[{"data":1,"prerenderedAt":344},["ShallowReactive",2],{"subject-shan-qiu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3079,"shan-qiu","山丘","山丘画高清赏析","精选中国历代山丘题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a84886fe554f046fcb60e0d99942b0b.jpg",0,21,[14,47,78,100,119,140,151,163,180,197,213,225,240,250,264,274,282,293,306,325,336],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":44,"zanCount":45,"manualWeight":11,"mainColor":46},220852,"shui-cun-tu-juan-zhao-meng-fu-220852","水村图卷","元","赵孟頫","北京故宫博物院","此图卷作于元大德六年（1302年），赵孟頫时年49岁，这是他最后一幅可靠的纪年作品。赵孟頫以水墨写江南水乡平远开阔的景色，从用笔到构图都受到董源的影响，但董源的画法已完全融入赵孟頫的个人风格之中，于不经意间表现出来。山用披麻皴画出，景物以平远的形式展开。渴笔较多，用笔松秀含蓄，“写”的意味较浓，体现了书法的审美趣味。画家借景抒情，表现了一种静穆的心态和对“平淡天真”的追求。此图重要之处在于其对元画独特风格的形成产生了较大的影响，由此可见赵孟頫在开创元、明、清文人画潮流中所起的重要作用。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7,37],"高清","国画","书画","长卷","水墨","山水","行书","印章","皴法","山","水","村庄","树木","河流","田野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc7d0809cc7c3659449e357f2fbf9e09.jpg","纸本，水墨","纵24.9厘米，横120.5厘米。","山水画精选",[41,43],"水墨画精选",149,2,"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":51,"author":52,"museum":53,"description":54,"tags":55,"thumbUrl":71,"material":72,"size":73,"collection":74,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":77},225776,"les-vessenots-in-auvers-1890-fan-gao-225776","Les Vessenots in Auvers 1890","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[56,57,58,59,60,61,37,62,63,34,35,64,65,66,67,7,68,69,70],"油画","后印象派","笔触粗犷","色彩鲜艳","设色明快","厚涂法","花田","房屋","远山","天空","溪流","草地","农舍","绿植","云彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59d96b48c7f50705bc820c7d8d46b723.jpg","未知","Xcm*Xcm","油画精选",[74],43,"795548",{"id":79,"slug":80,"title":81,"dynasty":82,"author":83,"museum":84,"description":85,"tags":86,"thumbUrl":95,"material":96,"size":97,"collection":41,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":46},217037,"song-xi-cao-tang-tu-tang-yin-217037","松溪草堂图","明","唐寅","私人收藏","画面上，远处是连绵起伏的山丘，山丘与右侧的开阔水域之间隐约可见亭台楼阁，左侧的山脚下松树成荫，竹林环绕，泥滩上有几间小屋，中间的房子里坐着一个书生，似乎在欣赏远处的风景。",[23,87,24,26,27,28,29,88,89,90,91,7,92,93,94],"名画","松树","竹林","小屋","书生","水域","亭台楼阁","草堂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07684cc52a756294820958df277e4be3.jpg","纸本,水墨","26x102cm",[41],38,{"id":101,"slug":102,"title":103,"dynasty":51,"author":52,"museum":53,"description":54,"tags":104,"thumbUrl":116,"material":72,"size":73,"collection":74,"collections":117,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":46},225781,"montmartre-windmills-and-allotments-march-april-fan-gao-225781","Montmartre windmills and allotments (March - April )",[56,57,105,106,107,108,109,63,110,35,111,7,112,113,114,115],"短笔触","设色","风车","田地","小路","栅栏","人物","菜园","枯树","棚屋","劳作场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ac7eead247db41f11dfde4151e11689.jpg",[74],32,{"id":120,"slug":121,"title":122,"dynasty":123,"author":124,"museum":125,"description":126,"tags":127,"thumbUrl":10,"material":135,"size":136,"collection":137,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":77},220248,"hui-lie-tu-hu-gui-220248","回猎图","五代十国","胡瓌","台北故宫博物院","胡瓌，范阳（河北涿县）人，或做山后契丹人，约活动于九、十世纪之间。精于描绘契丹之人马，凡帐棚、车辆、射猎器用、生活杂物及牲畜犬马，都形容备尽。本幅描写契丹族人，携鹰出猎之情景，人物着典型契丹族之衣冠，其猎鹰、座骑亦具特色。四只猎鹰中，三只可能是不同花色的海东青。鹫鹰科及隼科之鸟类，善猎者有数种，其中以海东青为极品，产地即在契丹之领域中，以善猎天鹅而闻名。马匹似有「裂耳犁鼻」之状，据云是当时契丹（辽金）人养育马匹的特殊方式：「…..谓鼻不破裂，则气盛冲肺。耳不裂，则风传而不闻音声…..」（注 1）。胡瓌喜用狼毫笔，借其挺健之笔毫绘制精致之作品。本幅即其精描细写之佳作，与院藏胡「回猎图」之画风及尺寸大小均相似，原属同一组之作 ，皆曾经宋徽宗收藏，画幅上遗有「宣和」半印。",[23,24,106,128,111,129,130,7,30,131,132,133,134],"工笔","马","古道","鞍马","平野","线描","细笔","设色,绢本","全幅 43.5x121.7公分","人物画精选",[137],26,{"id":141,"slug":142,"title":143,"dynasty":51,"author":52,"museum":53,"description":54,"tags":144,"thumbUrl":148,"material":72,"size":73,"collection":74,"collections":149,"showCount":150,"zanCount":11,"manualWeight":11,"mainColor":77},225876,"wheatfield-june-fan-gao-225876","Wheatfield (June - )",[87,56,57,61,145,59,146,37,35,65,109,147,7],"笔触奔放","麦田","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F993a4033e4ca4492e2043bb928a737af.jpg",[74],19,{"id":152,"slug":153,"title":154,"dynasty":123,"author":155,"museum":53,"description":156,"tags":157,"thumbUrl":159,"material":160,"size":160,"collection":160,"collections":161,"showCount":162,"zanCount":11,"manualWeight":11,"mainColor":77},226705,"su-li-bie-yi-juan-2-zhou-wen-ju-226705","苏李别意卷-2","周文矩","该幅是描绘苏武与李陵于荒寒北地殷殷话别的情景。",[24,25,26,106,128,111,158,7],"雪地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa229b26e47f4093cc5aab6eddd554b77.jpg","",[],18,{"id":164,"slug":165,"title":166,"dynasty":51,"author":167,"museum":53,"description":168,"tags":169,"thumbUrl":177,"material":160,"size":160,"collection":160,"collections":178,"showCount":179,"zanCount":11,"manualWeight":11,"mainColor":46},225305,"fu-shi-hui-32-yi-ming-225305","浮世绘32","佚名","这幅山水绘以平远视角铺展幽寂景致，澄澈湖水切割出错落洲渚，岩崖间白练飞瀑垂落，晕开一汪幽潭清涟。苍劲虬曲的古松或孤植洲头，或茂生崖畔，隐在云霭间的山居添了悠然野趣。\n\n远景淡青山峦托着朱色浅丘，与靛蓝湖水相映，留白如轻烟岚雾层层推开空间，糅合装饰性与写意感。明快柔和的石青、草绿晕染出温润生机，凝练利落的线条勾勒林泉肌理，将幽寂禅意融于湖光山色，尽显日式山水绘的空灵悠远，复刻出侘寂闲静的自然之趣。",[170,171,106,28,172,88,173,174,63,175,176,7],"浮世绘","木刻","流水","瀑布","云雾","湖泊","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77cc601009e26987e67a465c679f8627.jpg",[],17,{"id":181,"slug":182,"title":183,"dynasty":51,"author":184,"museum":53,"description":185,"tags":186,"thumbUrl":194,"material":72,"size":73,"collection":74,"collections":195,"showCount":196,"zanCount":11,"manualWeight":11,"mainColor":46},226120,"the-spring-at-vetheuil-1881-mo-nai-226120","The Spring at Vetheuil, 1881","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[187,56,188,189,190,191,35,7,63,192,65,67,193],"印象派","色彩晕染","光影捕捉","水面","倒影","尖顶建筑","春季","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b5ff7e7c862b0d520f2742223eb3f86.jpg",[74],16,{"id":198,"slug":199,"title":200,"dynasty":82,"author":201,"museum":53,"description":202,"tags":203,"thumbUrl":210,"material":72,"size":73,"collection":160,"collections":211,"showCount":212,"zanCount":11,"manualWeight":11,"mainColor":77},288020,"hu-qiu-shan-tu-jing-xin-sun-zhi-288020","虎丘山图镜心","孙枝","孙枝（公元16-17世纪初，生卒年不详），明代画家。字叔达、微之，号华林、华林居士，吴县（今江苏苏州）人。工书善画，长于山水，师法文征明，明姜绍书《无声诗史》谓其“石树葱秀，毫素间有洒然出尘之致，亦吴中佳手也”。所作山水意境幽深，风格秀整。花卉、人物亦佳，曾学唐寅而气韵笔力不逮。为吴门派画家之一。其画法出自文征明，石树葱秀，毫素间有洒然出麈之致。花卉、人物亦佳，人物且注重大型画面如画卷移居图。北京故宫博物院藏有其所作九龙山居图卷，盖学唐寅而不及者。",[23,24,25,204,205,27,106,206,207,172,208,209,35,7,111],"山水画","界画","楼阁","小桥","舟船","民居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4f35e696980bb7bf3cd169dfe3be2dd.jpg",[],12,{"id":214,"slug":215,"title":216,"dynasty":51,"author":52,"museum":53,"description":54,"tags":217,"thumbUrl":222,"material":72,"size":73,"collection":74,"collections":223,"showCount":224,"zanCount":11,"manualWeight":11,"mainColor":77},225845,"the-hill-of-montmartre-with-stone-quarry-june-july-fan-gao-225845","The hill of Montmartre with stone quarry (June - July )",[56,57,218,7,107,219,220,67,111,221,63,65],"厚涂","采石场","云朵","土路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a6a394a5351dd148130966e0055f458.jpg",[74],11,{"id":226,"slug":227,"title":228,"dynasty":51,"author":229,"museum":53,"description":230,"tags":231,"thumbUrl":237,"material":72,"size":73,"collection":160,"collections":238,"showCount":239,"zanCount":11,"manualWeight":11,"mainColor":46},231730,"da-zheng-nian-chao-zhi-juan-jin-cun-zi-hong-231730","大正年 朝之卷","今村紫红","今村四光（Shiko Imamura，1880年（明治13年）12月16日－1916年12月16日（大正5年）2月28日）是横滨神奈川县人，出生于日本画家。他的真名是十三郎。他虽然享年35岁（按年算37岁），但他大胆而原创的作品给画家带来了新鲜的刺激，对后辈画家也产生了很大的影响。主要作品如“近江八景”系列（1912年，东京国立博物馆，重要文化财产），“笃之卷”（1914年，东京国立博物馆，重要文化财产）。",[23,24,25,26,106,128,28,232,233,234,235,7,236,111],"海","波浪","岛屿","棕榈树","孤舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90e5f661c7377d7282ed7dd3a7183f6c.jpg",[],10,{"id":241,"slug":242,"title":243,"dynasty":51,"author":184,"museum":53,"description":185,"tags":244,"thumbUrl":248,"material":72,"size":73,"collection":74,"collections":249,"showCount":239,"zanCount":11,"manualWeight":11,"mainColor":77},226102,"the-promenade-near-limetz-1887-mo-nai-226102","The Promenade near Limetz, 1887",[56,187,37,7,35,111,245,67,65,246,247],"阳伞","户外","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cdd46d15796ddf92b12df0284011959.jpg",[74],{"id":251,"slug":252,"title":253,"dynasty":51,"author":184,"museum":53,"description":185,"tags":254,"thumbUrl":261,"material":72,"size":73,"collection":74,"collections":262,"showCount":263,"zanCount":11,"manualWeight":11,"mainColor":77},226004,"poppy-field-near-vetheuil-1879-mo-nai-226004","Poppy Field near Vetheuil, 1879",[56,187,255,256,257,258,259,111,36,35,260,65,7,67],"点彩","外光","光影变化","色彩明快","罂粟花田","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b94a80ea32d3392f12db152b9af3fd1.jpg",[74],9,{"id":265,"slug":266,"title":267,"dynasty":51,"author":167,"museum":53,"description":268,"tags":269,"thumbUrl":272,"material":72,"size":73,"collection":160,"collections":273,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},231614,"shi-ting-shi-qi-jian-feng-si-tu-juan-yi-ming-231614","室町时期 枧峰寺图卷","此作为图文合璧的绘卷，右图以淡彩晕染山野丘林，松石苍雅朴拙，人物排布错落生动，行旅者或倦怠躺卧，或凝神聆听僧侣开示，情态各异，将行路劳顿与闻法的宁和形成鲜明对照。左文以汉字题咏叙事，文图呼应铺陈禅林行旅往事。整体设色清浅柔和，线条简净舒缓，带着古拙沉静的禅意氛围，尽显绘卷叙事与宗教风物相融的独特韵味，将东瀛禅林行旅的人文意趣娓娓道来，质朴中饱含静穆的人文温度。",[23,24,26,106,111,28,35,88,270,7,271],"山石","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4f9c6f5ee50db71f4f7c33b983c2b3b.jpg",[],{"id":275,"slug":276,"title":277,"dynasty":51,"author":167,"museum":53,"description":278,"tags":279,"thumbUrl":280,"material":160,"size":160,"collection":160,"collections":281,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},225361,"fu-shi-hui-117-yi-ming-225361","浮世绘117","这幅作品以木桥行旅为焦点，将赶路的旅人、驮货的马队收揽于前景，鲜活铺展出行路的日常烟火。远景以青蓝晕染水色，暖黄晕开沙洲浅山，柔化了天地边界，将旅途的奔波与水乡清寂融为一景。\n\n画面动静相映，负货的旅人神色匆匆，岸边堆放的木料、错落村舍晕开世俗暖意，远景的淡墨山林又晕开松弛悠远的氛围。雅致柔和的色调铺陈出悠然诗意，将市井行路的日常晕染出浮世独有的烟火温情。",[170,106,171,207,129,111,35,36,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f3d0ae1c9f6f01c11bdafee0de5148d.jpg",[],{"id":283,"slug":284,"title":285,"dynasty":51,"author":167,"museum":53,"description":286,"tags":287,"thumbUrl":290,"material":72,"size":73,"collection":160,"collections":291,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":46},288766,"salvator-rosa-landscape-with-hills-and-a-lake-trees-in-right-foreground-yi-ming-288766","Salvator Rosa--Landscape with hills and a lake, trees in right foreground","这幅速写以灵动随性的线条，铺展郊野湖畔的幽寂意趣。右侧前景虬曲枯木打破规整构图，牵引视线纵深游走。左侧丘坡以疏密浓淡的线条铺陈植被，顿挫间区分出坡地起伏与林叶层次。水面以极简淡线勾勒，大片留白烘托出沉静空濛的氛围。\n\n岸侧点缀的渺小人物，为山野空境晕开一丝烟火暖意，平衡了丘林的空旷感。整作以朴拙写意的笔触，摒弃繁复修饰，将郊野松弛又清寂的瞬间气韵定格，尽显写生速写捕捉自然灵韵的动人魅力。",[288,28,175,7,113,111,289],"白描","风景画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeed5c3cb95a34896c120938e667190d.jpg",[],1,{"id":294,"slug":295,"title":296,"dynasty":51,"author":297,"museum":53,"description":298,"tags":299,"thumbUrl":304,"material":72,"size":73,"collection":160,"collections":305,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":77},232327,"a-er-ma-54-lao-lun-si-a-er-ma-ta-de-ma-232327","阿尔玛54","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[56,106,300,111,67,7,35,301,37,302,303],"写实","伞","野花","远景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6eefc154e0408c5a4b5a4c80a7e079fc.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":51,"author":310,"museum":53,"description":311,"tags":312,"thumbUrl":323,"material":72,"size":73,"collection":160,"collections":324,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":77},232119,"de-jia-61-de-jia-232119","德加61","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[56,187,37,109,7,67,65,313,221,314,303,315,247,316,317,318,319,320,321,322],"植被","山坡","近景","田园风光","色彩柔和","光影表现","蜿蜒小径","起伏地形","植被覆盖","黄昏色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0949e5b0f6254a4e39f02ae0cb9241fd.jpg",[],{"id":326,"slug":327,"title":328,"dynasty":51,"author":310,"museum":53,"description":311,"tags":329,"thumbUrl":334,"material":72,"size":73,"collection":160,"collections":335,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":77},232115,"landscape-with-hills-museum-of-fine-arts-usa-de-jia-232115","Landscape with Hills - - Museum of Fine Arts (USA)",[187,330,106,7,331,332,65,333,313],"色粉","山峦","风景","地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61cb16761fddc06ef313c8c45a43f177.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":51,"author":310,"museum":53,"description":311,"tags":340,"thumbUrl":342,"material":72,"size":73,"collection":160,"collections":343,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":77},232035,"de-jia-20-de-jia-232035","德加20",[56,187,111,129,67,7,64,65,341],"赛马","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa47b95ff1bc882f6df99435b6b359de4.jpg",[],1777535719861]