[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"subject-qun-xiang-ren-wu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13911,"qun-xiang-ren-wu","群像人物","群像人物画高清赏析","精选中国历代群像人物题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F354ffe34c0a663f6a3d86f3a89f7859d.jpg",0,2,[14,37],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},289209,"giuseppe-piattoli-the-sword-of-damocles-yi-ming-289209","Giuseppe Piattoli--The Sword of Damocles","不详","佚名","藏地不详","棕褐墨色勾勒出这场浮华宴饮，灵动线条利落铺陈出宏大场域。高台之上君主恣然享乐，环坐宾客或曲意逢迎，或沉湎欢宴，佩剑侍者垂首躬身，将权力场的谄媚浮华尽数铺展。疏密排线晕开明暗层次，墙间浮雕、帷幔褶皱都刻画入微，角落争食的猎犬呼应着席间躁动虚浮。画家将悬剑的悚然暗喻藏进觥筹交错之中，让宴饮的欢闹与暗藏的危机形成尖锐对冲，寥寥笔墨便把权势顶端如影随形的惶惶不安揉进浮华表象里，勾勒出权力场的荒诞张力。",[23,24,25,7,26,27,28,29],"神话故事","人物画","素描","宫廷宴会","室内场景","狗","达摩克利斯之剑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf27598ff40a1edd3a5bbfc4fb1c27fb.jpg","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":51,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},288803,"peter-paul-rubens-the-garden-of-love-right-portion-yi-ming-288803","Peter Paul Rubens--The Garden of Love (right portion)","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[43,24,25,44,45,46,47,48,7,49,50],"西洋画","淡彩","美人","小天使","园林","神话题材","古典服饰","欢愉",[],1777535798479]