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雍正十一年（1733）癸丑科殿试金榜中二甲一名进士，未散馆特授编修，后帝亲授内阁学士、礼部侍郎，入直南书房，官至礼部尚书，袭伯爵。",[24,72,26,89,27,50,29,51,7,54,55],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dc49d8d50a6d1af675ef6a22f8fed32.jpg","112.5x28.7",[],9,{"id":234,"slug":235,"title":236,"dynasty":18,"author":237,"museum":69,"description":238,"tags":239,"thumbUrl":246,"material":35,"size":35,"collection":35,"collections":247,"showCount":248,"zanCount":11,"manualWeight":11,"mainColor":64},227886,"shui-cun-yan-ai-tu-yi-ming-227886","水村烟霭图","佚名","这幅小品以淡墨晕染出烟霭笼罩的水村晨色，浅赭铺陈的远山隐在氤氲雾气里，和浩渺水面晕融成一片空濛。近岸松林错落，茅舍悄然栖于林下，仿佛还浸在拂晓的湿意中。\n\n画家以极简的笔触轻皴淡染，留白处皆是流动的水雾，将江南水乡的清寂温柔晕开。没有繁复勾勒，只借墨色浓淡铺就幽远意境，似将水村清晨的恬然凝在绢素之上，仿佛能闻见湿润的水汽，静听水波轻漾，尽显山水简淡清远的意趣，将人拉入这安谧空阔的悠然之中。",[108,23,24,25,26,115,50,240,241,242,243,7,244,245,149],"松林","茅舍","水乡","水雾","安谧","清远","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73b44eb01cfd8f0d4d2d18c15bf08eed.jpg",[],8,{"id":250,"slug":251,"title":252,"dynasty":45,"author":237,"museum":69,"description":253,"tags":254,"thumbUrl":263,"material":35,"size":35,"collection":35,"collections":264,"showCount":265,"zanCount":63,"manualWeight":11,"mainColor":40},228236,"xue-shan-yun-lv-tu-yi-ming-228236","雪山运驴图","整幅画作以萧寒冬日为底色，虬劲枯木扎根嶙峋坡石，枝干尽脱，带着凌冽的荒寒之气。淡墨晕染出山峦积雪，将冬日山野的厚重冷寂铺展开来，边角山石奇崛错落，勾勒出空阔辽远的天地。\n\n中景处的运驴队伍缓步而行，为清寂的雪野晕开一丝烟火暖意，动静相映，让冷肃山水多了几分行路意趣。笔墨苍简老辣，干笔勾勒山石肌理，淡墨铺陈积雪留白的空灵，将苍逸简淡的意趣融于其中，把冬日山野的空寂萧寒与行路的市井意趣相融，清冷中带着鲜活生气，尽显小品山水的精妙意韵，将冬日荒岭的清寒意境烘托得淋漓尽致。",[108,24,110,255,26,256,257,258,259,260,261,7,262,57],"小品画","雪山","枯木","坡石","驴","冬日","荒寒","干笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F114c3794a49fbc91897e8c3e82f12c09.jpg",[],6,{"id":267,"slug":268,"title":269,"dynasty":123,"author":270,"museum":69,"description":271,"tags":272,"thumbUrl":280,"material":35,"size":35,"collection":35,"collections":281,"showCount":282,"zanCount":11,"manualWeight":11,"mainColor":64},235333,"shan-shui-ce-wen-dian-235333","山水册","文点","此作用淡墨晕染出雪裹层峦，借留白铺就天地间清寒素净的冬景。古长城依山逶迤，枯木虬枝褪去繁叶，苍劲风骨愈显。山涧寒水无波，两位白衣行人缓步石径，渺小身影衬出天地空阔辽寂。\n笔墨松秀简淡，以细笔轻勾城堞枝桠，淡墨扫出山雪轮廓，不着重色便勾勒出粉妆玉砌的清寂氛围，将边塞冬雪的荒寒冷冽，糅合文人踏山寻幽的雅兴，静穆淡逸间尽显林下高致，悠悠古意漫溢画面，引人沉湎在这片空寂萧疏的冬日山水之中。",[24,26,273,50,274,89,275,257,276,27,277,7,278,279],"册","冬景","古长城","寒水","石径","空阔","文人雅兴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf514b9b2447cf0febf73a2d4ab4e464.jpg",[],5,{"id":284,"slug":285,"title":286,"dynasty":123,"author":237,"museum":69,"description":287,"tags":288,"thumbUrl":297,"material":75,"size":60,"collection":35,"collections":298,"showCount":299,"zanCount":11,"manualWeight":11,"mainColor":64},234441,"qing-ren-fa-an-luo-fu-duo-zun-zhe-xiang-zhou-yi-ming-234441","清人伐闇罗佛多尊者像轴","主尊安坐青峦，法相沉静肃穆，袈裟织纹繁丽华贵，织锦质感描摹精妙入微。他手持禅杖，杖首宝络垂悬，身侧祥烟萦纡悠然。下方天人躬身奉托供盘，璎珞宝饰周身，尽显虔敬礼佛之心，周遭奇花异宝罗列，晕染出殊胜清净的道场氛围。\n上方虚空两尊佛陀分峙，一坐云轮、一栖莲台，霞气相随烘托梵天胜境。画作设色明丽厚重，矿物颜料晕染出沉稳雅致的质感，线条精细流畅，融藏地唐卡的庄严神性与汉地工笔的细腻柔美于一体，将佛门清寂庄严的灵韵尽数铺展，尽显宗教绘画独特的美学意涵。",[24,72,289,128,115,27,290,291,292,293,294,295,296,7],"宗教","罗汉","佛陀","天人","禅杖","莲台","道场","庄严","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ca61273d636c5acd168d087f3b7e7a.jpg",[],2,{"id":301,"slug":302,"title":303,"dynasty":123,"author":304,"museum":20,"description":305,"tags":306,"thumbUrl":315,"material":35,"size":35,"collection":316,"collections":317,"showCount":299,"zanCount":11,"manualWeight":11,"mainColor":318},203369,"hua-shan-shi-er-jing-tu-ce-dai-ben-xiao-203369","华山十二景图册","戴本孝","峰峦奇崛，山石以简洁皴法勾勒肌理，淡墨晕染出空灵之境。笔墨苍劲中见秀逸，线条刚健却含蕴藉，将华山的险峻与清寂融为一体。山间亭台隐现，林木疏朗，题跋书法与画作相映成趣，尽显文人画诗画合一的韵味。每帧皆为独立景致，却气脉连贯，于咫尺间展现华山十二景的雄奇幽深，传递自然与人文交织的静谧之美。",[24,26,149,50,29,31,54,55,273,206,307,52,308,186,309,57,310,311,7,312,313,155,314,108],"题跋","峰峦","文人画","勾勒","晕染","雄奇","幽深","诗画合一","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63cfa9e421d3d6cddafd3f1c8dd688c4.jpg","山水画精选",[316],"e3d8cf",{"id":320,"slug":321,"title":269,"dynasty":123,"author":322,"museum":69,"description":323,"tags":324,"thumbUrl":329,"material":35,"size":35,"collection":35,"collections":330,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":64},235106,"shan-shui-ce-wang-yuan-qi-235106","王原祁","此作以平远之法铺展湖山景致，烟波浩渺的水面占据画面大半，留白尽显清旷空濛之意。近岸怪石错落，幽篁杂木傍水而生，茅庐隐于林麓间，暗合幽居之趣。远山以淡墨轻勾浅染，简淡空灵，与开阔水面相映，烘托出萧疏静谧的秋郊水岸氛围。\n\n笔墨苍润松秀，干笔皴擦间带着浑朴意韵，淡墨晕染铺就空濛水色，不着浓艳设色，以简淡之笔追摹元人山水的隐逸格调，于极简构图里藏悠远意境，将江南水畔的清寂之美娓娓道来，尽显文人画的平淡天真之趣。",[24,23,273,26,50,325,29,326,187,201,149,309,190,7,327,328],"竹","流水","秋景","平淡天真","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3aab3bbf105bb9a8c681b98a225361f.jpg",[],1777535721777]