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Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[193,192,27,258,7,128],"兵器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bdf3bd45d3a8ee4042429d4e8d5e44c.jpg",[],2,{"id":263,"slug":264,"title":265,"dynasty":117,"author":255,"museum":118,"description":256,"tags":266,"thumbUrl":273,"material":79,"size":80,"collection":41,"collections":274,"showCount":261,"zanCount":11,"manualWeight":11,"mainColor":84},232539,"mi-lai-si-83-yue-han-ai-fu-li-te-mi-lai-si-232539","米莱斯83",[267,27,7,231,268,269,270,35,271,272],"油画","明暗对比","室内","柱子","互动","昏暗环境","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc47b01b9ae12db12c366345f6d821fed.jpg",[],{"id":276,"slug":277,"title":278,"dynasty":117,"author":188,"museum":118,"description":189,"tags":279,"thumbUrl":289,"material":79,"size":80,"collection":41,"collections":290,"showCount":261,"zanCount":11,"manualWeight":11,"mainColor":65},232485,"he-er-bai-yin-144-he-er-bai-yin-232485","荷尔拜因144",[193,192,27,280,258,281,7,231,282,283,91,284,285,286,287,288,194],"战争","刀剑","动态","冲突","战斗场景","人物动态","刀剑兵器","群像构图","写实风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F262814b3c37e6ebebc42c7a1c4fdc034.jpg",[],{"id":292,"slug":293,"title":294,"dynasty":117,"author":71,"museum":118,"description":295,"tags":296,"thumbUrl":303,"material":79,"size":80,"collection":41,"collections":304,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},289513,"bartholomeus-spranger-diana-and-actaeon-yi-ming-289513","Bartholomeus Spranger--Diana and Actaeon","以淡褐与浓墨线条铺陈画面，虚实错落。嶙峋崖壁将场景分层，仙灵与狩猎者错杂其间，众神舒展肢体，或腾跃空中，或纵情歌舞，野性欢愉冲破纸面。\n\n线条狂放又精准，寥寥几笔便勾勒出肌肉张力与衣袂飘动感，未作过多修饰，却将林间狂欢的迷乱氛围尽致挥洒。浅晕色调晕染出朦胧山野底色，让众神的肆意灵动愈发鲜活，潦草笔触里留存即兴创作的鲜活张力，将这场神话邂逅的迷狂瞬间永远定格。",[193,192,297,298,299,300,301,302,7],"人物画","神话场景","裸女","山林","天使","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04060903bc6d4b37ff57482a46d02328.jpg",[],{"id":306,"slug":307,"title":308,"dynasty":117,"author":71,"museum":118,"description":309,"tags":310,"thumbUrl":314,"material":79,"size":80,"collection":41,"collections":315,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},289317,"francesco-allegrini-unidentified-scene-figures-in-a-landscape-yi-ming-289317","Francesco Allegrini--Unidentified Scene Figures in a Landscape","以淡褐晕染铺就朦胧底色，狂放写意的线条将郊野乱斗的张力拉扯到极致。前景人物肢体夸张扭曲，或俯身蓄势，或振臂嘶吼，粗粝的笔触裹挟着原始野性与躁动，精准捕捉动作里迸发的情绪。远景人群与林木晕染成模糊块面，虚化的背景将视线牢牢锁在前景冲突之上，留白烘托出紧绷的临场感。没有精雕细琢的刻画，潦草的线条却让郊野争执充满真实的戏剧张力，仿佛能听见呼喝与缠斗的声响，将混乱瞬间定格为永恒的动态诗篇，尽显速写独有的随性表现力。",[297,311,312,7,313,125,57],"速写","风景","淡墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27f2f4e098796cb5ff563644e68829a9.jpg",[],{"id":317,"slug":318,"title":319,"dynasty":117,"author":71,"museum":118,"description":320,"tags":321,"thumbUrl":326,"material":79,"size":80,"collection":41,"collections":327,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":44},289290,"paolo-veronese-allegory-of-the-redemption-of-the-world-yi-ming-289290","Paolo Veronese--Allegory of the Redemption of the World","画面以上下分界铺展叙事，上层云海翻涌，诸圣或垂眸肃穆，或交耳低语，明暗晕染揉开天界的朦胧宏阔，流云裹挟着神性的辉光，将救赎的庄严氛围悄然铺陈。下层荒寂墓茔之前，长袍垂坠的人物凝然伫立，粗粝的衣褶笔触，刻摹出凡世叩问神性时，沉郁的怅惘与震颤的虔诚。\n整作以单色铺陈，凭光影塑造体积，将救赎的神圣叙事藏进虚实朦胧之间，让观者仿若能听见天界低语，触碰那跨越灵俗的救赎震颤，把神性的慈悲与人性的祈愿凝在方寸画卷中。",[322,297,193,323,324,325,7],"宗教画","救赎主题","云端人物","坟墓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42fcbf124633208e3b76695789d17b69.jpg",[],{"id":329,"slug":330,"title":331,"dynasty":117,"author":71,"museum":118,"description":332,"tags":333,"thumbUrl":337,"material":79,"size":80,"collection":41,"collections":338,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},289286,"parrasio-micheli-an-allegory-of-learning-yi-ming-289286","Parrasio Micheli--An Allegory of Learning","拱形画幅分割出上下两段叙事，借粗粝灵动的棕褐墨线铺陈学习的完整脉络。上层古典残柱旁，人群或跋涉或协作，动态舒展而充满力量，仿佛在演绎知识萌芽前的开拓与传承的漫漫长路。\n\n下层围坐的众人之间，有人展卷宣讲，侧耳聆听的身影神态各异，将求知的肃穆热忱晕染开来。没有繁复修饰，奔放的线条精准捕捉人物的神态动势，即兴的笔触带着蓬勃的古典人文生机，将从开荒奠基到传习授学的求索之旅，藏在每一道酣畅的勾勒中，尽显求知的庄重与热忱。",[193,192,27,7,334,335,336],"寓言","讲学","古建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb180c9f739b092444c736d25f46134d1.jpg",[],{"id":340,"slug":341,"title":342,"dynasty":117,"author":71,"museum":118,"description":343,"tags":344,"thumbUrl":348,"material":79,"size":80,"collection":41,"collections":349,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},289262,"pietro-testa-the-presentation-of-the-virgin-in-the-temple-yi-ming-289262","Pietro Testa--The Presentation of the Virgin in the 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Palatino)","粗粝晕染的水墨铺就出浑浊压抑的酒馆氛围，整幅画带着尖锐的戏谑讽刺。白衣卷发的江湖术士故作矜贵姿态，将不明药剂强硬灌入青年口中，青年双目圆睁面露剧痛却无从挣脱。角落的围观者神色各异，麻木窥看这场荒诞骗局。两名仆从丑态毕现，一人躬身呕吐狼狈不堪，另一人垂头蜷坐似已麻木。\n寥寥线条将群像的荒诞可悲刻画入木，灰暗朦胧的背景晕开沉沉的阴郁，把旧时虚假疗愈的骗局、附庸者的盲从愚钝赤裸裸铺陈，让这场闹剧的污浊与讽刺力直抵观者心底。",[193,297,356,357,7,358,359],"黑白","市井","讽刺","行医场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a9b4c38331ce2c8af8950e2fc6a6658.jpg",[],{"id":363,"slug":364,"title":365,"dynasty":117,"author":71,"museum":118,"description":366,"tags":367,"thumbUrl":369,"material":79,"size":80,"collection":41,"collections":370,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},289168,"goya-revenge-upon-a-constable-from-images-yi-ming-289168","Goya--Revenge Upon a Constable, from 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Drunk","粗粝的水墨笔触晕开昏沉背景，将视线牢牢锁在纵情狂欢的人群中。有人亲昵拥吻，唇齿间浸着沉醉的情欲；旁人正举杯灌酒，喉间涌动着迷乱快意，裹巾身影仰头豪饮，将醉意一饮而尽，左侧男子噙着玩味笑意冷眼旁观。\n没有精致描摹，只用明暗铺陈出放纵迷乱的氛围，将市井酒馆里醉生梦死的瞬间凝固。褪去体面矫饰，直白袒露人性里原始的享乐欲念，潦草线条精准抓住沉醉神态，勾勒出沉沦狂欢的瞬间张力，粗野又真实。",[267,27,377,378,7,379],"饮酒","醉酒","风俗画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef950e8bea650248ead848a5ddce8eba.jpg",[],{"id":383,"slug":384,"title":385,"dynasty":117,"author":71,"museum":118,"description":386,"tags":387,"thumbUrl":390,"material":79,"size":80,"collection":41,"collections":391,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":44},288914,"giovanni-battista-naldini-the-dead-christ-supported-by-three-figures-yi-ming-288914","Giovanni Battista Naldini--The Dead Christ Supported by Three Figures","粗粝炭笔裹挟着情绪在纸面游走，将悲恸瞬间凝为永恒。瘫软的躯体带着沉甸甸的衰颓感，被三位搀扶者托举，紧绷的肢体线条如被拉扯的弦，将沉郁哀恸尽数吐露。\n\n画家以极具弹性的线条勾勒肌肉起伏，精准捕捉濒死躯体的重量感，未加修饰的潦草轮廓反而放大了情绪张力。淡墨晕染模糊了空间边界，让所有视线都锁紧这幕悲剧场景，低垂的头颅、紧绷的肩背，每一处细节都在诉说着难以言喻的悲怆，带着未完成的粗粝质感，却比完整画作更具直击人心的感染力，将死亡降临时凝滞的哀伤牢牢封存在纸面之上。",[76,27,193,388,389,7],"基督","哀悼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd09032f508c7b2449b9f09358f94a413.jpg",[],{"id":393,"slug":394,"title":395,"dynasty":117,"author":71,"museum":118,"description":396,"tags":397,"thumbUrl":400,"material":79,"size":80,"collection":41,"collections":401,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},288893,"giovanni-battista-tiepolo-illustration-for-a-book-queen-of-port-city-receiving-envoys-yi-ming-288893","Giovanni Battista Tiepolo--Illustration for a Book Queen of Port City Receiving Envoys","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[193,192,27,7,398,399],"宫廷接见","外交场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df40f6b046e54f39547cafd1842c6f1.jpg",[],{"id":403,"slug":404,"title":405,"dynasty":117,"author":71,"museum":118,"description":406,"tags":407,"thumbUrl":411,"material":79,"size":80,"collection":41,"collections":412,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":44},288769,"rosso-fiorentino-bust-of-a-woman-with-an-elaborate-coiffure-yi-ming-288769","Rosso Fiorentino--Bust of a Woman with an Elaborate Coiffure","这幅素描以凌厉刚劲的笔触，铺陈出极具张力的殉刑场景。受刑者仰天长啸，肌肉紧绷满是悲愤不屈，施暴者面目狞恶、动作粗野狂乱，将群体的盲目暴戾拉扯到极致。马上士兵冷眼旁观，更添悲剧的肃穆压抑，空中天使翻飞舞动，似在发出无声悲鸣，与人间暴行形成尖锐对照。\n\n作品以排线堆叠体积，明暗对比强化戏剧冲突，将宗教殉难的悲壮与人性幽暗撕扯开来，笔触间满是撼人的情绪冲击力，仿佛能让观者听见刑场的嘈杂嘶吼，窥见受难者的悲愤呼号。",[193,297,408,52,7,409,301,233,410],"宗教题材","受难场景","写实技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11fb52c4004a0841da38d97e379861ad.jpg",[],{"id":414,"slug":415,"title":416,"dynasty":117,"author":71,"museum":118,"description":417,"tags":418,"thumbUrl":422,"material":79,"size":80,"collection":41,"collections":423,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},288696,"written-by-francis-grose-plate-iv-from-rules-for-drawing-caricaturas-yi-ming-288696","Written by Francis Grose--Plate IV, from Rules for Drawing Caricaturas","以连贯的头像序列，将侧面到正面的肖像形变拆解为细腻递进的层次。上下两排分别搭配十八世纪流行的帽饰与发套，面孔神态错落铺陈，从倨傲哂笑过渡到沉郁愁苦，暗藏英式市井的戏谑趣味。利落的蚀刻排线勾勒起伏轮廓，将肖像漫画的造型技巧藏于视觉叙事之中，让实用的技法演示，化为一组带着鲜活情绪的群像小品，在严谨的造型教学里糅进了诙谐的讽刺意趣。",[27,7,419,356,420,421],"版画","讽刺画","西洋服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2477c2aeeaea9a38be852d4fb3d6cd9.jpg",[],{"id":425,"slug":426,"title":427,"dynasty":117,"author":71,"museum":118,"description":428,"tags":429,"thumbUrl":432,"material":79,"size":80,"collection":41,"collections":433,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},288672,"attributed-to-francesco-allegrini-aeneas-and-achates-entering-dido-s-palace-yi-ming-288672","attributed to Francesco Allegrini--Aeneas and Achates Entering Dido's Palace","赭褐淡晕铺展出朦胧古殿，明暗晕染切分出空间层次，拱门高台之上，王座人物威仪尽显，侍从拱卫环立，将庄严的朝堂氛围拉满。左侧来客身姿紧绷前倾，带着觐见的局促与恭谨，寥寥线条便勾勒出人物的情绪张力。\n\n这幅速写以灵动概括的笔触，省去琐细描摹，却精准抓住了这场会面的仪式感，将史诗叙事里的郑重瞬间凝于纸面，淡彩晕开的朦胧质感，让场景带着即兴捕捉的鲜活温度，仿佛能让人窥见这场会面下暗涌的情绪与故事脉络。",[27,430,431,195,311,7],"神话故事","宫殿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd1890ca736b0eda5757c97ac3d9047e.jpg",[],{"id":435,"slug":436,"title":437,"dynasty":117,"author":71,"museum":118,"description":438,"tags":439,"thumbUrl":443,"material":79,"size":80,"collection":41,"collections":444,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},288616,"johan-carl-loth-solomon-yi-ming-288616","Johan Carl Loth--Solomon","画面铺陈出一场慵懒放浪的宴饮图景，男女嬉游缱绻，侍从穿梭其间，纵情声色的迷醉气息扑面而来。作者以灵动迅疾的棕线在灰底之上勾勒轮廓，寥寥数笔便将衣褶流转、肌肉起伏的韵律精准捕捉，又以白色提亮晕染肌肤高光与衣袂亮部，在灰纸衬映下，光影层次呼之欲出。整体构图饱满错落，拥挤的人物排布将享乐图景铺陈得鲜活生动，笔意松弛随性，却精准传递出人物沉醉欢愉的神态，将这场奢华宴饮的绮靡质感渲染尽致。",[193,27,7,440,441,442,192],"室内场景","宴饮","宗教神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53249bcd7086ce744e4bb5962bd3ae3d.jpg",[],{"id":446,"slug":447,"title":448,"dynasty":117,"author":71,"museum":118,"description":449,"tags":450,"thumbUrl":456,"material":79,"size":80,"collection":41,"collections":457,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},288614,"johann-jakob-frey-the-elder-leaf-from-aedes-walpolianae-mounted-yi-ming-288614","Johann Jakob Frey the Elder--Leaf from Aedes Walpolianae mounted","左幅铜版画定格休憩瞬间，圣母垂眸温柔，孩童依偎身侧，老者递上果盘，林野间光影交织，衣褶纹路细腻写实，晕开旅途暂歇的脉脉温情，为宗教题材晕染出质朴暖意。\n\n右幅红印版画则以舒展线条勾勒神话群像，众神身姿灵动舒展，暖调晕染烘托出绮丽浪漫的梦幻氛围，尽显神话题材的飘逸恣肆。\n\n两幅并置，一静一柔、一逸一绮，以两种版画语言，诠释古典叙事的双重魅力，让沉静肃穆与浪漫瑰奇在此交融共生。",[419,408,297,451,452,453,454,32,455,7],"圣母","圣婴","老者","驴","神话人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe99d0006fabe9b0bb2e939d11d926a0b.jpg",[],{"id":459,"slug":460,"title":461,"dynasty":117,"author":71,"museum":118,"description":462,"tags":463,"thumbUrl":467,"material":79,"size":80,"collection":41,"collections":468,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":65},288591,"attributed-to-francesco-allegrini-scene-of-sacrifice-yi-ming-288591","attributed to Francesco Allegrini--Scene of Sacrifice","棕褐速写线条灵动松弛，铺展开一场肃穆的祭祀场景。左侧信徒俯身跪拜，将虔诚全然释放在沉伏的姿态中。中央女子正倾注祭液，动作庄重沉静。围立的宾客神色各异，或凝神观礼，或私语静待，右侧乐手持器待命，静穆中暗藏仪式的张力。\n\n画师以极简笔触勾勒人物动势，没有繁复修饰，却精准捕捉每个身影的神态情绪。泛黄纸面上的晕染与留白晕开古朴氛围，潦草随性的草稿反而赋予群像鲜活的临场感，将祭典的庄重与人群的生动融为一体。",[193,297,322,464,7,465,466,192],"祭祀","祭器","乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c8eda1bfb51446c3a57a54122c73111.jpg",[],{"id":470,"slug":471,"title":472,"dynasty":117,"author":473,"museum":118,"description":474,"tags":475,"thumbUrl":482,"material":79,"size":80,"collection":41,"collections":483,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":44},232208,"dancers-princeton-university-art-museum-usa-oil-on-canvas-de-jia-232208","Dancers - - Princeton University Art Museum (USA) - oil on canvas","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[267,476,25,282,27,477,478,479,480,7,481],"印象派","舞者","芭蕾","裙装","肢体","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79558338eca28334ed915724c401e64a.jpg",[],{"id":485,"slug":486,"title":487,"dynasty":117,"author":473,"museum":118,"description":474,"tags":488,"thumbUrl":497,"material":79,"size":80,"collection":41,"collections":498,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":44},232082,"musicians-in-the-orchestr-stadelsches-kunstinstitut-franfurt-germany-de-jia-232082","Musicians in the Orchestr - - Stadelsches Kunstinstitut - Franfurt (Germany)",[267,476,489,466,490,27,491,492,440,493,494,7,495,496],"音乐家","芭蕾舞演员","舞台","光影","演奏者","舞蹈者","色彩表现","管弦乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F866f1c057460f59283e8339815255508.jpg",[],{"id":500,"slug":501,"title":502,"dynasty":117,"author":473,"museum":118,"description":474,"tags":503,"thumbUrl":509,"material":79,"size":80,"collection":41,"collections":510,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":84},232040,"portraits-at-the-stock-exchange-circa-musee-d-orsay-france-de-jia-232040","Portraits at the Stock Exchange - circa - - Musee d'Orsay (France)",[267,27,7,504,505,269,231,492,129,506,507,508],"高帽","礼服","近现代","男性","都市场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31173c4c6c49be8ee38f7e5c027579d8.jpg",[],{"id":512,"slug":513,"title":514,"dynasty":117,"author":473,"museum":118,"description":474,"tags":515,"thumbUrl":524,"material":79,"size":80,"collection":41,"collections":525,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":44},232019,"de-jia-15-de-jia-232019","德加15",[191,516,476,27,477,517,518,519,520,7,521,282,522,523],"色粉画","女性","草地","花饰","裙子","户外","色彩柔和","笔触松散","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a424774868bf6ae986834f32b30cc02.jpg",[],{"id":527,"slug":528,"title":529,"dynasty":117,"author":530,"museum":118,"description":531,"tags":532,"thumbUrl":536,"material":79,"size":80,"collection":41,"collections":537,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":84},230616,"rembrandt-harmensz-van-rijn-025-lun-bo-lang-230616","Rembrandt Harmensz.van Rijn - 025","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[267,76,27,533,534,535,269,492,7,231],"明暗对照","跪拜","长袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa365715052ddc64f2ab1f8b58aadab50.jpg",[],{"id":539,"slug":540,"title":541,"dynasty":18,"author":71,"museum":118,"description":542,"tags":543,"thumbUrl":555,"material":41,"size":556,"collection":41,"collections":557,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},233104,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233104","平定西域战图页","《平定西域战图》又称《平定准噶尔回部得胜图》、《平定伊犁回部战图》等。册页装，一函。图版十六幅，法国铜板制印，图版下署画家、刻工姓名。本馆藏有两部，一部首为乾隆御制序，乾隆诗文墨题画上，末有大学士傅恒、尚书舒赫德、于敏中等跋；另一部前为御制序，每图后附御题诗文，后为傅恒等跋，清内府造办处木版刷印。\n清廷在入主中原后，康、雍、乾三朝屡屡用兵西北，以肃清厄鲁特蒙古噶尔部割据势力。乾隆二十年至二十六年间（公元1755-1761年），两次平定准噶尔部叛乱的战役，对于维护国家稳定起到重要作用。 为了纪念平叛的胜利，乾隆让宫廷中的西洋画家郎世宁创作了大型历史纪实组画《平定西域战图册》。并决定将它送往欧洲制作成铜版画。",[23,419,231,194,92,27,164,544,545,546,32,547,548,549,7,550,551,552,553,554],"帐篷","军队","战阵","山峦","队列","战场","战旗","营帐","山地","平原","战争题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac4969d6a1cd8835650a29c261ca9be.jpg","87.3×50cm",[],1777535711469]