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问起这一风俗的来历，传说，还是三国时期貂蝉传下来的呢。 貂蝉原是东汉末汉献帝时司徒王允的一名歌伎，她长得相貌出众、能歌善舞，色伎俱佳，很受王允的宠爱，以亲女看待。当时，董卓专权，挟天子以令诸侯，大臣们对他恨之入骨，但是敢怒而不敢言。王允为此事也闷闷不乐，终日不思茶饭。 貂蝉虽是女流，可王允的心事，她却宗宗看在眼里，件件记在心中。她很会察言观色，为主人分忧解愁。在一个月光皎洁的夜晚，貂蝉在花园里设下香案，为主人祝祷。她虔诚地燃起三柱香火，仰天一拜说道：“明月呀明月，你虽昭昭洁白如洗，可知我家老爷心中烦恼？苍天呀苍天！我貂蝉虽乃女流之辈，老爷婢女，若能为老爷分担忧愁，我愿万死不辞。”恰在此时，王允因忧国心烦，夜不能寐，来到后花园赏月散心。他听见有人祝祷，连忙躲在一座假山后面，静听起来。他听完貂婶的祝愿，心情无比激动和感激，忙上前来，搀扶起这一歌女。 王允问貂婢：“你向苍天明月祈告，为我分忧解愁，可知我忧在何处？愁为何事呀！” 貂蝉说：“当然知道。” 王允又问：“既然知道，又有什么妙法替我杀了董卓？” 貂婢说：“只要老爷相信得过我，奴婢愿效犬马之劳，即使赴汤蹈火，也心甘情愿。” 王允听了，顿时为这女子的仗义和气魄所感动，当即认貂蝉为女儿。后来王允与貂蝉合议：先将貂蝉献于董卓，后再暗许吕布，以离间两人之交，让这董吕两人勾心斗角，互相杀害。 貂蝉耳垂小，怕自己美中不足，使董、吕二人看不上，使密谋落空。她想办法弥补，想了很久，终于想出了良法，就在家中拿了些碎银子，叫银匠给自己作了一对银耳坠，挂在耳垂上。这样过了不久，耳垂果然变大了，为她的美容又增添了不少姿色。 董卓一见貂蝉大喜！吕布一见貂蝉着迷，使董卓和吕布因争夺这一美女而激烈相斗。又因吕布貂蝉私通，恐事发觉，心神不安。王允设计使吕布为内应，结果董卓被杀了。 从此，戴耳坠也就传到了民间。",[41,69,104,151,152,116,7,153,154,155],"翡翠","金饰","福字","雕刻","翠色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9985d0e4f7c2191e8257c9a2d927ee22.jpg",[],{"id":159,"slug":160,"title":148,"dynasty":41,"author":63,"museum":64,"description":149,"tags":161,"thumbUrl":163,"material":78,"size":79,"collection":33,"collections":164,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":83},242127,"cui-qiu-ye-xing-er-zhui-yi-ming-242127",[67,104,68,116,154,7,69,162],"翠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a690521035ee679382393d3f7c86457.jpg",[],{"id":166,"slug":167,"title":168,"dynasty":41,"author":63,"museum":64,"description":169,"tags":170,"thumbUrl":173,"material":78,"size":79,"collection":174,"collections":175,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},261012,"guang-yao-hui-lan-you-qiu-ye-xi-yi-ming-261012","广窑灰蓝釉秋叶洗","广窑是宋代瓷窑。在广东肇庆阳江。宋南渡后所建。胎质粗而色褐。器多天蓝色，惟不甚匀，釉厚处或作靛蓝色，釉薄处或作灰蓝色，无釉处所现之色如黄酱色。\n我国在东汉晚期（公元二世纪）烧制出了成熟的青釉瓷器，到了唐代，全国的陶瓷生产有了更大的发展。当时国家采取了与民生息的政策，开发落后地区，沟通海陆交通，加强对外的文化交流和贸易活动，促进了全国市场的形成，陶瓷制品更加普遍地应用于社会生活中，并且大宗向海外输出。",[139,142,171,7,172],"笔洗","灰蓝釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1dc9035a3a0485c08a9e9d927b40c41.jpg","瓷器精选",[174],{"id":177,"slug":178,"title":179,"dynasty":41,"author":63,"museum":64,"description":102,"tags":180,"thumbUrl":183,"material":78,"size":79,"collection":33,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},252121,"zi-gang-kuan-bai-yu-qiu-ye-cao-chong-wen-bi-tian-yi-ming-252121","子刚款白玉秋叶草虫纹笔掭",[104,154,67,7,181,142,182],"草虫","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9fa9f12db914e7399f46e99a8cf8133.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":41,"author":63,"museum":64,"description":189,"tags":190,"thumbUrl":191,"material":78,"size":79,"collection":33,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":96},251911,"huang-ma-nao-qiu-ye-shi-bi-xi-yi-ming-251911","黄玛瑙秋叶式笔洗","此件取秋叶为形，依玛瑙天然走势随形施艺，石色匀净如蜜蜡初凝，莹润温泽，尽显玉质肌理之美。边缘作自然卷折之态，浮雕小蝠伏于叶上，暗合“福至”吉意，文趣暗藏。\n\n洗膛光素无饰，将材质本真之美展露无遗，既胜任文房盛水的实用之能，又将造物巧思与天然意趣相融。搭配镂雕红木座，枝蔓虬曲盘绕，与秋叶笔洗造型呼应成趣，更衬出这件文房清供秀雅灵逸的韵致，是兼具匠心与雅致的文房佳器。",[104,154,7,142,67],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c4e7d3535a9ed3260770bf590c82255.jpg",[],1777535727592]