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Wale--Drawing for a book illustration","这幅素描淡彩以松弛的构图铺陈郊野邂逅的日常场景，右侧苍劲大树框定画面空间，远景农舍木栅栏晕开恬淡乡野氛围。作者以细腻柔婉的线条勾勒人物情态：长裙淑女与教士执手晤谈，侍女垂首侍立身侧，两名男子旁观静候，持杖路人侧目回望，将十八世纪乡郊的社交场景鲜活呈现。淡墨晕染出柔和光影，衣褶纹路、人物神态皆被细致铺陈，带着古典插画特有的叙事感，在平实的郊野日常里，流露出旧时代世俗社交的闲适风貌，笔触雅致温婉，将旧时光的乡野闲情定格在纸面之上。",[268,269,270,257,271,59,272,7],"素描","书籍插画","人物画","古典服饰","民居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44de290cd1531c449ac96a7fe21d0e1c.jpg",[],4,{"id":277,"slug":278,"title":279,"dynasty":84,"author":280,"museum":86,"description":281,"tags":282,"thumbUrl":299,"material":104,"size":105,"collection":151,"collections":300,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},232344,"a-er-ma-71-lao-lun-si-a-er-ma-ta-de-ma-232344","阿尔玛71","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[89,245,283,27,30,284,285,286,287,288,289,290,291,74,292,293,294,295,296,297,7,298],"写实","古埃及场景","柱廊","象形文字装饰","床榻","木箱","棕榈树","壁画","地砖","室内空间","历史题材","细腻技法","古典元素","装饰图案","地面纹样","陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1da357e909b2a661e14eafc23804a6dc.jpg",[],{"id":302,"slug":303,"title":304,"dynasty":84,"author":305,"museum":86,"description":306,"tags":307,"thumbUrl":320,"material":104,"size":105,"collection":151,"collections":321,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},231973,"de-jia-3-de-jia-231973","德加3","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[90,308,71,309,310,311,171,312,313,314,315,7,316,317,318,319],"色粉画","戏剧场景","动态捕捉","夸张表情","剑","舞台","光影","笔触奔放","古装","道具","场景氛围","人物动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b5491b6960634c88a8e46ab35783fae.jpg",[],{"id":323,"slug":324,"title":325,"dynasty":84,"author":326,"museum":86,"description":327,"tags":328,"thumbUrl":344,"material":104,"size":105,"collection":151,"collections":345,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":137},231132,"su-miao-386-xi-fang-231132","素描386","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[268,329,283,30,330,331,332,333,334,335,336,7,337,338,339,340,341,342,343],"单色","儿童","裙子","亲密姿态","肖像","炭笔技法","光影表现","西方绘画风格","孩童形象","服饰细节","柔和笔触","黑白灰层次","生活场景感","双人构图","站姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3cfc32a1956228cc9fe1bc1b39afbf2.jpg",[],{"id":347,"slug":348,"title":349,"dynasty":159,"author":54,"museum":350,"description":351,"tags":352,"thumbUrl":10,"material":150,"size":151,"collection":151,"collections":356,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},215983,"di-jian-tu-shuo-cai-hui-ben-22-yi-ming-215983","帝鉴图说彩绘本-22","法国国家图书馆","青绿山峦层叠如染，松枝虬劲托着淡粉花影，庭院瓦舍半掩于树色间。院中人或凭案凝思，或缓步低语，衣袂轻扬间藏着文人意趣；坡上队伍衣甲鲜明，旌旗微展，似正踏过春山奔赴某处。色彩明丽却不艳俗，线条细腻勾画出人物情态与景物肌理，整幅画如一卷徐徐展开的旧梦，将历史场景凝在笔端。既有山水的悠然雅致，又藏着叙事的含蓄张力，仿佛能透过画纸听见那时的风声与低语，让人忍不住探知那段被时光定格的往事。",[24,27,28,353,30,193,354,59,120,175,61,355,166,7],"青绿","山水","松树",[],{"id":358,"slug":359,"title":360,"dynasty":84,"author":54,"museum":86,"description":361,"tags":362,"thumbUrl":366,"material":104,"size":105,"collection":151,"collections":367,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":137},289157,"goya-weeping-woman-and-three-men-yi-ming-289157","Goya--Weeping Woman and Three Men","粗粝松动的铅笔线条，即兴定格了一场失控的情绪拉扯。埋首恸哭的女子被身旁男子半揽着，悲怆几乎顺着指缝漫溢而出，对面背身的男人扬臂躁动，似在宣泄又像是斥责。背景里模糊蜷缩的人影，衬得这片空间更显压抑嘈杂。\n\n没有精细的刻画，潦草笔触带着直白的情绪冲击力，将悲戚与莽撞的对冲揉进每一道线条里，把市井里的失态心碎不加修饰地摊开，像是某段闹剧的收尾瞬间，只剩最真实的情绪裸奔，粗粝又鲜活地把无名的拉扯感钉在纸面之上。",[268,270,363,364,365,7],"哀伤","哭泣","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa595bd2ce943a144e82e8aa800b45f27.jpg",[],{"id":369,"slug":370,"title":371,"dynasty":84,"author":54,"museum":86,"description":372,"tags":373,"thumbUrl":376,"material":104,"size":105,"collection":151,"collections":377,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":137},288810,"peter-paul-rubens-alcibiades-interrupting-the-symposium-verso-sketches-yi-ming-288810","Peter Paul Rubens--Alcibiades Interrupting the Symposium; verso Sketches","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[268,270,71,374,365,375,7],"酒会场景","神态刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3fa4b065cdc1eed45c86dad702da9a5.jpg",[],{"id":379,"slug":380,"title":381,"dynasty":84,"author":382,"museum":86,"description":383,"tags":384,"thumbUrl":390,"material":104,"size":105,"collection":151,"collections":391,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":392},232552,"mi-lai-si-96-yue-han-ai-fu-li-te-mi-lai-si-232552","米莱斯96","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[385,268,386,283,30,387,271,388,7,389,38],"速写","线条","多人","社交场景","门口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2510457e90c30d13521def99561adb18.jpg",[],"F48FB1",{"id":394,"slug":395,"title":396,"dynasty":84,"author":397,"museum":86,"description":398,"tags":399,"thumbUrl":411,"material":104,"size":105,"collection":151,"collections":412,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":49},232512,"he-er-bai-yin-171-he-er-bai-yin-232512","荷尔拜因171","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[268,283,400,401,402,71,198,403,404,405,406,407,408,409,410,7],"明暗表现","线条勾勒","宗教题材","柱式结构","拱门装饰","装饰纹样","长袍服饰","场景构图","单色设色","细节刻画","建筑元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a09c10ef1566e7df0555a3a4c7c86a8.jpg",[],{"id":414,"slug":415,"title":416,"dynasty":84,"author":280,"museum":86,"description":281,"tags":417,"thumbUrl":428,"material":104,"size":105,"collection":151,"collections":429,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":261},232339,"a-er-ma-66-lao-lun-si-a-er-ma-ta-de-ma-232339","阿尔玛66",[89,418,419,27,71,420,38,421,422,423,424,425,130,335,426,427,7],"写实风格","古典题材","古埃及元素","烛火","织物服饰","木质家具","坐姿人物","卧姿人物","写实技法","地面装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d04dccf5d574e7c874dfd00b59e4363.jpg",[],{"id":431,"slug":432,"title":433,"dynasty":84,"author":280,"museum":86,"description":281,"tags":434,"thumbUrl":448,"material":104,"size":105,"collection":151,"collections":449,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":49},232313,"a-er-ma-40-lao-lun-si-a-er-ma-ta-de-ma-232313","阿尔玛40",[89,283,27,30,435,436,437,438,439,98,440,441,314,442,7,443,444,445,446,447],"大海","石质建筑","台阶","柱子","大瓮","古希腊服饰","凉鞋","古典风格","海景","石质台阶","白色建筑","蓝色海洋","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F134e2e81b7c3f0bea410de6a82c4e08c.jpg",[],{"id":451,"slug":452,"title":453,"dynasty":84,"author":305,"museum":86,"description":306,"tags":454,"thumbUrl":467,"material":104,"size":105,"collection":151,"collections":468,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":137},232140,"in-a-laundry-circa-glasgow-art-gallery-and-museum-scotland-de-jia-232140","In a Laundry - circa - Glasgow Art Gallery and Museum (Scotland)",[90,308,455,335,30,456,38,457,458,459,460,461,102,462,463,464,465,466,7],"松散笔触","晾晒衣物","工作台","布料","书籍","女性形象","日常劳作","室内光影","动态人物","生活场景","织物纹理","日常物品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc83f3e07ec2391cbb5d346747c92e397.jpg",[],{"id":470,"slug":471,"title":472,"dynasty":84,"author":305,"museum":86,"description":306,"tags":473,"thumbUrl":477,"material":104,"size":105,"collection":151,"collections":478,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":137},231989,"de-jia-6-de-jia-231989","德加6",[90,474,27,30,475,343,97,476,7],"色粉","坐姿","速写笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb00398c9f1940c161bc44001b22ddfb5.jpg",[],{"id":480,"slug":481,"title":482,"dynasty":84,"author":483,"museum":86,"description":484,"tags":485,"thumbUrl":490,"material":104,"size":105,"collection":151,"collections":491,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":261},230620,"rembrandt-harmensz-van-rijn-0254-lun-bo-lang-230620","Rembrandt Harmensz.van Rijn - 0254","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[89,486,283,71,38,487,271,488,465,489,7],"明暗对照法","光线聚焦","宗教主题","暗背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd645e1e03908214eb57645df921e9919.jpg",[],1777535718119]