[{"data":1,"prerenderedAt":413},["ShallowReactive",2],{"subject-se-cai-feng-fu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3980,"se-cai-feng-fu","色彩丰富","色彩丰富画高清赏析","精选中国历代色彩丰富题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2329ca0a0f96faa9d3d6e02121bd517b.jpg",0,23,[14,46,73,94,106,120,140,164,187,218,235,246,257,271,285,294,305,317,333,346,369,385,399],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":44,"manualWeight":11,"mainColor":45},226348,"ku-zhu-shi-bei-pi-yi-ming-226348","窟主室北披","唐","佚名","敦煌","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7],"壁画","宗教","设色","工笔","唐代","人物","飞天","神兽","飞鸟","祥云","建筑","几何纹样","瑞兽","装饰图案","线条细腻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dee5749a1bb0bce30056a627f7997a2.jpg","未知","Xcm*Xcm","",[],46,1,"795548",{"id":47,"slug":48,"title":49,"dynasty":50,"author":51,"museum":52,"description":53,"tags":54,"thumbUrl":68,"material":39,"size":40,"collection":69,"collections":70,"showCount":71,"zanCount":44,"manualWeight":11,"mainColor":72},225925,"field-of-yellow-irises-at-giverny-1887-mo-nai-225925","Field of Yellow Irises at Giverny, 1887","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[55,56,57,58,59,60,61,62,63,64,65,66,7,67],"印象派","油画","田野","黄色鸢尾花","草地","树林","天空","云彩","花卉","自然景观","绿色植被","户外风景","笔触轻快","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4efacf5197b0328112515b63a23a001a.jpg","油画精选",[69],42,"BDBDBD",{"id":74,"slug":75,"title":76,"dynasty":50,"author":51,"museum":52,"description":53,"tags":77,"thumbUrl":91,"material":39,"size":40,"collection":69,"collections":92,"showCount":93,"zanCount":44,"manualWeight":11,"mainColor":45},225930,"flowers-at-vetheuil-1880-mo-nai-225930","Flowers at Vetheuil, 1880",[55,56,78,7,79,80,81,82,83,84,85,86,87,64,88,89,90],"光影","笔触奔放","花朵","花丛","植物","树木","河流","水面","房屋","远景","户外","绿植","水景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3d1346f087a032be70d9ec8d35c5427.jpg",[69],36,{"id":95,"slug":96,"title":97,"dynasty":50,"author":51,"museum":52,"description":53,"tags":98,"thumbUrl":102,"material":39,"size":40,"collection":69,"collections":103,"showCount":104,"zanCount":44,"manualWeight":11,"mainColor":105},226012,"rhododendrons-1928-mo-nai-226012","Rhododendrons, 1928",[56,55,7,99,100,82,63,101,81],"笔触生动","杜鹃花","绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F103f970a479270df0f2a9c2061962693.jpg",[69],35,"37474F",{"id":107,"slug":108,"title":109,"dynasty":50,"author":51,"museum":52,"description":53,"tags":110,"thumbUrl":117,"material":39,"size":40,"collection":69,"collections":118,"showCount":119,"zanCount":11,"manualWeight":11,"mainColor":45},225956,"iris-jaunes-et-mauves-1924-1925-mo-nai-225956","Iris jaunes et mauves, 1924-1925",[55,56,111,112,7,113,114,115,116,82],"写意","笔触灵动","鸢尾花","黄色花卉","紫色花卉","草丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4377932f137ec5382d8994d01ae3a1da.jpg",[69],33,{"id":121,"slug":122,"title":123,"dynasty":50,"author":124,"museum":52,"description":125,"tags":126,"thumbUrl":137,"material":39,"size":40,"collection":41,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":45},226151,"conception-giovanni-battista-tiepolo-226151","Conception","Giovanni Battista Tiepolo","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。",[24,56,28,127,128,129,130,63,131,132,133,82,134,78,7,135,136],"天使","鸽子","龙","云朵","披风","翅膀","球体","写实","神话生物","小天使","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da7c27f4bcc1dbe29780391e7ba55ab.jpg",[],26,{"id":141,"slug":142,"title":143,"dynasty":50,"author":144,"museum":52,"description":145,"tags":146,"thumbUrl":161,"material":39,"size":40,"collection":69,"collections":162,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":72},225855,"the-white-orchard-april-fan-gao-225855","The white orchard (April - )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[56,147,148,149,59,57,150,151,152,79,153,154,155,156,157,158,159,7,160],"后印象派","果树","白色花朵","树木枝干","田园风光","春天","色彩明亮","风景","自然景物","开花植物","户外场景","土地","农耕痕迹","写实表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F816cb6097e57fb16f3a062018db540fa.jpg",[69],25,{"id":165,"slug":166,"title":167,"dynasty":50,"author":144,"museum":52,"description":145,"tags":168,"thumbUrl":10,"material":39,"size":40,"collection":69,"collections":185,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":45},225813,"self-portrait-1887-fan-gao-225813","Self-portrait 1887",[56,169,170,171,79,172,173,174,175,176,177,178,179,180,181,182,183,184,7],"人物肖像","男性","厚涂","设色明快","半身像","背景写意","人物半身构图","色彩对比","笔触明显","肖像画","西式服饰","领结","外套","面部刻画","毛发细节","背景模糊处理",[69],18,{"id":188,"slug":189,"title":190,"dynasty":191,"author":192,"museum":193,"description":194,"tags":195,"thumbUrl":213,"material":214,"size":215,"collection":41,"collections":216,"showCount":217,"zanCount":11,"manualWeight":11,"mainColor":45},222985,"hong-lou-meng-110-sun-wen-222985","红楼梦110","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[196,26,25,197,28,198,83,199,200,201,202,203,33,204,205,206,207,208,209,210,7,211,212],"高清","界画","楼阁","旗帜","鼓","车辆","庭院","街道","人物群像","传统服饰","乐器","牌匾","清式建筑","场景描绘","细致线条","民俗元素","古典园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F554573a7d84d4396f83fa678e9637e1b.jpg","绢本","纵43.3厘米、横76.5厘米",[],17,{"id":219,"slug":220,"title":221,"dynasty":50,"author":51,"museum":52,"description":53,"tags":222,"thumbUrl":232,"material":39,"size":40,"collection":69,"collections":233,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":45},226071,"the-gadren-at-giverny-1927-mo-nai-226071","The Gadren at Giverny, 1927",[55,223,224,112,225,226,7,227,59,83,63,228,229,61,33,89,230,114,231,64],"光影捕捉","色彩晕染","户外写生","自然光影","花园","花田","藤蔓","红色叶树","红色花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf6889c12a63ee3040e48b55b02b36c8.jpg",[69],12,{"id":236,"slug":237,"title":238,"dynasty":50,"author":51,"museum":52,"description":53,"tags":239,"thumbUrl":243,"material":39,"size":40,"collection":69,"collections":244,"showCount":245,"zanCount":11,"manualWeight":11,"mainColor":45},226079,"the-japanese-bridge-1918-1924-mo-nai-226079","The Japanese Bridge, 1918-1924",[56,55,240,85,83,229,241,7,242,79],"小桥","枝叶","光影变化","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9157fa76fdd18b9c6359bcfeb5f62e0d.jpg",[69],9,{"id":247,"slug":248,"title":249,"dynasty":50,"author":51,"museum":52,"description":53,"tags":250,"thumbUrl":255,"material":39,"size":40,"collection":69,"collections":256,"showCount":245,"zanCount":11,"manualWeight":11,"mainColor":45},226067,"the-customs-house-1882-2-mo-nai-226067","The Customs House, 1882-2",[56,55,251,224,252,86,253,59,254,64,157,7,112],"光影表现","悬崖","大海","海岸线","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ddb366bf2b570f259a9218d6b7fbdd5.jpg",[69],{"id":258,"slug":259,"title":260,"dynasty":50,"author":51,"museum":52,"description":53,"tags":261,"thumbUrl":269,"material":39,"size":40,"collection":69,"collections":270,"showCount":245,"zanCount":11,"manualWeight":11,"mainColor":45},226006,"port-domois-1886-mo-nai-226006","Port-Domois, 1886",[262,56,55,78,7,252,263,264,265,266,267,268],"名画","海水","礁石","山坡","植被","海景","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3ecb494f4f6ecfdf596d79f06f7bee0.jpg",[69],{"id":272,"slug":273,"title":274,"dynasty":50,"author":51,"museum":52,"description":53,"tags":275,"thumbUrl":282,"material":39,"size":40,"collection":69,"collections":283,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":45},226084,"the-moreno-garden-at-bordighera-1884-mo-nai-226084","The Moreno Garden at Bordighera, 1884",[55,56,251,7,227,33,276,277,83,278,82,279,280,281,112],"棕榈树","小径","蓝天","塔楼","热带植物","外光写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F731e5057ee7651a0d5fe115cbd3200c9.jpg",[69],8,{"id":286,"slug":287,"title":288,"dynasty":50,"author":51,"museum":52,"description":53,"tags":289,"thumbUrl":292,"material":39,"size":40,"collection":69,"collections":293,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":45},226042,"the-banks-of-the-seine-at-port-villez-1885-mo-nai-226042","The Banks of the Seine at Port-Villez, 1885",[56,55,290,84,291,83,61,130,251,7,112],"山水","河岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe96ec56cd645cbeadbfbd70108d65c95.jpg",[69],{"id":295,"slug":296,"title":297,"dynasty":50,"author":144,"museum":52,"description":145,"tags":298,"thumbUrl":303,"material":39,"size":40,"collection":69,"collections":304,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":45},225817,"selfportret1887-fan-gao-225817","Selfportret1887",[56,178,147,171,79,7,28,170,299,300,181,301,302],"帽子","围巾","胡须","面部特写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f59b59f59805008cb62ac682a20d99f.jpg",[69],{"id":306,"slug":307,"title":308,"dynasty":50,"author":51,"museum":52,"description":53,"tags":309,"thumbUrl":314,"material":39,"size":40,"collection":69,"collections":315,"showCount":316,"zanCount":11,"manualWeight":11,"mainColor":45},226066,"the-customs-house-1882-mo-nai-226066","The Customs House, 1882",[55,56,251,7,112,252,310,311,59,61,268,312,313],"小屋","海洋","海岸","红屋顶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d927e85e5b3de05817043939c2f33bf.jpg",[69],7,{"id":318,"slug":319,"title":320,"dynasty":50,"author":321,"museum":52,"description":322,"tags":323,"thumbUrl":330,"material":39,"size":40,"collection":41,"collections":331,"showCount":332,"zanCount":11,"manualWeight":11,"mainColor":45},231969,"de-jia-1-de-jia-231969","德加1","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[55,324,325,28,326,327,328,7,112,329],"色粉画","室内场景","裸体女性","浴桶","织物","日常生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febe8b85ecb6e5a9478c7314ed714a3f6.jpg",[],3,{"id":334,"slug":335,"title":336,"dynasty":50,"author":321,"museum":52,"description":322,"tags":337,"thumbUrl":343,"material":39,"size":40,"collection":41,"collections":344,"showCount":345,"zanCount":11,"manualWeight":11,"mainColor":72},231976,"the-billiard-room-at-menil-hubert-staatsgalerie-stuttgart-germany-de-jia-231976","The Billiard Room at Menil-Hubert - - Staatsgalerie Stuttgart 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