[{"data":1,"prerenderedAt":127},["ShallowReactive",2],{"subject-shan-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1604,"shan-jing","山径","山径画高清赏析","精选中国历代山径题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F531e5c6f6c96946b0744c04de2a91412.jpg",0,5,[14,42,72,89,108],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},218569,"hua-niao-shan-shui-xiao-pin-ce-shan-jing-zhang-xing-ma-yuan-218569","花鸟山水小品册-山径杖行","宋","马远","台北故宫博物院","分别绘茶花、牡丹、葡萄、桃子，色彩鲜艳，用笔精致。山水绘山阁远眺，策杖登高，孤棹泛波，意趣悠然。",[23,24,25,26,27,28,29,30,31,7,32,33,34],"高清","宋画","国画","书画","册","设色","皴法","山水","人物","树木","岩石","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc6032da58b059d48a3d1b48a9d58189.jpg","绢本,设色","33*19","",[],61,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":63,"material":64,"size":65,"collection":66,"collections":67,"showCount":69,"zanCount":70,"manualWeight":11,"mainColor":71},220396,"xia-yun-yu-yu-tu-liu-jue-220396","夏云欲雨图","明","刘珏","北京故宫博物院","本幅布局饱满，山峦填满大半画面，气势逼人，山体几乎全用长披麻皴，增加了画面的动感。右侧的浓云以细笔勾轮廓，淡墨渲染，生动地刻画出云朵急速翻滚变化之态。蜿蜒的山体，盘旋的山径，翻转的云朵，流动的瀑布，溅起的浪花，共同营造出深山中风云激荡、大雨欲来之势。画面最具静感的是右下角的木桥，并行平直的线条，两侧的过廊，皆增加了桥体的稳定感，而这些则更加衬托出整幅画面的撼人之气。该图画风沉郁清壮，用墨朴茂湿润，主要仿自元代吴镇，而清丽秀润之笔法则与吴镇的厚重粗犷有别。",[23,51,25,52,53,29,54,55,56,57,58,7,59,32,60,61,62],"名画","山水画","水墨","山峦","云朵","瀑布","小桥","流水","村落","风云激荡","大雨欲来","沉郁清壮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba447da9f4712e289e7effc13da529d0.jpg","绢本,水墨","纵165.7厘米，横95厘米","山水画精选",[66,68],"水墨画精选",52,1,"795548",{"id":73,"slug":74,"title":75,"dynasty":46,"author":76,"museum":77,"description":78,"tags":79,"thumbUrl":84,"material":85,"size":86,"collection":66,"collections":87,"showCount":88,"zanCount":11,"manualWeight":11,"mainColor":41},217921,"shan-jing-xing-lv-tu-zhou-chen-217921","山径行旅图","周臣","维多利亚和阿尔伯特博物馆","画面中可以看到蜿蜒的山径，周臣巧妙地运用了线条和色彩来表现山径的弯曲起伏。顶部的云朵和树林以及画面下方的山峰和溪流，使得整幅画充满了生机和动感。\n\n此外，周臣还细致地描绘了山径两侧的植物和动物，包括花草、山石、鸟类、鹿等。这些细节使得画面更加丰富多彩，也展示了周臣对生物的热爱和观察力。\n\n总的来说，《山径行旅图》是周臣的杰作，它展现了他对自然的热爱和描绘能力，也是中国画史上的一颗明珠。",[25,80,30,7,81,31,82,32,83,53,28,29],"扇面","行旅","马","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b2a6eebb70a11f31cd71bd92a3caf50.jpg","纸本,设色","33.5x61cm",[66],50,{"id":90,"slug":91,"title":92,"dynasty":93,"author":94,"museum":95,"description":96,"tags":97,"thumbUrl":103,"material":104,"size":105,"collection":66,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":41},219991,"shan-jing-po-zhou-tu-dai-ben-xiao-219991","山径泊舟图","清","戴本孝","安徽省博物馆","戴本孝（1621年－1691年），和州（今安徽省和县）人。字务旃，号前休子，终生不仕，以布衣隐居鹰阿山，故号鹰阿山樵，别号黄水湖渔父、太华石屋叟等，清代新安派画家之一。",[23,25,53,29,98,30,99,100,101,102,7],"立轴","孤石","松树","楼阁","孤舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04e7c0febcd0f56ffa4fd38b837a6abc.jpg","纸本","132cm×60cm",[66],41,{"id":109,"slug":110,"title":111,"dynasty":46,"author":112,"museum":20,"description":113,"tags":114,"thumbUrl":121,"material":122,"size":123,"collection":66,"collections":124,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":41},222409,"shi-xie-shan-tu-zhou-zhang-hong-222409","石屑山图轴","张宏","冈峦挺立，层层起伏；溪涧湍急，林阴茂密。山径蜿蜒而上，将峻峰林木连成一气。点画竹林，笔墨浓淡乾湿相间，产生光影浮动的效果，表现出炎炎夏日的气氛。全图用笔工细，构景繁复。竹林的笔墨浓淡乾湿相间，产生光影浮动的效果，将炎炎夏日的气氛尽表无遗。画成于1613年（万历四十一年），时作者三十七岁。青壮之年，笔墨即甚为纯熟，其成就为时人所推崇。\n此图是画位在浙江省长兴县境的石屑山，出于实景观照，画家心领意会，取山川精华，以灵动的笔墨描绘图成。该幅画赠君俞先生，君俞姓唐，晋陵人（江苏武进），与董其昌也有交往，在1623年（天启三年）时，将自己珍藏的王蒙《谷口春耕》图（此图现藏本院），赠与董其昌。",[23,25,98,30,115,28,116,117,118,7,57,58,101,119,120],"工笔","冈峦","溪涧","竹林","林木","夏日","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2366fe87404a34b33bfe3b976ed33aeb.jpg","白纸本","201.3x55.2公分；全幅 79.8公",[66,125],"设色画精选",15,1777535752051]