[{"data":1,"prerenderedAt":591},["ShallowReactive",2],{"subject-shan-po":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},452,"shan-po","山坡","山坡画高清赏析","精选中国历代山坡题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85df6f544a3312e3f900ca4c71836f34.jpg",0,43,[14,41,68,89,107,129,146,166,180,191,206,220,236,244,254,268,276,292,302,319,333,345,353,371,383,391,401,411,420,435,449,462,472,482,492,503,513,525,536,547,556,572,580],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},214609,"jiao-yuan-ye-zhang-tu-wan-shan-ye-ma-lin-214609","郊园曳杖图纨扇页","宋","马麟","上海博物馆","郊园曳杖图是宋朝时期马麟所作的一幅著名的山水画。这幅画描绘了一个人在郊外散步的场景，画中的人物拿着一根曳杖，走在一片绿色的郊园里，周围环绕着山峦和树木。\n\n马麟是宋朝时期著名的画家，他的画风轻松优美，富有感性，并且注重写实。在他的作品中，常常出现山水画题材，他将山水画中的景物和人物结合起来，表现出人与自然和谐相处的意境。郊园曳杖图就是这样一幅作品，它展示了一个人在郊外散步的情景，与周围的山水相互融合，充满了自然之美。\n\n马麟的郊园曳杖图是一幅经典的山水画作品，其中细腻的笔墨，流畅的线条，精确的造型，以及生动的写意，都体现了马麟作为画家的高超技艺。这幅画不仅为后人留下了宝贵的艺术瑰宝，也为我们展现了宋朝时期山水画的魅力。",[23,24,25,26,27,28,29,30,31,7,32],"扇面","国画","名画","书画","设色","皴法","山水","人物","树木","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c4fe954c2ad1a1f925dcf460e2dd461.jpg","绢本,设色","纵23.3 厘米 横23.7 厘米","山水画精选",[36],148,3,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":61,"material":62,"size":63,"collection":64,"collections":65,"showCount":66,"zanCount":67,"manualWeight":11,"mainColor":40},225897,"apple-trees-in-bloom-1873-mo-nai-225897","Apple Trees in Bloom, 1873","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[50,51,52,53,54,55,56,7,57,58,31,59,60],"印象派","油画","光影","色彩","苹果树","花","草地","阳光","阴影","枝干","绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7dc2ba4e0472dde8bd5d3e98edc5a16.jpg","未知","Xcm*Xcm","油画精选",[64],75,1,{"id":69,"slug":70,"title":71,"dynasty":72,"author":73,"museum":74,"description":75,"tags":76,"thumbUrl":84,"material":34,"size":85,"collection":86,"collections":87,"showCount":88,"zanCount":11,"manualWeight":11,"mainColor":40},216217,"san-yang-tu-zhu-zhan-ji-216217","三羊图","明","朱瞻基","台北故宫博物院","三羊图是明朝朱瞻基所作的一幅画。这幅画描绘了三只羊在草地上吃草，背景是一片美丽的山景。三羊图被认为是朱瞻基最优秀的作品之一，其细腻的笔巧和生动的写实手法得到了广泛的赞誉。这幅画象征着平静和安宁，也被认为是对中国传统和谐社会的赞颂。",[25,24,26,77,27,78,30,79,80,81,7,82,83],"立轴","工笔","羊","树","岩石","兽","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66c63505c5c8038bbaf86c97b7a1cf2b.jpg","105.3x58.3cm","花鸟画精选",[86],72,{"id":90,"slug":91,"title":92,"dynasty":18,"author":93,"museum":94,"description":95,"tags":96,"thumbUrl":100,"material":101,"size":102,"collection":103,"collections":104,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":40},221501,"chun-jiao-mu-yang-tu-li-di-221501","春郊牧羊图","李迪","美国大都会艺术博物馆","《春郊牧羊图》为扇面小品，大不盈尺，绘春郊野外，羊群于坡岸吃草放牧的情景，羊群刻画生动，奔走俯首等姿态栩栩如生，有母子舔犊情深、有结伴奔跑嬉戏、有独自悠闲觅食。荒草并不丰茂，但却充满生机，平稳均衡的画面布局又隐藏着山坡横向的动感和柳树上扬下垂的起伏变化，而正在攀爬柳树的牧童，更是给看似安静的画面增添了活眼",[97,24,25,23,78,27,98,79,82,30,56,7,99],"高清","柳","郊野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a238f37fd4e936610467a8de5665e84.jpg","绢本","24.1×24.8cm","宋画精选",[103,86,105],"水墨画精选",54,{"id":108,"slug":109,"title":110,"dynasty":72,"author":111,"museum":112,"description":113,"tags":114,"thumbUrl":123,"material":124,"size":125,"collection":36,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":128},222027,"san-gu-cao-lu-tu-dai-jin-222027","三顾草庐图","戴进","北京故宫博物院","画面描绘的是家喻户晓的刘备“三顾茅庐”拜访诸葛亮的故事。人物的描绘生动而细致，例如刘备恭敬的神态、张飞的深色面庞及武夫样的站姿都描绘得十分传神。人物的动态掌握得非常准确。画山石用大斧劈皴法，松枝颀长，明显继承了南宋马远的画风，用笔简劲。整体画面墨色清雅。\n在明代宫廷画中以“招贤纳士”为题材的历史故事画为数不少，反映了当政皇帝求贤的迫切心情。",[97,24,115,28,27,30,116,117,118,119,120,121,80,7,122],"山水画","松","草庐","竹","亭","山石","瀑布","路径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6f5519f01f671699f57d3b1bc3dfe2e.jpg","绢本，设色","纵172.2cm，横107cm",[36,105],35,"BDBDBD",{"id":130,"slug":131,"title":132,"dynasty":72,"author":133,"museum":112,"description":134,"tags":135,"thumbUrl":140,"material":141,"size":142,"collection":86,"collections":143,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":128},236274,"jiang-shang-qi-shu-juan-yao-shou-236274","江上七树卷","姚绶","姚绶（1422—1495），明早中期画家。字公绶，号丹丘生，又号谷庵子、谷庵、仙痴、云东逸史，浙江嘉兴府嘉善县大云寺人。少有才名，专攻古文辞，诗赋茂畅。天顺中赐进士，官监察御史，奉命巡盐两淮，铲除积弊。因得罪权贵，谪永宁知府。以母老辞归，居大云，筑室名丹丘。又作沧江虹月舟，泛游吴越间。姚绶工行草书，初学宋克，后法魏晋钟繇、王羲之，劲婉咸妙。出入钟、王而别具拙朴风神，风格近张雨。擅画山水，宗吴镇，也取法赵孟、王蒙，好作沙坳水曲景色，墨色苍润；间写竹石，潇洒可爱，笔墨酷似吴镇。传世名作有《秋江渔隐图》轴（北京故宫博物院藏）、《山水图》册页（上海博物馆藏）、《竹石图》轴（辽宁省博物馆藏）。著有《谷庵集》、《云东集》、《天人合旨》、《姚御史诗文》。小景好作沙坳小曲，孤钓独吟，其阔幅重林远瀍，著四五渔船而已。图成或售于人，遂厚价返收之，其自重如此。与杜琼、刘珏、谢缙等明代早期文人画家，都承继了元四家衣钵，为明代中期吴门派的勃兴，起到了承前启后的作用，是吴门派的前期画家。\n姚绶得吴仲圭、盛子昭二家法，苍厚敦穆，简拙之中别具秀润，自是文人逸格。复参赵孟、王蒙笔意，皴染圆厚，书卷气极浓。姚绶曾画竹自云：“画竹如写字，枝叶皆从八法来，苦苦欲求形似者，清风安得扫尘埃”姚绶竹石题材的作品多以吴镇为宗。画竹一般以书入画，在竹子的处理上“叶叶着枝，枝枝着节”行笔轻灵劲健，竹叶已完全融入了他的书法用笔，姚绶早年书法宗宋克，中年后以张雨为宗，又致力于赵孟俯，黄庭坚，最终合张、黄、赵三家为一体，所以竹叶有其书法体态上的奇宕多姿，清逸而又雄迈的韵味。姚绶此类相近的竹石题材作品如：台北故宫藏《竹石图》，与北京故宫藏《竹石图》可窥其精华一二。",[25,24,26,136,137,28,31,138,7,59,139,32],"长卷","水墨","老树","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F171927c81b7c87363f9a4fca9993c187.jpg","纸本","",[86,105,144],"书法精选",20,{"id":147,"slug":148,"title":149,"dynasty":45,"author":150,"museum":47,"description":151,"tags":152,"thumbUrl":164,"material":62,"size":63,"collection":64,"collections":165,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":128},225735,"de-heuvel-van-montmartre-met-steengroeve-fan-gao-225735","De heuvel van Montmartre met steengroeve","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[51,153,154,7,155,156,30,157,158,56,159,160,161,162,163,31],"后印象派","厚涂","风车","房屋","围栏","采石场","天空","小路","木栅栏","石块","土地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F774e03ff0fe13bdf430a25b8a0496e9a.jpg",[64],{"id":167,"slug":168,"title":169,"dynasty":72,"author":170,"museum":74,"description":171,"tags":172,"thumbUrl":176,"material":34,"size":177,"collection":142,"collections":178,"showCount":179,"zanCount":11,"manualWeight":11,"mainColor":128},218179,"chun-xiao-tu-2-chou-ying-218179","纯孝图-2","仇英","仇英是中国明朝时期的一位著名画家。他出生于江苏省的一个艺术世家，从小就对绘画和书法有浓厚的兴趣。仇英擅长画花鸟，尤其擅长画山水。他的画作以精细的笔法和精致的画风著称，并且被认为是当时中国画坛的佼佼者之一。\n\n整幅画渲染出了浓浓的母爱之情和孝顺之心。它成为了中国传统文化中关于孝道的经典代表作之一，并被广泛收藏和喜爱。",[24,26,78,27,30,173,138,174,7,156,175,31],"马","古道","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ffeae386b6ebd4cb012fe42050fa7b4.jpg","32.8x21.9",[],19,{"id":181,"slug":182,"title":183,"dynasty":45,"author":46,"museum":47,"description":48,"tags":184,"thumbUrl":188,"material":62,"size":63,"collection":64,"collections":189,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":40},226058,"the-church-at-varengeville-against-the-sunset-1882-mo-nai-226058","The Church at Varengeville, against the Sunset, 1882",[50,51,185,186,31,7,159,187,52,53],"夕阳","教堂","植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d4a86481bb99993e5669b8d70e96742.jpg",[64],18,{"id":192,"slug":193,"title":194,"dynasty":45,"author":46,"museum":47,"description":48,"tags":195,"thumbUrl":203,"material":62,"size":63,"collection":64,"collections":204,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":128},226141,"vetheuil-1879-mo-nai-226141","Vetheuil, 1879",[50,51,196,197,198,199,159,200,201,186,7,31,202],"光影表现","色彩明快","笔触灵动","河流","云朵","村庄","水面倒影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7992c8caf1090d3811363abf5e49389.jpg",[64],16,{"id":207,"slug":208,"title":209,"dynasty":45,"author":150,"museum":47,"description":151,"tags":210,"thumbUrl":218,"material":62,"size":63,"collection":64,"collections":219,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":40},225755,"gogh-vincent-van-cottages-fan-gao-225755","Gogh Vincent van Cottages",[51,154,211,212,213,7,159,200,214,215,216,217],"小屋","茅草屋顶","田野","灌木","石墙","土路","色彩浓烈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F472f92b8719c0935d6a391a002c66dd0.jpg",[64],{"id":221,"slug":222,"title":223,"dynasty":45,"author":46,"museum":47,"description":48,"tags":224,"thumbUrl":233,"material":62,"size":63,"collection":64,"collections":234,"showCount":235,"zanCount":67,"manualWeight":11,"mainColor":128},225969,"late-afrternoon-vetheuil-1880-mo-nai-225969","Late Afrternoon, Vetheuil, 1880",[25,50,51,225,197,198,199,226,186,227,7,31,159,200,228,202,229,230,231,232],"光影变化","小镇","船只","午后光线","自然景观","建筑群","河岸","波光粼粼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9713978577222b76bdeb6e2d34ac97c.jpg",[64],15,{"id":237,"slug":238,"title":239,"dynasty":45,"author":46,"museum":47,"description":48,"tags":240,"thumbUrl":242,"material":62,"size":63,"collection":64,"collections":243,"showCount":235,"zanCount":11,"manualWeight":11,"mainColor":40},225968,"landscape-at-port-villez-1885-mo-nai-225968","Landscape at Port-Villez, 1885",[51,50,241,199,7,31,56,52],"风景画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11b6e90f99acd46db67c3ab23c30ee95.jpg",[64],{"id":245,"slug":246,"title":247,"dynasty":45,"author":150,"museum":47,"description":151,"tags":248,"thumbUrl":252,"material":62,"size":63,"collection":64,"collections":253,"showCount":235,"zanCount":11,"manualWeight":11,"mainColor":128},225780,"montmartre-behind-the-moulin-de-la-galette-july-fan-gao-225780","Montmartre behind the Moulin de la Galette (July - )",[51,153,241,249,7,157,250,251,159],"郊外","民居","城市景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8424aabc659af15ecff51851a873f79f.jpg",[64],{"id":255,"slug":256,"title":257,"dynasty":45,"author":46,"museum":47,"description":48,"tags":258,"thumbUrl":265,"material":62,"size":63,"collection":64,"collections":266,"showCount":267,"zanCount":11,"manualWeight":11,"mainColor":40},226134,"the-willow-the-roses-and-the-waterlilies-at-giverny-mo-nai-226134","The Willow, the Roses and the Waterlilies at Giverny",[50,259,260,197,261,262,263,56,57,58,7,264],"外光写生","光影捕捉","笔触松散","垂柳","玫瑰","自然场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb850dd4bb15b61b25b76b86d6f388c1.jpg",[64],13,{"id":269,"slug":270,"title":271,"dynasty":45,"author":150,"museum":47,"description":151,"tags":272,"thumbUrl":274,"material":62,"size":63,"collection":64,"collections":275,"showCount":267,"zanCount":11,"manualWeight":11,"mainColor":128},225837,"the-rocks-1888-fan-gao-225837","The Rocks 1888",[51,154,27,81,31,56,159,7,229,273,197],"笔触奔放","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79cffec417f3bb76b470a36fbff7867a.jpg",[64],{"id":277,"slug":278,"title":279,"dynasty":45,"author":46,"museum":47,"description":48,"tags":280,"thumbUrl":289,"material":62,"size":63,"collection":64,"collections":290,"showCount":291,"zanCount":11,"manualWeight":11,"mainColor":40},226057,"the-church-at-varengeville-against-the-sunlight-1882-mo-nai-226057","The Church at Varengeville, against the Sunlight, 1882",[50,51,260,281,198,186,31,7,185,159,187,282,283,229,284,285,286,287,288],"色彩晕染","山峦","远景建筑","暖色调","户外风景","前景花草","远山轮廓","日光效果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F121f293ba15199b1f06a2bfa35552aa6.jpg",[64],12,{"id":293,"slug":294,"title":295,"dynasty":45,"author":46,"museum":47,"description":48,"tags":296,"thumbUrl":300,"material":62,"size":63,"collection":64,"collections":301,"showCount":291,"zanCount":11,"manualWeight":11,"mainColor":128},226056,"the-church-at-varengeville-and-the-gorge-of-les-moutiers-1882-mo-nai-226056","The Church at Varengeville and the Gorge of Les Moutiers, 1882",[50,51,260,197,261,186,7,297,298,214,56,159,187,229,225,299,198],"悬崖","大海","色彩斑斓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9790e4c9e68d356d55de3cdb85e69bf3.jpg",[64],{"id":303,"slug":304,"title":305,"dynasty":45,"author":46,"museum":47,"description":48,"tags":306,"thumbUrl":316,"material":62,"size":63,"collection":64,"collections":317,"showCount":318,"zanCount":11,"manualWeight":11,"mainColor":40},226013,"road-near-giverny-1885-mo-nai-226013","Road near Giverny, 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)",[51,153,154,350,201,156,213,7,31,159,200],"色彩鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b2bce3a45c0617b70c9144ffb0b7d17.jpg",[64],{"id":354,"slug":355,"title":356,"dynasty":323,"author":357,"museum":112,"description":358,"tags":359,"thumbUrl":369,"material":27,"size":142,"collection":142,"collections":370,"showCount":344,"zanCount":11,"manualWeight":11,"mainColor":128},217313,"gu-xiu-wu-shi-san-can-tu-ce-4-yi-ming-217313","顾绣·五十三参图册-4","佚名","这幅顾绣作品以针代笔，将修行场景凝于丝缕间。一侧鹿踏祥云，老者衣袂翩跹，童子紧随；另一侧行者戴笠持杖，缓步郊野，童子仰头望之，神态毕肖。绣线劈丝如发，设色雅致温润，人物动态鲜活，场景清幽自然。画面分帧却气韵连贯，传递出善财童子参访善知识的虔诚，与寻访途中的悠然意趣。顾绣特有的细腻针法，让衣纹的褶皱、鹿的肌理、郊野的草木皆显生动，于方寸间藏修行之境，见工艺之精，尽显“以线代墨”的独特艺术魅力。",[360,361,27,78,327,30,362,363,80,364,365,366,367,7,368,32],"顾绣","刺绣","鹿","云","水","蓑笠","小孩","拐杖","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7b1b24bd78f5120284a3a2e41180a97.jpg",[],{"id":372,"slug":373,"title":374,"dynasty":45,"author":46,"museum":47,"description":48,"tags":375,"thumbUrl":380,"material":62,"size":63,"collection":64,"collections":381,"showCount":382,"zanCount":11,"manualWeight":11,"mainColor":128},226127,"the-valley-of-the-creuse-at-fresselines-1889-mo-nai-226127","The Valley of the Creuse at Fresselines, 1889",[50,51,260,376,377,199,7,378,379,159,198,281],"色彩融合","山谷","秋季植被","自然风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04d7bdbc745d0dfd28babbe4d5ac9558.jpg",[64],7,{"id":384,"slug":385,"title":386,"dynasty":45,"author":46,"museum":47,"description":48,"tags":387,"thumbUrl":389,"material":62,"size":63,"collection":64,"collections":390,"showCount":382,"zanCount":11,"manualWeight":11,"mainColor":40},226086,"the-old-tree-at-the-confluence-1889-mo-nai-226086","The Old Tree at the Confluence, 1889",[50,51,196,388,29,199,31,138,7,231,187,379],"短笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff92193d1b38c9b54d64327c68faff0a9.jpg",[64],{"id":392,"slug":393,"title":394,"dynasty":45,"author":46,"museum":47,"description":48,"tags":395,"thumbUrl":399,"material":62,"size":63,"collection":64,"collections":400,"showCount":382,"zanCount":11,"manualWeight":11,"mainColor":40},226065,"the-creuse-dark-weather-1889-mo-nai-226065","The Creuse, Dark Weather, 1889",[51,50,199,396,7,81,187,397,229,196,261,398],"峡谷","阴天","色彩交融","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faca6b493853be1e1926028134f389ba0.jpg",[64],{"id":402,"slug":403,"title":404,"dynasty":45,"author":46,"museum":47,"description":48,"tags":405,"thumbUrl":408,"material":62,"size":63,"collection":64,"collections":409,"showCount":382,"zanCount":11,"manualWeight":11,"mainColor":410},226064,"the-creuse-at-sunset-1889-mo-nai-226064","The Creuse at Sunset, 1889",[50,51,260,281,406,185,199,377,7,202,407,229],"笔触","黄昏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb4c7ff91244b7ffccb2fc1c2abbc741.jpg",[64],"37474F",{"id":412,"slug":413,"title":414,"dynasty":72,"author":357,"museum":94,"description":415,"tags":416,"thumbUrl":417,"material":418,"size":102,"collection":142,"collections":419,"showCount":382,"zanCount":11,"manualWeight":11,"mainColor":40},223574,"mu-yang-tu-yi-ming-223574","牧羊图","绘春郊野外，羊群于坡岸吃草放牧的情景，羊群刻画生动，奔走俯首等姿态栩栩如生，有母子舔犊情深、有结伴奔跑嬉戏、有独自悠闲觅食。荒草并不丰茂，但却充满生机，平稳均衡的画面布局又隐藏着山坡横向的动感和柳树上扬下垂的起伏变化，而正在攀爬柳树的牧童，更是给看似安静的画面增添了活眼。",[97,24,23,27,30,79,80,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d76828bbf7925e25c75ff00155b1967.jpg","绢本设色",[],{"id":421,"slug":422,"title":423,"dynasty":45,"author":357,"museum":47,"description":424,"tags":425,"thumbUrl":432,"material":142,"size":142,"collection":142,"collections":433,"showCount":434,"zanCount":11,"manualWeight":11,"mainColor":40},225312,"fu-shi-hui-46-yi-ming-225312","浮世绘46","靛蓝湖面晕开柔润水色，淡墨远山融在水天尽头晕出空濛侘寂。临水而立的红顶吊脚屋，枕着清波尽显水乡意趣。左侧石板山道上，两名町人作揖寒暄，衣褶舒展鲜活，将市井日常揉入雅致景致间。\n\n暖红檐角、苍绿林木撞色和谐，带着日式版画独有的平涂鲜亮质感，将闲淡乡居烟火与清寂湖光融为一体，藏起隐于山水间的温柔日常，引观者沉入这份松弛的和风诗意里。",[426,427,27,30,428,329,429,160,156,31,430,431,7],"浮世绘","木刻","楼阁","明月","远山","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d492b767333ad0eb94cc27d1af0c137.jpg",[],6,{"id":436,"slug":437,"title":438,"dynasty":323,"author":439,"museum":112,"description":440,"tags":441,"thumbUrl":444,"material":445,"size":446,"collection":142,"collections":447,"showCount":448,"zanCount":11,"manualWeight":11,"mainColor":128},233976,"shan-shui-ce-gong-xian-233976","山水册","龚贤","此册作于乙卯年（清熙十四年，1675年）。现藏故宫博物院。本图册中第一四、八、十一、十三、十四开属于“白龚”，图中的山石、树木均以古、健、老、活的中锋勾勒轮廓线，物象具有方而不板，结而不滑的特点。本图册中第二、五、七、九、十二、十七、十九开属于“黑龚”。作者以灰墨勾出大体轮廓和经络，然后层层皴染和点染。其皴染取自宋人范觅的雨点皴而稍有变化，为头实尾虚的短笔皴。",[24,26,137,442,29,156,31,443,7],"积墨","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ca84608863d51f18f4b6370d44538c6.jpg","纸本，墨笔","纵22.2厘米，横33.2厘米",[],4,{"id":450,"slug":451,"title":452,"dynasty":323,"author":453,"museum":454,"description":455,"tags":456,"thumbUrl":460,"material":34,"size":142,"collection":142,"collections":461,"showCount":448,"zanCount":11,"manualWeight":11,"mainColor":128},216895,"qian-long-nan-xun-zhu-bi-tu-ye-11-qian-wei-cheng-216895","乾隆南巡驻跸图页-11","钱维城","大英图书馆","二十三帧中的每一帧都有一个标题，有些板块还有文字描述南行的时间、景观和内容。该作品的构图融合了传统的风景画，花、树和花园清新柔和，远处和近处的山形以皲裂的风格描绘，建筑物则以三维俯视的方式绘制。",[97,24,27,457,78,428,119,31,458,459,310,7,156],"界画","院落","旗帜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe55f27c87870ea9d4475da8757fd58e4.jpg",[],{"id":463,"slug":464,"title":438,"dynasty":323,"author":465,"museum":47,"description":466,"tags":467,"thumbUrl":470,"material":142,"size":142,"collection":142,"collections":471,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":128},239349,"shan-shui-ce-lin-fu-chang-239349","林福昌","此作以浅绛设色绘秋郊闲景，笔致简淡清润。近岸杂木扶疏，丹黄点染枝叶，衬出清秋意韵，柔柳垂条伴卧波板桥，野趣悠然。平林远岫以淡墨轻扫，晕出郊原的疏阔空寂。田埂间数人徐行，似趁晴日郊野闲游，将秋日乡居的闲散意趣藏入画中。\n\n右上角题诗映合画意，书画相融，尽显文人雅韵。整体无浓墨重彩刻画，以淡彩轻笔写尽江南秋郊的萧散恬和，将郊原清秋的疏旷悠然晕染开来，余韵悠长。",[24,27,327,29,468,31,30,7,469],"小桥","红叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52413ef38b5d09152c2ca7b27ab5a912.jpg",[],{"id":473,"slug":474,"title":475,"dynasty":45,"author":357,"museum":47,"description":476,"tags":477,"thumbUrl":480,"material":142,"size":142,"collection":142,"collections":481,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":128},225340,"fu-shi-hui-93-yi-ming-225340","浮世绘93","飞瀑自崖顶垂落，撞入近海黛色水波，晕开幽谧山意。山径蜿蜒穿梭在植木点缀的崖间，负物商旅徐行，衣纹舒展细腻，将行路劳顿藏进线条里。崖下茅茨环水而立，蓬松草顶肌理鲜活，檐下闲人休憩闲谈，烟火暖意漫在山海之间。\n\n暖调霞色衬着冷调崖瀑，冷暖交织晕开悠然古意，将行旅日常融在山海胜景中，把天地之阔与市井之温揉合一处，山野清寂衬着村居暖意，淡笔绘就悠然图景，静中生趣，余味悠长。",[426,427,27,29,30,478,31,121,199,330,7,479],"茅屋","稻草屋顶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F094f8562159c077ddca4d63a409c04c6.jpg",[],{"id":483,"slug":484,"title":485,"dynasty":323,"author":486,"museum":47,"description":487,"tags":488,"thumbUrl":489,"material":490,"size":142,"collection":142,"collections":491,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":128},215065,"tui-bei-tu-ce-40-jiao-bing-zhen-215065","推背图册-40","焦秉贞","焦秉贞是中国清朝时期著名的画家，他被认为是中国水墨画史上最伟大的画家之一。其中最著名的作品是他的推背图册，其中包含了十幅推背图。推背图是一种特殊的水墨画，它们通常是用单一的墨色在纸上描绘的，并且使用了特殊的技巧来创造出立体感。焦秉贞的推背图册在当时被认为是一件杰出的艺术品，并且至今仍然备受赞赏。",[97,24,27,78,30,7,364,368],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4b6d664b47d8393917467b45cf35bc2.jpg","纸本,设色",[],{"id":493,"slug":494,"title":495,"dynasty":323,"author":496,"museum":47,"description":497,"tags":498,"thumbUrl":500,"material":62,"size":63,"collection":142,"collections":501,"showCount":502,"zanCount":11,"manualWeight":11,"mainColor":128},238471,"lie-qi-tu-ce-mian-yi-238471","猎骑图册","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[24,27,327,30,173,362,82,499,7,31,56,78],"弓箭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bbe8da90d48e079e8348137f45cb526.jpg",[],2,{"id":504,"slug":505,"title":506,"dynasty":45,"author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Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[51,241,7,510,250,31,249],"长椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdad91b5ac91d5ac600474d04f674765b.jpg",[],{"id":514,"slug":515,"title":516,"dynasty":45,"author":357,"museum":47,"description":517,"tags":518,"thumbUrl":523,"material":62,"size":63,"collection":142,"collections":524,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":40},289284,"perugino-landscape-recto-landscape-verso-yi-ming-289284","Perugino--Landscape (recto); Landscape (verso)","以灰调铺底，借白色提亮晕染出河谷晨景。前景水面凝敛，几处碎白点染粼粼波光，将郊野的湿润静谧晕开。坡地密林随山势铺展，白色扫过树冠，晕出枝叶蓬松柔润的质感，蜿蜒亮带如溪涧穿林而过，隐入深黛坡峦。\n整体笔触松弛朦胧，以极简明暗勾勒层次，将山野的幽寂闲和尽数藏进朦胧雾色中，仿佛能嗅见林间湿润的草木气息，静穆里带着自然鲜活的呼吸感，把郊野清晨的恬淡诗意揉进了温柔的灰调里。",[519,520,31,7,330,521,522],"风景","山林","淡彩","素描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffda9e54c1922edf852e0b4b2535ccea9.jpg",[],{"id":526,"slug":527,"title":528,"dynasty":45,"author":357,"museum":47,"description":529,"tags":530,"thumbUrl":534,"material":62,"size":63,"collection":142,"collections":535,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":128},288775,"richard-wilson-house-of-pompey-at-albano-yi-ming-288775","Richard Wilson--House of Pompey at Albano","这幅速写以浅淡素描糅合晕染淡彩，以沉静灰调铺底，晕染出山城聚落的沧桑柔缓。房屋顺着缓坡错落铺陈，细腻排线勾勒出石墙的残破肌理，朦胧柔光漫过檐角与断壁，似是薄暮时分的朦胧天色晕开了边界。\n\n作者以克制笔触将荒颓古迹与寻常民居织为一处，没有浓烈着色，仅靠明暗层次沉淀岁月厚重，松弛的纪实感揉进每一处笔痕里，将地中海山城的慵懒沉静凝为永恒，引着观者沉进这方流淌缓慢的旧时光中。",[522,519,250,531,7,532,533],"残垣","废墟","写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61cf1a4f7e3fde3fce74f1dd0a034f5a.jpg",[],{"id":537,"slug":538,"title":539,"dynasty":45,"author":357,"museum":47,"description":540,"tags":541,"thumbUrl":545,"material":62,"size":63,"collection":142,"collections":546,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":40},288611,"john-robert-cozens-view-of-the-villa-lante-on-the-janiculum-in-rome-yi-ming-288611","John Robert Cozens--View of the Villa Lante on the Janiculum in Rome","灰蓝薄晕铺展天穹，流云轻揉出松弛朦胧的底色。前景的林木以深浅不一的墨色层叠交织，将山野的幽深蓬勃铺陈开来，把视线缓缓引向高地之上的宅邸。\n\n宅邸规整沉稳，连廊顺着山脊舒展，让人工形制与野趣柔化相融。高地边缘的石松笔挺高挑，为画面晕开疏朗的韵律感。整幅画作以水彩的朦胧晕染，柔化了天地边界，色调克制沉静，将郊野庄园的闲逸娓娓道来，仿若能窥见旧日郊野的悠然日常，在明暗晕染之间，藏着古典风景独有的安宁诗意。",[241,542,7,543,544,159],"水彩画","别墅","林木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f34578c937859209e28f64ed8436441.jpg",[],{"id":548,"slug":549,"title":550,"dynasty":45,"author":507,"museum":47,"description":508,"tags":551,"thumbUrl":554,"material":62,"size":63,"collection":142,"collections":555,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":40},232142,"houses-at-the-foot-of-a-cliff-also-known-as-saint-valery-sur-somme-columbus-museu-de-jia-232142","Houses at the Foot of a Cliff (also known as Saint-Valery-sur-Somme) - - - Columbus 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