[{"data":1,"prerenderedAt":247},["ShallowReactive",2],{"subject-ren-wu-dong-tai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1201,"ren-wu-dong-tai","人物动态","人物动态画高清赏析","精选中国历代人物动态题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f9d1d1f2fde56c26ac68ba24576fa22.jpg",0,13,[14,41,68,90,114,131,151,169,180,190,201,214,232],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},231964,"the-dance-lesson-metropolitan-museum-of-art-usa-de-jia-231964","The Dance Lesson - - Metropolitan Museum of Art (USA)","不详","德加","藏地不详","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,24,25,26,27,28,29,30,31,32,7,33],"印象派","油画","人物","芭蕾舞女","小提琴","舞蹈把杆","木地板","室内场景","白色舞裙","红色发饰","光影表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9179d200bc4d1c8ddd4331f8807c6158.jpg","未知","Xcm*Xcm","",[],5,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":64,"material":35,"size":36,"collection":37,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},249181,"qian-long-kuan-hua-fa-lang-shi-nv-ying-xi-tu-bi-yan-hu-yi-ming-249181","乾隆款画珐琅仕女婴戏图鼻烟壶","清","佚名","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[49,50,51,52,53,54,55,56,57,58,25,59,60,61,62,63,7],"清代","画珐琅","工笔","设色","仕女","婴戏","花卉","山石","树木","珐琅器","色彩艳丽","细节细腻","金属胎","鼻烟壶形制","庭院景致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1487cfd5e8c929bab4495ad1b1e1fc02.jpg",[],2,"795548",{"id":69,"slug":70,"title":71,"dynasty":45,"author":46,"museum":72,"description":73,"tags":74,"thumbUrl":86,"material":87,"size":88,"collection":37,"collections":89,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":40},233059,"ping-ding-hui-jiang-jiao-qin-ni-yi-zhan-tu-ce-yi-ming-233059","平定回疆剿擒逆裔战图册","北京故宫博物院","本幅设色共十页，引首道光书“纉武绥边”，每开题记，又书平定回疆记事。尾纸曹振镰，文字王鼎等跋。",[75,52,51,76,77,25,78,79,57,80,81,82,83,84,7,85],"国画","册","长卷","战马","山峦","硝烟","战争场景","清代风格","工笔重彩","山水背景","战场描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4707f8ecdf3147f248c020c9568a9594.jpg","纸本","纵55.3cm，横90.3cm",[],{"id":91,"slug":92,"title":93,"dynasty":18,"author":94,"museum":20,"description":95,"tags":96,"thumbUrl":112,"material":35,"size":36,"collection":37,"collections":113,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":40},232485,"he-er-bai-yin-144-he-er-bai-yin-232485","荷尔拜因144","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[97,98,25,99,100,101,102,103,104,105,106,107,7,108,109,110,111],"素描","白描","战争","兵器","刀剑","群像","写实","动态","冲突","线描","战斗场景","刀剑兵器","群像构图","写实风格","线条勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F262814b3c37e6ebebc42c7a1c4fdc034.jpg",[],{"id":115,"slug":116,"title":117,"dynasty":18,"author":19,"museum":20,"description":21,"tags":118,"thumbUrl":128,"material":35,"size":36,"collection":37,"collections":129,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":130},232025,"rider-in-a-red-coat-1873-de-jia-232025","Rider in a Red Coat - 1873",[23,119,120,121,52,25,122,123,124,125,126,7,127],"粉彩","水彩","速写","骑手","马","红色衣物","动态捕捉","动态表现","动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2bfa97843759e5dbc86a22159d42f34.jpg",[],"F48FB1",{"id":132,"slug":133,"title":134,"dynasty":18,"author":19,"museum":20,"description":21,"tags":135,"thumbUrl":149,"material":35,"size":36,"collection":37,"collections":150,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},231973,"de-jia-3-de-jia-231973","德加3",[23,136,137,138,125,139,140,141,142,143,144,145,146,147,148,7],"色粉画","人物群像","戏剧场景","夸张表情","服饰","剑","舞台","光影","笔触奔放","人物互动","古装","道具","场景氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b5491b6960634c88a8e46ab35783fae.jpg",[],{"id":152,"slug":153,"title":154,"dynasty":18,"author":19,"museum":20,"description":21,"tags":155,"thumbUrl":166,"material":35,"size":36,"collection":37,"collections":167,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":67},232227,"dancer-in-her-dressing-room-circa-oskar-reinhart-collection-switzerland-pencil-de-jia-232227","Dancer in Her Dressing Room - circa - Oskar Reinhart Collection (Switzerland) - pencil",[23,136,156,157,158,159,160,161,162,163,164,165,7],"铅笔","人物画","芭蕾舞者","更衣室场景","舞裙","头饰","足尖鞋","桌子","地板","背景织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10185511313e064b148127dd505671b4.jpg",[],1,{"id":170,"slug":171,"title":172,"dynasty":18,"author":19,"museum":20,"description":21,"tags":173,"thumbUrl":178,"material":35,"size":36,"collection":37,"collections":179,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":40},232212,"dancer-circa-1877-private-collection-pastel-de-jia-232212","Dancer – circa 1877 - Private collection - pastel",[119,25,174,175,104,52,176,7,177],"舞者","芭蕾","舞蹈","粉彩画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F394feb6f41c7b8d9732c34741f76d607.jpg",[],{"id":181,"slug":182,"title":183,"dynasty":18,"author":19,"museum":20,"description":21,"tags":184,"thumbUrl":188,"material":35,"size":36,"collection":37,"collections":189,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":67},232186,"dancers-in-a-studio-circa-1900-1905-private-collection-oil-on-canvas-de-jia-232186","Dancers in a Studio - circa 1900-1905 - Private collection - oil on canvas",[23,24,174,185,186,187,7,33],"芭蕾裙","舞蹈室","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef60aa234b6c11015bf70253d8fc31af.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":18,"author":19,"museum":20,"description":21,"tags":194,"thumbUrl":199,"material":35,"size":36,"collection":37,"collections":200,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":67},232072,"on-the-stage-the-art-institute-of-chicago-usa-de-jia-232072","On the Stage - - The Art Institute of Chicago (USA)",[195,23,24,52,158,142,176,25,125,33,196,197,198,7],"名画","芭蕾舞裙","舞者动态","舞台场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f0cf31c923da4f2cf17032bb46f5d79.jpg",[],{"id":202,"slug":203,"title":204,"dynasty":18,"author":205,"museum":20,"description":206,"tags":207,"thumbUrl":212,"material":35,"size":36,"collection":37,"collections":213,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":40},231198,"su-miao-452-xi-fang-231198","素描452","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[97,103,208,209,25,210,7,211],"线条","明暗","捆绑","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17dc05e44bd4b14bb927f7cea44a402f.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":45,"author":218,"museum":20,"description":219,"tags":220,"thumbUrl":229,"material":230,"size":37,"collection":37,"collections":231,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":40},216824,"zhan-zheng-tong-ban-hua-22-lang-shi-ning-216824","战争铜版画-22","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[49,221,110,81,79,222,223,78,224,56,225,226,7,227,228],"铜版画","碉楼","士兵","云雾","堡垒","军事建筑","线条刻画","明暗处理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac8fa72fedad42d568d0a2bac8617ac.jpg","水墨",[],{"id":233,"slug":234,"title":235,"dynasty":45,"author":218,"museum":20,"description":219,"tags":236,"thumbUrl":10,"material":230,"size":37,"collection":37,"collections":246,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":40},216794,"zhan-zheng-tong-ban-hua-53-lang-shi-ning-216794","战争铜版画-53",[221,99,237,25,123,56,57,238,239,79,223,78,103,240,241,242,243,7,244,245],"山水","道路","战场","战场场景","山峦叠嶂","树木丛生","骑兵作战","山石刻画","道路蜿蜒",[],1777535728508]