[{"data":1,"prerenderedAt":37},["ShallowReactive",2],{"subject-qing-zhou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12233,"qing-zhou","轻舟","轻舟画高清赏析","精选中国历代轻舟题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4030f8fd09eb79aca5e68070a387a4b1.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":35,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},270607,"wang-jin-sheng-wang-chuan-tu-mo-nan-tuo-mo-yi-ming-270607","汪近圣辋川图墨-南坨墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[23,24,25,26,7,27,28,29,30,31],"墨","书法","楷书","文房用具","孤舟","夕阳","湖水","水波","人家","未知","Xcm*Xcm","",[],"BDBDBD",1777535894197]