[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"subject-qiao-4173":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4173,"qiao-4173","樵","樵画高清赏析","精选中国历代樵题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F908abde2414ca0b61d48ac75cdcc295a.jpg",0,2,[14,43],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":25,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},223558,"yu-qiao-geng-du-tu-zhou-gu-xiu-223558","渔樵耕读图轴","清","顾绣","北京故宫博物院","此图轴具有文人画的情趣，表现文人对清雅闲适、自得其乐的理想生活的追求。绣家以绣绘结合的技法追摹原作风格，远山近坡均以笔墨描绘点染。人物、木桥、茅屋、树木等则以针代笔，以丝代墨，精细地绣制。针法除平针、套针、滚针、正抢针等常用针法外，草鞋、渔篓用网针，茅屋的窗棂、房顶用编针，芦苇、小草用斜缠针，而衣纹除用滚针勾勒外，还用笔墨渲染，使之富有立体感。此幅诗塘题跋“采樵过野逢田父，理钓临溪听读书”为青色丝绣，“青碧斋”、“露香园”、“静顾”三印为红色丝绣。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7,36,37],"高清","国画","设色","立轴","刺绣","工笔","山水","人物","小桥","流水","树","山石","渔","耕","读","112＊45cm","",[],15,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":18,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":62,"material":63,"size":64,"collection":39,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},251745,"bi-yu-yu-qiao-geng-du-tu-bi-tong-yi-ming-251745","碧玉渔樵耕读图笔筒","佚名","藏地不详","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[51,52,53,54,55,56,29,30,35,7,36,37,57,58,59,60,31,32,61],"清代","玉石","器","雕刻","浮雕","青绿","松","孤舟","蓑笠","牛","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91b870719d1a74d25d89d46015424bce.jpg","未知","Xcm*Xcm",[],"795548",1777535789408]