[{"data":1,"prerenderedAt":70},["ShallowReactive",2],{"subject-ru-zu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9263,"ru-zu","乳足","乳足画高清赏析","精选中国历代乳足题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a64a7a933c932ee79a7141411403aac.jpg",0,4,[14,35,50,62],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},257840,"lang-yao-hong-you-ru-zu-lu-yi-ming-257840","郎窑红釉乳足炉","清","佚名","藏地不详","清代康熙后期景德镇官窑。康熙四十四年到五十一年（1705—1712），江西巡抚郎廷极在景德镇督造瓷器，故名。釉色以宝石红、宝石蓝、宝石绿最佳，宝石红有“郎窑红”之称。法国人称“牛血红”。在红釉中最杰出。洒蓝和霁蓝瓷，再上一道极薄釉子，然后加绘金花金彩，华丽静穆，匠心独运。素三彩创于此时。青花和斗彩也很有名。\n清初郎廷极所监督的江西景德镇窑及其所督造的瓷器之代称。其瓷器仿古暗合，摹仿明永乐、宣德红釉烧制，釉水颜色，桔皮砂眼几可乱真，款字也酷肖，极难辨识。刘廷玑《在园杂记》谈及此事，事距郎廷极督造瓷器时间很近，极可能系刘所目睹。",[23,24,25,7,26,27],"清代","陶瓷","郎窑红釉","高温铜红釉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cc34eb7802eae0db10fc9339bcd9ed4.jpg","未知","Xcm*Xcm","瓷器精选",[31],1,"37474F",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":47,"material":29,"size":30,"collection":48,"collections":49,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},270349,"chong-zhen-jia-xu-feng-li-shen-shi-jia-cang-kuan-tong-feng-yan-er-ru-zu-lu-yi-ming-270349","崇祯甲戌枫里沈氏家藏款铜凤眼耳乳足炉","明","此炉形制典雅敞阔，凤眼双耳微微外撇，线条舒展灵动，宛若凌风轻扬的翼羽，柔中带刚。鼓腹丰腴饱满，弧度圆润和顺，承托三枚乳足沉稳落案，静穆中带着雅致拙朴的古韵。\n\n通体包浆厚重沉郁，深褐底色凝着幽绿铜锈，是时光晕染出的斑驳肌理，摩挲间尽是岁月浸润的温润质感。炉身素净无饰，仅以凝练造型诉说古意，藏着旧时世家的传承温度，尽显晚明铜炉铸作的含蓄内敛，是文房清供里静悟焚香的绝佳雅器。",[42,43,44,45,46,7],"青铜器","铜制","炉","礼器","凤眼耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a6a7f13994831990098b046b279c8d6.jpg","",[],{"id":51,"slug":52,"title":53,"dynasty":18,"author":19,"museum":20,"description":54,"tags":55,"thumbUrl":60,"material":29,"size":30,"collection":48,"collections":61,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249709,"qia-si-fa-lang-chan-zhi-lian-wen-sheng-er-ru-zu-lu-yi-ming-249709","掐丝珐琅缠枝莲纹绳耳乳足炉","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[56,57,58,7,59,43,18],"掐丝珐琅","缠枝莲纹","绳耳","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7df62ae7a0ec252889996f1d85d2220f.jpg",[],{"id":63,"slug":64,"title":65,"dynasty":39,"author":19,"museum":20,"description":66,"tags":67,"thumbUrl":10,"material":29,"size":30,"collection":48,"collections":69,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249341,"qia-si-fa-lang-gou-lian-wen-ru-zu-gai-lu-yi-ming-249341","掐丝珐琅勾莲纹乳足盖炉","宝蓝地色沉静古雅，掐丝勾缠莲枝婉转舒展，红、白珐琅彩料鲜亮沉凝，与底色相衬愈显华贵。鎏金盖面透雕缠枝，莲钮精巧雅致，炉身双鋬扭曲灵动，三乳足敦实沉稳，金彩与珐琅交相辉映。\n\n整体造型端庄饱满，既有礼器的规整持重，又带着文房清供的隽秀雅致，焚香时青烟透盖而出，古韵悠然，是珐琅工艺与古典审美融合的佳器。",[56,59,27,68,7],"勾莲纹",[],1777535764490]