[{"data":1,"prerenderedAt":399},["ShallowReactive",2],{"subject-qi-xing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4235,"qi-xing","器形","器形画高清赏析","精选中国历代器形题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb83aa96daff8ea8c60dadb4adaca1a3e.jpg",0,33,[14,38,48,64,80,91,102,112,121,131,154,165,179,192,201,211,222,232,240,247,254,267,279,289,298,312,324,337,349,359,368,376,386],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},226760,"ya-chou-fu-bing-jue-yi-ming-226760","亚丑父丙爵","商","佚名","藏地不详","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[23,24,25,26,27,28,7,29,30],"青铜器","饮酒器","兽首","雕刻纹饰","青铜铸造","商代","纹饰","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c4cce97748176dda709b094315696ce.jpg","未知","Xcm*Xcm","",[],11,"795548",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":21,"tags":42,"thumbUrl":45,"material":32,"size":33,"collection":34,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":37},226765,"zi-gu-yi-ming-226765","子□觚",[28,23,43,24,44,29,7],"礼器","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb8c78fda984697fe3f931178ed93458.jpg",[],9,{"id":49,"slug":50,"title":51,"dynasty":52,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":60,"material":32,"size":33,"collection":61,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":37},256533,"lang-yao-hong-you-feng-wei-zun-yi-ming-256533","郎窑红釉凤尾尊","清","清代康熙后期景德镇官窑。康熙四十四年到五十一年（1705—1712），江西巡抚郎廷极在景德镇督造瓷器，故名。釉色以宝石红、宝石蓝、宝石绿最佳，宝石红有“郎窑红”之称。法国人称“牛血红”。在红釉中最杰出。洒蓝和霁蓝瓷，再上一道极薄釉子，然后加绘金花金彩，华丽静穆，匠心独运。素三彩创于此时。青花和斗彩也很有名。\n清初郎廷极所监督的江西景德镇窑及其所督造的瓷器之代称。其瓷器仿古暗合，摹仿明永乐、宣德红釉烧制，釉水颜色，桔皮砂眼几可乱真，款字也酷肖，极难辨识。刘廷玑《在园杂记》谈及此事，事距郎廷极督造瓷器时间很近，极可能系刘所目睹。",[52,55,56,57,58,59,7],"陶瓷","铜红釉","高温釉","红釉","单色釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29a740dc4b2cabd6e2d09d956a02d8fa.jpg","瓷器精选",[61],7,{"id":65,"slug":66,"title":67,"dynasty":52,"author":19,"museum":20,"description":68,"tags":69,"thumbUrl":78,"material":32,"size":33,"collection":34,"collections":79,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":37},229251,"shi-ba-shi-ji-wan-qi-shi-jiu-shi-ji-chu-qi-xin-jiang-hui-bu-hua-shi-shuang-bing-xiang-xun-yi-ming-229251","十八世纪晚期-十九世纪初期 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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[84,70,87,43,44,7],"玉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff96fab954793b2654c652d21833f59c9.jpg",[],6,{"id":92,"slug":93,"title":94,"dynasty":52,"author":19,"museum":20,"description":85,"tags":95,"thumbUrl":99,"material":32,"size":33,"collection":34,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":37},229776,"yu-xiao-cha-hu-yi-ming-229776","玉小茶壶",[75,70,44,96,97,98,7,29],"浮雕","人物","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1804d99e4849c909ae40e312b78f554f.jpg",[],5,{"id":103,"slug":104,"title":105,"dynasty":18,"author":19,"museum":20,"description":21,"tags":106,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":110,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":111},226749,"ya-qin-fu-yi-zun-yi-ming-226749","亚禽父乙尊",[23,107,44,43,24,108,28,109,7,29],"铜制","兽纹","古物",[],"37474F",{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":21,"tags":116,"thumbUrl":118,"material":32,"size":33,"collection":34,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":37},242879,"wei-hu-yi-ming-242879","囗壶",[23,107,43,44,29,28,117,7],"兽面纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0153c6c75cf8ab0bd6fe3c39ce94282b.jpg",[],3,{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":21,"tags":125,"thumbUrl":129,"material":32,"size":33,"collection":34,"collections":130,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":111},242771,"ya-wei-ding-yi-ming-242771","亚囗鼎",[23,28,107,44,29,43,126,127,128,117,7],"饪食器","三足","立耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2abef9bb3da7beb52b1841b8daf87ff8.jpg",[],{"id":132,"slug":133,"title":134,"dynasty":135,"author":19,"museum":20,"description":136,"tags":137,"thumbUrl":150,"material":32,"size":33,"collection":61,"collections":151,"showCount":152,"zanCount":11,"manualWeight":11,"mainColor":153},256775,"yue-yao-qing-you-gua-leng-zhi-hu-yi-ming-256775","越窑青釉瓜棱执壶","唐","越窑是中国古代南方著名的青瓷窑，汉族传统制瓷工艺的珍品之一。窑所在地主要在越州境内，即今浙江省宁绍平原上的绍兴、宁波两地。生产年代自东汉至宋。唐朝是越窑工艺最精湛时期，居全国之冠。越窑之名，最早见于唐代，越窑瓷青瓷与唐代的饮茶风尚关系十分密切，其瓷质造型，釉色之美，深受饮茶者的喜爱。饮茶风尚又影响了越窑青瓷的型制。",[138,55,139,140,141,142,143,144,7,145,146,147,148,149],"唐代","青釉","器","瓜棱","青瓷","执壶","釉色","唐代风格","青釉技法","陶瓷器物","瓜棱造型","青瓷工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35504468b475accc67d38eb25bbd3dd1.jpg",[61],2,"BDBDBD",{"id":155,"slug":156,"title":157,"dynasty":18,"author":19,"museum":20,"description":21,"tags":158,"thumbUrl":163,"material":32,"size":33,"collection":34,"collections":164,"showCount":152,"zanCount":11,"manualWeight":11,"mainColor":111},244940,"kui-wen-jue-yi-ming-244940","夔纹爵",[23,107,44,159,24,28,127,160,161,162,29,109,7],"夔纹","两柱","流口","鋬手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd63747fd25404f8e8799302f703b282e.jpg",[],{"id":166,"slug":167,"title":168,"dynasty":169,"author":19,"museum":20,"description":170,"tags":171,"thumbUrl":177,"material":32,"size":33,"collection":34,"collections":178,"showCount":152,"zanCount":11,"manualWeight":11,"mainColor":37},223761,"qing-ci-kui-kou-wan-5-yi-ming-223761","青瓷葵口碗-5","宋","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[172,55,142,173,140,144,174,7,175,176],"宋代","葵口","宋瓷风格","施釉","青瓷釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57e70e193d7d5d19daaa1bce4685e9a.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":52,"author":19,"museum":20,"description":183,"tags":184,"thumbUrl":189,"material":32,"size":33,"collection":34,"collections":190,"showCount":191,"zanCount":11,"manualWeight":11,"mainColor":37},258669,"qian-long-kuan-qing-hua-kai-guang-hua-guo-wen-dai-gai-zhi-hu-yi-ming-258669","乾隆款青花开光花果纹带盖执壶","青花瓷（blue 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