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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,31,32,7,33],"印象派","油画","设色","花卉","植物","百子莲","叶子","草丛","自然景观","光影","写意笔触","未知","Xcm*Xcm","油画精选",[36],132,"795548",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":21,"tags":44,"thumbUrl":51,"material":34,"size":35,"collection":36,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":54},226132,"the-waterlilies-1904-mo-nai-226132","The Waterlilies, 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1914-26",[24,23,25,32,7,46,47,78,79,65,80,81],"云影","倒影","水生植物","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4202862608f8dd950bd99f88592ac2ce.jpg",[36],55,2,{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":20,"description":21,"tags":90,"thumbUrl":97,"material":34,"size":35,"collection":36,"collections":98,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":39},225900,"arm-of-the-seine-near-giverny-1897-mo-nai-225900","Arm of the Seine near Giverny, 1897",[23,24,32,7,91,92,47,79,67,93,31,94,95,96],"河流","树木","河岸","风景画","笔触灵动","色彩融合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ef1c853db62f89f884dbd4799f24f40.jpg",[36],{"id":100,"slug":101,"title":102,"dynasty":18,"author":19,"museum":20,"description":21,"tags":103,"thumbUrl":109,"material":34,"size":35,"collection":36,"collections":110,"showCount":111,"zanCount":112,"manualWeight":11,"mainColor":72},225896,"antibes-in-the-morning-1888-mo-nai-225896","Antibes, in the Morning, 1888",[23,24,104,105,106,67,107,108,7],"树","湖水","远景建筑","晨光","户外风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4690a3c61855dff8f682ba5b4f0b5e0f.jpg",[36],52,1,{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":21,"tags":117,"thumbUrl":126,"material":34,"size":35,"collection":36,"collections":127,"showCount":128,"zanCount":112,"manualWeight":11,"mainColor":54},225937,"giverny-the-rosarium-of-monet-mo-nai-225937","Giverny, the Rosarium of Monet",[23,24,60,7,118,119,120,92,121,67,122,123,124,125,96],"笔触轻快","玫瑰","草地","垂柳","花园","绿植","户外景致","自然光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99235da26b7da38ff6b2e94c739a94b7.jpg",[36],51,{"id":130,"slug":131,"title":132,"dynasty":133,"author":134,"museum":135,"description":136,"tags":137,"thumbUrl":151,"material":34,"size":35,"collection":152,"collections":153,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":54},226249,"ku-zhu-shi-xi-bi-yi-ming-226249","窟主室西壁","唐","佚名","敦煌","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[138,139,140,25,141,142,143,144,145,146,147,7,148,149,150],"壁画","唐代","宗教","线描","人物","佛像","菩萨","建筑纹样","供养人","佛教题材","人物造像","洞窟内壁","装饰图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F061a4f96fab239c644c4c6e2bfc3086c.jpg","",[],50,{"id":156,"slug":157,"title":158,"dynasty":18,"author":19,"museum":20,"description":21,"tags":159,"thumbUrl":166,"material":34,"size":35,"collection":36,"collections":167,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":72},225939,"haystack-in-the-morning-snow-effect-1891-mo-nai-225939","Haystack in the Morning, Snow Effect, 1891",[23,60,7,160,161,162,163,92,164,107,165],"笔触松散","干草堆","雪地","远山","影子","田野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4539166ce37bcb465cc86f5f40d77df7.jpg",[36],47,{"id":170,"slug":171,"title":172,"dynasty":18,"author":19,"museum":20,"description":21,"tags":173,"thumbUrl":179,"material":34,"size":35,"collection":36,"collections":180,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":182},225947,"houses-of-parliament-effect-of-sunlight-in-the-fog-1900-1901-mo-nai-225947","Houses of Parliament, Effect of Sunlight in the Fog, 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Giverny",[23,205,206,7,207,165,92,163,91,67,120,208,209,210,211,212,213],"点彩","外光写生","蓝色房屋","乡村","枯枝","弯曲河流","朦胧山峦","绿色田野","淡色天空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d3294145284cb1d8c7332d4ea315245.jpg",[36],37,{"id":218,"slug":219,"title":220,"dynasty":18,"author":19,"museum":20,"description":21,"tags":221,"thumbUrl":228,"material":34,"size":35,"collection":36,"collections":229,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":72},226025,"san-giorgio-maggiore-at-dusk-1908-mo-nai-226025","San Giorgio Maggiore at Dusk, 1908",[222,23,7,60,223,224,47,178,225,79,67,194,226,227],"名画","笔触表现","黄昏","塔楼","霞光","色彩并置","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30551a1562a1c380d8bba485399bb7b6.jpg",[36],30,{"id":232,"slug":233,"title":234,"dynasty":18,"author":19,"museum":20,"description":21,"tags":235,"thumbUrl":240,"material":34,"size":35,"collection":36,"collections":241,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":39},226033,"spring-effect-at-giverny-1890-mo-nai-226033","Spring Effect at Giverny, 1890",[23,24,236,237,92,120,238,239,60,7,95],"蓝天","白云","野花","草垛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a5feeca46118ff746e45155368ac83d.jpg",[36],28,{"id":244,"slug":245,"title":246,"dynasty":18,"author":19,"museum":20,"description":21,"tags":247,"thumbUrl":252,"material":34,"size":35,"collection":36,"collections":253,"showCount":254,"zanCount":11,"manualWeight":11,"mainColor":54},226145,"wistarias-at-giverny-mo-nai-226145","Wistarias at Giverny",[23,24,60,7,118,248,249,250,27,26,251],"紫藤花","藤蔓","绿叶","自然景物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86b0e9a23d613eabce3b15b3e7e09b8b.jpg",[36],26,{"id":256,"slug":257,"title":258,"dynasty":18,"author":19,"museum":20,"description":21,"tags":259,"thumbUrl":266,"material":34,"size":35,"collection":36,"collections":267,"showCount":268,"zanCount":112,"manualWeight":11,"mainColor":39},226070,"the-fisherman-s-house-at-varengeville-1882-mo-nai-226070","The Fisherman's House at Varengeville, 1882",[24,23,60,7,118,260,123,261,262,263,236,237,264,265],"房屋","花草","大海","帆船","海岸","海面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff2dae2774885972773d5c669b66775a.jpg",[36],25,{"id":270,"slug":271,"title":272,"dynasty":18,"author":19,"museum":20,"description":21,"tags":273,"thumbUrl":275,"material":34,"size":35,"collection":36,"collections":276,"showCount":277,"zanCount":112,"manualWeight":11,"mainColor":39},225988,"morning-on-the-seine-near-giverny-1896-mo-nai-225988","Morning on the Seine, near Giverny, 1896",[23,24,91,47,79,92,274,63,45,7,31],"清晨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf10c6a211be582dcffa8baf67b153f2.jpg",[36],23,{"id":279,"slug":280,"title":281,"dynasty":18,"author":19,"museum":20,"description":21,"tags":282,"thumbUrl":284,"material":34,"size":35,"collection":36,"collections":285,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":72},226115,"the-seine-at-bougival-in-the-evening-1870-mo-nai-226115","The Seine at Bougival in the Evening, 1870",[24,23,60,91,283,189,178,92,120,50,224,7,95],"晚霞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce56a972635315838112f6d9f26c2f8d.jpg",[36],21,{"id":288,"slug":289,"title":290,"dynasty":18,"author":19,"museum":20,"description":21,"tags":291,"thumbUrl":295,"material":34,"size":35,"collection":36,"collections":296,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":72},226076,"the-hut-in-trouville-low-tide-1881-mo-nai-226076","The Hut in Trouville, Low Tide, 1881",[23,24,206,7,292,293,294,265,68,196,67],"小屋","海滩","退潮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51e1eae68950113e2890ec28ce1dd000.jpg",[36],{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":21,"tags":301,"thumbUrl":310,"material":34,"size":35,"collection":36,"collections":311,"showCount":312,"zanCount":11,"manualWeight":11,"mainColor":72},226072,"the-grand-canal-in-venice-01-1908-mo-nai-226072","The Grand Canal in Venice 01, 1908",[23,24,302,65,79,303,304,305,60,7,306,307,308,118,309],"运河","穹顶建筑","建筑群","水中木桩","水面反光","欧式建筑","水域景观","色彩交织","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11be3044b095f8f7405a23b732e876c4.jpg",[36],20,{"id":314,"slug":315,"title":316,"dynasty":18,"author":19,"museum":20,"description":21,"tags":317,"thumbUrl":318,"material":34,"size":35,"collection":36,"collections":319,"showCount":320,"zanCount":11,"manualWeight":11,"mainColor":54},226131,"the-water-lily-pond-at-giverny-1917-mo-nai-226131","The Water-Lily Pond at Giverny, 1917",[23,24,49,46,47,79,92,261,27,31,32,7,95],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e3a8fb7d461b825bc9f879091fc468a.jpg",[36],19,{"id":322,"slug":323,"title":324,"dynasty":18,"author":19,"museum":20,"description":21,"tags":325,"thumbUrl":333,"material":34,"size":35,"collection":36,"collections":334,"showCount":320,"zanCount":11,"manualWeight":11,"mainColor":72},226124,"the-thames-below-westminster-1871-mo-nai-226124","The Thames 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1874",[23,24,60,7,95,655,91,178,328,557,50,142,67,65],"小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ad8b6bab72277afe5adc5dc515421fd.jpg",[36],4,{"id":660,"slug":661,"title":662,"dynasty":663,"author":664,"museum":665,"description":666,"tags":667,"thumbUrl":679,"material":152,"size":680,"collection":152,"collections":681,"showCount":658,"zanCount":11,"manualWeight":11,"mainColor":72},223195,"geng-zhi-tu-ce-jiao-bing-zhen-223195","耕织图册","清","焦秉贞","北京故宫博物院","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[668,669,25,670,671,672,673,142,260,92,674,675,27,676,677,178,251,678,7],"国画","工笔","界画","册页","中西合璧","透视","栅栏","庭院","农耕","劳作场景","细致线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a7e62abef33f1a50cee03a9181381d0.jpg","34.7cm×27.7cm",[],{"id":683,"slug":684,"title":685,"dynasty":18,"author":686,"museum":20,"description":687,"tags":688,"thumbUrl":695,"material":34,"size":35,"collection":152,"collections":696,"showCount":697,"zanCount":11,"manualWeight":11,"mainColor":72},232080,"de-jia-41-de-jia-232080","德加41","德加","埃德加·德加（Edgar 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