasty":40,"author":19,"museum":20,"description":20300,"tags":20301,"thumbUrl":20302,"material":48,"size":49,"collection":30,"collections":20303,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246608,"qian-long-kuan-ti-hong-yun-long-wen-kui-ban-shi-zhan-tuo-yi-ming-246608","此件盏托分杯盏与座托，剔红为骨，绿彩衬地。杯身游龙破云而出，龙首矫健张扬，祥云翻卷灵动，线条利落饱满。葵瓣形托心恰好嵌合杯盏，托沿云纹舒展环绕，器身纹饰层叠分明，刀工藏劲，磨痕温润，将雕漆的立体层次尽显无遗。整体造型端雅稳重，纹饰疏密相宜，龙纹尽显华贵威仪，云纹烘托出祥瑞缥缈的气韵，尽显清代雕漆工艺的成熟考究，是兼具装饰性与实用性的精妙之作。",[119,7,120,24,676,1023,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc27ddabab54c12b716fa98940afea0e0.jpg",[],{"id":20305,"slug":20306,"title":20307,"dynasty":40,"author":19,"museum":20,"description":20308,"tags":20309,"thumbUrl":20310,"material":48,"size":49,"collection":30,"collections":20311,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246607,"qian-long-kuan-ti-hong-yun-long-wen-li-zi-kui-ban-shi-zhan-tuo-yi-ming-246607","乾隆款剔红云龙纹礼字葵瓣式盏托","此件以剔红工艺精雕而成，朱漆沉莹温润。葵瓣盏托配深腹小碗，造型柔婉舒展。器身游龙矫健身姿穿梭于层叠卷云之间，龙鬃张扬，利爪遒劲，祥云萦回环绕，满布器身却丝毫不显冗杂。口沿、足沿以回纹勾边，规整古雅，清晰划分出纹饰层次。刀工圆熟利落，雕痕隐于漆色之下，地子打磨匀净光润，纹饰立体感十足。\n龙纹尽显皇权威仪，祥云烘托出吉庆雍容的氛围，将漆雕工艺的雅致与宫廷礼制的庄重融为一体，是清代雕漆工艺炉火纯青的绝佳体现。",[119,7,120,632,210,1023,6304,24],"https:\u002F\u002Foss.chuangqi.sto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