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of Joseph Roulin 1889-2","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,7,26,27,28,29,30,31,32,33,34,35],"油画","后印象派","厚涂技法","帽子","胡须","花卉","绿色背景","蓝色衣物","色彩浓郁","笔触奔放","植物元素","制服","大胡子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd65dda39c4f22b5242034e6d7f70ce82.jpg","未知","Xcm*Xcm","油画精选",[39],78,1,"0D904F",{"id":45,"slug":46,"title":47,"dynasty":18,"author":19,"museum":20,"description":21,"tags":48,"thumbUrl":57,"material":37,"size":38,"collection":39,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":60},225738,"dr-paul-gachet-1890-fan-gao-225738","Dr Paul Gachet 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Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,7,68,69,70,71,72,73,74,75,76,77,78,79],"明暗对比","写实","女性形象","饰品","毛皮衣物","坐姿","项链","耳环","暗背景","织物纹理","光影效果","人物神态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F639166c433b2c8df6dcadd7804d44be3.jpg",[39],37,{"id":84,"slug":85,"title":86,"dynasty":87,"author":88,"museum":89,"description":90,"tags":91,"thumbUrl":10,"material":95,"size":107,"collection":108,"collections":109,"showCount":110,"zanCount":111,"manualWeight":11,"mainColor":112},219247,"zu-xian-xiang-yi-ming-219247","祖先像","清","佚名","美国克利夫兰艺术博物馆","层叠排布的家族群像，铺展一幅清代家族的伦理长卷。顶戴花翎的男子端坐，旗装霞帔的女眷肃立，衣袂间织锦暗纹隐现，品级补子昭示身份尊卑。面容沉静肃穆，目光似穿越时空，承载着家族的荣耀与传承。工笔细腻，设色典雅，人物神态刻画入微，服饰细节还原精准。这幅祖先像不仅是家族祭祀的精神载体，更以写实笔触定格清代世家风貌与文化基因，成为兼具艺术价值与社会意义的肖像画鲜活见证。",[92,93,94,95,96,7,97,98,99,100,101,102,103,104,105,106],"高清","国画","工笔","设色","清代","家族群像","清代服饰","传统服饰","工笔人物","设色人物","室内陈设","器物","写实风格","人物群像","中国传统绘画","","人物画精选",[108],32,3,"795548",{"id":114,"slug":115,"title":116,"dynasty":18,"author":65,"museum":20,"description":66,"tags":117,"thumbUrl":125,"material":37,"size":38,"collection":39,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":60},225629,"rembrandt-harmensz-van-rijn-038-lun-bo-lang-225629","Rembrandt Harmensz.van Rijn - 038",[23,69,68,7,118,27,119,120,121,122,123,124],"老年男性","头巾","服饰","光影","肖像画","写实主义","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16e0dd1e5d25fe92ed2881f0c35df3ec.jpg",[39],28,{"id":129,"slug":130,"title":131,"dynasty":18,"author":65,"museum":20,"description":66,"tags":132,"thumbUrl":135,"material":37,"size":38,"collection":39,"collections":136,"showCount":137,"zanCount":11,"manualWeight":11,"mainColor":60},225667,"rembrandt-harmensz-van-rijn-077-lun-bo-lang-225667","Rembrandt Harmensz.van Rijn - 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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[49,23,203,204,205,7,206,207,26,27,208,209,210,54,211,212],"印象派风格","笔触灵动","设色自然","日常题材","男性人物","烟斗","烟雾","报纸","袖口","手杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b6d83826419e8ab954bb71368e15924.jpg",[39],17,{"id":217,"slug":218,"title":219,"dynasty":18,"author":19,"museum":20,"description":21,"tags":220,"thumbUrl":227,"material":37,"size":38,"collection":39,"collections":228,"showCount":229,"zanCount":11,"manualWeight":11,"mainColor":153},225804,"roulin-s-baby-1888-painting-fan-gao-225804","Roulin's Baby 1888 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)",[49,23,124,133,119,50,279,175,69,280,281,282,31,7],"笔触粗犷","深色背景","衣物","表现性笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa59029dcdc390e39ace6f8619be8dd5b.jpg",[39],11,{"id":287,"slug":288,"title":289,"dynasty":18,"author":200,"museum":20,"description":201,"tags":290,"thumbUrl":296,"material":37,"size":38,"collection":39,"collections":297,"showCount":298,"zanCount":11,"manualWeight":11,"mainColor":112},226106,"the-red-kerchief-portrait-of-mrs-monet-1873-mo-nai-226106","The Red Kerchief, Portrait of Mrs. Monet, 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他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[69,95,7,358,359,360,361,362,363,55,364,365,366,74,367,368,369,235,370,77],"贵族女性","服饰细节","珠宝","珍珠","蕾丝","刺绣","红色衣料","白色衬里","手部描绘","头饰","文字装饰","精细刻画","金属装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30d857f89dcaf44d506badfa413cbc32.jpg",[],{"id":374,"slug":375,"title":376,"dynasty":18,"author":355,"museum":20,"description":356,"tags":377,"thumbUrl":385,"material":37,"size":38,"collection":107,"collections":386,"showCount":350,"zanCount":11,"manualWeight":11,"mainColor":112},232363,"he-er-bai-yin-22-he-er-bai-yin-232363","荷尔拜因22",[69,262,124,133,367,281,378,95,179,379,104,7,380,381,382,266,383,359,384],"素描","衣物褶皱","头饰细节","衣物纹理","面部表情刻画","人物形象塑造","面部轮廓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11ea074229486352ae40100469e60432.jpg",[],{"id":388,"slug":389,"title":390,"dynasty":87,"author":88,"museum":20,"description":391,"tags":392,"thumbUrl":398,"material":37,"size":38,"collection":107,"collections":399,"showCount":400,"zanCount":42,"manualWeight":11,"mainColor":153},290170,"qing-ren-xiao-xiang-tu-ce-juan-ben-19-zhen-yi-ming-290170","清人肖像图册绢本19帧","这幅肖像工致写实，画中官员石青补服之上，禽鸟补纹以盘金绣线晕出翎羽层次，精细华贵。暖米绢底衬出沉稳气度，红顶官帽提亮画面色调，垂襟朝珠颗颗圆润，细节一丝不苟。\n\n画家捕捉其松弛坐姿，面容刻画入微，法令纹与眉眼间尽显宦海历练出的温和持重。旁侧案头码放典籍与签牌，暗合主人雅儒底色，极简室内布景留白得当，烘托出肃穆静雅氛围，将清代武官兼具威仪与文心的形象凝于绢素，形神兼备，尽显清代肖像画的写实功力。",[93,393,94,95,7,394,395,396,397],"册","官服","朝珠","书桌","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10f5494909ff1acf77ce8d6d3e78cdca.jpg",[],4,{"id":402,"slug":403,"title":404,"dynasty":87,"author":88,"museum":20,"description":405,"tags":406,"thumbUrl":408,"material":37,"size":38,"collection":107,"collections":409,"showCount":400,"zanCount":11,"manualWeight":11,"mainColor":112},288309,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-cheng-ze-qin-wang-shuo-sai-yi-ming-288309","历代帝王贵妃大臣朝服像(承泽亲王硕塞)","此作为工笔肖像上乘之作，画中老者面容清癯，神态沉凝威严，自带宗室亲贵的从容威仪。画师以精细笔触描摹朝服，正龙纹鳞爪分明、气势雄健，海水江崖层次细腻，石青、明黄、朱红诸色交叠，富丽庄重又不失章法，精准贴合宗室品级仪制。\n\n领口貂裘、腰间饰件与项下朝珠皆写实入微，毛发丝缕毕现，珠串光泽莹润，将服饰材质肌理尽数展现。整作沉稳端凝，既恪守宫廷肖像的规制法度，又生动刻画出老者的耆年风骨，兼具纪实价值与艺术审美价值。",[92,93,94,95,7,407,162,314,122],"龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39be9a97f2fd5ca86c4d0f2b70f38163.jpg",[],{"id":411,"slug":412,"title":413,"dynasty":18,"author":355,"museum":20,"description":356,"tags":414,"thumbUrl":421,"material":37,"size":38,"collection":107,"collections":422,"showCount":400,"zanCount":11,"manualWeight":11,"mainColor":153},232370,"he-er-bai-yin-29-he-er-bai-yin-232370","荷尔拜因29",[49,124,415,262,69,378,416,367,74,120,417,7,418,419,420],"美人","淡彩","细腻刻画","衣纹描绘","面部写实","饰品装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2e2e2eaf5dcd0eb63178800e6989dc9.jpg",[],{"id":424,"slug":425,"title":426,"dynasty":18,"author":427,"museum":20,"description":428,"tags":429,"thumbUrl":434,"material":37,"size":38,"collection":107,"collections":435,"showCount":400,"zanCount":11,"manualWeight":11,"mainColor":112},231090,"su-miao-344-xi-fang-231090","素描344","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[378,69,7,430,366,264,431,432,433,179],"老人","炭笔","冬帽","衣纹处理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a3ed68398b1fb4e3885947d9429bfe8.jpg",[],{"id":437,"slug":438,"title":439,"dynasty":18,"author":88,"museum":20,"description":440,"tags":441,"thumbUrl":446,"material":37,"size":38,"collection":107,"collections":447,"showCount":400,"zanCount":11,"manualWeight":11,"mainColor":153},225413,"fu-shi-hui-171-yi-ming-225413","浮世绘171","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[442,443,95,415,444,445,7],"浮世绘","木刻","和服","发簪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca0f81f8643bbf9192f8ffa9149880dc.jpg",[],{"id":449,"slug":450,"title":451,"dynasty":18,"author":452,"museum":20,"description":453,"tags":454,"thumbUrl":466,"material":37,"size":38,"collection":107,"collections":467,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":112},232584,"wei-lian-a-dao-fu-bu-ge-luo-198-wei-lian-a-dao-fu-bu-ge-luo-232584","威廉·阿道夫·布格罗198","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,69,95,124,455,248,456,457,458,459,460,461,462,463,464,465,7],"儿童","赤脚","茶杯","户外场景","山脉","草地","天空","连衣裙","手持器物","细腻写实","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63869be21bf25d5e3f898f3c92ecb532.jpg",[],{"id":469,"slug":470,"title":471,"dynasty":18,"author":355,"museum":20,"description":356,"tags":472,"thumbUrl":483,"material":37,"size":38,"collection":107,"collections":484,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":153},232487,"he-er-bai-yin-146-he-er-bai-yin-232487","荷尔拜因146",[69,378,262,124,52,473,26,27,474,475,476,477,123,122,478,179,180,479,480,481,482,7],"侧脸","头发","头部","线条","人物画","头部肖像","服饰局部","侧脸肖像","线条勾勒","写实刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65a888ad01f3baf0f14b2bdaa03de13a.jpg",[],{"id":486,"slug":487,"title":488,"dynasty":18,"author":427,"museum":20,"description":428,"tags":489,"thumbUrl":491,"material":37,"size":38,"collection":107,"collections":492,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":153},231171,"su-miao-425-xi-fang-231171","素描425",[378,490,7,476],"速写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47bc435c9e2d5d1f7e5f96389aa7826d.jpg",[],{"id":494,"slug":495,"title":496,"dynasty":18,"author":355,"museum":20,"description":356,"tags":497,"thumbUrl":498,"material":37,"size":38,"collection":107,"collections":499,"showCount":500,"zanCount":11,"manualWeight":11,"mainColor":153},232491,"he-er-bai-yin-150-he-er-bai-yin-232491","荷尔拜因150",[124,262,378,69,162,120,7,123,481,104],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7951114bb5628872f2598528041691a.jpg",[],2,{"id":502,"slug":503,"title":504,"dynasty":18,"author":355,"museum":20,"description":356,"tags":505,"thumbUrl":508,"material":37,"size":38,"collection":107,"collections":509,"showCount":500,"zanCount":11,"manualWeight":11,"mainColor":153},232426,"he-er-bai-yin-85-he-er-bai-yin-232426","荷尔拜因85",[124,262,506,416,120,69,476,378,7,507],"白描","淡色渲染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F017c417450440b9062f9ad3fdecf5374.jpg",[],{"id":511,"slug":512,"title":513,"dynasty":18,"author":514,"museum":20,"description":515,"tags":516,"thumbUrl":518,"material":37,"size":38,"collection":107,"collections":519,"showCount":500,"zanCount":11,"manualWeight":11,"mainColor":112},232045,"de-jia-24-de-jia-232045","德加24","德加","埃德加·德加（Edgar 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Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[291,517,7,95,133,122,124],"粉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2234bd3981274503ab4390909782d17.jpg",[],{"id":521,"slug":522,"title":523,"dynasty":18,"author":427,"museum":20,"description":428,"tags":524,"thumbUrl":532,"material":37,"size":38,"collection":107,"collections":533,"showCount":500,"zanCount":11,"manualWeight":11,"mainColor":153},231270,"su-miao-524-xi-fang-231270","素描524",[378,69,124,133,525,526,527,121,528,529,7,73,530,104,531],"裸体","黑白","人体","细腻","质感","西方绘画","素描技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F484da68a767b7ce0bf7e8d382aa0d420.jpg",[],{"id":535,"slug":536,"title":537,"dynasty":18,"author":65,"museum":20,"description":66,"tags":538,"thumbUrl":544,"material":37,"size":38,"collection":107,"collections":545,"showCount":500,"zanCount":11,"manualWeight":11,"mainColor":153},225598,"rp-p-1961-970-lun-bo-lang-225598","RP-P-1961-970",[539,378,69,7,52,26,248,27,540,541,264,179,542,543,481,68],"蚀刻","自画像","铜版画技法","毛发描绘","头部特写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ed0bf72a1d6ac76598da10f6c2451f9.jpg",[],{"id":547,"slug":548,"title":549,"dynasty":158,"author":88,"museum":20,"description":550,"tags":551,"thumbUrl":553,"material":37,"size":38,"collection":107,"collections":554,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},290815,"tai-zu-ban-shen-xiang-yi-zhou-yi-ming-290815","太祖半身像（一）轴","明太祖朱元璋（1328年10月21日—1398年6月24日），字国瑞，原名朱重八、朱兴宗，出生于濠州（今安徽凤阳）钟离太平乡孤庄村。明朝开国皇帝（1368年—1398年在位），年号“洪武”。",[93,316,95,7,552,162,315],"帝王","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc37e8d0a7ffbe3866f3f7cdfcf4df9ec.jpg",[],{"id":556,"slug":557,"title":558,"dynasty":18,"author":88,"museum":20,"description":559,"tags":560,"thumbUrl":563,"material":37,"size":38,"collection":107,"collections":564,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289521,"baccio-bandinelli-three-male-heads-yi-ming-289521","Baccio 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cross","粗粝的排线扫过蓬乱须发，顺着眉骨、颧肌的起伏揉擦出明暗层次，将脖颈拉伸的紧绷感全然铺展。人物目光竭力向上扬起，眉峰攒起的褶皱牵动着眼角纹路，微张的嘴唇仿佛正吐露出无声的祷念。\n\n厚重的炭色揉出须发的蓬松粗野，却用细腻晕染柔化了面部肌肉的震颤，把仰望时的悲戚与崇敬一并刻入纸面。光影顺着鼻梁与下颌线流淌，精准勾勒出仰颈时肌肉的拉扯感，将那份近乎屏息的虔诚，凝练成静态却极具张力的动容瞬间。",[378,7,571,572,573,69,574,52],"宗教","宗教人物","圣方济各","虔诚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8021cc0f17c639cd3d9a95526c0079b.jpg",[],{"id":578,"slug":579,"title":580,"dynasty":18,"author":88,"museum":20,"description":581,"tags":582,"thumbUrl":584,"material":37,"size":38,"collection":107,"collections":585,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},289475,"carle-charles-andre-vanloo-bust-of-a-young-girl-profile-to-left-yi-ming-289475","Carle (Charles André) Vanloo--Bust of a Young Girl, Profile to Left","炭笔晕开朦胧背景，将视线全然引向少女侧颜。她轮廓柔润舒展，鼻尖小巧挺翘，唇角噙着淡若轻烟的笑意，沉静里揉着少女独有的娇憨。发丝刻画尤为精妙，鬓边卷发蓬松柔软，束起的长发带着自然卷曲垂落，发丝的蓬松与发网的紧致形成细腻反差。画师以深浅笔触，晕出皮肤莹润质感，又用排线烘托衣物蕾丝的柔婉层次，将少女的温婉气质描摹得淋漓尽致，凭细腻笔触抓住少女鲜活情态，静穆雅致间藏着灵动生机，尽显古典肖像素描的动人魅力。",[378,7,415,172,583],"侧面像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5267fd12a73ad97450d61d1a78472205.jpg",[],{"id":587,"slug":588,"title":589,"dynasty":18,"author":88,"museum":20,"description":590,"tags":591,"thumbUrl":595,"material":37,"size":38,"collection":107,"collections":596,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289251,"pirro-ligorio-two-princes-of-the-house-of-este-yi-ming-289251","Pirro Ligorio--Two Princes of the House of Este","以赭褐色墨水晕染结合淡彩铺陈，线条劲挺扎实，勾勒出两位贵族挺拔庄重的身姿。繁丽的雕花胸甲、垂坠的饰链与层叠衣褶，将华贵身份尽数彰显。\n\n二人神态沉凝肃穆，交叠的手臂暗含家族血脉联结的厚重羁绊，背景立柱极简留白，更衬出肖像仪式感。画家精准晕染肌肉轮廓，写实还原人体肌理，衣褶褶皱流畅利落，兼具严谨的造型功力与松弛的笔触感。既留存了贵族肖像的端庄纪实性，又摆脱刻板描摹，让人物兼具威仪温度，将文艺复兴肖像的写实精髓诠释尽致，尽显古典肖像的典雅厚重。",[7,378,416,592,593,594],"男性贵族","佩剑","华丽服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaac30fe95f70947464de64a85fde3c1.jpg",[],{"id":598,"slug":599,"title":600,"dynasty":18,"author":88,"museum":20,"description":601,"tags":602,"thumbUrl":605,"material":37,"size":38,"collection":107,"collections":606,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289166,"goya-self-portrait2-yi-ming-289166","Goya--Self-Portrait2","这幅红粉笔速写以柔和细腻的色调铺陈，侧颜构图将人物沉静内敛的气质缓缓晕开。高顶礼帽压低了轮廓，衬出松弛垂落的发丝与微敛的眉眼，把沉思的神态精准定格。\n松动且肯定的排线交代衣物质感与体积，带着速写独有的随性灵动，没有繁琐修饰，仅以寥寥几笔就勾勒出人物沉静的气场。纸面带着岁月晕染的痕迹，浅淡的边框衬得画面更具复古韵味，在看似松弛的笔触下，藏着精准的造型功力，将创作者沉凝的思绪封存在这一方画纸之上。",[7,378,603,604,172],"男子","高顶帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F500c659979c934e5aab22e10bc2495c7.jpg",[],{"id":608,"slug":609,"title":610,"dynasty":18,"author":88,"museum":20,"description":611,"tags":612,"thumbUrl":613,"material":37,"size":38,"collection":107,"collections":614,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289149,"guercino-bust-of-a-man-facing-right-yi-ming-289149","Guercino--Bust of a Man Facing Right","奔放灵动的笔墨勾勒出老者半身侧颜，浓淡干湿变化的墨色，将蓬松卷曲的发丝层次尽数铺展，粗简线条带过肩部轮廓，写意却精准贴合人体结构。画家以晕染暗部刻画出皮肤松弛纹路与紧绷的下颌线条，将老者凝神远眺时的沉郁沧桑尽数藏在寥寥几笔中。\n整幅速写随性却不失严谨，以极具表现力的笔触定格人物瞬间神态，情绪张力浸透在每一处笔墨里，尽显速写捕捉鲜活气韵的独特魅力。",[7,52,172,490,146,69],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2dc43e34f29687a37ebaf52171b3e7d.jpg",[],{"id":616,"slug":617,"title":618,"dynasty":18,"author":88,"museum":20,"description":619,"tags":620,"thumbUrl":624,"material":37,"size":38,"collection":107,"collections":625,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289146,"guercino-portrait-of-morose-man-in-half-length-yi-ming-289146","Guercino--Portrait of Morose Man in Half-Length","这幅半身素描以棕褐线条勾勒，笔触松弛却精准。蓬松卷发以流畅排线晕出层次，将毛发柔润蓬松的质感尽显。男子眉头微蹙、眼睑低垂，嘴角紧抿，沉郁寡欢的神态呼之欲出，内敛情绪藏在明暗起伏的轮廓里。\n\n衣纹线条洗练概括，只抓褶皱起伏的节奏，省略细枝末节却精准传递衣物垂坠感，纸面留白恰好烘托出肖像沉静沉抑的氛围。整作下笔克制果断，以极简笔墨刻画出人物郁郁的气质，将一瞬的缄默情绪凝在纸面，带着素描独有的随性生动的表现力。",[7,172,378,52,621,562,622,623],"忧郁","西洋画","愁容","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a3473e476eb313c090abaa650dd722e.jpg",[],{"id":627,"slug":628,"title":629,"dynasty":18,"author":88,"museum":20,"description":630,"tags":631,"thumbUrl":634,"material":37,"size":38,"collection":107,"collections":635,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289082,"jean-restout-le-jeune-head-of-a-bearded-man-yi-ming-289082","Jean Restout le jeune--Head of a Bearded Man","这是一幅精妙的色粉素描，以红棕与深色粉笔铺陈画面。画家以松弛流转的排线，勾勒出老者发丝卷曲蓬松的层次，虚实掩映间晕开鬓角与耳侧的明暗变化，将发丝柔软却苍劲的质感尽显。\n顺着线条向下，长髯的笔触舒展柔和，顺着胡须走向铺陈出蓬松厚重的体量感，又以细腻的色调过渡刻画出皮肤松弛的褶皱肌理，将老者饱经风霜却沉静平和的神态细腻铺陈。冷暖色调的克制搭配，既区分开毛发与肤色，又赋予画面温柔的温度，仅以简练精准的笔触便烘托出人物沉静安然的气韵，尽显古典写实素描的雅致功底。",[378,477,7,118,632,633,473],"长胡须","长发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc10ecbb77d320d3b3e9525b6f8cc4c4c.jpg",[],{"id":637,"slug":638,"title":639,"dynasty":18,"author":88,"museum":20,"description":640,"tags":641,"thumbUrl":642,"material":37,"size":38,"collection":107,"collections":643,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},289061,"karl-rudolphe-henrich-lehmann-portrait-of-anton-heinrich-springer-yi-ming-289061","Karl-Rudolphe-Henrich Lehmann--Portrait of Anton Heinrich Springer","以炭笔铺就肖像，线条松弛却精准传神。画家将重心落于人物神态塑造，柔长发丝带着蓬松的空气感，一双眼沉静锐利，藏着知识分子的思索锋芒，胡须的细碎纹理晕出沉稳气质，将主人公的儒雅内敛尽数展现。衣纹用概括性排线晕染，虚实之间勾勒出西装的挺括随性，让视觉锚定在人物精神风貌之上。右下角的手写字迹晕开时光温度，为肖像添上纪实的温柔底色，整体克制又饱含人文温度，把人物沉静疏离的书卷气定格在纸面之上。",[378,7,52],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffbf97177ecbcde0d239bdec32b1cfd3.jpg",[],{"id":645,"slug":646,"title":647,"dynasty":18,"author":648,"museum":20,"description":649,"tags":650,"thumbUrl":656,"material":37,"size":38,"collection":107,"collections":657,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232568,"mi-lai-si-112-yue-han-ai-fu-li-te-mi-lai-si-232568","米莱斯112","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,69,95,124,415,162,651,262,123,7,120,652,653,654,248,280,655,264,77],"布料","束腰","高领","纱质衣袖","色彩层次","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b7355edbd8b266fbdae5d4468d6c3dc.jpg",[],{"id":659,"slug":660,"title":661,"dynasty":18,"author":648,"museum":20,"description":649,"tags":662,"thumbUrl":667,"material":37,"size":38,"collection":107,"collections":668,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232554,"mi-lai-si-98-yue-han-ai-fu-li-te-mi-lai-si-232554","米莱斯98",[663,69,7,52,304,26,212,664,665,68,666],"版画","旗帜","座椅","线条刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3e75be538ddc30facfc8d258e3ac942.jpg",[],{"id":670,"slug":671,"title":672,"dynasty":18,"author":355,"museum":20,"description":356,"tags":673,"thumbUrl":675,"material":37,"size":38,"collection":107,"collections":676,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},232524,"he-er-bai-yin-183-he-er-bai-yin-232524","荷尔拜因183",[69,378,124,262,52,473,248,476,104,7,531,674],"细腻线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab77e5c8c80ebfc5eb78760f74f2c5f0.jpg",[],{"id":678,"slug":679,"title":680,"dynasty":18,"author":355,"museum":20,"description":356,"tags":681,"thumbUrl":683,"material":37,"size":38,"collection":107,"collections":684,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},232496,"he-er-bai-yin-155-he-er-bai-yin-232496","荷尔拜因155",[378,663,562,124,133,120,367,682,7,235],"长裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F377d06a265192a651b2b30c67cf1abf3.jpg",[],{"id":686,"slug":687,"title":688,"dynasty":18,"author":355,"museum":20,"description":356,"tags":689,"thumbUrl":693,"material":37,"size":38,"collection":107,"collections":694,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232457,"he-er-bai-yin-116-he-er-bai-yin-232457","荷尔拜因116",[23,95,124,262,69,172,179,359,265,266,7,690,691,692],"半身构图","服饰描绘","面部细节","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ac5d643963b1e9eb7d260f64707661.jpg",[],{"id":696,"slug":697,"title":698,"dynasty":18,"author":355,"museum":20,"description":356,"tags":699,"thumbUrl":701,"material":37,"size":38,"collection":107,"collections":702,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232456,"he-er-bai-yin-115-he-er-bai-yin-232456","荷尔拜因115",[23,69,95,7,133,162,71,73,225,700],"家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78e5241cc58f37188d62e8865c0ff3bc.jpg",[],{"id":704,"slug":705,"title":706,"dynasty":18,"author":355,"museum":20,"description":356,"tags":707,"thumbUrl":709,"material":37,"size":38,"collection":107,"collections":710,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232455,"he-er-bai-yin-114-he-er-bai-yin-232455","荷尔拜因114",[49,23,7,104,708,52,397],"人文主义","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9badd76212fbb153c7f022582b7f62b5.jpg",[],{"id":712,"slug":713,"title":714,"dynasty":18,"author":355,"museum":20,"description":356,"tags":715,"thumbUrl":720,"material":37,"size":38,"collection":107,"collections":721,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232441,"he-er-bai-yin-100-he-er-bai-yin-232441","荷尔拜因100",[23,69,7,133,716,461,119,193,717,718,719,95],"砖墙","金属饰品","文字牌匾","细腻笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c8384b1b80a30f6a5930c1a766666d9.jpg",[],{"id":723,"slug":724,"title":725,"dynasty":18,"author":355,"museum":20,"description":356,"tags":726,"thumbUrl":728,"material":37,"size":38,"collection":107,"collections":729,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232439,"he-er-bai-yin-98-he-er-bai-yin-232439","荷尔拜因98",[23,7,69,708,727,162],"金器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c2a0c3228ddf9acfa0d56297547d26c.jpg",[],{"id":731,"slug":732,"title":733,"dynasty":18,"author":355,"museum":20,"description":356,"tags":734,"thumbUrl":739,"material":37,"size":38,"collection":107,"collections":740,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},232433,"he-er-bai-yin-92-he-er-bai-yin-232433","荷尔拜因92",[49,378,69,7,735,172,562,736,120,367,737,738],"女性肖像","明暗","衣领","细节刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F113f3d3a1767dea9d2641aa4ada523ed.jpg",[],{"id":742,"slug":743,"title":744,"dynasty":18,"author":355,"museum":20,"description":356,"tags":745,"thumbUrl":746,"material":37,"size":38,"collection":107,"collections":747,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},232391,"he-er-bai-yin-50-he-er-bai-yin-232391","荷尔拜因50",[49,477,69,378,506,7,473,119,737,359,104,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91cc2cc01bd2aee1b7437514c191fc05.jpg",[],{"id":749,"slug":750,"title":751,"dynasty":18,"author":752,"museum":20,"description":753,"tags":754,"thumbUrl":767,"material":37,"size":38,"collection":107,"collections":768,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232322,"a-er-ma-49-lao-lun-si-a-er-ma-ta-de-ma-232322","阿尔玛49","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[755,23,69,95,124,235,212,756,757,758,77,759,222,760,761,7,266,762,763,764,765,766],"新古典主义","木料堆","柱子","台阶","几何纹样","建筑元素","室内场景","服饰图案","木质材料","古典建筑构件","地面陈设","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4611ad0d5f81d0c032838a2cfee65f.jpg",[],{"id":770,"slug":771,"title":772,"dynasty":18,"author":452,"museum":20,"description":773,"tags":774,"thumbUrl":780,"material":37,"size":38,"collection":107,"collections":781,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232280,"wei-lian-a-dao-fu-bu-ge-luo-6-wei-lian-a-dao-fu-bu-ge-luo-232280","威廉·阿道夫·布格罗6","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n1875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,69,95,124,455,775,776,777,778,121,280,719,265,7,779,738],"金发","蝴蝶结","双手合十","服饰褶皱","色彩柔和","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a8da7e33cfff44ebe49fb1da01e9ea7.jpg",[],{"id":783,"slug":784,"title":785,"dynasty":18,"author":514,"museum":20,"description":515,"tags":786,"thumbUrl":795,"material":37,"size":38,"collection":107,"collections":796,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":797},232246,"criminal-physiognomies-1881-private-collection-pastel-de-jia-232246","Criminal 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1879",[124,415,803,804,26,95,378,517,490,7],"大衣","围巾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88251c1652f62316f016e1572de7bd9e.jpg",[],{"id":808,"slug":809,"title":810,"dynasty":18,"author":514,"museum":20,"description":515,"tags":811,"thumbUrl":818,"material":37,"size":38,"collection":107,"collections":819,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":153},232150,"helene-rouart-in-her-father-s-study-circa-1886-1895-national-gallery-london-de-jia-232150","Helene Rouart in Her Father's Study - circa 1886-1895 - National Gallery - 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(USA)",[23,291,7,761,118,825],"少女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ad3640ca1acf9d072ed1374770aec18.jpg",[],{"id":829,"slug":830,"title":831,"dynasty":18,"author":514,"museum":20,"description":515,"tags":832,"thumbUrl":842,"material":37,"size":38,"collection":107,"collections":843,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232146,"henri-rouart-in-front-of-his-factory-circa-carnegie-museum-of-art-usa-de-jia-232146","Henri Rouart in front of His Factory - circa - Carnegie Museum of Art 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Theodore Gobillard, nee Yves Morisot - - Metropolitan Museum of Art (USA)",[23,291,7,133,473,248,866,867,779,204],"深色衣物","室内背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1607f01e0ab5b54dd674539d01530f81.jpg",[],{"id":871,"slug":872,"title":873,"dynasty":18,"author":514,"museum":20,"description":515,"tags":874,"thumbUrl":875,"material":37,"size":38,"collection":107,"collections":876,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232062,"portrait-of-giulia-bellelli-sketch-dumbarton-oaks-research-library-and-collection-de-jia-232062","Portrait of Giulia Bellelli (sketch) - - - Dumbarton Oaks Research Library and Collection",[23,291,7,825,490,95],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f1ace0fc018f0d252869a898cf96337.jpg",[],{"id":878,"slug":879,"title":880,"dynasty":18,"author":514,"museum":20,"description":515,"tags":881,"thumbUrl":882,"material":37,"size":38,"collection":107,"collections":883,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":112},232058,"de-jia-30-de-jia-232058","德加30",[23,7,133,291],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb98ffd5bf85de41dc2d673669fc10615.jpg",[],{"id":885,"slug":886,"title":887,"dynasty":18,"author":514,"museum":20,"description":515,"tags":888,"thumbUrl":890,"material":37,"size":38,"collection":107,"collections":891,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232055,"portrait-of-mary-cassatt-circa-national-portrait-gallery-uk-england-de-jia-232055","Portrait of Mary Cassatt - circa - - National Portrait Gallery (UK) (England)",[23,291,7,133,26,866,889,761,204,264],"手持物品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9802044d88285d5b90594e384ee7f44.jpg",[],{"id":893,"slug":894,"title":895,"dynasty":18,"author":514,"museum":20,"description":515,"tags":896,"thumbUrl":899,"material":37,"size":38,"collection":107,"collections":900,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":60},232051,"portrait-of-rene-hillaire-de-gas-musee-d-orsay-france-de-jia-232051","Portrait of Rene-Hillaire De Gas - - Musee d'Orsay 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