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宋\n种类： 漆器\n规格： H x Diam（整体）2 x 13.2 cm（13\u002F16 x 5 3\u002F16 in）\n材质： 棕色漆木芯，金属边缘\n馆藏： 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tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[194,7,32,113,364,261,365,250,366,338],"金器","三多纹","桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e5594f57f9dee8e777789c36706d798.jpg",[],18,{"id":371,"slug":372,"title":373,"dynasty":79,"author":48,"museum":20,"description":374,"tags":375,"thumbUrl":378,"material":36,"size":37,"collection":38,"collections":379,"showCount":369,"zanCount":11,"manualWeight":11,"mainColor":42},270235,"zhu-gu-zong-zhu-bian-hua-zhong-kui-tu-mian-zhe-shan-yi-ming-270235","竹股棕竹边画钟馗图面折扇","此作用朱砂绘就钟馗，朱色鲜亮浓烈，自带镇邪驱祟之意。钟馗怒目虬髯，仗剑疾行，袍角翻卷如风，将捉鬼神君的刚猛威仪尽显无余。右侧轻绘一只蝙蝠，身形灵动，暗合“引福归堂”之吉意，疏密相映的构图让扇面虚实相生，满而不挤、空而不空。简约的朱砂线条洗练传神，寥寥数笔便勾勒出人物的铮铮气势，把驱邪纳福的美好祈愿融于咫尺扇间，既是清雅的文房清玩，也藏着传统民俗里的温热期许。",[155,24,25,27,85,376,377,7],"钟馗","蝙蝠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7eea69f87228e1d66e83f23d91b6572.jpg",[],{"id":381,"slug":382,"title":383,"dynasty":79,"author":48,"museum":20,"description":384,"tags":385,"thumbUrl":386,"material":36,"size":37,"collection":38,"collections":387,"showCount":388,"zanCount":11,"manualWeight":11,"mainColor":42},270218,"zhu-gu-qian-gu-bian-qian-ci-xi-yu-xi-hua-mei-hua-tu-mian-zhe-shan-yi-ming-270218","竹股嵌骨边钤慈禧御玺画梅花图面折扇","此扇墨梅清逸出尘，以浓墨写出苍劲虬曲的梅枝，穿插错落，尽显古木凌寒的硬朗风骨，淡墨晕染花苞朵蕊，留白衬出梅花冰洁素雅，暗香浮动仿佛随扇开合漫溢而出。侧旁题诗行书舒展雅致，笔意与画意相融，将咏梅诗意与绘梅清境合二为一。\n\n竹股嵌骨的扇身暗合梅竹同心的文人情致，钤印更添古雅端重。整扇书画印骨浑然一体，将文人慕梅的高洁意趣藏纳其中，轻摇间尽是清冷雅致的中式诗意。",[155,24,112,29,33,34,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13a1d2657bc372c87ff9c190ea52b64f.jpg",[],17,{"id":390,"slug":391,"title":392,"dynasty":79,"author":48,"museum":20,"description":153,"tags":393,"thumbUrl":394,"material":36,"size":37,"collection":38,"collections":395,"showCount":388,"zanCount":11,"manualWeight":11,"mainColor":42},270167,"huang-se-ke-si-hua-die-tu-mian-hong-mu-diao-hua-bing-tuan-shan-yi-ming-270167","黄色缂丝花蝶图面红木雕花柄团扇",[155,194,158,28,300,289,113,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93a1b866ba67d6f266466f22b47975bb.jpg",[],{"id":397,"slug":398,"title":399,"dynasty":79,"author":48,"museum":20,"description":400,"tags":401,"thumbUrl":406,"material":36,"size":37,"collection":38,"collections":407,"showCount":388,"zanCount":73,"manualWeight":11,"mainColor":74},261680,"jia-jing-kuan-qing-hua-shi-zi-xiu-qiu-tu-wan-yi-ming-261680","嘉靖款青花狮子绣球图碗","青花瓷（blue 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方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[236,52,647,55,32,7],"吹绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8265136758b96252a53b6d1405d55d0e.jpg",[],{"id":651,"slug":652,"title":653,"dynasty":79,"author":48,"museum":20,"description":654,"tags":655,"thumbUrl":657,"material":36,"size":37,"collection":38,"collections":658,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":42},281550,"ri-ben-chun-guang-kuan-hua-niao-shan-shui-tu-tuo-yuan-pan-yi-ming-281550","日本春光款花鸟山水图椭圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[52,7,28,490,31,195,27,104,656],"春光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb81642c473248593635d6c595a10819b.jpg",[],9,{"id":661,"slug":662,"title":663,"dynasty":79,"author":48,"museum":20,"description":664,"tags":665,"thumbUrl":669,"material":36,"size":37,"collection":38,"collections":670,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":74},270160,"zhu-bing-sha-di-dui-ling-jia-xiu-hua-die-shan-yi-ming-270160","竹柄纱地堆绫加绣花蝶扇","扇面取花形轮廓，柔婉雅致。纱地底料隐饰暗纹，晕开朦胧肌理。以堆绫配刺绣造景，蝶翼薄透如蝉翼，绒线绣出蝶身绒毛质感，翩跹灵动宛若将振翅而去。折枝月季以堆绫凸起花瓣层次，柔粉晕染间尽显娇柔，花叶脉络细腻写实。\n\n竹柄温润素净，青绿顶饰点缀配色，古韵悠然。配色柔和恬淡，堆绫与刺绣工艺相融，将闺阁雅致融于团扇方寸间，尽显女红精巧工艺，晕染出东方雅致的闺中意趣。",[155,28,666,667,104,113,668,7],"堆绫","绣花","竹制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12f356bb259daa47c6d773c7fbe4a470.jpg",[],{"id":672,"slug":673,"title":674,"dynasty":79,"author":48,"museum":20,"description":353,"tags":675,"thumbUrl":680,"material":36,"size":37,"collection":38,"collections":681,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":74},268358,"huang-se-duan-ping-jin-xiu-wu-du-hu-lu-wen-huo-ji-fen-he-yi-ming-268358","黄色缎平金绣五毒葫芦纹活计-粉盒",[7,213,676,113,677,183,624,678,626,679],"粉盒","缎面","葫芦","吉祥纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31abe4c1e2d52d1db74a8e66dcc8a1ff.jpg",[],{"id":683,"slug":684,"title":685,"dynasty":79,"author":48,"museum":20,"description":686,"tags":687,"thumbUrl":689,"material":36,"size":37,"collection":38,"collections":690,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":42},266990,"huang-se-duan-ping-jin-xiu-ru-yi-wen-ru-yi-tou-shi-he-bao-yi-ming-266990","黄色缎平金绣如意纹如意头式荷包","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[213,7,113,624,688,431],"如意纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae3d65f4b8d355f4e319d9878d3ff7bf.jpg",[],{"id":692,"slug":693,"title":694,"dynasty":79,"author":48,"museum":20,"description":322,"tags":695,"thumbUrl":698,"material":36,"size":37,"collection":38,"collections":699,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":74},263517,"guang-xu-kuan-huang-di-fen-cai-kai-guang-long-feng-wen-wan-yi-ming-263517","光绪款黄地粉彩开光龙凤纹碗",[52,324,500,501,7,405,696,697],"开光","黄地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba778916a6e3316ed37673f743f5df3d.jpg",[],{"id":701,"slug":702,"title":703,"dynasty":79,"author":48,"museum":20,"description":704,"tags":705,"thumbUrl":707,"material":36,"size":37,"collection":38,"collections":708,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":42},262155,"yong-zheng-kuan-wu-cai-shi-nv-tu-wan-yi-ming-262155","雍正款五彩仕女图碗","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[52,499,706,490,27,7],"仕女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95ae2cf939c1b66eece64b97722e0ce3.jpg",[],{"id":710,"slug":711,"title":712,"dynasty":79,"author":48,"museum":20,"description":713,"tags":714,"thumbUrl":715,"material":36,"size":37,"collection":38,"collections":716,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":42},259430,"huang-di-fen-cai-hu-die-wen-zha-dou-yi-ming-259430","黄地粉彩蝴蝶纹奓斗","明丽娇黄为底，晕染出温润柔和的底色，各色粉彩蝴蝶错落其上。矾红、湖蓝、淡粉蝴蝶或振翅欲飞，或翩跹流连，翅脉纹理纤毫毕现，每一只都灵动鲜活，满铺器身却疏密有致，毫无壅塞之感。口沿、束腰线与足底描金勾边，利落勾勒出奓斗优雅的曲线，晕开华贵矜贵的气质。\n\n整体将粉彩的柔润质感与蝴蝶的吉祥意趣相融，既有御瓷的富丽规整，又自带灵动生趣，尽显清代彩瓷装饰的精巧雅致，将装饰美感与雅致韵味揉为一体，是兼具审美价值与工艺水准的精巧之作。",[52,7,324,289,27,697],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29cd5eb142c33718a7bcc891efaedc2a.jpg",[],{"id":718,"slug":719,"title":143,"dynasty":720,"author":48,"museum":20,"description":721,"tags":722,"thumbUrl":724,"material":36,"size":37,"collection":38,"collections":725,"showCount":659,"zanCount":11,"manualWeight":11,"mainColor":61},244401,"deng-yi-ming-244401","汉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[236,237,144,1571,85,7,1572,1573],"浮雕","器形","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1804d99e4849c909ae40e312b78f554f.jpg",[],{"id":1577,"slug":1578,"title":1579,"dynasty":79,"author":48,"museum":20,"description":1580,"tags":1581,"thumbUrl":1582,"material":36,"size":37,"collection":38,"collections":1583,"showCount":1273,"zanCount":11,"manualWeight":11,"mainColor":42},229089,"tong-du-jin-shi-wen-huai-biao-yi-ming-229089","铜镀金诗文怀表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 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利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[260,364,7,33,441,144,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92c4cbe2f055d9c7ee2558d992ef39e4.jpg",[],{"id":1585,"slug":1586,"title":1587,"dynasty":720,"author":48,"museum":20,"description":721,"tags":1588,"thumbUrl":1589,"material":36,"size":37,"collection":38,"collections":1590,"showCount":1273,"zanCount":11,"manualWeight":11,"mainColor":74},227011,"dou-xing-deng-yi-ming-227011","豆形镫",[636,260,7,723,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea12ca329f3ff6135786dfd65b9cdb2f.jpg",[],{"id":1592,"slug":1593,"title":1594,"dynasty":79,"author":730,"museum":20,"description":1595,"tags":1596,"thumbUrl":1597,"material":739,"size":38,"collection":38,"collections":1598,"showCount":1273,"zanCount":11,"manualWeight":11,"mainColor":741},215666,"bei-jing-dian-pu-zhao-huang-hua-ce-4-zhou-pei-chun-215666","北京店舖招幌画册-4","这幅画作是老北京商肆烟火的鲜活切片。悬垂的六式招幌各藏机巧：线铺幌木轴垂绦，似把经纬缠绕进市井晨昏；当铺幌流苏轻晃，仿佛沾着旧物的温凉余韵；香油幌铜盘若映日，烧酒幌石墩凝着朴拙底气；银碗铺串珠如星，串起坊巷间的吆喝声息。每一件招幌都是岁月的活化石，纹路裹着油盐酱醋的温度，流苏飘着百年前的热闹。它们以物的姿态守着老北京的商业密码，让今人触摸时光藏起的市井韵致，听见旧巷里的烟火喧嚣，窥见那些被时光晕染的鲜活日常。",[24,27,104,84,733,7,227,236,260,113],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79cdca638b734f94c9dbda492f985be1.jpg",[],{"id":1600,"slug":1601,"title":1602,"dynasty":79,"author":48,"museum":20,"description":746,"tags":1603,"thumbUrl":1604,"material":36,"size":37,"collection":38,"collections":1605,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":61},281557,"yang-ci-hong-di-mei-hua-wen-pan-yi-ming-281557","洋瓷红地梅花纹盘",[52,142,7,29,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe888c1ca0c19eebf585bb5a9475c5a39.jpg",[],4,{"id":1608,"slug":1609,"title":1610,"dynasty":79,"author":48,"museum":20,"description":1580,"tags":1611,"thumbUrl":1615,"material":36,"size":37,"collection":38,"collections":1616,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":61},274573,"tong-du-jin-deng-ta-shi-feng-yu-biao-yi-ming-274573","铜镀金灯塔式风雨表",[260,142,1119,1612,1613,1614,237,7],"灯塔造型","锚","链条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c943dae63454c14c13c40b328025fc8.jpg",[],{"id":1618,"slug":1619,"title":1620,"dynasty":79,"author":48,"museum":20,"description":1621,"tags":1622,"thumbUrl":1625,"material":36,"size":37,"collection":38,"collections":1626,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},274410,"tong-du-jin-ran-ya-xiang-tong-zi-feng-shan-yi-ming-274410","铜镀金染牙箱童子风扇","童子面若凝脂，笑眼弯弯，软俏发髻衬得神态愈发天真烂漫。朱红锦袍绣纹雅致，柔糯绣帕缀着灵动花饰，白羽扇蓬松莹洁，雅致又不失鲜活意趣。\n\n下方牙箱以刀为笔，镂刻出层叠山水，峰峦错落、云气萦回、水波潺潺，宛若将咫尺山林纳于方匣，刀工细腻入微。鎏金底座雕花繁复，将整器衬得华贵雍容。\n\n它集牙雕、刺绣、髹金工艺于一体，把稚子憨态与精工巧思相融，清雅与华贵相得益彰，尽显旧时匠人的绝顶匠心。",[85,550,7,260,199,144,113,1623,1624],"工艺器","羽扇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bab4de375fb1a6e73d38a484049da0f.jpg",[],{"id":1628,"slug":1629,"title":1630,"dynasty":79,"author":48,"museum":20,"description":1580,"tags":1631,"thumbUrl":1635,"material":36,"size":37,"collection":38,"collections":1636,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":42},274258,"tong-du-jin-qian-zhu-fa-lang-fan-lian-hua-shi-huai-biao-yi-ming-274258","铜镀金嵌珠珐琅蕃莲花式怀表",[1632,7,213,260,441,1633,1634],"怀表","嵌珠","蕃莲纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ad56f63c1b9f15ee23c2e50eab60ac4.jpg",[],{"id":1638,"slug":1639,"title":754,"dynasty":79,"author":48,"museum":20,"description":362,"tags":1640,"thumbUrl":1642,"material":36,"size":37,"collection":38,"collections":1643,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},273326,"xing-huang-se-ke-si-hua-hui-wen-he-bao-shi-huo-lian-yi-ming-273326",[194,198,31,113,1641,7,213],"金属器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee76bd654cf11a3e06f540a150923156.jpg",[],{"id":1645,"slug":1646,"title":1647,"dynasty":79,"author":48,"museum":20,"description":362,"tags":1648,"thumbUrl":1650,"material":36,"size":37,"collection":38,"collections":1651,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},273304,"lan-se-ke-si-yun-fu-wen-shou-zi-he-bao-shi-huo-lian-yi-ming-273304","蓝色缂丝云蝠纹寿字荷包式火燫",[7,1299,194,113,364,261,1649,1383,540,1303],"云蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F124f85f2fb59bc38673dce4dcdca0a0a.jpg",[],{"id":1653,"slug":1654,"title":1655,"dynasty":18,"author":48,"museum":20,"description":1656,"tags":1657,"thumbUrl":1658,"material":36,"size":37,"collection":38,"collections":1659,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":61},272726,"hei-qi-miao-jin-shuang-long-wen-yao-gui-yi-ming-272726","黑漆描金双龙纹药柜","此器方正端庄，双门敞开展露精巧内构。黑漆为底，描金敷饰柜门花鸟图景，枝蔓舒展，仙槎伫立，金彩在乌漆映衬下愈显华贵明丽，雅致灵动。柜内分层设屉，排布齐整，将储药功能融于精巧形制之中。髹漆工艺精湛匀净，描金走线细腻流畅，尽显工致考究，将实用药具升为工艺美术佳器，藏匠心于形制，融美用为一体，尽显古人工艺美学的极致追求。",[185,54,756,158,7,1291,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6edef260d44ae573df2f94ccc95d066.jpg",[],{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均达到明代汝窑水平。从此，汝瓷成了汝州市人的一张名片。\n汝窑天青釉弦纹樽 ，此樽仿汉代铜樽造型，器形规整，仿古逼真，釉色莹润光洁，浓淡对比自然。\n瓷樽始于宋，汝窑、定窑、龙泉窑均有烧造，是陈设用品。所见传世宋代汝窑天青釉弦纹樽只有两件，除故宫博物院收藏的这件以外，英国伦敦大维德基金会亦收藏一件。\n汝窑烧制的汝瓷因为其绝妙的色泽、独特艺术价值，深得帝王欢心，有“宋瓷之冠”的美誉。汝窑又与同期官窑（河南开封）、哥窑（浙江龙泉）、钧窑（河南禹县）、定窑（河北曲阳）合称“宋代五大名窑”，位居五大名窑之首。\n汝窑以传承艺术为己任，采用传统手工制作陶瓷方法，制作一个陶瓷的工序高达十三道，包括淘泥、摞泥、拉坯、印坯、修坯、捺水、画坯、上釉、烧窑、成瓷、成瓷缺陷的修补，做工精细，设计唯美、承艺汝瓷以“釉色层”领先，器型古朴典雅得当，光润有度，由于汝瓷釉层厚，常有开片如鱼鳞、蝉翼状，久用之后茶色会着附于裂纹处，形成不规则的变换交错的花纹，故而手感润滑如脂，似玉非玉之美。\n宋人欧阳修在《归田集》中对汝窑的论述：汝窑瓷真正最美的就是釉，不是天青色，而是粉翠，也就是今所说的翠青色。而汝瓷真正的瓷色是半瓷化作的，玻化不明显，器身不透光亮，因此不排除后人把珍品当作“陶”而丢弃，故存世甚稀。而《清波杂志》里宋人周辉对汝窑的精述，汝瓷以釉取胜，当代青瓷不能同比，真品釉色青中泛滥、纯净、温润，釉面隐现出一种柔和含蓄的光泽，它既不同钧瓷的乳光，也不同哥窑的脂光，而是一种类似古玉般内蕴的光泽。当时汝瓷是唯供御拣退方许出卖，近尤难得。现从文献可知，汝瓷也可民用，绝非“严禁民用”之说。对自藏汝窑瓷及由此对整个汝窑作较全面简述的则是明代学者高濂的《燕闲清赏笺》中提及，“汝窑，余尝见之，实为玛瑙末入釉，汁水莹厚如堆脂，然汁中棕眼隐若蟹爪，其釉色有天青、粉青，还有葱绿和天蓝等。粉青为上，天蓝弥足珍贵。有"雨过天晴云破处"之称誉，釉面可视碧玉，也不为过。所有历代青瓷应以汝窑为冠。”",[52,1430,875,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a23e451c06e34c12a9357b27ab5e885.jpg",[57],{"id":1903,"slug":1904,"title":1905,"dynasty":18,"author":48,"museum":20,"description":400,"tags":1906,"thumbUrl":1908,"material":36,"size":37,"collection":38,"collections":1909,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},261311,"zheng-de-kuan-qing-hua-zhe-zhi-lian-wen-deng-yi-ming-261311","正德款青花折枝莲纹灯",[52,402,1907,470,7,32],"折枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8534dee90b753085864e6a404164f565.jpg",[],{"id":1911,"slug":1912,"title":1913,"dynasty":79,"author":48,"museum":20,"description":400,"tags":1914,"thumbUrl":1918,"material":36,"size":37,"collection":38,"collections":1919,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},261216,"cheng-hua-kuan-qing-hua-shan-shui-tu-da-wan-yi-ming-261216","成化款青花山水图大碗",[52,402,490,110,1915,1916,1917,32,7],"山峦","水面","明月","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda4cd4660015ffac45fa839a5c68cbed.jpg",[],{"id":1921,"slug":1922,"title":1923,"dynasty":79,"author":48,"museum":20,"description":654,"tags":1924,"thumbUrl":1926,"material":36,"size":37,"collection":38,"collections":1927,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},261152,"guang-cai-hua-hui-wen-pan-yi-ming-261152","广彩花卉纹盘",[52,7,1925,198,27,31],"广彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e0016e388198c2aeb6fe8dac632c9fc.jpg",[],{"id":1929,"slug":1930,"title":1931,"dynasty":47,"author":48,"museum":20,"description":1497,"tags":1932,"thumbUrl":1933,"material":36,"size":37,"collection":57,"collections":1934,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},260830,"ji-zhou-yao-hei-you-cai-hui-hua-hui-wen-wan-yi-ming-260830","吉州窑黑釉彩绘花卉纹碗",[52,405,1499,1016,540,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe13c5dba4004308719a10b5d22260015.jpg",[57],{"id":1936,"slug":1937,"title":1938,"dynasty":1427,"author":48,"museum":20,"description":1428,"tags":1939,"thumbUrl":1941,"material":36,"size":37,"collection":38,"collections":1942,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},260808,"qing-you-shuang-xi-guan-yi-ming-260808","青釉双系罐",[52,1430,1940,32,7],"双系罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa29dfa83dea0b9960753e470a9b66a60.jpg",[],{"id":1944,"slug":1945,"title":1946,"dynasty":79,"author":48,"museum":20,"description":654,"tags":1947,"thumbUrl":1948,"material":36,"size":37,"collection":38,"collections":1949,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},260576,"wu-cai-mu-dan-feng-huang-wen-pan-yi-ming-260576","五彩牡丹凤凰纹盘",[52,32,7,499,31,1788],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3973e690c642954954e5b7d32ec9c49.jpg",[],{"id":1951,"slug":1952,"title":1953,"dynasty":18,"author":48,"museum":20,"description":400,"tags":1954,"thumbUrl":1956,"material":36,"size":37,"collection":38,"collections":1957,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":61},260447,"ba-si-ba-wen-si-zi-kuan-qing-hua-hai-shui-yun-long-xi-zhu-wen-pan-yi-ming-260447","八思巴文四字款青花海水云龙戏珠纹盘",[52,402,500,1164,1955,32,7],"云龙戏珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe13df759d332f9345b96993eb9f7e19d.jpg",[],{"id":1959,"slug":1960,"title":1961,"dynasty":1516,"author":48,"museum":20,"description":1428,"tags":1962,"thumbUrl":1964,"material":36,"size":37,"collection":38,"collections":1965,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":74},260213,"qing-you-ke-hua-lian-ban-wen-wan-yi-ming-260213","青釉刻花莲瓣纹碗",[52,1488,1963,1430,7,405],"莲瓣纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61caa1c13c1fe93df359c011cf4fc889.jpg",[],{"id":1967,"slug":1968,"title":1969,"dynasty":79,"author":48,"museum":20,"description":1193,"tags":1970,"thumbUrl":1972,"material":36,"size":37,"collection":57,"collections":1973,"showCount":1606,"zanCount":11,"manualWeight":11,"mainColor":42},259575,"yi-xing-yao-zi-sha-lian-xin-ming-hua-niao-liu-fang-cha-ye-guan-yi-ming-259575","宜兴窑紫砂莲心铭花鸟六方茶叶罐",[52,1195,7,1971,28,29,445],"茶叶罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a4dca45403c4eabace6d18282b74c02.jpg",[57],{"id":1975,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世俗生活最朴素的凝视，让旧时光里的街头光景，在极简笔触中鲜活起来，引观者在线条间打捞那些被时光沉淀的烟火日常。",[82,24,25,84,83,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a928ec0d7d98f70b9b8d7e1dea59fcf.jpg",[],{"id":5308,"slug":5309,"title":5310,"dynasty":79,"author":48,"museum":20,"description":5311,"tags":5312,"thumbUrl":5313,"material":91,"size":38,"collection":38,"collections":5314,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215470,"bai-miao-jie-tou-mai-mai-hua-ce-89-yi-ming-215470","白描街头买卖画册-89","素笔勾勒的市井一隅，光头男子躬身持杆，臂膀线条隐现劳作的力度，裹身布帛随动作褶皱自然。木桶纹理、竹篮编痕，皆以简练线条铺陈，无多余渲染却见生活真味。眉眼间的专注，似将街头买卖的细碎生计，凝在笔端每一次提按。白描的清寂里藏着尘世温热——没有华彩，却让寻常日子的鲜活，在素纸上静静流淌。线条如丝织就日常，每一笔省却繁饰，却让肌肉张力、器物质感跃然，于无声处诉说市井小民的质朴与鲜活。",[82,24,25,84,83,85,32,7,2113],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1f8d5d32e68790469da9d2033f95170.jpg",[],{"id":5316,"slug":5317,"title":5318,"dynasty":79,"author":48,"museum":20,"description":5319,"tags":5320,"thumbUrl":5321,"material":91,"size":38,"collection":38,"collections":5322,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215465,"bai-miao-jie-tou-mai-mai-hua-ce-94-yi-ming-215465","白描街头买卖画册-94","素笔勾勒的市井片段里，裸肩系裙的商贩俯身案前，腕边砧板衬着待理的食材，旁侧瓷盆静候。横竿悬垂的几尾鲜鱼，线条简净却似带水腥气漫出。商贩眉眼凝着专注，衣褶的起伏、案台的棱角、鱼身的弧度，皆以流畅笔触铺展生活本真。没有浓墨喧腾，只有白描特有的清寂里裹着烟火暖——仿佛市井的风穿过素纸，把寻常买卖的鲜活，封存在这极简的线条褶皱间，每一笔都成了时光里的市井注脚。",[82,79,24,25,84,83,85,7,326],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb84c73b86a5319a768cee51e998f8ebb.jpg",[],{"id":5324,"slug":5325,"title":5326,"dynasty":79,"author":48,"museum":20,"description":5327,"tags":5328,"thumbUrl":5329,"material":91,"size":38,"collection":38,"collections":5330,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215462,"bai-miao-jie-tou-mai-mai-hua-ce-92-yi-ming-215462","白描街头买卖画册-92","细劲的墨线如游走的风，织就一幅鲜活市井小景。买卖人身披宽檐帽，肩扛长杆、背挎竹笼，步履轻捷却神态安然，似正奔赴街角的热闹。衣袂褶皱随步态舒展，器物肌理在笔尖流转，无一处冗余，却将生计的烟火气揉进每道线条里。白描的妙处便在此：不借华彩，仅以线条的轻重缓急，勾勒出人物的鲜活与生活的本真。百年前的街头声息，仿佛透过素纸淡墨，轻轻叩击人心，简单却动人至极。",[82,24,25,84,83,85,313,32,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8884c75d01189a1786aa1cd1ac79e4be.jpg",[],{"id":5332,"slug":5333,"title":5334,"dynasty":79,"author":48,"museum":20,"description":5335,"tags":5336,"thumbUrl":5337,"material":91,"size":38,"collection":38,"collections":5338,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215458,"bai-miao-jie-tou-mai-mai-hua-ce-99-yi-ming-215458","白描街头买卖画册-99","墨线勾勒简劲传神，肩扛扁担的商贩步态稳健，一手扶杆稳平衡，一手微张似欲招呼路人。一端竹筐盛物圆实堆叠，一端木桶悬垂题字隐约，货物的沉坠感与挑担人的从容形成微妙呼应。笔端凝萃市井烟火，寻常营生的鲜活图景跃然纸上：无艳色渲染却见生活本真，极简线条里藏着旧时光的温度。挑担人的每一步似踏在巷弄石板上，墨痕起落间，街头叫卖的余韵与奔波的细碎声响仿佛随画面漫出，将清代街头买卖的日常生动定格。",[82,83,84,85,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63e7109b0bc31f3c010b6c327d390ea0.jpg",[],{"id":5340,"slug":5341,"title":5342,"dynasty":79,"author":48,"museum":20,"description":5343,"tags":5344,"thumbUrl":5345,"material":91,"size":38,"collection":38,"collections":5346,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215453,"bai-miao-jie-tou-mai-mai-hua-ce-104-yi-ming-215453","白描街头买卖画册-104","画面以简练白描勾勒市井小贩的身影。斗笠覆顶，肩背行囊，手中器物随步履微晃，衣袂褶皱如流云舒展，线条刚柔相济，将奔波的辛劳与生计的坚韧凝于笔端。人物动态鲜活，仿佛能听见街巷里的吆喝余韵，清代市井的烟火气透过素净线条扑面而来。每一笔都精准捕捉生活本真，没有浓墨重彩，却以极简之姿，让平凡众生的日常成为永恒的画中风景。",[82,79,83,84,85,3128,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50bb1b060f67196a892096cd1ffcd7c0.jpg",[],{"id":5348,"slug":5349,"title":5350,"dynasty":79,"author":48,"museum":20,"description":5351,"tags":5352,"thumbUrl":5353,"material":91,"size":38,"collection":38,"collections":5354,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215449,"bai-miao-jie-tou-mai-mai-hua-ce-108-yi-ming-215449","白描街头买卖画册-108","素笔勾勒的市井一隅，手艺人端坐架前，凝神专注于手中活计。线条简练却见功力，人物神态的淡然、器物结构的精准，皆在墨线流转间尽显。无浓艳设色，却以白描独有的纯粹质感，将街头劳作的日常瞬间定格成生动剪影。烟火气与生活味交融，平凡姿态里藏着旧时光的温情，似能窥见巷陌间鲜活的岁月图景——那些被时光遗忘的街头手艺人，在素净的线条里，依旧保持着劳作时的专注与从容。",[82,24,25,84,83,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1930107ebb9d430b8febaec59677effa.jpg",[],{"id":5356,"slug":5357,"title":5358,"dynasty":79,"author":48,"museum":20,"description":5359,"tags":5360,"thumbUrl":5362,"material":91,"size":38,"collection":38,"collections":5363,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215446,"bai-miao-jie-tou-mai-mai-hua-ce-110-yi-ming-215446","白描街头买卖画册-110","线条清劲如竹，寥寥数笔勾摹市井烟火。宽檐草伞撑着一方荫凉，似将喧嚣隔在伞外。侧坐摊前的身影，指尖似凝着待售的温软；竹编器堆叠如塔，长物横陈案上，笺页隐约着细碎字迹。笔底无浓墨重彩，却藏着旧时光里的鲜活——是小贩静待主顾的闲逸，是街头器物的朴拙温度，也是白描技法独有的素净韵致。寻常买卖的瞬间，被定格成可触的岁月肌理，每一道线条都在低语：这是属于旧时光的烟火气，淡而绵长。",[82,83,84,85,7,5361],"街头买卖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3b2f1411192bb687ef44b9a5baff772.jpg",[],{"id":5365,"slug":5366,"title":5367,"dynasty":79,"author":48,"museum":20,"description":5368,"tags":5369,"thumbUrl":5371,"material":91,"size":38,"collection":38,"collections":5372,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":42},215445,"bai-miao-jie-tou-mai-mai-hua-ce-113-yi-ming-215445","白描街头买卖画册-113","素纸之上，墨线轻勾出市井一隅的鲜活。人物端坐案前，袖角微挽，指尖似捻物细察，眉宇间凝着专注，藏着生活的温煦质感。案上筛具纹理隐现，旁侧竹篮盈实，器物轮廓以简练线条勾勒，竹篾的纹路在淡墨里悄然流转，见形更见神。\n\n白描笔法清劲利落，无浓墨重彩却生动传神。每一笔都带着烟火气，褪去浮华后，旧时光里的平凡日常跃然纸上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盆、筒杯、勺、盘、缸、甑、 釜、小壶、扁壶、茧形壶、钵、罐、钟、碗等。明器包括礼器鼎和模型明器仓、陶囤以及各种动物形象。纹饰多为变形回纹、三角纹和窝纹。陕西潼关以东地区人们的日常用陶，以灰陶为主，有罐、 壶、碗、勺、筒杯、 瓮、盒、洗、甑、釜、杯、盘、尊等。在汉代流行起来的生活用具模型，如仓、 炉、 灶、井等。大都作为明器供随葬之用。盒、盘、案、杯等，逐渐成组出现，为适应人们厚葬之需也成为祭器。猪、羊、狗、鸡等家畜家禽及圈舍、住宅等明器模型也大量流行。装饰则有弦纹、刻划的三角纹、连环纹、栉齿纹和动物纹，还有绳纹、拍印纹、模印、浮雕、涂色和彩绘等。南方的长沙地区，制陶工艺自成体系，陶盒使用普遍，陶壶无盖，鼎的三足成矮胖的兽蹄形，其他实用器皿还有壶、罐、碗、钫、、盆、釜、甑、长方炉、博山炉等。特点是坚硬厚重。殉葬明器有灶、仓、井、屋、猪圈模型等。广东地区秦汉时属南海郡，常用陶器有瓮、双耳罐、提、四联罐和五联罐、瓿、小瓿、壶、匏壶、温壶、钫、 盒、敦、 小盒、三足盒、三足罐、三足瓿、四联盒、 碗、盆、 甑、釜、鼎、豆、三足格盒等。生活用具中灰白色的印纹硬陶占多数， 有的还戳上印记，多为容器，炊器只有釜、 鼎、甑 3种。造型特别的三足器、温壶、匏壶有着明显的地方特点。印纹硬陶很讲究装饰，单是几何图案就达70多种，此外还有弦纹、 陶纹、 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Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[10008,636,260,32,7,144],"商代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16d133cf785a9e875a1ee9bbce87f579.jpg",[],{"id":10012,"slug":10013,"title":10014,"dynasty":593,"author":48,"museum":20,"description":10015,"tags":10016,"thumbUrl":10017,"material":36,"size":37,"collection":38,"collections":10018,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},244507,"zhu-yi-ming-244507","箸","修长匀直的身形晕染着苍绿铜锈，是时光浸出的沉厚底色。顶端錾刻的细密纹路，藏着古时工匠的巧思，将日常食具晕开雅致锋芒。\n\n它曾托举盛唐珍馐，于案几之上见证觥筹交错，藏着千年前的市井烟火与高堂雅韵。铜锈爬满箸身，是岁月留下的温柔落款，把三餐四季的日常，晕染成跨越时空的诗意。实用与审美在此相融，这双旧箸，静静将盛唐饮食的细碎雅趣娓娓道来。",[596,260,636,7,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7299a563c4eec153b7e1d31ce7b42fba.jpg",[],{"id":10020,"slug":10021,"title":632,"dynasty":593,"author":48,"museum":20,"description":10022,"tags":10023,"thumbUrl":10024,"material":36,"size":37,"collection":38,"collections":10025,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":74},244505,"shao-yi-ming-244505","铜绿晕染，是时光沉淀下的斑驳烙印。勺体弧度柔和温婉，暗合着实用的本心，舀取间藏着千年前的日常烟火。修长的柄身线条利落舒展，兼顾握持趁手与视觉上的匀净美感，没有繁复纹饰，尽显素朴大气的格调。\n它是寻常的饮食器具，却将实用与雅致融于一身，褪去浮华装饰，留存最本真的器物之美。苍古的铜色里，藏着往昔生活的温热图景，静静诉说着千年前的起居日常，带着岁月浸润出的沉静韵味，尽显平淡隽永之美。",[593,260,7,636,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08d92e04dda77e93d560a07a5a87d923.jpg",[],{"id":10027,"slug":10028,"title":632,"dynasty":593,"author":48,"museum":20,"description":10029,"tags":10030,"thumbUrl":10031,"material":36,"size":37,"collection":38,"collections":10032,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},244504,"shao-yi-ming-244504","这款双头铜勺巧思天成，一端宽扁舒展，可盛取羹汤主食，一端圆浅小巧，适配分食蘸取之用。修长柄身线条柔婉流畅，拿捏称手兼具视觉匀衡之美。\n\n器物周身凝着厚重的岁月包浆，斑驳鎏金残痕如同遗落的星芒，将沉浑古雅的质感拉满。作为日常食器，它将实用与审美融于一体，藏着旧时饮食起居的温热烟火，静静诉说着千年前的生活意趣，简约却耐人寻味。",[596,260,7,2998,637],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8bee493c4e1669d0768e163749d6d90.jpg",[],{"id":10034,"slug":10035,"title":143,"dynasty":720,"author":48,"museum":20,"description":721,"tags":10036,"thumbUrl":10038,"material":36,"size":37,"collection":38,"collections":10039,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":61},244397,"deng-yi-ming-244397",[723,636,260,7,144,10037],"照明器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9d48be1e0c73171a265bee8562406d7.jpg",[],{"id":10041,"slug":10042,"title":10043,"dynasty":720,"author":48,"museum":20,"description":721,"tags":10044,"thumbUrl":10047,"material":36,"size":37,"collection":38,"collections":10048,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":61},243975,"lian-yi-ming-243975","奁",[636,723,637,144,1827,10045,10046,9903,7],"链环","分层","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17047a4ab42e09591cf2808e498bf3f3.jpg",[],{"id":10050,"slug":10051,"title":10052,"dynasty":633,"author":48,"museum":20,"description":10006,"tags":10053,"thumbUrl":10055,"material":36,"size":37,"collection":38,"collections":10056,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":74},243926,"yi-yi-ming-243926","匜",[636,260,144,10054,32,7],"青绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50bf7726dba3b077c9f843dbf51cdc13.jpg",[],{"id":10058,"slug":10059,"title":4556,"dynasty":593,"author":48,"museum":20,"description":10060,"tags":10061,"thumbUrl":10065,"material":36,"size":37,"collection":38,"collections":10066,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":74},243868,"bo-yi-ming-243868","敛口鼓腹，造型圆融饱满，线条温润舒展，不见多余雕饰，尽释极简风雅。深沉豆绿釉色凝敛厚重，周身带着时光晕染出的斑驳包浆，朴拙古雅的质感扑面而来。\n\n它以素净之形承载日常之用，将禅意融于烟火，让雅致归于平实。内敛沉静的气质里，藏着独有的从容气度，于无声中晕开东方禅意的悠远余韵，静静沉淀着千年前的日常温度。",[52,32,7,10062,10063,10064],"禅意","豆绿釉","朴拙古雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfed9f248dd612e867ecdbb828f90714.jp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叮当余韵。无需浓墨重彩，白描的质朴便将街头买卖的日常意趣凝于纸上，平凡瞬间里藏着尘世的温暖烟火气。",[82,79,83,84,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50cfa170359b43d76dc0ac286c7bbda9.jpg",[],{"id":10390,"slug":10391,"title":10392,"dynasty":79,"author":48,"museum":20,"description":10393,"tags":10394,"thumbUrl":10395,"material":91,"size":38,"collection":38,"collections":10396,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215480,"bai-miao-jie-tou-mai-mai-hua-ce-78-yi-ming-215480","白描街头买卖画册-78","素纸之上，墨线流转成一段市井旧影。身着布衫的买卖人立在画中，帽檐下眉眼温和，唇边短须轻翘，似刚与主顾寒暄过。手中货篮以细密线条勾勒，篮身纹理清晰可辨，仿佛能触到竹编的粗糙质感。衣褶的垂坠、布料的软硬，皆由长短不一的墨线晕染出层次——没有浓墨重彩，却将寻常生活的鲜活气尽数收揽。他站姿从容，周身似萦绕着街头巷尾的烟火余温，每一笔线条都像在低语：这是清代里弄间最寻常的片刻，是买卖人肩上的生计，也是时光里藏着的温柔烟火。",[82,24,25,84,83,85,313,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F947e67192b5ab5b4b757a6911b7720ad.jpg",[],{"id":10398,"slug":10399,"title":10400,"dynasty":79,"author":48,"museum":20,"description":10401,"tags":10402,"thumbUrl":10403,"material":91,"size":38,"collection":38,"collections":10404,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215478,"bai-miao-jie-tou-mai-mai-hua-ce-77-yi-ming-215478","白描街头买卖画册-77","素纸铺展，墨线轻走，勾出市井间最鲜活的剪影。戴斗笠的挑夫赤足前行，扁担压出肩背的弧度，两端竹篮晃着细碎的生计——一侧似盛陶壶与杂物，一侧格子里藏待售的零星。他手抚扁担的姿态从容，脚步带起微风，连斗笠边缘都沾着街头的烟火气。白描的妙处正在于此：无浓彩却见筋骨，无喧哗却闻人声。每一笔线条都藏着人间温热，像老巷深处飘来的叫卖声，淡而悠长，把寻常日子的生动，凝在这页素净里，任时光流转，仍能触到那份鲜活的烟火。",[82,79,83,84,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe678c9da7137eb7bd5c258689d6764b.jpg",[],{"id":10406,"slug":10407,"title":10408,"dynasty":79,"author":48,"museum":20,"description":10409,"tags":10410,"thumbUrl":10411,"material":91,"size":38,"collection":38,"collections":10412,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215461,"bai-miao-jie-tou-mai-mai-hua-ce-96-yi-ming-215461","白描街头买卖画册-96","素笔勾勒的市井一隅，藏着鲜活的烟火气。人物站姿从容，指尖轻捻物件似在议价，眉眼间漾着日常的温煦。杆秤悬垂，秤砣与葫芦静静倚在旁侧，器物轮廓被线条清晰描摹，每一笔都带着生活的质感。白描的简洁不掩细节生动，衣纹褶皱、秤杆弧度，皆透着对市井生活的细腻观察。这帧画面像从旧时光里裁下的片段，让街头买卖的寻常瞬间，在素纸上凝住永恒的温度——没有浓墨重彩，却把烟火人间的恬淡与真切，都藏进了流畅的线条里。",[82,83,85,32,7,313,2113],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a46f77e6aa41876ecc0dd116994bc2e.jpg",[],{"id":10414,"slug":10415,"title":10416,"dynasty":79,"author":48,"museum":20,"description":10417,"tags":10418,"thumbUrl":10419,"material":91,"size":38,"collection":38,"collections":10420,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215457,"bai-miao-jie-tou-mai-mai-hua-ce-100-yi-ming-215457","白描街头买卖画册-100","简练墨线如行云流水，勾勒出市井商贩的鲜活身影。竹扁担横跨肩头，一端笼中似藏细碎生机，一端瓮身裹着竹编质朴，两端重量在步履间摇晃出生活的节奏。赤脚的姿态带着泥土的踏实，衣褶线条随行走流转，每一笔都透着对市井细节的精准捕捉。白描素净却见筋骨，无浓墨重彩，却将街头买卖的烟火气晕染开来。平凡人物的奔波与鲜活，在方寸画纸上静静流淌，如旧时光里的一缕风，拂过观者心尖，窥见市井生活里最本真的温度与生动。",[82,83,84,85,32,7,5361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90864c1be9aef15c2efba88bb38087be.jpg",[],{"id":10422,"slug":10423,"title":10424,"dynasty":79,"author":48,"museum":20,"description":10425,"tags":10426,"thumbUrl":10427,"material":91,"size":38,"collection":38,"collections":10428,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215448,"bai-miao-jie-tou-mai-mai-hua-ce-109-yi-ming-215448","白描街头买卖画册-109","素纸淡墨勾勒出市井旧影。斗笠檐角斜挑着光阴，赤足身影立于木案旁，宽衫短褐的褶皱里藏着风的痕迹。案上纹理如轻波微动，手中动作似与时光私语——是浆洗的日常，还是买卖的温柔？没有浓妆艳抹，仅以洗练线条，便将街头巷尾的烟火气凝于纸上。那些被岁月淡去的寻常片刻，在笔锋流转间苏醒，每一笔都带着生活的温度，让旧时光的气息扑面而来。寻常烟火，最是动人，这简练的白描里，藏着一段被时光珍藏的市井温柔。",[82,24,25,84,83,85,3128,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7505d92cc131e00eb57e375d361901e0.jpg",[],{"id":10430,"slug":10431,"title":10432,"dynasty":79,"author":48,"museum":20,"description":10433,"tags":10434,"thumbUrl":10435,"material":91,"size":38,"collection":38,"collections":10436,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215444,"bai-miao-jie-tou-mai-mai-hua-ce-112-yi-ming-215444","白描街头买卖画册-112","素笔勾勒的市井身影，肩扛管乐器具，手持折扇，姿态悠然中藏着街头营生的熟稔。衣纹线条简练却见力道，随身形流转出生活的质感；乐器的轮廓、扇面的褶皱，于极简笔触里凝着细致观察。无浓墨重彩，仅以白描之韵，便将艺人的日常瞬间定格——肩上的器具是谋生的伙伴，手中的扇是片刻的从容，寥寥几笔，清代街头的烟火气便漫开，平凡生命的鲜活模样，在素净纸页间静静舒展，让观者仿佛触到那时市井的温热气息。",[82,83,84,85,313,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91dd57d1357cb2fb0334cb68ed62a927.jpg",[],{"id":10438,"slug":10439,"title":10440,"dynasty":79,"author":48,"museum":20,"description":10441,"tags":10442,"thumbUrl":10443,"material":91,"size":38,"collection":38,"collections":10444,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215442,"bai-miao-jie-tou-mai-mai-hua-ce-115-yi-ming-215442","白描街头买卖画册-115","简淡线条晕开市井烟火气，人物赤足踏地，衣褶随步履轻晃，头顶竹筐的弧度里藏着生计的分量。扶筐的手稳而有力，竹筐编织纹理细密如织，悬垂的细绳似在微风中微动。白描以线塑形，无浓墨渲染却形神毕肖，将街头小贩的日常瞬间凝于纸面。每一道笔触都带着生活的温度，百年前的奔波身影仿佛跃然眼前，巷陌间的吆喝声似在耳畔，平凡里透着生动，质朴中藏着细腻，让旧时光的街头图景鲜活如初。",[82,24,25,84,83,85,313,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb60e362f2540242ffbcdf590120635cc.jpg",[],{"id":10446,"slug":10447,"title":10448,"dynasty":79,"author":48,"museum":20,"description":10449,"tags":10450,"thumbUrl":10451,"material":91,"size":38,"collection":38,"collections":10452,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215435,"bai-miao-jie-tou-mai-mai-hua-ce-123-yi-ming-215435","白描街头买卖画册-123","白描线条如行云流水，寥寥几笔便勾出街头小贩的鲜活模样。宽袍短褂的褶皱随步履轻颤，赤足的细节藏着市井生活的真实。肩头担子晃着烟火气，竹筐里堆叠的物什似还沾着清晨的露意。人物神态淡然从容，眉眼间隐现谋生的细碎日常，衣褶的起伏、手部的姿态，每一处线条都精准捕捉了动作的韵律。没有浓墨重彩的渲染，却以极简笔触定格了清代市井的鲜活切片。那些平凡的奔波与吆喝，都在素净纸页上沉淀成温暖的时光印记，让百年前的生活肌理，透过线条的温度清晰可触。",[82,24,25,84,83,85,7,313],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca21b5e0f5d8dba088fd4bb1212be22.jpg",[],{"id":10454,"slug":10455,"title":10456,"dynasty":79,"author":48,"museum":20,"description":10457,"tags":10458,"thumbUrl":10459,"material":91,"size":38,"collection":38,"collections":10460,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215430,"bai-miao-jie-tou-mai-mai-hua-ce-127-yi-ming-215430","白描街头买卖画册-127","线条简练却筋骨分明，勾勒出市井买卖的鲜活一幕。光头摊主着长衫，侧身立于案前，手中器物轻握，似在递货或整理。案几上列小碗数只，柜架雕花隐约含趣，桶身纹理清晰可触。极简白描中，人物姿态传神，器物细节毕现，平凡场景里满溢生活烟火气。仿佛能透过纸页，听见街头的细碎叫卖，触到清代市井的温热日常，将转瞬即逝的街头光景凝作永恒的静美剪影。",[82,83,84,85,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78b402c78788c121802f7644d706568f.jpg",[],{"id":10462,"slug":10463,"title":10464,"dynasty":79,"author":48,"museum":20,"description":10465,"tags":10466,"thumbUrl":10467,"material":91,"size":38,"collection":38,"collections":10468,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215429,"bai-miao-jie-tou-mai-mai-hua-ce-130-yi-ming-215429","白描街头买卖画册-130","简练白描线条勾勒出街头商贩的鲜活模样。宽檐草帽遮去烈日，肩挑扁担两头垂着竹篮，沉甸甸的货物透着市井烟火气。右手轻扶扁担稳重心，左腿前迈的步态自然流畅，衣袂褶皱随肢体摆动舒展，尽显线条的韵律感。竹篮纹理清晰可见，篮中货物以疏密线条显层次，未着彩却生动传递出日常售卖的鲜活。整幅画以素净之笔定格清代谋生者的日常瞬间，每道线条都藏着对民生百态的细腻观察，让久远的市井图景在眼前鲜活浮现，满是人间烟火的踏实与温暖。",[82,24,25,84,83,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffec6da3d2f76fe208c080322a9c181d7.jpg",[],{"id":10470,"slug":10471,"title":10472,"dynasty":79,"author":48,"museum":20,"description":10473,"tags":10474,"thumbUrl":10476,"material":91,"size":38,"collection":38,"collections":10477,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215427,"bai-miao-jie-tou-mai-mai-hua-ce-129-yi-ming-215427","白描街头买卖画册-129","线条简练却张力十足，衣纹流转间勾勒出人物俯身的温柔姿态，一手扶桶，一手执具，似正与身前生灵低语。两只猪憨态毕露，一抬首探向桶沿，眸光灵动；一低首蹭向食槽，鼻尖微动，短绒般的线条晕染出鲜活质感。木桶直纹与衣袍曲褶相映成趣，虚实之间，市井烟火气漫溢开来。白描以线为骨、以情为魂，无需浓墨重彩，便定格平凡生活的生动瞬间。不经意的互动、质朴的神态藏在每笔细腻勾勒里，让人窥见旧日街头鲜活一角，静赏时仿佛听见桶沿轻响与猪崽哼唧，满是人间烟火的温度。",[82,24,25,84,83,85,10475,7],"猪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8cff8de64591a72516747ec6b0e09d3.jpg",[],{"id":10479,"slug":10480,"title":10481,"dynasty":79,"author":48,"museum":20,"description":10482,"tags":10483,"thumbUrl":10484,"material":91,"size":38,"collection":38,"collections":10485,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215426,"bai-miao-jie-tou-mai-mai-hua-ce-131-yi-ming-215426","白描街头买卖画册-131","简淡线条勾勒出市井生计的鲜活剪影。人物弓身前行，长杆斜指天际，腕间器物轻晃，衣袂褶皱随步履流转成流畅弧线。白描技法以线立形，发髻的盘绕、衣物的层叠、赤足的肌理，皆由精准笔触晕染出生活温度。人物侧首抬眸的专注神情，似在捕捉风里的讯息，又或是呼应街角的吆喝——动态里藏着烟火气的韵律。寥寥数笔却神形兼备，将街头买卖人的日常姿态凝为永恒，让观者于素净纸页间，触碰到清代民间生活的鲜活脉搏。",[82,24,25,84,83,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1b3778ba1d3a823fba72fbbd9b97578.jpg",[],{"id":10487,"slug":10488,"title":10489,"dynasty":79,"author":48,"museum":20,"description":10490,"tags":10491,"thumbUrl":10492,"material":91,"size":38,"collection":38,"collections":10493,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215420,"bai-miao-jie-tou-mai-mai-hua-ce-137-yi-ming-215420","白描街头买卖画册-137","画面以极简白描勾勒街头小贩的生计日常。线条清劲流畅，寥寥数笔便塑出人物佝偻身姿——肩上木匣沉坠，手中长杆挑着悬垂器物，帽檐下侧脸凝着奔波的疲惫。无浓墨重彩，却在线条转折间藏住市井烟火：杆上晃荡的物件似营生招牌，匣中或许盛着待售零星货品。笔墨省净却道尽人间百味，每道线条皆如时光刻痕，将清代街巷寻常生计凝作永恒帧影，让观者于素纸间触到旧时光里的温热烟火气。",[82,83,84,85,313,7,5361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F535b155215400b9d89687580db0c5d6f.jpg",[],{"id":10495,"slug":10496,"title":10497,"dynasty":79,"author":48,"museum":20,"description":10498,"tags":10499,"thumbUrl":10500,"material":91,"size":38,"collection":38,"collections":10501,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215418,"bai-miao-jie-tou-mai-mai-hua-ce-139-yi-ming-215418","白描街头买卖画册-139","线条简练却见功力，以白描之法捕捉市井鲜活瞬间。挑担人俯身执瓢的姿态被精准定格，肩扛扁担的弧度里，双桶悬垂的重量与动作的专注感交织。衣褶随身体倾侧自然流转，赤脚沾地的细节更添质朴本真。素笔勾勒间，无浓墨重彩却让街头买卖的烟火气漫出纸面——执瓢的手势、微蹙的眉峰、扁担压肩的弧度，皆是旧时光里最生动的生活切片。简淡线条中藏着人间烟火的温热，平凡身影里映出市井生活的鲜活力量，于无声处诉说着往昔街头的细碎日常。",[82,24,25,84,83,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec7f54628d7f88fa73d41b81472c7304.jpg",[],{"id":10503,"slug":10504,"title":10505,"dynasty":79,"author":48,"museum":20,"description":10506,"tags":10507,"thumbUrl":10508,"material":91,"size":38,"collection":38,"collections":10509,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215417,"bai-miao-jie-tou-mai-mai-hua-ce-140-yi-ming-215417","白描街头买卖画册-140","斗笠覆顶，宽袍短褐，肩挑扁担的身影在白描线条里鲜活起来。墨线勾勒衣褶的起伏、斗笠的圆融，连扁担的沉坠感都藏在线条的轻重转折里。两侧货物——左方捆扎严实的包裹、右垂的布袋与方格物件，皆以简洁线条显其形态，似能窥见内里市井生计的细碎。人物行进步态从容，手臂微屈扶担，每一笔都浸着烟火气，仿佛下一秒便有吆喝声穿纸而出。白描以无彩之笔，凝住街头买卖人的日常瞬间，将平凡生计的鲜活与温暖，刻进墨线交织的方寸间。",[82,24,25,84,83,85,7,313],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a5e19b35eaae8dcb078bfe7bca8ee77.jpg",[],{"id":10511,"slug":10512,"title":10513,"dynasty":79,"author":48,"museum":20,"description":10514,"tags":10515,"thumbUrl":10516,"material":91,"size":38,"collection":38,"col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听见摊主与路人的低语，见光影在器物上浅淡流转。简笔藏真意，素纸纳市井，于极简线条中，窥得旧时街头的生动切片，寻常生活的温度便在这一笔一划里缓缓流淌，让观者恍惚踏入百年前的街巷，触到那份鲜活的人间烟火。",[82,24,25,84,83,85,7,158],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F159aa0fb93182a0043a79e8ca3a13a7e.jpg",[],{"id":10639,"slug":10640,"title":10641,"dynasty":79,"author":48,"museum":20,"description":10642,"tags":10643,"thumbUrl":10644,"material":91,"size":38,"collection":38,"collections":10645,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215366,"bai-miao-jie-tou-mai-mai-hua-ce-192-yi-ming-215366","白描街头买卖画册-192","素笔勾勒出市井一隅的鲜活剪影。匠人端坐木桌前，指尖捻动工具，目光凝注于案上待修的小像——或许是一尊破损的神祇，或许是件寻常的玩物？案角的小桶静静伫立，似在收藏时光里的细碎尘埃。线条简练却见筋骨，衣袂褶皱随动作自然舒展，眉眼间的专注藏着手艺人的虔诚。无浓墨重彩，却将街头买卖的烟火气与那份执着匠心，悄然晕染纸间。每一笔都带着生活的温度，让这片刻的专注，成为岁月里难忘的市井印记。",[82,79,83,84,85,32,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae6a58a4c2dc7aab7e138ba173867552.jpg",[],{"id":10647,"slug":10648,"title":10649,"dynasty":79,"author":48,"museum":20,"description":10650,"tags":10651,"thumbUrl":10652,"material":91,"size":38,"collection":38,"collections":10653,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215365,"bai-miao-jie-tou-mai-mai-hua-ce-191-yi-ming-215365","白描街头买卖画册-191","线条婉转勾勒市井小贩的鲜活模样。他站姿从容，一手稳托木盘，一手轻扶盘中物，衣袂褶皱随体态舒展，每道线条都藏着生活的肌理。盘上堆叠的物件与束起的长物（似是香烛一类），简笔却见真意，仿佛能听见街头叫卖声轻响。眉眼间的平和，是日常买卖里的从容自在。白描素净无华，以最本真的线条捕捉烟火气：无浓墨重彩，只凭笔锋起落，将百年前街头的细碎温暖凝在纸上。流畅的线、顿挫的笔，诉说平凡生活的生动，让老时光里的市井一角，在素笺上鲜活如初。",[82,24,25,84,83,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc09fb5d5a74b7959780ef01640455f4.jpg",[],{"id":10655,"slug":10656,"title":10657,"dynasty":79,"author":48,"museum":20,"description":10658,"tags":10659,"thumbUrl":10660,"material":91,"size":38,"collection":38,"collections":10661,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215364,"bai-miao-jie-tou-mai-mai-hua-ce-193-yi-ming-215364","白描街头买卖画册-193","素笺之上，墨线如缕，织就市井一隅的鲜活。戴帽长辫的老者伏案凝神，案头竹篮隐现“立券”二字，似牵系着街头买卖的细碎约定。旁侧竹筐堆叠，卷轴斜倚，器物轮廓皆以简练线条勾勒——衣褶的垂坠纹理、竹编的经纬脉络，尽在毫端流转生姿。白描之韵，在于以简胜繁：无华彩铺陈，却将人物专注的神态、市井生活的朴拙气息悄然晕开。每一道线条都藏着旧时光的温度，仿佛能听见竹器轻响，窥见巷尾的日常片段，静静诉说着远去的烟火故事，让观者于素净笔墨中触到岁月的柔软。",[82,24,25,84,83,85,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ae510823bfd0ed80c30b9690df43aea.jpg",[],{"id":10663,"slug":10664,"title":10665,"dynasty":79,"author":48,"museum":20,"description":10666,"tags":10667,"thumbUrl":10668,"material":91,"size":38,"collection":38,"collections":10669,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215363,"bai-miao-jie-tou-mai-mai-hua-ce-195-yi-ming-215363","白描街头买卖画册-195","短褐束带的市井人俯身执禽，竹篾交织的笼器静立一旁。白描线条简练却传神，人物姿态憨朴自然，衣纹褶皱、禽鸟羽翼皆以利落笔触勾勒，墨色无多却意韵饱满。笼间似有余温浮动，仿佛能闻见市井烟火气——这是街头买卖的寻常一幕，却被素笔定格成生动瞬间。没有浓墨重彩，仅以线立形的形神，便让市井鲜活跃然纸上，藏着寻常生计里最真实的人间真味。",[82,83,84,85,1530,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe15be2ee32f14988beef1dbfff8a5ce1.jpg",[],{"id":10671,"slug":10672,"title":10673,"dynasty":79,"author":48,"museum":20,"description":10674,"tags":10675,"thumbUrl":10676,"material":91,"size":38,"collection":38,"collections":10677,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215362,"bai-miao-jie-tou-mai-mai-hua-ce-196-yi-ming-215362","白描街头买卖画册-196","素纸之上，推磨的身影凝注着市井烟火气。简练线条如流水般勾勒劳作肌理——腰身微倾，握杆的力度藏在笔锋转折里，脚步错落似能听见石板轻响。磨具轮廓写实质朴，与人物动态相映，将日常劳作定格成生动瞬间。无浓墨重彩，却以白描纯粹让生活细节跃然：专注神态虽未着墨，却从线条里溢出，仿佛触到街头巷尾的温热。极简笔触捕捉生活本真模样，藏着对市井日常的温柔观照，每一笔都浸着平凡日子的鲜活气息。",[82,24,25,84,83,85,32,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98a2df883a68a98363597b44c88fd86e.jpg",[],{"id":10679,"slug":10680,"title":10681,"dynasty":79,"author":48,"museum":20,"description":10682,"tags":10683,"thumbUrl":10684,"material":91,"size":38,"collection":38,"collections":10685,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215361,"bai-miao-jie-tou-mai-mai-hua-ce-194-yi-ming-215361","白描街头买卖画册-194","墨线勾勒的匠人蹲坐于地，右臂高擎铁锤，腕间力道似凝于笔端。衣袂褶皱如流水铺展，既显动作流畅，亦藏日常辛劳。周遭砧具、风箱与铁件散落，线条寥寥却勾画出市井烟火的温热。白描技法以简胜繁，人物专注的神情隐于眉眼间，每一笔都透着生活的实感。铁锤悬停的瞬间，仿佛叮当声穿纸而来，将街头营生的鲜活与力量，定格成永恒的画面。画面留白恰到好处，让市井的质朴与匠人的坚守，在素净纸页上静静流淌。",[82,24,25,84,83,85,261,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9285188323510041a38d256bde6c6bd.jpg",[],{"id":10687,"slug":10688,"title":10689,"dynasty":79,"author":48,"museum":20,"description":10690,"tags":10691,"thumbUrl":10692,"material":91,"size":38,"collection":38,"collections":10693,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215359,"bai-miao-jie-tou-mai-mai-hua-ce-198-yi-ming-215359","白描街头买卖画册-198","匠人俯身案前，指尖凝注于手中活计。白描线条如行云流水，衣纹褶皱随姿态自然铺展，寥寥数笔便勾出专注神情。旁侧竹筐与待理的镜具，是街头买卖的寻常印记。轻重转折的线条里，藏着市井生活的细碎温度——没有华彩渲染，却将谋生的日常凝成鲜活瞬间。仿佛能触到素朴的烟火气，听见磨镜时的轻响，看见平凡日子里的认真与生动。每一道线条都在诉说：这街头的片刻，是烟火，也是生活本身。",[82,24,25,84,83,85,7,5104],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03219a17a995251887256c73d3a3958f.jpg",[],{"id":10695,"slug":10696,"title":10697,"dynasty":79,"author":48,"museum":20,"description":10698,"tags":10699,"thumbUrl":10700,"material":91,"size":38,"collection":38,"collections":10701,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":42},215357,"bai-miao-jie-tou-mai-mai-hua-ce-200-yi-ming-2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朝服的纹样主要为龙纹及十二章纹样。一般在正前、背后及两臂绣正龙各一条；腰帷绣行龙五条襞积（折裥处）前后各绣团龙九条；裳绣正龙两条、行龙四条；披肩绣行龙两条；袖端绣正龙各一条。十二章纹样为日、月、星辰、山、龙、华虫、黼、黻八章在衣上；其余四种藻、火、宗彝、米粉在裳上，并配用五色云纹。 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以后纸明器开始流行，陶、木、石质的俑开始渐渐减少。俑的形象，主要有奴仆、舞乐、士兵、仪仗等，并常附有鞍马、牛车、庖厨用具和家畜等模型，还有镇墓胜的神物。俑大多真实地模拟着当时的各种人物，因而可以考见当时社会的生活习俗，也是研究各代舆服制度的重要资料。俑还可以反映出各个时代雕塑艺术的水平。\n秦代的秦始皇陵兵马俑，形体比人略高，陶制，是已知最大的俑；另外还有铜俑等。汉俑种类比以前增多，有兵士、女侍、仆役及乐舞俑。南方以木俑为多，有的彩绘着衣。其他地方多陶、石、木、金属等多种材质的俑，注重传神。两晋南北朝制作多样，南方承中原传统并有了瓷俑；北方出了少数民族形象的陶俑。隋唐俑型大而精美，三彩俑为盛唐时的制作高峰。现在能见到的，是保存在陕西省历史博物馆的唐三彩杰作，有陕西省乾县懿德太子李重润墓出土的、三彩纹胎骑马狩猎俑，和西安市中堡村唐墓出土的唐三彩骆驼戴乐舞俑。这些俑的特点，普遍是形象高大雄健，神态生动富有传神，可谓形神俱佳的作品。并反映了盛唐时期，中华民族富有创造性和豪迈自信的民族性格。五代以后，以俑殉葬的风气开始低落，金元墓葬中出现了陶塑、砖雕表演杂剧的俑，往往成组塑造，还有舞台背景，较为生动，是制作俑的最后一个高潮，以山西出土为多。明清墓葬中俑的出现渐少。在高官王侯墓中出土有木俑和石俑，多以成群人物或辅以仪仗、侍从的庞大场面，用来炫耀死者地位为主，但作为雕塑制品已失去了艺术感染力。秦兵马俑的历史文化价值是独具魅力的。它打开了观察它所产生的那个时代的窗口，大大地改变了人们对那个时代的看法。\n秦兵马俑震撼世人的首推其卓越的艺术成就。几千件魁伟英武的大型陶塑艺术作品，以整体形象排列在将近两万平方米的空间里，其磅礴的气势几乎使所有不同肤色的参观者都从心灵深处产生强烈震颤，体现出艺术家驾驭宏大艺术题材、追求整体气韵和艺术创造的卓越才能。秦俑千人千面、呼之欲出的人物塑造则从形体把握、神韵处理、色彩运用、细部刻画等方面表现出作者的艺术素养和艺术成就。作品写实主义的风格不仅给我们留下了一个高超的古代艺术范本，同时也留下了许多关于那个时代的极富价值的历史记录。严肃划一的军旅题材能够处理得如此生动，产生如此震撼人心的艺术魅力，使人们不得不换一副眼光来审视中国古代艺术发展历程中的特殊规律，重新探索和构架中国古代造型艺术发展的历史。\n秦兵马俑坑文物的出土也较大幅度地改写了人们对秦代的科技水平的认识，以大量的实证材料形象地展现了秦代生产力的发展水平。就科技史而言，秦俑坑发现的许多资料都是令世人震惊的。譬如：1、秦俑坑出土文物所展现的秦代冶金和金属加工技术比我们以往的估计要高出很多，其中青铜涂铬防锈技术的大量应用是最具代表性的一例，它在当时已是一种很成熟的技术，秦俑出土的绝大多数兵器表面都涂有这种保护层。这种绝技似乎从汉代以后就失传了，与之形成鲜明对比的是，两千多年后的1937年，现代镀铬技术才在德国产生，并以专利发明载入了史册。2、秦俑坑出土兵器明确印证了秦简中关于“为器同物者，其小大、短长”是一种标准化概念，秦人在标准化实践方面取得了惊人的成就。这种标准化既是秦人管理艺术发展的代表，也是秦代科技水平的标志。秦人加工的青铜弩机器件精密、形体标准，相同规格的器件完全可以互换。许多特殊的加工工艺，如青铜铍脊上的纹饰生成，纤如毫发的金属小孔钻刻技艺，也都令人叹为观止，一些工艺至今还是不解之谜。由于古代统治者们有重政治、重伦理、崇人事而轻科技的倾向，史书关于科技的记载往往简略残缺，秦代科技资料更是凤毛麟角。正因为如此，秦俑考古的历史文化价值也就更加重要。\n俑坑数千兵马俑所展示的军事内容无疑是军事史研究的最重要的、最形象的资料之一，许多资料使人们对古代军事领域的认识更进一步。譬如，关于当时的兵种构成、组合搭配和结阵形式，兵器、兵器配置形式以及甲具防护装备，军伍组织结构和指挥系统，甚至军伍士卒的来源等，都有珍贵的资料价值。二号坑弩兵的单独结阵，骑兵、轻车兵的编队和配合，是以前有所不知或知之不详的重要资料，以之对照《孙膑兵法》中关于车、步、骑配合原则的论述，给人留下的印象是极其深刻的。古代军事著述中关于兵器配置中长短相杂、相救的原则在秦俑坑兵器配置中也有直观表现，同样有其军事科学上的研究价值。难怪有人将秦俑三坑称为一座内容丰厚的秦代军事博物馆。\n历史本身赋予了秦俑多种历史文化价值。秦俑所折射的历史层面既多又广，在建筑史、服饰史、制度史尤其是王陵制度史等方面，具有独特的认识价值。即使秦俑的身高、体魄、服饰发髻、刻记文字以及秦人在俑坑留下的生产工具和劳作痕迹，都能从不同侧面反映出秦代社会生活的真实影像，反映出一个时代的文化特质，反映出秦兴亡的历史真谛。\n秦俑坑出土文物的精美和丰富，是文物所代表的那个时代物质成就的直接见证。它让人们重新认识和评价那个时代，也提出了许多值得探讨的历史课题，譬如关于帝王权力的重新认识、秦代文化的特质、秦在中国历史发展中的地位等。与之相联系的是，秦始皇的历史评价又一次成为人们关注的话题，秦俑坑出土文物所反映的科技水平和生产能力，在一定程度上反映出秦始皇所起的某种积极作用，同时也从一个侧面证实史书中提到的秦代好大喜功、横征暴敛的统治问题。秦俑考古还在继续，相信对这些问题的研究将会随着考古的进展而不断深入。",[52,32250,85,144,32238,7],"俑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33a59d71bf53b631bc976fcaaa4d6569.jpg",[],{"id":32254,"slug":32255,"title":32256,"dynasty":79,"author":48,"museum":20,"description":1569,"tags":32257,"thumbUrl":32258,"material":36,"size":37,"collection":38,"collections":32259,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},252668,"ma-nao-shui-jing-zhu-qing-yu-bing-tai-ping-che-yi-ming-252668","玛瑙水晶珠青玉柄太平车",[236,237,894,6075,9665,260,144,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3696f4a8260fdcfbb8f01d288232e6f2.jpg",[],{"id":32261,"slug":32262,"title":32263,"dynasty":79,"author":48,"museum":20,"description":1569,"tags":32264,"thumbUrl":32266,"material":36,"size":37,"collection":38,"collections":32267,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},252666,"qing-yu-hai-tang-hua-shi-pen-yi-ming-252666","青玉海棠花式盆",[236,237,144,32265,32,7],"海棠花形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c2effdd221b1482797bfce2fe918d7d.jpg",[],{"id":32269,"slug":32270,"title":32271,"dynasty":79,"author":48,"museum":20,"description":1569,"tags":32272,"thumbUrl":32273,"material":36,"size":37,"collection":38,"collections":32274,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},252655,"qian-long-kuan-qing-yu-pie-kou-wan-yi-ming-252655","乾隆款青玉撇口碗",[236,237,9665,144,7,405],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadb67b2b07301600f9a2fa2e8c7662ab.jpg",[],{"id":32276,"slug":32277,"title":32271,"dynasty":79,"author":48,"museum":20,"description":1569,"tags":32278,"thumbUrl":32279,"material":36,"size":37,"collection":38,"collections":32280,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},252650,"qian-long-kuan-qing-yu-pie-kou-wan-yi-ming-252650",[237,236,144,7,1024,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83d80e95b26454ea1fb338da1d18f237.jpg",[],{"id":32282,"slug":32283,"title":32271,"dynasty":79,"author":48,"museum":20,"description":1569,"tags":32284,"thumbUrl":32285,"material":36,"size":37,"collection":38,"collections":32286,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":242},252648,"qian-long-kuan-qing-yu-pie-kou-wan-yi-ming-252648",[236,237,144,7,1024,9665,6604,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1647dd7df27fdf1838a5154860dad94.jpg",[],{"id":32288,"slug":32289,"title":32271,"dynasty":79,"author":48,"museum":20,"description":1569,"tags":32290,"thumbUrl":32291,"material":36,"size":37,"collection":38,"collections":32292,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},252647,"qian-long-kuan-qing-yu-pie-kou-wan-yi-ming-252647",[236,237,144,7,1024,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80388425438884930c53b31526ca09f6.jpg",[],{"id":32294,"slug":32295,"title":3229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