[{"data":1,"prerenderedAt":101},["ShallowReactive",2],{"subject-shan-que":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1570,"shan-que","山雀","山雀画高清赏析","精选中国历代山雀题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F837e129d08d5fd6b71a963a880328150.jpg",0,4,[14,47,69,85],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":44,"zanCount":45,"manualWeight":11,"mainColor":46},218975,"teng-hua-shan-que-tu-jiang-ting-xi-218975","藤花山雀图","清","蒋廷锡","日本大阪市立美术馆","描绘缠绕椿树生长的紫藤花，另有白头翁、兰花、灵芝及湖石等元素。画作右下角款「臣蒋廷锡恭画」，左上方有康熙皇帝御题唐代岑参（715-770）〈石上藤〉一诗。该作曾录于《石渠宝笈》，后辗转流出清宫，成为阿部房次郎（1868-1937）的收藏。",[23,24,25,26,27,28,29,30,7,31,32,33,34,35,36,37],"高清","国画","书画","立轴","工笔","设色","花鸟","藤花","飞鸟","孤石","树木","兰花","溪流","岩石","蘑菇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8205a0f0caa95b529902b560707fb7c9.jpg","绢本,设色","纵212.5横97.1cm","花鸟画精选",[41,43],"设色画精选",270,3,"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":51,"author":52,"museum":53,"description":54,"tags":55,"thumbUrl":63,"material":64,"size":65,"collection":66,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":46},221333,"pi-pa-shan-niao-tu-ye-zhao-ji-221333","枇杷山鸟图页","宋","赵佶","北京故宫博物院","本幅款押“天下一人”。钤“御书”朱文葫芦形印一方。裱边题签：“宋宣和枇杷山鸟”。鉴藏印钤“宣统御览之宝”，中缝钤“八征耄念之宝”、“太上皇帝之宝”朱文印各一方。\n图中枇杷果实累累，枝叶繁盛。一山雀栖于枝上，翘首回望翩翩凤蝶，神情生动。此图体现崔白清澹之体。宋徽宗赵佶的花鸟画以设色为多，然而此图纯以水墨勾染而成，格调高雅，略似没骨画效果，别具一种苍劲细腻之韵致，体现了赵佶多方面的绘画才能。\n对开有清乾隆御题诗一首：“结实圆而椭，枇杷因以名。徒传象厥体，奚必问其声。鸟自讬形稳，蝶还翻影轻。宣和工位置，何事失东京。”感慨宋徽宗如此精于绘画，工于构图和经营位置，缘何却把国家丢失了？",[23,24,25,56,57,27,58,29,59,7,60,61,62],"扇面","水墨","没骨","枇杷","凤蝶","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facbc63c4273f7440564bd9b6a15e123f.jpg","绢本墨笔","纵22.6厘米，横24.5厘米","宋画精选",[66,41,43],93,{"id":70,"slug":71,"title":72,"dynasty":73,"author":74,"museum":75,"description":76,"tags":77,"thumbUrl":80,"material":81,"size":82,"collection":41,"collections":83,"showCount":84,"zanCount":45,"manualWeight":11,"mainColor":46},222522,"mei-cha-shan-que-tu-zhu-zhu-222522","梅茶山雀图","明","朱竺","辽宁省博物馆","图绘梅、茶花、山雀的花鸟图。雀站立于茶树枝上，昂头望着上方的红茶花和金色梅花，神态专注；梅枝自然伸展，朵朵梅花点缀其上；茶花争相绽放，一抹红色美艳动人。朱竺，号君实，明代画家，工山水，亦能花鸟、人物。",[23,24,25,26,28,27,62,78,79,7,29,32],"梅","山茶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feff27021c8b1604adccb8eb0607990f6.jpg","纸本，设色","119.3x39.6cm",[41,43],76,{"id":86,"slug":87,"title":88,"dynasty":51,"author":89,"museum":90,"description":91,"tags":92,"thumbUrl":97,"material":39,"size":98,"collection":41,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":46},218730,"yun-long-shan-que-tu-yi-ming-218730","筠笼山雀图","佚名","台北故宫博物院","这幅画描绘了两只小鸟在笼子里和笼子外玩耍的情景，笔触沉重，笼子的结构处理得很差，钱的形式是艺术家的印章 顺口溜。这幅画和这枚印章都是不真实的，应该被视为普通的复制品。",[23,24,25,93,27,28,29,7,94,95,96],"名画","竹笼","行书","册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fc639dbae1130bcbdab21b8cb2ceef9.jpg","26.9x25.9",[41],18,1777535757427]