[{"data":1,"prerenderedAt":72},["ShallowReactive",2],{"subject-sha-lou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7456,"sha-lou","沙漏","沙漏画高清赏析","精选中国历代沙漏题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00fa3466829d08b1ca12ed5f967ce251.jpg",0,3,[14,37,54],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},288868,"giovanni-battista-tiepolo-seated-figure-of-time-yi-ming-288868","Giovanni Battista Tiepolo--Seated Figure of Time","不详","佚名","藏地不详","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[23,24,25,26,27,7,28,29],"人物画","速写","淡彩","神话人物","时间之神","镰刀","车轮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7a048f44b49514ead60f2430510640c.jpg","未知","Xcm*Xcm","",[],1,"FFFFFF",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":52,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":53},288715,"vittorio-maria-bigari-allegorical-figure-of-history-yi-ming-288715","Vittorio Maria Bigari--Allegorical Figure of History","这幅作品以色粉在灰蓝纸上营造出类浅浮雕的视觉效果，明暗晕染如石材般厚重沉静。静穆的天使展翼持卷，与垂颓疲惫的时间之神形成强烈对照。天使凝思的神情呼应上方题旨，将历史承载的文明荣光娓娓铺陈；一旁的时间之神枯槁佝偻，身侧沙漏与镰刀暗喻岁月流逝，抬手扶额的姿态尽显沧桑倦怠。摊开的古书静置于角落，暗合历史的叙事底色。创作者以雕塑化的造型语言，将历史在时间洪流里存续荣光、裹挟消逝的深邃哲思，藏入细腻的光影层次之中。",[43,23,44,45,46,47,48,49,7,28,50,51],"素描","寓意画","天使","老者","翅膀","书籍","卷轴","神话形象","宗教元素",[],"795548",{"id":55,"slug":56,"title":57,"dynasty":18,"author":58,"museum":20,"description":59,"tags":60,"thumbUrl":69,"material":31,"size":32,"collection":33,"collections":70,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},232472,"he-er-bai-yin-131-he-er-bai-yin-232472","荷尔拜因131","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[61,43,62,7,63,64,65,66,67,68],"白描","人物","钟表","兽","器","装饰","线描","圆形图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7335c1e088dc2948bc52d2c53ac3e2f6.jpg",[],"BDBDBD",1777535776480]