[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"subject-ru-zu-lu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12209,"ru-zu-lu","乳足炉","乳足炉画高清赏析","精选中国历代乳足炉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d07514f56b28f33bc68ae3d524ffe33.jpg",0,3,[14,35,43],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},270458,"xuan-de-wu-nian-wu-bang-zuo-kuan-tong-feng-yan-er-ru-zu-lu-yi-ming-270458","宣德五年吴邦佐款铜凤眼耳乳足炉","清","佚名","藏地不详","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[23,24,25,26,27,7],"青铜器","铜制","器","香炉","凤眼耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe50b9030591940c70c31cedfa36cb219.jpg","未知","Xcm*Xcm","",[],1,"795548",{"id":36,"slug":37,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":41,"material":29,"size":30,"collection":31,"collections":42,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},270457,"xuan-de-wu-nian-wu-bang-zuo-kuan-tong-feng-yan-er-ru-zu-lu-yi-ming-270457",[24,23,39,40,27,7],"礼器","焚香器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F791650e3746650d6f0978b7a0d14a9c2.jpg",[],{"id":44,"slug":45,"title":46,"dynasty":18,"author":19,"museum":20,"description":21,"tags":47,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":48,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},270441,"xuan-de-kuan-tong-feng-yan-er-ru-zu-lu-yi-ming-270441","宣德款铜凤眼耳乳足炉",[24,23,26,27,7,25],[],1777535776997]