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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[47,7,48,33,49],"竹编","供盘","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0593db192d534af82000e2525e4ad17.jpg",[],1,{"id":54,"slug":55,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":58,"thumbUrl":62,"material":35,"size":36,"collection":37,"collections":63,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},248803,"qian-tai-ti-hong-shuang-mian-jiu-long-wen-yuan-he-yi-ming-248803","铅胎剔红双面九龙纹圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[18,7,24,59,60,61],"剔红","雕刻","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd22ef7e99daaa11aa6d5331b33d99f49.jpg",[],"BDBDBD",{"id":66,"slug":67,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":68,"thumbUrl":70,"material":35,"size":36,"collection":37,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},248802,"qian-tai-ti-hong-shuang-mian-jiu-long-wen-yuan-he-yi-ming-248802",[23,7,59,60,24,69],"龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15e8a726d3832add72448283b49341b9.jpg",[],{"id":73,"slug":74,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":75,"thumbUrl":76,"material":35,"size":36,"collection":37,"collections":77,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},248800,"qian-tai-ti-hong-shuang-mian-jiu-long-wen-yuan-he-yi-ming-248800",[18,59,60,7,69,24,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5968c61120662f708f8d212617918276.jpg",[],{"id":79,"slug":80,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":81,"thumbUrl":82,"material":35,"size":36,"collection":37,"collections":83,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},248799,"qian-tai-ti-hong-shuang-mian-jiu-long-wen-yuan-he-yi-ming-248799",[24,59,60,69,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1e3515e159fb4c131ffa477d0c5f47e.jpg",[],{"id":85,"slug":86,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":87,"thumbUrl":89,"material":35,"size":36,"collection":37,"collections":90,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},248796,"qian-tai-ti-hong-shuang-mian-jiu-long-wen-yuan-he-yi-ming-248796",[23,24,59,60,7,61,88,33],"九龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf3951905717b56abf776052a032abde.jpg",[],{"id":92,"slug":93,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":94,"thumbUrl":96,"material":35,"size":36,"collection":37,"collections":97,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},248795,"qian-tai-ti-hong-shuang-mian-jiu-long-wen-yuan-he-yi-ming-248795",[23,59,60,61,24,7,95,33],"双面纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F072606e7af8e7bc9440e8252f31719f2.jpg",[],{"id":99,"slug":100,"title":101,"dynasty":18,"author":19,"museum":20,"description":102,"tags":103,"thumbUrl":108,"material":35,"size":36,"collection":37,"collections":109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":110},248676,"qian-tai-gu-tong-se-qi-he-ye-wen-he-ye-shi-xi-yi-ming-248676","铅胎古铜色漆荷叶纹荷叶式洗","此作取法天然荷叶为形，盘沿随荷脉起伏，宛然如生。描金勾勒叶脉，自盘心次第舒展，线条流畅清隽，将夏荷鲜活筋骨凝于器上。暗哑底色承托描金明丽，古雅沉静中透出清灵生气。\n\n匠人意趣融于天然之形，把池畔夏荷的幽趣敛入方隅，案头置放可伴笔墨闲情，静赏时仿若揽入荷塘清芬，将夏日池畔的悠然意韵定格在这一方小器之中，雅致洗练，自带淡远文心。",[24,7,26,104,105,106,33,107,60],"古铜色漆","荷叶纹","荷","荷叶式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85b8f152e2bdc6f7af69b591d0193163.jpg",[],"37474F",{"id":112,"slug":113,"title":114,"dynasty":18,"author":19,"museum":20,"description":115,"tags":116,"thumbUrl":118,"material":35,"size":36,"collection":37,"collections":119,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},246431,"qian-tai-ti-hong-jiao-ye-wen-chu-ji-gu-yi-ming-246431","铅胎剔红蕉叶纹出戟觚","此器取古器形制，色泽朱红润泽饱满。器身以出戟界分装饰区间，口沿回纹勾边，舒展的蕉叶纹覆于上下器段，叶脉勾勒细腻分明，自带古雅庄重的沉静气质。中部开光浮雕纹饰，层次错落有致，刀法圆熟利落，藏锋不露。整器将雕漆工艺的柔润精致，与青铜古器的厚重气韵相融，尽显仿古造物的巧思，把传统审美意趣凝于刀笔漆色之间，是一件兼具古韵与匠心的精巧之作。",[24,59,7,60,117,49,33],"蕉叶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf0c965ea81ddb1d6571c5ea285340fe.jpg",[],{"id":121,"slug":122,"title":123,"dynasty":124,"author":19,"museum":20,"description":45,"tags":125,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":129,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},246270,"qian-tai-ti-hong-hua-hui-long-feng-wen-yuan-pan-yi-ming-246270","铅胎剔红花卉龙凤纹圆盘","明",[126,24,7,59,60,28,69,127,128],"明代","凤","圆盘",[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