[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"subject-qian-shou-qian-yan-guan-yin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5722,"qian-shou-qian-yan-guan-yin","千手千眼观音","千手千眼观音画高清赏析","精选中国历代千手千眼观音题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F686ba81407a647934d8bd671660e20db.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":37,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},227368,"yu-lin-ku-003-ku-zhu-shi-xi-pi-yi-ming-227368","榆林窟003窟主室西披","宋","佚名","藏地不详","第三窟建于西夏统治瓜州晚期。窟内纷呈汉、藏民族及显宗、密宗的内容和艺术，是这一时期艺术最成熟、最典型的洞窟，独具特色。窟呈长方形，穹窿顶。窟中央偏后设八角形三级曼荼罗（坛城），上存清塑数身。窟四壁下部清代环砌双层台基，上存清塑十八罗汉像。顶绘曼荼罗，中画五方佛，东壁中央绘佛传，南北侧分绘汉密五十一面千手千眼观音曼荼罗、胎藏界曼荼罗及显宗天请问经变。南壁东起画曼荼罗、观无量寿经变、曼荼罗各一铺。北壁东起画曼荼罗、净土变、曼荼罗各一铺。西壁门上方绘维摩变，门南北侧绘普贤变、文殊变。甬道南北壁绘供养人。",[23,24,25,26,27,28,29,30,7,31,32,33,34,35],"高清","壁画","敦煌","佛教","宗教艺术","曼荼罗","佛","罗汉","文殊","普贤","经变画","密宗","显宗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda33172edda714d322800d21bd4448bf.jpg","",[],24,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":19,"museum":46,"description":47,"tags":48,"thumbUrl":10,"material":56,"size":57,"collection":37,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":40},287621,"qian-shou-qian-yan-guan-shi-yin-pu-sa-guang-da-yuan-man-wu-ai-da-bei-xin-tuo-luo-jing-jing-shou-gao-yi-ming-287621","千手千眼觀世音菩薩廣大圓滿無礙大悲心陀羅經經手稿","不详","大英博物馆","泛黄古纸之上，唐人小楷匀整舒展，笔势沉稳端严，兼具写经体的规整法度与手写温度。墨迹浓黑鲜亮，与岁月晕染的浅褐底色相映，晕开沉静厚重的时光质感。整卷经文排布舒朗，笔锋起落间，是抄经人将虔敬心力凝注于毫端，以笔墨践行修行，一字一句皆是对信仰的诠释。长卷铺展，仿佛能窥见千年前禅堂内抄经人屏息恭书的身影，带着藏经洞封存的千年梵音余韵，是书法艺术与宗教虔诚交织的珍贵遗存。",[49,50,51,52,26,53,7,54,55],"长卷","写经","书法","楷书","观世音菩萨","宗教典籍","陀罗尼经","未知","Xcm*Xcm",[],1,1777535787157]