[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"subject-shan-seng":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12236,"shan-seng","山僧","山僧画高清赏析","精选中国历代山僧题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79ad35d40ac8ed4be0edf67773f01a1d.jpg",0,2,[14,39],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},288165,"shi-si-shou-shou-juan-wen-zheng-ming-288165","诗四首手卷","明","文徴明","藏地不详","文徵明（1470年11月28日－1559年3月28日），原名壁（或作璧），字徵明，四十二岁起，以字行，更字徵仲。因先世为衡山人，故号衡山居士，世称“文衡山”。南直隶苏州府长洲县（今江苏苏州）人。明代画家、书法家、文学家、鉴藏家。\n文徵明曾学文于吴宽，学书法于李应祯，学画于沈周，生平九次参加乡试均不中。嘉靖二年（1523年），以岁贡生参加吏部考试，被授予翰林院待诏之职。嘉靖五年（1526年），文徵明辞官归乡，专事创作。\n嘉靖三十八年（1559年）二月二十，文徵明去世，享年九十。其弟子私谥贞献。\n文徵明诗、文、书、画无一不精，人称“四绝”，其与沈周共创“吴派”。在画史上与沈周、唐寅、仇英合称“明四家”。在文学上，与祝允明、唐寅、徐祯卿并称“吴中四才子”。",[23,24,25,26,27,28,29,30,31,7,32],"高清","书法","草书","长卷","手卷","水墨","诗卷","秋风","菊花","烟霭","未知","Xcm*Xcm","",[],3,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":20,"description":45,"tags":46,"thumbUrl":51,"material":33,"size":34,"collection":35,"collections":52,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},270609,"wang-jin-sheng-wang-chuan-tu-mo-gong-huai-mo-mo-yi-ming-270609","汪近圣辋川图墨-宫槐陌墨","清","佚名","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[47,24,48,49,7,50],"墨","楷书","宫槐","雨景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06a22dbc16e783c9ce6b21b9f7e509f2.jpg",[],"795548",1777535794155]