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del Vaga--Study for Allegorical Figure of Prudence","这幅素描以利落精准的钢笔线条铺陈，衣褶排线疏密错落，将织物厚重垂坠的质感尽数烘托，勾勒出人物挺拔舒展的体态。人物托举灵蛇、握持长杆，神态肃穆沉静，把抽象的审慎寓意凝练成具象的女性形象。背景拱形壁龛弱化细节，将视觉焦点全然汇聚于人物身上。作品兼具草稿的灵动松弛与创作的严谨克制，寥寥笔触便尽显古典庄重的气质，将古典人文精神暗藏于线条之中，把抽象美德化为沉静威严的身姿，笔触间皆是对古典美学的精妙诠释。",[315,316,317,318,7,319],"素描","人物画","寓言人物","女性","持杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb33d0de35472e35c10907089b5d006e7.jpg",[],3,{"id":324,"slug":325,"title":326,"dynasty":85,"author":40,"museum":86,"description":327,"tags":328,"thumbUrl":330,"material":93,"size":94,"collection":31,"collections":331,"showCount":322,"zanCount":11,"manualWeight":11,"mainColor":34},278740,"yong-cheng-zhi-yin-she-niu-tong-yin-yi-ming-278740","“雝丞之印”蛇钮铜印","铜印章是由金属铜铸造而成，具有硬度大，不变形，保存时间长的特点。当代，由中国铜领域第一人的朱炳仁大师开创了熔铜铸印，每枚形态各异，造型独特，极具艺术性。\n铜印的印面，也可见到极少数的棱形和圆形铜印，印纽的形状变化较多，有瓦纽，兔纽，兽纽，柄纽，片纽等等。古代铜印从印文内容上又可分为官印，人名印，闲章，吉祥语，图案印，斋室印，收藏印，在古代遗留下的书画作品或其他文史资料中，人们可以常常可以看到这类印文。\n从拍卖市场来看，铜印中的官印最受市场追捧，像“统军千户之印”，印背一侧刻“统军千户之印”，另一侧刻“中书礼部造，太平二年月日”，系元末农民起义军徐寿辉所铸。另外一枚魏晋时期的奉车都尉鎏金青铜玺印，估价5万至8万元，成交价则达到了19.04万元。奉车都尉是一种官名，自汉武帝设立之后，到宋代废弃，这枚铜印无疑是当时历史的一段记载。\n相比官印，肖形印也是铜印中的主要品种。在2007年中国嘉德秋拍中，一枚估价仅为2000至4000元的战国肖形青铜印，成交价达到了4万余元。这枚铜印的印面为龙形图案，虎钮，造型生动活泼，栩栩如生，不可多得。肖形印，亦称画印、图印、封蜡印及生肖印，是印学研究中不可缺少的重要组成部分，它有别于文字印，但内容十分广泛。\n值得注意的是，随着铜印身价的与日俱增，赝品也越来越多地出现在市场上。由于铜本身的价格不如金银，因此造假成本比较低，加上拍卖价格比较高，因此巨大的利益驱使了造假者纷纷出手。收藏市场上的铜印赝品，绝大多数是翻砂浇铸的粗劣之作。印钮两侧的标记文字也是浇铸成形的，文字不清或似是而非。为了使赝品更加逼真，造假者往往会人为制作黑色包浆，常用办法是涂上油腊烤烧数遍之后即成，但往往可以通过手剥看到下面的黄铜。",[243,329,118,119,7],"篆刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a43dbee53ea10926f5d8ed56e4641d9.jpg",[],{"id":333,"slug":334,"title":335,"dynasty":269,"author":336,"museum":86,"description":337,"tags":338,"thumbUrl":348,"material":93,"size":94,"collection":31,"collections":349,"showCount":322,"zanCount":11,"manualWeight":11,"mainColor":201},232559,"mi-lai-si-103-yue-han-ai-fu-li-te-mi-lai-si-232559","米莱斯103","约翰·埃弗里特米莱斯","John Everett 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Serpent","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[316,396,397,315,398,399,400,7],"神话题材","淡彩","神话人物","孩童","桨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7809bdfcf2c42a7636b031060aea55f0.jpg",[],{"id":404,"slug":405,"title":406,"dynasty":85,"author":40,"museum":86,"description":327,"tags":407,"thumbUrl":408,"material":93,"size":94,"collection":31,"collections":409,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":201},281372,"zhao-lin-she-niu-tong-yin-yi-ming-281372","“赵临”蛇钮铜印",[243,329,119,118,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8edc58310ea6908025b6fead600a84e.jpg",[],{"id":411,"slug":412,"title":413,"dynasty":85,"author":40,"museum":86,"description":414,"tags":415,"thumbUrl":416,"material":93,"size":94,"collection":31,"collections":417,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":34},243967,"shi-er-chen-wen-jing-yi-ming-243967","十二辰纹镜","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[85,119,118,91,51,122,52,55,120,125,7,123,124,126,127,128,207,386],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F040b8a02fe5129932613f3e87f91c6ec.jpg",[],{"id":419,"slug":420,"title":421,"dynasty":236,"author":40,"museum":86,"description":371,"tags":422,"thumbUrl":423,"material":93,"size":94,"collection":31,"collections":424,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},278076,"fu-you-shen-yuan-yin-yi-ming-278076","“浮游深渊”印",[243,329,182,91,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fc55e233b9f84d9a0c40c4b668671b4.jpg",[],{"id":426,"slug":427,"title":428,"dynasty":18,"author":40,"museum":86,"description":429,"tags":430,"thumbUrl":434,"material":93,"size":94,"collection":31,"collections":435,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":201},274327,"tong-du-jin-kui-hua-shi-biao-yi-ming-274327","铜镀金葵花式表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[129,118,431,91,432,7,433,295],"金器","葵花","钟表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe21cfe783045f651a25d982d7cfefda4.jpg",[],{"id":437,"slug":438,"title":439,"dynasty":18,"author":40,"museum":86,"description":440,"tags":441,"thumbUrl":446,"material":93,"size":94,"collection":31,"collections":447,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},273242,"cheng-guan-da-tu-hua-cha-yi-ming-273242","成罐大凸花茶","锡胎温润素净，器身以贴焊技法堆塑松下灵鹿图景。苍松虬劲舒展，松针层叠细密，小鹿伫立回望，野趣盎然生动，将林泉意趣凝于茶罐之上。盖面錾刻蜷蛇纹样，古拙朴雅，暗纳岁时吉意。罐旁遗存陈茶，暗合锡器储香护味的实用本旨。\n\n整器将文人雅致融入日常茶事，尽显工艺的细腻工巧，把山林意趣收纳于方寸之间，静穆中带着灵动生机，是茶器与审美意趣融合的佳例，静默诉说着旧时藏叶烹茶的闲雅日常。",[129,295,442,91,443,444,7,445],"银器","松","鹿","茶叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef283181cba6abc4e68c7d72d8385d69.jpg",[],{"id":449,"slug":450,"title":451,"dynasty":18,"author":40,"museum":86,"description":452,"tags":453,"thumbUrl":460,"material":93,"size":94,"collection":31,"collections":461,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},260537,"fen-cai-shi-er-chen-yuan-he-yi-ming-260537","粉彩十二辰圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[454,455,129,184,456,457,458,459,120,121,52,55,122,7,123,124,125,126,127,128,295],"粉彩","陶瓷","太极","八卦","云纹","蝙蝠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55d4f5efbcf4b804c18c0b9202545a3e.jpg",[],{"id":463,"slug":464,"title":465,"dynasty":236,"author":40,"museum":86,"description":466,"tags":467,"thumbUrl":473,"material":93,"size":94,"collection":31,"collections":474,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},260178,"wan-li-kuan-wu-cai-ren-qi-shou-wen-pan-yi-ming-260178","万历款五彩人骑兽纹盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[455,468,469,7,470,471,472,295],"五彩","盘","草纹","兽纹","人骑兽纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a3643fc842a3f9ecd235effa388fdc8.jpg",[],{"id":476,"slug":477,"title":478,"dynasty":236,"author":40,"museum":86,"description":479,"tags":480,"thumbUrl":482,"material":93,"size":94,"collection":31,"collections":483,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":201},255995,"tong-liu-jin-xuan-wu-xiang-yi-ming-255995","铜鎏金玄武像","这件造像将龟蛇合体的瑞兽诠释得灵动有神，龟首昂然抬举，双目圆睁自带威严气度，灵蛇蜿蜒盘绕于龟背，蛇首回望与龟遥遥呼应，二者气韵相连，浑然一体。\n\n鎏金覆身虽经岁月剥蚀略有斑驳，却晕染出古拙厚重的沧桑质感。细节处尽显匠心，龟甲纹路清晰规整，四肢肌肉线条硬朗写实，蛇身鳞片刻画细腻凝练。整体形制小巧却气势雄浑，沉稳间带着玄奥肃穆的氛围感，尽显明代匠人精湛的錾刻鎏金工艺，是道教造像中颇为精巧的佳品。",[118,373,91,481,384,7,129],"神兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1639031e5490fc00e89c6bda55f5c18c.jpg",[],{"id":485,"slug":486,"title":487,"dynasty":18,"author":40,"museum":86,"description":180,"tags":488,"thumbUrl":489,"material":93,"size":94,"collection":31,"collections":490,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":201},251064,"qing-yu-shi-er-chen-yuan-xing-pei-si-yi-ming-251064","青玉十二辰圆形佩-巳",[182,162,91,51,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a3221fd85369c713f54ce821e380a4b.jpg",[],1777535712622]