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传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[132,28,116,43,115,7],"怀表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F037a71cbada873d0a119cc58f0206d37.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":144,"material":30,"size":31,"collection":32,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},273430,"qian-bo-li-zan-tong-du-jin-san-jiao-dai-biao-guan-jia-yi-ming-273430","嵌玻璃錾铜镀金三角带表冠架","此件以鎏金铜为骨，三角支架线条柔婉灵动，蜷曲收尾带着柔媚风情。錾刻缠枝纹辗转蔓延，金辉流转间尽显细腻刀工。紫地珐琅嵌饰圆牌，描金纹路精致醒目，撞色间衬得鎏金愈发莹润华贵。顶嵌澄澈玻璃，与珐琅彩饰相映，明丽雅致。更巧将腕表暗藏架间，将妆奁之用与计时功能相融，是西风东渐之下，传统妆具糅合西洋技艺的精妙之作，把实用与装饰完美契合，尽显旧时造物的匠心巧思与盛世审美意趣。",[55,43,141,57,115,116,142,7,143],"錾刻","冠架","带表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb146336ae134ed5933f8da9aa8b1410a.jpg",[],{"id":147,"slug":148,"title":138,"dynasty":18,"author":19,"museum":20,"description":149,"tags":150,"thumbUrl":151,"material":30,"size":31,"collection":32,"collections":152,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},273423,"qian-bo-li-zan-tong-du-jin-san-jiao-dai-biao-guan-jia-yi-ming-273423","整体取三角支架造型，铜镀金底胎錾刻缠枝卷草，线条柔婉富丽。紫地描金、宝蓝镶边的珐琅彩圆形开光错落点缀，晕彩明丽华贵，与金底交相辉映。支架边缘嵌饰彩色玻璃珠，如星子缀落提亮视觉。\n\n架顶嵌设玻璃表盘，将计时功能与妆奁用具结合，巧思别致。弯足舒展优雅，收尾处仍以珐琅饰件呼应整体纹样，形制和谐统一。器物融合西洋珐琅与传统錾金工艺，尽显晚清中西合璧的审美风尚，是兼具装饰性与实用性的精巧造物。",[142,43,55,141,7,116,115],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7b0c2c7a62f319514d11d14c718fd94.jpg",[],{"id":154,"slug":155,"title":156,"dynasty":18,"author":19,"museum":20,"description":157,"tags":158,"thumbUrl":161,"material":30,"size":31,"collection":32,"collections":162,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},272780,"huang-hua-li-mu-qian-bo-li-duo-bao-ge-yi-ming-272780","黄花梨木嵌玻璃多宝格","这款多宝格错落布局格层，打破规整形制，兼顾陈列与收纳之用。牙板雕刻卷草纹灵动雅致，攒边嵌装玻璃柜门，暗合清代西风东渐的时代印记，黄铜构件包浆温润，与黄花梨木的暖调肌理相映。木纹如流云晕染，尽显原木温润质感，榫卯严丝合缝，将明式简约风骨融于清式装饰巧思之中。可陈放古玩清供，亦可收纳文房器物，文人雅趣与匠造精工融为一体，尽显清代木作审美与实用交融的极致追求。",[92,159,7,160,57,28],"多宝格","家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8a6a147205c471243f67a594f8aa076.jpg",[],{"id":164,"slug":165,"title":166,"dynasty":18,"author":19,"museum":20,"description":167,"tags":168,"thumbUrl":170,"material":30,"size":31,"collection":32,"collections":171,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},250062,"guang-fa-lang-qian-bo-li-dai-gou-yi-ming-250062","广珐琅嵌玻璃带钩","此作以铜胎镀金为骨，宝蓝珐琅铺底，堆塑出留白花鸟纹样，枝桠轻展，禽鸟灵动，自带中式雅致意趣。外缘环镶红绿宝饰，撞色鲜明，华丽亮眼，于细节处尽显考究。\n\n整体形制精巧温婉，将广珐琅明艳工细的特质尽数展现，融合东方诗意构图与西洋珠宝镶嵌工艺，藏着旧时匠人的极致匠心，尽显中西合璧的独特审美格调。",[23,42,115,169,7,105,28],"广珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fafaf32130bbac01d9283a065334de3.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":18,"author":19,"museum":20,"description":176,"tags":177,"thumbUrl":183,"material":30,"size":31,"collection":32,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},249510,"qian-long-kuan-tong-liu-jin-qian-bo-li-bao-xiang-hua-hui-wen-chang-fang-hua-pen-yi-ming-249510","乾隆款铜鎏金嵌玻璃宝相花卉纹长方花盆","此器造型端方雅致，鎏金边框莹亮华贵，翠绿玻璃釉色匀净鲜亮，二者相映生辉。外壁满饰宝相花卉，缠枝舒展缠连，花叶饱满富丽，纹饰繁而不乱，尽显雍容华贵的宫廷意趣。錾刻走线细腻流畅，花叶层次分明，将吉祥富贵的美好寓意融于器物之中，金属的厚重质感与玻璃釉的莹润翠色相衬，精工细作间尽显不俗手艺，是金属细作与镶嵌工艺结合的精巧之作，尽显华贵气度。",[43,178,7,179,180,181,28,182],"鎏金","宝相花","花卉纹","长方","嵌饰工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b0222ac5832ecd08623bec59f3bd1e8.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":18,"author":19,"museum":20,"description":189,"tags":190,"thumbUrl":193,"material":30,"size":31,"collection":32,"collections":194,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249507,"tong-liu-jin-qian-bo-li-shuang-shou-er-huo-huan-ba-fang-ping-yi-ming-249507","铜鎏金嵌玻璃双兽耳活环八方瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[43,178,7,57,44,191,192,28],"活环","八方器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d153ee8e2680311bb8f1b289d49ef20.jpg",[],{"id":196,"slug":197,"title":198,"dynasty":18,"author":19,"museum":20,"description":199,"tags":200,"thumbUrl":201,"material":30,"size":31,"collection":32,"collections":202,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249503,"tong-liu-jin-qian-bo-li-ba-bao-chang-yi-ming-249503","铜鎏金嵌玻璃八宝-肠","整体鎏金明耀生辉，盘肠为核心饰件，被宝相莲瓣团团簇拥，顶端朱红嵌饰点明气韵。盘肠线条婉转交缠，暗合绵长不绝的吉祥意涵。\n\n基座与支架遍嵌玻璃釉料，湖蓝与浅翠色泽鲜亮莹润，和金质底色相映成趣。镂空缠枝卷草舒展灵动，层层莲台依次承接，既有法具的端严威仪，又不失精工细作的雅致。\n\n它将藏地的吉祥祈愿与宫廷冶铸工艺融为一体，每处纹饰都细致入微，尽显造办极致匠心，静静诉说着旧时的吉庆祈盼，是藏传陈设法器里的上乘之作。",[18,43,178,7,26,28,57,115],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6af5599f5051f9ec69d83a3c57b9e7c8.jpg",[],{"id":204,"slug":205,"title":206,"dynasty":18,"author":19,"museum":20,"description":207,"tags":208,"thumbUrl":209,"material":30,"size":31,"collection":32,"collections"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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[304,305,7,306,28,307],"漆器","描金","团花纹","漆艺",[],1777535715063]