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Olive Trees 1889","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[100,101,102,103,104,105,106,107,7,108,109,110,35,111],"油画","后印象派","厚涂法","动态笔触","色彩对比","表现主义","油彩","橄榄树","天空","云朵","土地","纹理笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40b33b3dee8102444ea19c423b8d07e7.jpg","未知","Xcm*Xcm","油画精选",[115],41,"37474F",{"id":120,"slug":121,"title":122,"dynasty":18,"author":123,"museum":124,"description":125,"tags":126,"thumbUrl":134,"material":65,"size":135,"collection":47,"collections":136,"showCount":117,"zanCount":11,"manualWeight":11,"mainColor":50},224480,"guan-shan-qiu-ji-tu-wang-jian-224480","关山秋霁图","王鉴","广州艺术博物院","此是王鉴摹吴镇的一幅名画，相同的画董其昌在其《小中见大》册中也临摹有一幅，构图相同，说明两人都是忠实于原作的临摹。此幅水墨淋漓，与吴镇用笔用墨十分相似，可见王圆照摹古功力之深。",[23,24,61,127,27,28,29,7,35,31,32,33,34,63,128,129,130,131,132,133,41],"立轴","秋景","溪流","屋舍","林木","峰峦","栈道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F312f5a5f9f6caa2841fbb84103d97470.jpg","177x95厘米",[47,69],{"id":138,"slug":139,"title":140,"dynasty":75,"author":141,"museum":77,"description":142,"tags":143,"thumbUrl":151,"material":152,"size":153,"collection":154,"collections":155,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":50},223335,"si-lu-shan-shui-di-tu-meng-gu-shan-shui-di-tu-ming-nei-fu-hui-yi-ming-223335","丝路山水地图.蒙古山水地图.明内府绘","佚名","《丝路山水地图》又名《蒙古山水地图》，全图以大青绿山不绘制，东起嘉峪关西至天方城（今沙特麦加）的辽阔地域范围，共标有211个地理坐标，绘于明朝嘉靖三年至嘉靖十八年，为明朝宫廷的皇家地图。",[23,24,61,25,27,144,26,29,145,7,39,146,35,147,148,149,150],"青绿","古道","城池","路径","聚落","植被","地形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf94e5caa9d9b66111751c89f4029807.jpg","绢本，设色","59＊3012cm","",[],39,{"id":158,"slug":159,"title":160,"dynasty":95,"author":161,"museum":97,"description":162,"tags":163,"thumbUrl":172,"material":113,"size":114,"collection":115,"collections":173,"showCount":174,"zanCount":11,"manualWeight":11,"mainColor":50},225910,"cap-martin-1884-mo-nai-225910","Cap Martin, 1884","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[164,100,165,166,167,40,7,35,168,169,170,108,171],"印象派","光影表现","色彩明快","笔触灵动","绿植","土路","水域","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea2cbb23f3a008abcc52adcf058a00cd.jpg",[115],33,{"id":176,"slug":177,"title":178,"dynasty":18,"author":19,"museum":97,"description":179,"tags":180,"thumbUrl":183,"material":184,"size":185,"collection":154,"collections":186,"showCount":187,"zanCount":11,"manualWeight":11,"mainColor":90},220131,"mo-gu-shan-shui-hua-4-wang-hui-220131","摹古山水画4","王翚，清初山水画巨匠“四王”之一，他研习山水画走的也是一条摹古之路，造就了深厚、扎实、宽泛的传统功力，他深入学习宋元一众大家，逐渐形成自己画面清新、笔墨纯正的山水画风格。",[23,24,61,181,27,81,28,29,32,33,182,35,63,130,39,7],"摹古","孤舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f39feb4bfd7c05be91065cc43167d1a.jpg","纸本,设色","30.5×21.5",[],27,{"id":189,"slug":190,"title":191,"dynasty":18,"author":141,"museum":97,"description":192,"tags":193,"thumbUrl":198,"material":154,"size":199,"collection":154,"collections":200,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":50},223331,"san-shan-wu-yuan-tu-yi-ming-223331","三山五园图","在北京西郊的西山脚下，有一片泉泽遍野，群峰叠翠的地方，从公元11世纪起，这里就开始营建皇家园林，到800年后清朝结束时，园林总面积达到了1000多公顷。在这些皇家园林中，最著名的就要数“三山五园”了。\n“三山五园”中的三山是指香山、玉泉山和万寿山。这三座山上分别有静宜园、静明园、清漪园，再加上东边的畅春园和圆明园，就是所谓的五园。如此集中的皇家园林为世所罕见。这主要还是得力于这里优美的自然环境，以及北京作为京城的人文优势。\n在北京的西北郊，素有神京右臂之称的西山，峰峦连绵，自南趋北，余脉在香山的部位兜转而东，远远拱列于北京的西北面。在它的腹心地带，两座小山岗双双平地突起，这就是玉泉山和万寿山。它们附近泉水丰沛，湖泊密布，形成有如江南的优美自然景观，这在华北地区是不多见的。\n早在辽、金时期，香山、玉泉山就有了皇家行宫别苑的建置。但金、元、明三代的主要精力都放在在修建北京的城池和城内的皇宫。这里真正成为皇家独占的宫廷园囿，还是清王朝兴起以后的事。\n清朝的皇帝们十分热衷于园林的建设，尤其是康熙、雍正、乾隆三朝，基本奠定了京城皇家园林的建设格局和规模，“三山五园”就是其中的核心部分。\n三山五园中建造最早的是畅春园，它于康熙二十九年（即公元1691年）建成，位于今天的北京大学一带，是在明代私家园林的旧址上修建的。今天我们在北京大学的校园里，还依稀可以找到一些旧日园林的痕迹。",[23,27,194,26,29,31,33,195,196,197,7],"界画","园林","建筑","湖泊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf339820c8e9c1373d7b74bcee1b035e.jpg","51x88",[],26,{"id":203,"slug":204,"title":205,"dynasty":95,"author":96,"museum":97,"description":98,"tags":206,"thumbUrl":215,"material":113,"size":114,"collection":115,"collections":216,"showCount":217,"zanCount":11,"manualWeight":11,"mainColor":50},225773,"landscape-at-saint-re-my-enclosed-field-with-peasant-fan-gao-225773","Landscape at Saint-Rémy (Enclosed Field with Peasant)",[100,207,208,209,210,211,7,108,109,212,35,213,110,214,149],"厚涂","笔触奔放","色彩鲜明","田野","农民","房屋","篱笆","灌木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd50c19cf3f69bb5b337d215962d61059.jpg",[115],18,{"id":219,"slug":220,"title":221,"dynasty":18,"author":222,"museum":97,"description":223,"tags":224,"thumbUrl":229,"material":43,"size":230,"collection":47,"collections":231,"showCount":217,"zanCount":232,"manualWeight":11,"mainColor":90},215147,"min-sheng-yan-chang-tu-juan-hua-xin-pu-sa-bao-215147","闽省盐场图卷-画芯","菩薩保","清朝时期的闽省盐场图卷-画芯是一件著名的文物。它是由清朝时期的画家所作，描绘了当时闽省的盐场景象。闽省盐场图卷-画芯因其精细的绘画技巧和对闽省盐场生产的精确描述而闻名。这件文物被认为是清朝时期艺术史上的重要作品，并被列为国家一级文物保护单位。",[23,24,25,27,26,194,29,39,225,146,7,170,226,196,227,228],"岛屿","城镇","海岸线","盐场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2369b612c63db4d4809f238f9bdb851a.jpg","38x860",[47],2,{"id":234,"slug":235,"title":236,"dynasty":18,"author":19,"museum":237,"description":238,"tags":239,"thumbUrl":244,"material":184,"size":154,"collection":154,"collections":245,"showCount":246,"zanCount":11,"manualWeight":11,"mainColor":90},214592,"fang-gu-shan-shui-ce-12-wang-hui-214592","仿古山水册-12","私人收藏","王翚（1768年－1849年）是清代著名的画家，他出生于江苏省南京市，是清代名门望族，他的祖父王恭是清代名将王莽的儿子。王翚早年曾在父亲的教导下学习书法和绘画，后来又师从著名画家黄庭坚学习。\n\n王翚擅长画山水，他的作品《仿古山水册》是他的代表作之一。这本册子包含了王翚的许多优秀作品，其中包括了他的山水画、人物画、花鸟画等，作品风格秀丽自然，富有感染力。《仿古山水册》被誉为王翚代表作之一，在当时颇受欢迎。\n\n王翚的画风受到了清代著名画家黄庭坚的影响，但他也在此基础上创造出了自己独特的画风。他善于运用墨色，擅长表现山水的秀美和雄伟，并融入了自己的个人特色。王翚的画作经常带有浓郁的文化气息，富有哲理性和艺术性。\n\n总的来说，王翚的《仿古山水册》是一部优秀的山水画集，值得一看。",[24,61,240,81,27,28,29,32,33,241,212,7,242,243],"册","老树","瀑布","村落","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16d618c998af2a6aa46e4bd9d82f6307.jpg",[],15,{"id":248,"slug":249,"title":250,"dynasty":95,"author":96,"museum":97,"description":98,"tags":251,"thumbUrl":256,"material":113,"size":114,"collection":115,"collections":257,"showCount":258,"zanCount":89,"manualWeight":11,"mainColor":90},225878,"wheatfield-with-a-reaper-september-fan-gao-225878","Wheatfield 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