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550.4厘米",[],17,{"id":279,"slug":280,"title":281,"dynasty":18,"author":282,"museum":283,"description":284,"tags":285,"thumbUrl":289,"material":41,"size":41,"collection":68,"collections":290,"showCount":291,"zanCount":11,"manualWeight":11,"mainColor":292},202186,"dong-ting-qiu-yue-tu-zhou-wang-su-202186","洞庭秋月图轴","王愫","上海博物馆","这幅画作以淡雅笔墨铺陈洞庭秋夜之境。陡峭山崖以细腻皴法勾勒纹理，枯树虬枝点缀其间，尽显秋意萧瑟。开阔水面波光隐现，远处飞鸟掠空，添灵动之韵。右下角小屋傍树而立，与自然相融，透出隐逸闲趣。整体色调清寒，虽未直绘秋月，却以空濛清旷的氛围烘托出月色皎洁，意境悠远宁静。笔墨层次丰富，山石用墨浓淡相宜，草木勾勒简练传神，尽显画家功底。构图疏密有致，左密右疏、虚实相生，将洞庭湖畔的秋夜寂寥与月色清辉完美融合，引人沉醉。",[56,61,57,123,33,286,85,287,288,7,23],"小屋","水面","清旷意境","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde8ff5c3d6aa85680f47b2d34af0767a.jpg",[68],14,"b2a58f",{"id":294,"slug":295,"title":296,"dynasty":18,"author":114,"museum":115,"description":297,"tags":298,"thumbUrl":300,"material":41,"size":41,"collection":41,"collections":301,"showCount":302,"zanCount":11,"manualWeight":11,"mainColor":71},230959,"jiang-shan-qiu-se-tu-wang-hui-230959","江山秋色图","此作开合有度，近景流泉穿林而过，丹枫缀枝暗染秋意，山居幽舍藏于崖畔林樾之中，野趣悠然。中层平湖如镜，远山澹澹含烟，铺展出清旷秋山的辽远意境。\n\n笔墨枯润相生，以干笔皴擦写山石肌理，湿笔晕染出山岚空濛，披麻皴裹挟解索皴带出苍浑质感，兼得宋元山水的古雅厚重，又透出灵动秀逸之气。将秋山萧疏清寂与幽居之冶融为一体，师古而不泥古，把秋江林泉的静穆与生机娓娓铺陈，尽显寄兴林泉的文人意韵。",[24,56,61,27,57,221,58,60,31,299,29,220,7],"瀑布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43cf446816c3e98846bde399ef42c87e.jpg",[],13,{"id":304,"slug":305,"title":306,"dynasty":18,"author":307,"museum":308,"description":309,"tags":310,"thumbUrl":313,"material":41,"size":41,"collection":68,"collections":314,"showCount":315,"zanCount":11,"manualWeight":11,"mainColor":91},236733,"shan-shui-ce-hua-yan-236733","山水册","华嵒","美国弗瑞尔美术馆","华嵒（1682～1756），福建上杭蛟洋华佳（家）人（原白砂里人），后寓杭州。工画人物、山水、花鸟、草虫，脱去时习，力追古法，写动物尤佳。善书，能诗，时称“三绝”，为清代杰出绘画大家，扬州画派的代表人物之一。华嵒是清康雍乾年间的著名画家，他笔下的鸟堪称一绝，最负盛名。\n华喦就是我们所熟知的新罗山人，但我相信这一套山水画册，大部分人都不是熟悉，这山水画册页并没有藏在国内，而是藏在美国的弗利尔美术馆，其可称为华喦非常精致的一套山水册页。",[24,25,80,56,27,57,311,312,60,31,7],"孤石","松树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127244c0a5a4503d512f2db8bb189821.jpg",[68],11,{"id":317,"slug":318,"title":319,"dynasty":18,"author":320,"museum":157,"description":321,"tags":322,"thumbUrl":331,"material":332,"size":333,"collection":41,"collections":334,"showCount":315,"zanCount":11,"manualWeight":11,"mainColor":91},222854,"wan-tun-chun-mu-dong-gao-222854","万屯春牧","董诰","董誥（1740年－1818年），字雅倫，號蔗林，浙江省杭州府富陽縣（今浙江省杭州市）人，生於順天府（今北京市），清代大臣、書畫家。工部尚書董邦達長子，與其父有“大、小董”之稱。\n乾隆二十九年（1764）中舉，隔年會試，名列一甲第三，得中探花，乾隆帝將其改為二甲第一，作金殿傳臚，形降實升。嘉慶四年（1799），董誥六十歲，以從庶吉士、編修、工部侍郎、軍機大臣、東閣大學士等，擢為文華殿大學士（即宰相），欽賜“紫禁城騎馬”。直軍機先後四十年。董誥精書法，善繪畫，更通曉軍事。他五次歸還故里，生活簡樸，平易近人，從不倨傲，深為鄰里稱道。董誥卒於嘉慶二十三年（1818），終年七十九歲。\n董誥死後六天，嘉慶帝親臨祭奠，所寫哀詩中有“只有文章傳子侄，絕無貨幣置田莊”之句，並親自撥款建立“董公祠”。",[23,24,27,26,61,57,80,102,31,104,323,324,325,85,311,58,326,327,328,329,330,7],"兽","马","草地","小径","春景","牧畜","坡岸","苔点","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a982e7c4080b31bce2c30a9be63ca83.jpg","纸本 设色","22.9x26厘米",[],{"id":336,"slug":337,"title":338,"dynasty":18,"author":339,"museum":340,"description":341,"tags":342,"thumbUrl":344,"material":345,"size":346,"collection":41,"collections":347,"showCount":171,"zanCount":11,"manualWeight":11,"mainColor":91},233920,"dai-lu-fang-bei-tu-ce-huang-yi-233920","岱麓访碑图册","黄易","北京故宫博物院","图名里的“岱”即指位于山东省中部的泰山。《岱麓访碑图》册共24开，以左文右图的形式描绘黄易在清嘉庆二年（1797年）由济宁到泰山访碑的种种情形。据作者本人题跋可知，其中一部分册页记录泰山的碑刻情况，如“岱顶”、“开元磨崖碑”、“石经谷”、“王母池”等，另一部分则是记录作者在往返途中所见的碑刻情况，如“大明湖”、“孟子庙”、“孔林”、“孔子庙”、“大汶口”等。除此之外，作者还在题跋中介绍了碑刻的具体状况，为后人研究提供了资料。\n黄易一生致力于金石碑版的研究，曾经四处寻访存世的残碣断碑，并较为系统地加以整理与著录，对我国传统金石学的发展起到了积极的作用。与众不同的是，他亲自用画笔将每次寻访古碑的过程都完整地记录下来，绘制成许多作品，被当时的艺术家们广为称颂。《岱麓访碑图》册便是其中的一套作品。\n纵观整套册页，作者采用了水墨与浅绛两种中国画表现技法，但呈现出的艺术风格却是统一的。具体而言，他注重线条的断续与转折，多用粗笔短线描写碑刻所在地周围的景色，使得画面景致简明，意境幽僻清寂，有平淡天真的艺术趣味。",[24,80,56,7,57,37,247,61,343],"访碑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa52a3fbe9fbad00c04461367dd3c1de8.jpg","纸本，设色","纵17.4厘米，横50.8厘米",[],{"id":349,"slug":350,"title":351,"dynasty":18,"author":352,"museum":283,"description":353,"tags":354,"thumbUrl":357,"material":41,"size":41,"collection":41,"collections":358,"showCount":171,"zanCount":11,"manualWeight":11,"mainColor":359},201615,"xi-wu-pin-quan-tu-zhou-qian-du-201615","溪坞品泉图轴","钱杜","画面意境清雅悠远，远山层叠含黛，云雾轻笼如纱，溪流蜿蜒穿林而过。近景松柳交映，松枝苍劲挺拔，柳条依依垂拂，山石以淡青绿设色，肌理温润细腻。数名文人或坐于石畔品泉，或立在桥边闲语，神态悠然闲适，尽显林下幽情与文人雅趣。笔墨兼具工细之精致与写意之空灵，设色淡雅温润，将溪山胜境与诗意生活融于一卷，传递出清代文人画特有的从容与诗意。",[24,55,27,57,312,355,34,221,26,248,7,356],"柳树","雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c042653ac1cfedf8c4b80ae8ef81458.jpg",[],"bcad99",{"id":361,"slug":362,"title":306,"dynasty":18,"author":363,"museum":115,"description":364,"tags":365,"thumbUrl":367,"material":368,"size":369,"collection":41,"collections":370,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":91},238677,"shan-shui-ce-dong-bang-da-238677","董邦达","董邦达（1696－1769），清代官员、书画家。字孚存、争存，号东山、非闻，浙江富阳人。雍正十一年进士，乾隆二年授编修，官终礼部尚书，谥文恪。好书、画，篆、隶得古法，山水取法元人，善用枯笔。其风格在娄东、虞山派之间。与董源、董其昌并称“三董”。",[24,80,56,27,57,29,355,366,311,83,37,31,7],"湖水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab9bd99b29422934b5584d890f8425e1.jpg","未知","Xcm*Xcm",[],{"id":372,"slug":373,"title":374,"dynasty":18,"author":375,"museum":115,"description":376,"tags":377,"thumbUrl":378,"material":368,"size":369,"collection":41,"collections":379,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":71},237777,"shan-shui-tu-ce-ye-xin-237777","山水图册","叶欣","叶欣（生卒年未详，公元17—18世纪)，字荣木，华亭(今上海市松江)人，流寓江苏金陵(今南京)，书画家。善山水，学宋赵令穰法，复师明姚允在之意，能独抒性灵。山水画素以“工细幽淡”著称。",[24,25,80,56,27,57,123,59,83,287,29,61,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d0700988862f83bc2c809af1994bab9.jpg",[],{"id":381,"slug":382,"title":338,"dynasty":18,"author":339,"museum":340,"description":341,"tags":383,"thumbUrl":386,"material":345,"size":346,"collection":41,"collections":387,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":91},233927,"dai-lu-fang-bei-tu-ce-huang-yi-233927",[24,384,25,56,7,219,57,29,123,34,343,385],"册页","大明湖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f648ea96b5330408be3747d4b9d6734.jpg",[],{"id":389,"slug":390,"title":391,"dynasty":18,"author":114,"museum":283,"description":392,"tags":393,"thumbUrl":394,"material":41,"size":41,"collection":68,"collections":395,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":396},201239,"fang-huang-gong-wang-shan-shui-zhou-wang-hui-201239","仿黄公望山水轴","笔墨苍润秀逸，承黄公望浅绛山水遗韵，山峦以披麻皴皴染结合，肌理浑厚。云雾轻笼峰谷，虚实相生间拓展深远空间。山间林木葱郁，松枝挺劲，杂树错落；小径蜿蜒而下，小桥横跨溪流，屋舍隐于林麓，尽显清幽淡远之致。整体章法疏密得宜，气韵连贯，既守古法又蕴新意，是仿古而能化的佳构。",[57,61,27,221,58,125,55,7,236,84,326,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd10de6524d2fa0cde2f4b7310046b4ea.jpg",[68],"b4a692",1777535718512]