[{"data":1,"prerenderedAt":143},["ShallowReactive",2],{"subject-qiang-mian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4855,"qiang-mian","墙面","墙面画高清赏析","精选中国历代墙面题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67bd7165e467f725f22207232e1a6c55.jpg",0,7,[14,42,60,76,99,115,128],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},225732,"corridor-in-the-asylum-fan-gao-225732","Corridor in the Asylum","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,31,32,7,33],"油画","后印象派","笔触奔放","色彩鲜明","室内场景","走廊","拱门","柱子","地面","人物","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F280e79c7ab565bfd54bd93db4e4d2752.jpg","未知","Xcm*Xcm","油画精选",[37],19,1,"795548",{"id":43,"slug":44,"title":45,"dynasty":18,"author":19,"museum":20,"description":21,"tags":46,"thumbUrl":57,"material":35,"size":36,"collection":37,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":41},225767,"in-the-cafe-agostina-segatori-in-le-tambourin-january-march-fan-gao-225767","In the café Agostina Segatori in Le Tambourin (January - March )",[23,24,47,32,48,49,50,51,52,53,7,54,55,56,25,26],"厚涂","女性","室内","咖啡馆","圆桌","玻璃杯","鼓形坐墩","窗户","装饰画","桌上物品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ff734c082d4cbb0bac39c2d4b09413.jpg",[37],16,{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":21,"tags":64,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":41},225884,"emty-chair-1888-fan-gao-225884","emty chair 1888",[23,24,65,66,67,68,69,70,31,7,71,72,73],"笔触厚重","色彩对比","具象表现","纹理刻画","木椅","藤编坐垫","木箱","烟斗","纸张",[37],8,{"id":77,"slug":78,"title":79,"dynasty":18,"author":80,"museum":20,"description":81,"tags":82,"thumbUrl":94,"material":35,"size":36,"collection":95,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":98},232285,"a-er-ma-12-lao-lun-si-a-er-ma-ta-de-ma-232285","阿尔玛12","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,83,32,84,85,86,87,88,27,89,90,91,92,7,31,93],"写实","古典服饰","织物","大理石","家具","饰品","长袍","凉鞋","珍珠","窗帘","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a38c189cf5cd4e316f5512b79dd0ab5.jpg","",[],4,"37474F",{"id":100,"slug":101,"title":102,"dynasty":18,"author":103,"museum":20,"description":104,"tags":105,"thumbUrl":113,"material":35,"size":36,"collection":95,"collections":114,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},232199,"dancers-practicing-at-the-barre-usa-de-jia-232199","Dancers Practicing at the Barre - - - (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,106,107,32,108,109,110,7,111,112],"印象派","设色","芭蕾舞者","舞蹈把杆","木地板","洒水壶","芭蕾舞裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F781e305d3d724c5f59172fdc5ed866c7.jpg",[],{"id":116,"slug":117,"title":118,"dynasty":18,"author":103,"museum":20,"description":104,"tags":119,"thumbUrl":125,"material":35,"size":36,"collection":95,"collections":126,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":127},232150,"helene-rouart-in-her-father-s-study-circa-1886-1895-national-gallery-london-de-jia-232150","Helene Rouart in Her Father's Study - circa 1886-1895 - National Gallery - London",[23,106,120,27,48,93,121,73,122,123,7,124],"人物肖像","桌子","雕像","挂画","玻璃柜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff861beaa12d4a0ea3482bdd9c184cdb8.jpg",[],"BDBDBD",{"id":129,"slug":130,"title":131,"dynasty":132,"author":133,"museum":134,"description":135,"tags":136,"thumbUrl":141,"material":35,"size":36,"collection":95,"collections":142,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},226201,"ku-qian-shi-nan-bi-yi-ming-226201","窟前室南壁","唐","佚名","敦煌","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[137,138,139,107,140,7],"壁画","唐代","宗教","残迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1964cb00c748664d5e4050e074d454b6.jpg",[],1777535743754]