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早年精仿宋人之作。\n曹知白（1272-155年），字又玄，一字贞素，号云西，华亭（今属上海松江）人。\n工诗文，善画山水，画法师李成、郭熙，笔墨清润，全无俗气。\n晚年笔法苍简，自成一格。\n对后世绘画有一定的影响。",[25,114,115,59,60,116,7,79,117,62,63,81,118,98,119],"水墨画","山水画","印章","瀑布","水面","松树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a999b20c2e336d2ab5e434cb134b279.jpg","纸本,水墨","纵129.7厘米，横56.4厘米",[],31,{"id":126,"slug":127,"title":109,"dynasty":18,"author":128,"museum":129,"description":130,"tags":131,"thumbUrl":132,"material":133,"size":134,"collection":85,"collections":135,"showCount":136,"zanCount":11,"manualWeight":11,"mainColor":48},289726,"qun-feng-xue-ji-tu-li-cheng-289726","李成","藏地不详","表现山高雪密瀑布寒泉，冈阜一亭翼然，左方飘绫上有高士奇题诗，中有“毫端师造化，画史重营丘”句。画上钤有乾隆、嘉庆、宣统等印。李成善于通过用淡墨涂抹，所作雪景，峰峦林层，凡烟支变灭，水石幽涧，树木萧森，山川险易，莫不曲尽其妙。民载中说他的画：“扫千里于咫尺，写万趣于指下”。",[23,25,115,59,27,60,79,7,61,98,35,116],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b9427553ec2db7f169d0eb61b687360.jpg","未知","Xcm*Xcm",[],28,{"id":138,"slug":139,"title":109,"dynasty":18,"author":75,"museum":129,"description":140,"tags":141,"thumbUrl":143,"material":133,"size":134,"collection":85,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":88},290249,"qun-feng-xue-ji-tu-fan-kuan-290249","范宽（约950—约1032），又名中正，字中立，陕西华原（今陕西铜川耀州区）人，宋代绘画大师。因为性情宽厚豁达，时人称之为“宽”，遂以范宽自名。范宽、董源、李成，并称“北宋三大家”。艺术成就使得范宽与李成齐名，并称“李范”，又与同为华原人的柳公权合称“柳范”。\n初学李成，后感悟“与其师于人者，未若师诸造化”，遂隐居终南、太华，对景造意，写山真骨，自成一家。其画峰峦浑厚端庄，气势壮阔伟岸，令人有雄奇险峻之感。用笔强健有力，皴多雨点、豆瓣、钉头，山顶好作密林，常于水边置大石巨岩，屋宇笼染黑色。作雪景亦妙。\n存世作品有《谿山行旅图》《雪山萧寺图》《雪景寒林图》等。\n2004年，美国《生活》杂志将范宽评为“上一千年对人类最有影响的百大人物”第59位。",[24,25,58,28,79,7,60,142,116],"书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa447f7519179612f6b7a6dbc95edc9e2.jpg",[],23,{"id":147,"slug":148,"title":149,"dynasty":53,"author":150,"museum":129,"description":151,"tags":152,"thumbUrl":157,"material":133,"size":134,"collection":85,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":88},235365,"qun-feng-ji-cui-tu-zhou-liu-yan-chong-235365","群峰积翠图轴","刘彦冲","刘彦冲（1807～1847）清代画家、诗人。初名荣，字咏之，四川铜梁（今重庆铜梁）人，侨寓吴门（今江苏苏州），朱昂之弟子。家贫事母孝，不妄干人。工诗文，善绘事，山水、人物、花卉，一意师古，深造自得。山水初从朱昂之游，心得其秘。复肆力于古，临摹各家，无不得其精髓。泼墨作小米云山，亦翁郁可观。惜中年殁。",[25,24,59,115,153,60,7,62,154,155,156,65],"设色","楼阁","山居","孤舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb09b0faca13edb8b101856f7129f43a9.jpg",[],15,{"id":161,"slug":162,"title":163,"dynasty":53,"author":164,"museum":165,"description":166,"tags":167,"thumbUrl":172,"material":85,"size":85,"collection":85,"collections":173,"showCount":174,"zanCount":11,"manualWeight":11,"mainColor":175},202376,"qun-feng-chun-ai-tu-juan-wang-hui-202376","群峰春霭图卷","王翚","上海博物馆","春霭氤氲，漫过山峦叠嶂，晕染出朦胧诗意。群峰错落，或浓墨勾勒，或淡彩晕染，皴法细腻处见山石肌理，设色清雅间显草木生机。林木扶疏，枝干虬劲，新芽初绽；溪流蜿蜒，小桥横跨，亭台隐现于林麓间，一派春日山乡的静谧悠远。笔墨兼具南北宗之长，融古意于自然，既得山川雄浑之态，又含江南秀润之韵，尽显春日山水的灵动与生机。",[25,115,26,153,60,7,168,169,96,170,171],"春霭","林木","亭台","山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7573718e4085c673aa362d42b452111.jpg",[],5,"967f51",1777535735801]