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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[57,46,58,7,59,44,60,61],"玉石","雕刻","花鸟","嵌饰","清代工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F896abab8922476798976e44fb61f5e0c.jpg",[],5,{"id":66,"slug":67,"title":68,"dynasty":18,"author":19,"museum":20,"description":69,"tags":70,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":74,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":34},241986,"yin-du-jin-qian-shi-kui-hua-wen-jie-zi-yi-ming-241986","银镀金嵌石葵花纹结子","是一种戴套在手指上做纪念或装饰用的小环，用金属、玉石等制成。\n戒指在中国古代多称为“指环”，而“戒指”之名的出现，则是元代的事情。",[41,23,71,7,72,57,73],"银镀金","葵花","金属工艺",[],{"id":76,"slug":77,"title":78,"dynasty":18,"author":19,"museum":20,"description":79,"tags":80,"thumbUrl":85,"material":29,"size":30,"collection":31,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":88},245494,"jin-qian-zhu-shi-hu-lu-shi-bie-zhen-yi-ming-245494","金嵌珠石葫芦式别针","此件以葫芦为形，暗藏福禄祥瑞的美好寓意。金质胎体肌理温润细腻，錾刻缠枝花卉蜿蜒盘绕其上，将累丝、镶嵌工艺精妙相融。两朵主花以莹润东珠为芯，围镶艳红宝饰，珠辉宝色交相辉映，愈发衬得珠光皎洁，宝色鲜亮。翠色枝叶俏然攀附金身，为华贵金器添了灵动生机，调和了色调层次。整体工致精巧，将吉祥意趣藏于细作之中，是兼具装饰美感与美好寓意的珠宝佳构。",[41,25,23,73,81,82,7,83,84],"镶嵌","嵌珠","葫芦","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65eb9e01994e46efcbb78ab95f28d069.jpg",[],4,"37474F",{"id":90,"slug":91,"title":92,"dynasty":18,"author":19,"museum":20,"description":93,"tags":94,"thumbUrl":99,"material":29,"size":30,"collection":31,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":34},269935,"qian-long-zi-tan-qian-shi-hua-hui-bi-tong-yi-ming-269935","乾隆紫檀嵌石花卉笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[95,58,7,84,96,97,98],"木质","山石","笔筒","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1dbe0274e1b0d0a16a633c982f1343c.jpg",[],3,{"id":103,"slug":104,"title":105,"dynasty":18,"author":19,"museum":20,"description":106,"tags":107,"thumbUrl":110,"material":29,"size":30,"collection":31,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":88},268923,"tong-du-jin-qian-shi-er-zhui-yi-ming-268923","铜镀金嵌石耳坠","耳坠指耳饰的一种，指带有下垂饰物的耳饰（耳环）。有时耳坠等同于耳环，又称耳坠子，是耳朵饰品的代称。耳坠又指耳垂，是属于耳朵结构的一部分，位于耳朵的下半部，比较肥厚的那部分。在最传统的命理学说法中，耳坠的厚与薄代表一个人的命运。\n古时候，人们讲究“耳大如轮，眼大有神”，注重以貌取人，认为耳垂小了是没有福气的象征。但是人一出世，天生的小耳垂，又有啥办法弥补呢？传说，只有戴上耳坠。才能把耳轮拉长。因此，妇女都喜欢戴一副耳坠。 问起这一风俗的来历，传说，还是三国时期貂蝉传下来的呢。 貂蝉原是东汉末汉献帝时司徒王允的一名歌伎，她长得相貌出众、能歌善舞，色伎俱佳，很受王允的宠爱，以亲女看待。当时，董卓专权，挟天子以令诸侯，大臣们对他恨之入骨，但是敢怒而不敢言。王允为此事也闷闷不乐，终日不思茶饭。 貂蝉虽是女流，可王允的心事，她却宗宗看在眼里，件件记在心中。她很会察言观色，为主人分忧解愁。在一个月光皎洁的夜晚，貂蝉在花园里设下香案，为主人祝祷。她虔诚地燃起三柱香火，仰天一拜说道：“明月呀明月，你虽昭昭洁白如洗，可知我家老爷心中烦恼？苍天呀苍天！我貂蝉虽乃女流之辈，老爷婢女，若能为老爷分担忧愁，我愿万死不辞。”恰在此时，王允因忧国心烦，夜不能寐，来到后花园赏月散心。他听见有人祝祷，连忙躲在一座假山后面，静听起来。他听完貂婶的祝愿，心情无比激动和感激，忙上前来，搀扶起这一歌女。 王允问貂婢：“你向苍天明月祈告，为我分忧解愁，可知我忧在何处？愁为何事呀！” 貂蝉说：“当然知道。” 王允又问：“既然知道，又有什么妙法替我杀了董卓？” 貂婢说：“只要老爷相信得过我，奴婢愿效犬马之劳，即使赴汤蹈火，也心甘情愿。” 王允听了，顿时为这女子的仗义和气魄所感动，当即认貂蝉为女儿。后来王允与貂蝉合议：先将貂蝉献于董卓，后再暗许吕布，以离间两人之交，让这董吕两人勾心斗角，互相杀害。 貂蝉耳垂小，怕自己美中不足，使董、吕二人看不上，使密谋落空。她想办法弥补，想了很久，终于想出了良法，就在家中拿了些碎银子，叫银匠给自己作了一对银耳坠，挂在耳垂上。这样过了不久，耳垂果然变大了，为她的美容又增添了不少姿色。 董卓一见貂蝉大喜！吕布一见貂蝉着迷，使董卓和吕布因争夺这一美女而激烈相斗。又因吕布貂蝉私通，恐事发觉，心神不安。王允设计使吕布为内应，结果董卓被杀了。 从此，戴耳坠也就传到了民间。",[23,108,7,109],"铜镀金","耳坠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4edb2f39ae69ed33de1f2e1e2a4a3cc7.jpg",[],2,{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":55,"tags":117,"thumbUrl":122,"material":29,"size":30,"collection":31,"collections":123,"showCount":124,"zanCount":11,"manualWeight":11,"mainColor":125},273190,"tong-du-jin-qian-shi-qing-yu-bing-qiao-dao-yi-ming-273190","铜镀金嵌石青玉柄鞘刀",[118,25,119,57,7,120,58,121],"兵器","铜制","铁器","刀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5417942e30ab776532722816314b4d9.jpg",[],1,"F48FB1",{"id":127,"slug":128,"title":129,"dynasty":18,"author":19,"museum":20,"description":130,"tags":131,"thumbUrl":137,"material":29,"size":30,"collection":31,"collections":138,"showCount":124,"zanCount":11,"manualWeight":11,"mainColor":88},245723,"jin-tai-qia-si-fa-lang-qian-shi-jue-yi-ming-245723","金胎掐丝珐琅嵌石爵","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[132,7,133,134,135,136,46],"掐丝珐琅","金胎","琺瑯器","饮酒器","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01b25fc230b54113eea72aad252a8bde.jpg",[],{"id":140,"slug":141,"title":142,"dynasty":18,"author":19,"museum":20,"description":143,"tags":144,"thumbUrl":147,"material":29,"size":30,"collection":31,"collections":148,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},275259,"xiang-yu-pi-qian-shi-ba-tong-bian-qiao-shen-feng-jian-yi-ming-275259","镶鱼皮嵌石把铜边鞘神锋剑","此剑褪去杀伐戾气，尽显雅赏之姿。剑鞘包镶铜边，错金镂刻缠枝纹，古铜底色衬得鎏金纹饰愈发华贵沉穆，满工细节尽显细作匠心。\n\n剑柄以鱼皮裹覆，嵌宝缀金，莹润石色与鎏金铆钉相映成趣，腕间明黄绦穗垂落，暗合旧时仪制的庄重雅致。将武备工艺融于文房清供之趣，金工錾刻、宝石镶嵌、髹饰工艺齐聚一身，是冷兵器审美转向文玩雅藏的绝佳缩影，古雅沉静间尽显旧时工艺极致水准。",[118,145,119,81,146,7],"剑","镶鱼皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F474715a87e160a3f41c62741719a42d4.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":153,"tags":154,"thumbUrl":157,"material":29,"size":30,"collection":31,"collections":158,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},274990,"yin-du-jin-qian-shi-ka-zhang-ga-yi-ming-274990","银镀金嵌石喀章嘠","此件法器以银为胎，通体鎏金，金水厚重匀净，莹润亮泽。周身嵌饰各色宝石，错落点缀，让整器更显华贵灵动，尽显精致繁复的藏地手工技艺。\n\n原配木盒内衬朱红织锦，内壁书就满汉题记，静静诉说过往脉络。整体造型庄重肃穆，既承载着藏传佛教的神圣意涵，又将华贵工巧融入其中，沉静氛围中带着内敛威仪，细节处尽现匠心巧思。",[24,25,23,155,156,7,95,58],"宗教","法器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35247addd8b92db534ddc613a7876189.jpg",[],{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":163,"tags":164,"thumbUrl":166,"material":29,"size":30,"collection":31,"collections":167,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},274826,"tong-du-jin-qian-shi-chu-ji-fang-xing-ping-yi-ming-274826","铜镀金嵌石出戟方形瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[46,119,25,7,58,136,165],"出戟瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa31e8d130930aaeb70a616f7a7036f80.jpg",[],{"id":169,"slug":170,"title":171,"dynasty":18,"author":19,"museum":20,"description":172,"tags":173,"thumbUrl":177,"material":29,"size":30,"collection":31,"collections":178,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},274799,"tong-du-jin-qian-qing-shi-yuan-ta-yi-ming-274799","铜镀金嵌青石圆塔","宝顶法轮宝瓶鎏金熠熠，下接层层相轮收束有致。鎏金垂帐悬于相轮四周，錾刻缠枝卷草，灵动机巧。覆钵以青石为胎，沉朴石色与亮眼鎏金相映成趣，口沿饰鎏金花丝璎珞，华贵雅致。下承仰覆莲须弥座，落于錾饰珐琅彩宝纹的八角基座之上。整体融藏式佛塔的肃穆仪轨与宫廷精工于一体，藏汉工艺合璧，既有宗教造像的庄严沉静，又尽显作工的细腻华贵，是兼具审美价值与工艺价值的精巧之作。",[155,174,119,175,7,58,176],"佛塔","镀金","宗教器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fe6edde3b2e37cc471b141e381e582e.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":18,"author":19,"museum":20,"description":183,"tags":184,"thumbUrl":187,"material":29,"size":30,"collection":31,"collections":188,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},274623,"chang-fang-qian-shi-du-jin-niao-yin-long-yi-ming-274623","长方嵌石镀金鸟音笼","鎏金笼身晕开华贵光泽，穹顶圆钮添就雅致点睛之笔，笼中复刻一方生机小景。虬枝舒展，翠叶层叠，朱羽灵禽俏立枝头，池畔水禽静卧汀洲，草木疏密排布，恍将郊野意趣缩于方寸之内。\n底座嵌饰彩石，红绿交辉，垂纹细腻复古，将西洋机械匠心与东方造园意趣相融。上弦启机，啾啭鸟鸣仿若穿林而来，把陈设之美与机趣雅玩合二为一，藏着旧时光里的闲情雅致，尽显工艺的奇巧心思。",[25,7,185,46,186],"飞鸟","鸟笼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89e1b967be2c0f1b5ca0033308d9e888.jpg",[],{"id":190,"slug":191,"title":192,"dynasty":18,"author":19,"museum":20,"description":39,"tags":193,"thumbUrl":196,"material":29,"size":30,"collection":31,"collections":197,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273659,"zi-tan-lou-diao-qian-liao-shi-bing-jin-xing-shi-ru-yi-yi-ming-273659","紫檀镂雕嵌料石柄金星石如意",[194,95,58,7,57,23,195],"如意","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d5ea5275343a4d2f909c03caf13a215.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":18,"author":19,"museum":20,"description":202,"tags":203,"thumbUrl":205,"material":29,"size":30,"collection":31,"collections":206,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},273350,"tong-tai-qian-shi-shou-shi-xun-lu-yi-ming-273350","铜胎嵌石兽式熏炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[204,119,25,58,7,46],"兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa454dc395ecdd6d29e1196048b36f0e7.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":19,"museum":20,"description":211,"tags":212,"thumbUrl":215,"material":29,"size":30,"collection":31,"collections":216,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273212,"hei-qi-qian-shi-niu-jiao-bing-qiao-dao-yi-ming-273212","黑漆嵌石牛角柄鞘刀","刀为单面长刃的短兵器。同时泛指可用于切、削、割、剁、刺的工具，与匕首合称亦为膳食器。刀的最初形态，与钺非常接近。其形状为短柄，翘首，刀脊无饰，刃部较长。到春秋战国时期，刀的形状发生巨大变化，两汉时，刀逐渐发展为步兵的主战兵器之一如环首刀，同时出现了许多不同形式的长柄刀。铜刀存世数量不多，体形均轻薄，最厚处仅0.35厘米，其形制粗分有短柄翘首刀、长柲卷首刀、平刃刀、曲刃刀等数类。\n在原始社会，古人类就用石头、蚌壳、兽骨打制成各种形状的刀。他们选用的石头多半是石英石、砂岩，也有燧石和水晶石。用这些石料打制成的石刀质坚棱利，是很好的砍劈工具。其次是用蚌壳和兽骨磨制的蚌刀、骨刀，这类刀轻便锋利，适于砍削器物。同样古人不仅用刀作为劳动工具，还随身携带作为防身自卫的武器。\n以雄浑、豪迈、挥如猛虎的风格而驰名的兵器，在十八般武器中排名第一。清朝诗人郑世元这样描写道：“秋水飞双腕，冰花散满身。柔看绕肢体，纤不动埃尘。闪闪摇银海，团团滚玉轮。声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称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[57,7,58,291,46],"痕都斯坦风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14d4944d40bb306f69509b4b6ca95cee.jpg",[],{"id":295,"slug":296,"title":297,"dynasty":18,"author":19,"museum":20,"description":55,"tags":298,"thumbUrl":302,"material":29,"size":30,"collection":31,"collections":303,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},251025,"qing-yu-dai-mu-tuo-qian-shi-guan-jia-yi-ming-251025","青玉带木托嵌石冠架",[41,57,95,58,81,46,299,300,301,7],"龙","玉雕","木雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F879ac1449b0a0bbcb38717d43cd0024b.jpg",[],{"id":305,"slug":306,"title":307,"dynasty":308,"author":19,"museum":20,"description":55,"tags":309,"thumbUrl":312,"material":29,"size":30,"collection":31,"collections":313,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},250862,"bi-yu-hua-er-qian-shi-kui-hua-shi-bei-yi-ming-250862","碧玉花耳嵌石葵花式杯","明",[57,58,7,310,311,135,46],"葵花式","花耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa031dbe342268985c673eb9bed30a042.jpg",[],{"id":315,"slug":316,"title":317,"dynasty":18,"author":19,"museum":20,"description":239,"tags":318,"thumbUrl":321,"material":29,"size":30,"collection":31,"collections":322,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249788,"qia-si-fa-lang-bao-xiang-hua-wen-qian-shi-ding-yuan-he-yi-ming-249788","掐丝珐琅宝相花纹嵌石顶圆盒",[41,132,43,319,7,46,44,320],"宝相花","装饰图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ef26ec048fd51f51c449e07618cd077.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":18,"author":19,"museum":20,"description":130,"tags":327,"thumbUrl":329,"material":29,"size":30,"collection":31,"collections":330,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},249137,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-qian-shi-duo-mu-hu-yi-ming-249137","乾隆款掐丝珐琅勾莲纹嵌石多穆壶",[41,132,328,7,46,299,43],"勾莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48ac031d4881477798d703065bab27a3.jpg",[],{"id":332,"slug":333,"title":326,"dynasty":18,"author":19,"museum":20,"description":130,"tags":334,"thumbUrl":336,"material":29,"size":30,"collection":31,"collections":337,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},249132,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-qian-shi-duo-mu-hu-yi-ming-249132",[41,132,7,328,46,135,134,119,335],"金饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2ac3a70d34f6aa5c63de6cc8f59dfb9.jpg",[],{"id":339,"slug":340,"title":341,"dynasty":18,"author":19,"museum":20,"description":130,"tags":342,"thumbUrl":343,"material":29,"size":30,"collection":31,"collections":344,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249113,"qian-long-kuan-qia-si-fa-lang-qian-shi-gou-lian-wen-xi-yi-ming-249113","乾隆款掐丝珐琅嵌石勾莲纹洗",[41,132,7,328,134,46,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbcdb986a304cbfdeab991cda4e7e8e38.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":18,"author":19,"museum":20,"description":239,"tags":349,"thumbUrl":354,"material":29,"size":30,"collection":31,"collections":355,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},247901,"ti-hong-jin-wen-qian-shi-che-shi-tao-he-yi-ming-247901","剔红锦纹嵌石车式套盒",[41,213,350,58,351,7,352,353],"剔红","锦纹","车式","套盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa118e36091d0ee2b15e15e17dd14ca37.jpg",[],{"id":357,"slug":358,"title":348,"dynasty":18,"author":19,"museum":20,"description":239,"tags":359,"thumbUrl":362,"material":29,"size":30,"collection":31,"collections":363,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},247899,"ti-hong-jin-wen-qian-shi-che-shi-tao-he-yi-ming-247899",[41,213,350,58,7,360,361,351],"车式套盒","轮子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f211d106bb8c71fa99667f4505787bf.jpg",[],{"id":365,"slug":366,"title":348,"dynasty":18,"author":19,"museum":20,"description":239,"tags":367,"thumbUrl":369,"material":29,"size":30,"collection":31,"collections":370,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},247898,"ti-hong-jin-wen-qian-shi-che-shi-tao-he-yi-ming-247898",[41,213,350,58,7,46,368,351],"车式造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51769b3914d8d4fcdb894e30073f7d76.jpg",[],{"id":372,"slug":373,"title":348,"dynasty":18,"author":19,"museum":20,"description":239,"tags":374,"thumbUrl":376,"material":29,"size":30,"collection":31,"collections":377,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},247897,"ti-hong-jin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