[{"data":1,"prerenderedAt":44},["ShallowReactive",2],{"subject-qi-shou-3300":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3300,"qi-shou-3300","骑兽","骑兽画高清赏析","精选中国历代骑兽题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad0d370ff3dae005e118f1bc294f41e9.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":28,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":12,"manualWeight":11,"mainColor":43},219248,"shi-jia-san-zun-xiang-yi-ming-219248","释迦三尊像","元","佚名","美国克利夫兰艺术博物馆","三屏并置构局对称庄严，中央主尊端坐莲台，袈裟朱红如燃，衣纹流转似风拂涟漪；左普贤乘六牙白象，象踏祥云，彩饰环身；右文殊跨青狮，狮吼若闻，威凛自生。下方侍从或执杖肃立，或捧器躬身，衣袂飘举间线条劲健。设色虽历久斑驳，仍可见朱砂浓艳、石绿清润与泥金辉光相映，兼具宋画细腻工致与元人开阔气度，将佛国神圣与人间鲜活悄然融合，尽显元代佛画独特神韵——既承汉地传统笔墨之精，又融多元文化的开阔气象，是佛画艺术在时代交融中的生动遗存。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7,37,38],"高清","国画","宗教","立轴","工笔","设色","人物","神兽","背光","护法","胁侍","坐骑","佛教","佛像","胁侍菩萨","弟子","","设色画精选",[40],74,"795548",1777535816015]