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嵌珠石蜻蜓簪",[23,112,7,113,114,92,104],"器","玉石","琺瑯器",[],4,{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":124,"material":30,"size":31,"collection":32,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":50},268955,"yin-du-jin-dian-cui-qian-zhu-shi-bian-fang-yi-ming-268955","银镀金点翠嵌珠石扁方","以银镀金为骨，累丝勾勒出灵动框架，留出三处海棠形开光，留白雅致韵长。点翠蓝蝶翩跹于枝叶间，羽色明润鲜亮，似振翅欲飞。嵌饰的珠石粉润鲜亮，与翠绿珐琅枝叶相映，将花果娇妍之态凝于钗间。\n\n整体工致精巧，花丝婉转细腻，点翠华贵明丽，珠石点缀更添鲜活生机，将旧时闺阁的雅致意趣融于一身，把花鸟清趣定格在发间，尽显东方妆饰美学的细腻韵味。",[23,42,43,25,7,24,123,80],"花鸟纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d8af33cc192d133e890ce45104144ba.jpg",[],3,{"id":128,"slug":129,"title":39,"dynasty":18,"author":19,"museum":20,"description":130,"tags":131,"thumbUrl":132,"material":30,"size":31,"collection":32,"collections":133,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":50},241852,"yin-du-jin-dian-cui-qian-zhu-shi-feng-yi-ming-241852","整体作凤衔花枝之态，幽蓝点翠晕开凤羽的灵动画卷，金累丝编织出凤身舒展肌理，细腻精巧。主嵌的蓝宝石质地凝润，恰似凤心藏着一方幽潭，颗颗珍珠串起柔润莹光，与镶金花托相映成趣。\n金蓝配色明艳华贵，珠石点缀更添雅致，融多道匠心工艺于一身，既保有宫廷饰件的规整富丽，又将瑞凤的灵秀神采刻画尽致，尽显细金工艺的巅峰水准，凝着旧朝的华贵风雅。",[45,46,25,7,44,78,79,23,42,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d13c295912774d94348bdcbaba01f70.jpg",[],{"id":135,"slug":136,"title":137,"dynasty":18,"author":19,"museum":20,"description":138,"tags":139,"thumbUrl":142,"material":30,"size":31,"collection":32,"collections":143,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":96},241984,"yin-du-jin-qian-zhu-shi-shuang-long-wen-bian-shou-lu-yi-ming-241984","银镀金嵌珠石双龙纹扁手炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[18,140,42,43,7,112,141],"龙","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2e626968fbbf7feb8b1dc499b0a7143.jpg",[],2,{"id":146,"slug":147,"title":39,"dynasty":18,"author":19,"museum":20,"description":148,"tags":149,"thumbUrl":151,"material":30,"size":31,"collection":32,"collections":152,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":50},241845,"yin-du-jin-dian-cui-qian-zhu-shi-feng-yi-ming-241845","以银镀金为骨，点翠蓝羽澄澈如晴空，衬得凤身华贵凛然。凤尾米珠排叠如细浪，末端圆珠攒顶，熠熠流转清辉。凤身錾纹细腻贴合身姿，嵌碧玺为胸腹，莹润水色揉化了金骨冷硬，赤宝点睛鲜活灵动。一侧粉晶簇作花，似朝露初凝的粉樱，柔润清透中和了凤鸟锐势。\n\n整器融累丝、点翠、嵌宝诸法，配色冷暖相宜，既见百鸟之王的威仪，又含花间清婉，于方寸间凝萃东方首饰极致匠心，尽显宫廷细作的雅致精工。",[18,46,25,7,44,78,79,23,150],"雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c6fbf8eba4bdf900673ea64b896491c.jpg",[],{"id":154,"slug":155,"title":39,"dynasty":18,"author":19,"museum":20,"description":156,"tags":157,"thumbUrl":158,"material":30,"size":31,"collection":32,"collections":159,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":50},241843,"yin-du-jin-dian-cui-qian-zhu-shi-feng-yi-ming-241843","以凤凰为形，点翠晕开幽谧宝蓝，将翎羽的纤柔层次尽数铺展，银镀金为骨，金丝盘绕勾勒出凤身轮廓，细密婉转间尽显花丝累作的精妙。颗颗珍珠似凝露缀于羽间，柔光轻漾呼应金芒。胸腹嵌硕大珠贝，莹白润洁，恰如凝脂。凤首以粉碧玺为冠，柔粉撞冷蓝，艳色跳脱又和谐相融，点亮灵韵。整器将点翠、累丝、镶嵌工艺交融，把瑞凤的灵动与华贵定格，尽显旧时首饰工艺的巅峰水准，在明暗里晕开百年雅致风华。",[45,46,25,7,44,78,79,23,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06f1d5fe4c49b788c8629b2367ed6c98.jpg",[],{"id":161,"slug":162,"title":87,"dynasty":18,"author":19,"museum":20,"description":88,"tags":163,"thumbUrl":167,"material":30,"size":31,"collection":32,"collections":168,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":96},268975,"tong-du-jin-dian-cui-qian-zhu-shi-mao-tiao-yi-ming-268975",[23,164,25,7,165,166],"铜镀金","帽饰","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F800cfea9f2b8d00f38963db1c806de10.jpg",[],{"id":170,"slug":171,"title":172,"dynasty":18,"author":19,"museum":20,"description":173,"tags":174,"thumbUrl":178,"material":30,"size":31,"collection":32,"collections":179,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":35},229689,"bao-jin-qian-zhu-shi-hua-yi-ming-229689","包金嵌珠石花","整体造型宛若一束盛放的生花，包金工艺细腻匀实，将花枝叶脉的纤柔灵动尽数还原，每一处枝桠都带着鲜活的舒展姿态。底部嵌饰的珠石色泽浓艳莹润，与赤金底色相互映衬，华贵又不失灵动生机。留存至今的黄绶带着斑驳的旧日印记，为这件饰物晕开了古拙厚重的岁月质感。\n\n它以金为骨，以石为睛，将细金工艺的精妙与雅致审美融为一体，既带着金饰与生俱来的华贵大气，又藏着花草柔婉的鲜活意趣，是清代细金工艺造诣的精巧缩影，静静诉说着往昔的精致美学。",[45,175,7,23,43,58,176,80,177,28],"包金","花卉造型","镶嵌工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac54440c595e10d9f12980cbed69083e.jpg",[],{"id":181,"slug":182,"title":183,"dynasty":18,"author":19,"museum":20,"description":184,"tags":185,"thumbUrl":187,"material":30,"size":31,"collection":32,"collections":188,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},274282,"tong-du-jin-qian-zhu-shi-bei-shi-biao-yi-ming-274282","铜镀金嵌珠石杯式表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[43,91,150,7,186,141,23],"钟表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2261cd08a2844bb919ee78369ffab4e.jpg",[],1777535724211]