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之日慈山，因自号慈山居士。时或弹琴赋诗写兰石摹篆隶以抒其闲寂。后益耽著述，不下楼者三十年，所坐木榻穿而复补。性旷达，晚自营生圹，手植梅花成林。廷栋生平最爱贺铸诗，故所为大似北宋人。尝以《宋诗钞》漏略尚多，因搜采遗佚，为《宋百家诗存》二十八卷；他着有《产鹤亭诗集》七卷，《老老恒言》五卷，《易准》四卷，《昏礼通考》二十四卷，《孝经通释》十卷，《逸语》十卷，及《琴学内篇》一卷，《外篇》一卷，均《清史列传》并传于世。",[26,27,29,115,150,151,152,7,153,154,116,155],"马","美人","渭水","孤帆","明月","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f5376f4e87589ee425ab452052d0c32.jpg","纸本",[36],{"id":160,"slug":161,"title":162,"dynasty":111,"author":163,"museum":75,"description":164,"tags":165,"thumbUrl":169,"material":83,"size":84,"collection":66,"collections":170,"showCount":171,"zanCount":11,"manualWeight":11,"mainColor":39},241603,"zhu-zhi-ci-san-shou-ye-gu-guang-xu-241603","竹枝词三首页","顾光旭","顾光旭（1731～1797）字华阳，号晴沙，又号响泉，江苏无锡人，顾可久后裔。乾隆十七年（1752）进士，官至甘肃干凉道、署四川按察司使。工书法，与王文治、刘墉、孔东山、梁同书、周稚圭相颉颃。求书必索润笔，亦甚廉 。即取以市大布制棉衣以施寒者，乡里称善人，卒年六十七 。著有《响泉集》、《梁溪诗钞》。",[25,29,115,49,166,167,168,7],"湖","楼阁","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab3bbc5aec8ed12d63dc3e4f6a9f4af7.jpg",[],3,{"id":173,"slug":174,"title":110,"dynasty":111,"author":175,"museum":75,"description":176,"tags":177,"thumbUrl":185,"material":157,"size":66,"collection":36,"collections":186,"showCount":187,"zanCount":11,"manualWeight":11,"mainColor":39},240042,"shi-zhou-wang-zhuan-240042","王撰","王撰，出生於1623年，卒於1709年，明末清初詩人、書畫家，婁東十子之一。字異公，一字大年，號隨庵、隨誾、隨老人、揖山居士、隨叟，蘇州府太倉（今屬江蘇）人。",[24,25,26,27,29,30,115,178,7,179,180,181,182,183,184],"亭台","鹤","雪","山","水","林","野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faee940409eea45388ae960c6bc4b1f2f.jpg",[36],2,{"id":189,"slug":190,"title":191,"dynasty":18,"author":192,"museum":75,"description":193,"tags":194,"thumbUrl":202,"material":157,"size":66,"collection":36,"collections":203,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":39},241532,"wu-yan-shi-er-shou-ye-zhang-hong-lie-241532","五言诗二首页","张鸿烈","行笔舒展灵动，牵丝映带间尽显流畅雅致，结体端秀又不失飘逸姿态。笔墨与五言诗意相融，将雨中访友、宴饮雅谭的清隽意趣，随着点画流转铺陈开来，暗合着高洁自持的品格抒怀。\n\n通篇疏密得宜，笔画枯湿浓淡相宜，粗细富于变化，尽显尚意风雅风貌。林下风流藏于撇捺之间，整体气息冲淡平和，匀净和谐，是颇具韵致的行书佳构，尽显文人墨客的雅致襟怀。",[25,26,29,115,195,196,197,7,198,199,200,201],"雨","梅","云","兰","宴","酒","歌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9c9dc797aee9870061cd9e78e1611b1.jpg",[36],1,{"id":206,"slug":207,"title":208,"dynasty":111,"author":209,"museum":210,"description":211,"tags":212,"thumbUrl":218,"material":219,"size":220,"collection":66,"collections":221,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":66},220693,"feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220693","凤阿山房图册","吴历,朱彝尊,陆遵等","香港中文大学文物馆","吴历 ，字渔仙，号桃溪居士，后号墨井道人，江苏常熟人。曾笃信天主教，并往澳门逗留。工诗、善画山水，师事王时敏 (1592-1680)与王鉴 (1598-1677) ，连同王翚 (1632-1717)、王原祁 (1642-1715)和恽寿平 (1633-1690) 合称「四王吴恽」或称「清初六家」，为清代正统派绘画代表。\n\n该画为吴历应友人侯大年（约1641-约1710）之命所作，并以友人之号「凤阿」命名，绘于康熙十六年（1677）之后，为吴氏中晚年之作。画面山峦起伏，高树竹丛、屋舍数间，屋前小桥流水，一人策杖过桥。整幅作品尺幅虽不大，却构图繁密，墨色苍润，流露对笔墨的追求与讲究，是吴历的精品。事实上，吴历与侯大年交谊深厚，曾应命绘制多幅《凤阿山房图》，以表达侯氏「述祖德，守先业」并归隐的志向，然而凤阿山房终未建成。据记载，侯大年在吴历绘制完立轴后，另请他绘制小册并请诸友题咏，正是此册。全册共分上、下两册，引首朱彝尊　(1629-1709) 书「凤阿山房」，后有吴历、朱彝尊、姜宸英、梁佩兰、宋骏业、王撰、陆遵、梅庚、钱大昕等六十六家诗题，其中陆遵、梅庚补图并题诗。吴历此作无疑是全册点睛之笔，见证了他与侯大年的交谊。",[23,24,25,95,29,26,30,49,133,50,167,213,154,136,214,215,7,116,216,217],"树木","平林","田","红月","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb096dba09967f3165e9ac12273771f79.jpg","水墨,设色,纸本,册页","18×34.5厘米",[],1777535731960]