[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"subject-ren-wu-xiang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13153,"ren-wu-xiang","人物像","人物像画高清赏析","精选中国历代人物像题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25c193c1ded5df540f71401c3861a95d.jpg",0,2,[14,36],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},288781,"pietro-bracci-design-for-a-tomb2-yi-ming-288781","Pietro Bracci--Design for a Tomb2","不详","佚名","藏地不详","整体兼具庄重纪念性与巴洛克装饰意趣。上方以浅浮雕胸像为核心，俏皮的小爱神静立旁侧，姿态舒展的拟人化缪斯坐于碑顶，柔美的雕塑形态辅以细腻的光影晕染，将石材的温润质感表现得淋漓尽致。碑身以涡卷雕饰与面具浮雕点缀铭文区域，华丽又不失肃穆。下方附带标注尺寸的立面细节，尽显设计的严谨周全，让这份设计不仅是饱含哀思的纪念造物，更是一件兼具美学观赏性与实用功能性的古典设计佳作。",[23,24,7,25,26,27,28],"墓碑设计","雕塑","淡彩","素描","古典风格","装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4909a348a0ddb1d798cfad44a860d952.jpg","未知","Xcm*Xcm","",[],1,"F48FB1",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":50,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":51},275094,"qian-long-kuan-lv-di-fen-cai-ci-qi-zhen-jiang-jun-bao-yi-ming-275094","乾隆款绿地粉彩瓷七珍-将军宝","清","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[43,44,45,46,7,47,48,49],"陶瓷","粉彩","瓷塑","宗教器物","七珍","将军宝","彩绘",[],"795548",1777535799030]