[{"data":1,"prerenderedAt":68},["ShallowReactive",2],{"subject-qing-ri":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8090,"qing-ri","晴日","晴日画高清赏析","精选中国历代晴日题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb0d6e9ace619558ff2d53d6bb1ea2cf.jpg",0,2,[14,55],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":48,"material":49,"size":50,"collection":51,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":54},241359,"shi-ping-wang-chun-ling-241359","诗屏","清","王春龄","藏地不详","此作用红格缠枝花边笺纸书写，格调雅致。小楷清隽端秀，点画工稳匀净，排布舒朗利落，墨色妍润沉静，尽显扎实笔墨功底。\n内容为题咏古玉与暮春感怀的自作绝句，将文士摩挲古物的幽然心曲、伤春惜景的缱绻清愁落于毫端，书文相融，笔底自带冲淡娴雅的书卷气。方寸之间藏尽清儒的审美意趣，是一件书文俱佳的小品佳作。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,7,41,42,43,44,45,46,47],"楷书","书法","印章","明月","夕阳","桃花","杨柳","花","田","山","桐","鸦","风","月","柳","陌","浪","晓莺","水","金","细花","露","土","荆山","古玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2cb452b73b016f82b7badd8b2556069.jpg","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":56,"slug":57,"title":58,"dynasty":18,"author":59,"museum":20,"description":60,"tags":61,"thumbUrl":10,"material":49,"size":50,"collection":51,"collections":67,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},271264,"cheng-hou-cun-zhen-cang-re-he-tu-mo-si-mian-yun-shan-mo-yi-ming-271264","程后村珍藏热河图墨-四面云山墨","佚名","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[62,24,23,63,64,65,7,66],"墨","亭","云山","泉","秋凉",[],1777535793704]