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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[60,45,61,7,62],"清代","银鎏金","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bda46ed7bef4ce6a66a3d127adacf5b.jpg",[],{"id":66,"slug":67,"title":68,"dynasty":41,"author":19,"museum":20,"description":69,"tags":70,"thumbUrl":76,"material":31,"size":32,"collection":33,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":53},274845,"tong-zi-lou-kong-shao-lan-qian-qiu-ru-yi-rong-qiu-hua-yi-ming-274845","铜字镂空烧蓝千秋如意绒球花","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[71,72,7,73,74,75],"饰品","铜制","镂空","绒球","如意造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11c89843cd1a0c38af5ebcd3e0551918.jpg",[],2,{"id":80,"slug":81,"title":82,"dynasty":41,"author":19,"museum":20,"description":83,"tags":84,"thumbUrl":87,"material":31,"size":32,"collection":33,"collections":88,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":36},245868,"yin-shao-lan-feng-shi-la-tai-yi-ming-245868","银烧蓝凤式蜡台","此器以银烧蓝工艺塑就，凤鸟昂首卓立，足踏灵龟，尽显祥瑞意趣。烧蓝釉色明莹鲜亮，靛蓝、胭粉相互映衬，鎏金饰件点缀其间，将灵凤羽翼纤毫、神龟背甲纹路一一铺陈。凤首承托烛盘钎柱，把陈设观赏性与燃烛实用性巧妙相融，整体造型灵动雅致，精工细作间尽显清代金属珐琅工艺的华贵精巧，是一件匠心独具的案头雅品。",[23,45,7,85,86,60,62],"凤","龟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F793ab45b7ff9c0fe3648e86818acf371.jpg",[],{"id":90,"slug":91,"title":92,"dynasty":41,"author":19,"museum":20,"description":93,"tags":94,"thumbUrl":96,"material":31,"size":32,"collection":33,"collections":97,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":53},274847,"tong-zi-shao-lan-sui-sui-ping-an-rong-qiu-hua-yi-ming-274847","铜字烧蓝岁岁平安绒球花","这件发簪以鎏金铜铸“歲”字为主体，烧蓝祥云迤逦托衬，珐琅釉色晕出云纹柔婉层次，冷硬金属晕开温润彩光。朱红、湖绿、玫紫三色绒球高挑于顶，蓬松绒泽中和了铜饰冷冽，将岁岁平安的念想绾在发间。\n\n金属精致与绒球柔媚相映，是晚清民俗美学里的精巧手笔，把朴素祈愿凝练成鬓边一抹雅致风华，藏着旧时光里闺阁女子温柔的期许。",[71,72,7,74,95],"平安","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd99ee9bb423ed188b76a58ac2ae6ee99.jpg",[],1,{"id":100,"slug":101,"title":102,"dynasty":41,"author":19,"museum":20,"description":103,"tags":104,"thumbUrl":106,"material":31,"size":32,"collection":33,"collections":107,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":53},274846,"tong-zi-shao-lan-san-duo-jiu-ru-rong-qiu-hua-yi-ming-274846","铜字烧蓝三多九如绒球花","以烧蓝铜字为底托，浅金勾边晕染斑驳蓝彩，古雅华贵。三色绒球错落而立，艳红浓烈、胭紫柔媚、湖蓝清灵，绒毛细密蓬松，恰似将春日花苞别在鬓边。\n\n“三”字暗合三多吉意，把对福寿安康的祈愿凝于发间。挺括金属簪杆稳稳承托这份精巧，将妆饰美学与世俗期许融于一体。它是旧时光里女子妆匣的心头好物，藏着细腻匠心，将日常妆扮晕染出浪漫吉祥的底色。",[71,72,7,74,105],"吉祥寓意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F228f69620b0d51d34b452a307486037b.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":41,"author":19,"museum":20,"description":112,"tags":113,"thumbUrl":117,"material":31,"size":32,"collection":33,"collections":118,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":36},268618,"yin-du-jin-bian-fang-yi-ming-268618","银镀金扁方","采用累丝鎏金技法打造修长器身，满饰缠枝团寿纹样，填饰烧蓝釉色。金质的明润光泽，搭配沉静宝蓝，晕染出华贵雅致的气韵。\n\n镂空花丝细腻精巧，经纬交织间尽显手工细作的匠心，缠枝萦绕着团寿暗纹，将祈福之意藏于妆饰细节中。釉色虽经时光浸漫，依旧鲜亮沉静，是细金工艺与烧蓝技法相融的典范器物，承载着旧时妆饰的礼制审美，把东方古典金工的精致华贵诠释得淋漓尽致。",[71,114,115,116,7],"金器","头饰","花丝工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8db0e9f6ee0fe83ff5ff09a90fd45231.jpg",[],{"id":120,"slug":121,"title":122,"dynasty":41,"author":19,"museum":20,"description":123,"tags":124,"thumbUrl":127,"material":31,"size":32,"collection":33,"collections":128,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":36},250081,"tong-shao-lan-ling-hua-shi-hua-pen-yi-ming-250081","铜烧蓝菱花式花盆","此器取菱花为口沿，鎏金錾边，线条柔婉利落，华贵尽显。器身以竹节纹界出开光，规整雅致。开光内以烧蓝填饰缠枝花卉，宝蓝、湖蓝双色釉料莹亮饱满，鎏金枝脉勾勒花型，金蓝相映，明丽华贵又带着清雅文韵。下承五朵卷云足，蜷曲灵动，稳稳托举器身，细节处暗藏巧思。\n金属錾刻与烧蓝工艺相融，将重工华贵与文人气韵揉为一体，把陈设实用性与装饰美学精妙结合，尽显旧时细作工艺的极致考究。",[72,7,45,62,25,60,125,126],"菱花式","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3612645ab5ad0d1ac67bfa91e8635ca1.jpg",[],{"id":130,"slug":131,"title":132,"dynasty":41,"author":19,"museum":20,"description":133,"tags":134,"thumbUrl":140,"material":31,"size":32,"collection":33,"collections":141,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":142},245737,"yin-du-jin-shao-lan-fu-zi-hu-lu-xing-zhang-gou-yi-ming-245737","银镀金烧蓝福字葫芦形帐钩","以银镀金为骨，烧蓝晕出翠色鲜亮。取葫芦造型暗合福禄吉意，主体錾饰网格肌理，叠缀缠枝花叶，福字纹藏纳其间，把祈愿融于细节。柔润弯钩承接悬帐之用，配链纤细灵动，兼顾装饰性与实用性。整体饱满雅致，将东方祈福心意凝在珐琅与金属的交融中，尽显旧时匠人的精妙巧思，是民俗造物里兼具审美与功能的精巧之作。",[60,23,114,7,45,135,136,71,137,138,139,47],"葫芦形","帐钩","银镀金","装饰","福字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ce6dbd8c689d07ea141d3af8d5ed4b1.jpg",[],"BDBDBD",{"id":144,"slug":145,"title"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