[{"data":1,"prerenderedAt":91},["ShallowReactive",2],{"subject-qiu-tian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2359,"qiu-tian","秋天","秋天画高清赏析","精选中国历代秋天题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69a1dd2838213d79985debfe8810fccb.jpg",0,3,[14,43,70],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":41,"zanCount":12,"manualWeight":11,"mainColor":42},220868,"qiu-jiao-yin-ma-tu-juan-zhao-meng-fu-220868","秋郊饮马图卷","元","赵孟頫","北京故宫博物院","赵孟頫擅长人马图，总体追求刻意写实，一笔不苟。具体画风有两类：一是宗唐人韩干之法，马尚丰肥，用色华丽，衬以山水树石背景，人、马、景合为一体；一是仿北宋李公麟之作，笔墨清淡，着力于线条，注重描法与形象、质感的统一，不施色彩，以墨代色加以轻染。人马画中的人物均著唐装，风格既具“复古”的唐画之韵，又带浓郁的文人气息，有一定的创新性。\n此图属仿唐人的工笔设色画法。清秋郊野，一唐装圄官在池畔牧马，红色衣袍在大青绿的草坪映衬下显得尤为夺目，有力地突出了主体人物。所率十匹骏马均骨肉停匀，活跃多姿，它们或奔腾追逐，或徐步缓行，或俯首就饮，或引颈长鸣，意态生动。\n此图在布局上富有特色，以中景露地不露天及右开式构图，把平视、仰视、俯视三种造景方式有机地加以揉合，灵活地处理景物，使画面开阔舒展，疏密有致。画法亦将唐人的青绿重彩法与宋以来的文人笔墨法加以融合，别具新意。如人物线描工细劲健，又类似篆籀用笔，古朴中见隽秀；树石、坡陀行笔凝重，勾、皴、破、染并用，工谨中含清逸；青绿、大红重色中又兼施赭石、水墨，于浓丽中显清雅。总体风格行、利相兼，妙、逸并具，精逸技巧与文人雅韵结合，反映了赵孟頫晚年成熟的人马画面貌。",[23,24,25,26,27,28,29,30,31,32,7,33,34],"高清","设色","工笔","长卷","书法","印章","马","树木","河流","人物","山水","牧放","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c122896a7022800e9082ba42a60e43f.jpg","绢本，设色","","花鸟画精选",[38,40],"设色画精选",112,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":62,"material":63,"size":64,"collection":65,"collections":66,"showCount":67,"zanCount":68,"manualWeight":11,"mainColor":69},225713,"avenue-of-poplars-in-autumn-october-fan-gao-225713","Avenue of poplars in autumn (October - )","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[52,53,7,54,55,56,57,32,30,58,59,60,61],"油画","后印象派","白杨树","林荫道","小径","房屋","光影","栅栏","色彩浓郁","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2365dd392564d9ae5188c6ce8b116d5.jpg","未知","Xcm*Xcm","油画精选",[65],74,2,"37474F",{"id":71,"slug":72,"title":73,"dynasty":74,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":86,"material":87,"size":88,"collection":38,"collections":89,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":42},218729,"dao-tian-qiu-que-tu-yi-ming-218729","稻田秋雀图","宋","佚名","台北故宫博物院","这幅画描绘了秋日田野里的野趣。有两只鸟，一只站在斧头上，用尾巴微微向上啄食，另一只站在树枝上，向上看。鸟类描绘得栩栩如生，笔触极其细腻，玉米穗先用酒糟黄涂上明暗色，然后点上白粉，再用尖细的笔画出，草茎用较慢的笔画出，先用老绿涂抹，一半是明色，一半是暗色，略带焦黄的一端用赭石涂抹，虽然笔触和着色都很简单，但描述性极强。",[23,79,80,81,25,24,82,83,84,85,7],"国画","名画","扇面","花鸟","稻穗","麻雀","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa12e0c00e97f6280d05f6a3ec26e2e3c.jpg","绢本,设色","24x25.4",[38],29,1777535767059]