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画幅细致工谨，设色古雅，山石轮廓及斧劈皴法，用笔刚猛。惟时代尚不及宋，或成于十四、十五世纪之际。",[25,50,27,29,192,193,194,7,195],"鹤","羊","山石","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F475f16738a4ce4eb29f6782dcf2d2049.jpg","绢本,设色","140.4x78.1",[],{"id":201,"slug":202,"title":203,"dynasty":45,"author":204,"museum":20,"description":205,"tags":206,"thumbUrl":208,"material":76,"size":58,"collection":59,"collections":209,"showCount":210,"zanCount":11,"manualWeight":11,"mainColor":63},290604,"cai-zhi-xian-zhou-zhang-chong-290604","采芝仙轴","张翀","生卒不详，活动于17世纪，明代画家。字子羽，号浑然子、图南，江都（今江苏南京）人",[25,50,87,113,27,7,207,56],"灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff203510cb96ea946edf76c77b9a5c059.jpg",[],11,{"id":212,"slug":213,"title":214,"dynasty":68,"author":69,"museum":20,"description":215,"tags":216,"thumbUrl":223,"material":76,"size":58,"collection":59,"collections":224,"showCount":225,"zanCount":11,"manualWeight":11,"mainColor":226},264425,"ming-huang-se-chou-xiu-da-ba-xian-qing-shou-wen-chang-yi-liao-yi-ming-264425","明黄色绸绣大八仙庆寿纹氅衣料","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[217,218,219,7,220,221,27,222],"布料","刺绣","衣帽","八仙","寿纹","庆寿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c6b3cca72fb053b033d9c58ec62374b.jpg",[],10,"FF9800",{"id":228,"slug":229,"title":230,"dynasty":68,"author":69,"museum":20,"description":231,"tags":232,"thumbUrl":238,"material":76,"size":58,"collection":59,"collections":239,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":63},269826,"zao-mu-diao-ba-xian-lv-dong-bin-yi-ming-269826","枣木雕八仙-吕洞宾","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[233,234,235,236,220,7,237],"雕刻","木质","木刻","吕洞宾","人物雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59d98f2968569036de4f92e22791f6e3.jpg",[],7,{"id":242,"slug":243,"title":244,"dynasty":68,"author":69,"museum":20,"description":245,"tags":246,"thumbUrl":251,"material":76,"size":58,"collection":59,"collections":252,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":63},267482,"qing-se-duan-xiu-hu-lu-jin-tuan-shou-zi-wen-ba-xian-yi-li-tie-guai-yi-ming-267482","青色缎绣葫芦金团寿字纹八仙衣-李铁拐","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[247,217,218,220,248,7,249,250],"服饰","李铁拐","葫芦纹","团寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25298dc0a8aa61a87a411ea012c740f3.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":124,"author":69,"museum":20,"description":257,"tags":258,"thumbUrl":263,"material":76,"size":58,"collection":59,"collections":264,"showCount":265,"zanCount":11,"manualWeight":11,"mainColor":63},288800,"peter-van-lint-flemish-venus-de-medici-view-from-the-front-yi-ming-288800","Peter van Lint, Flemish--Venus de' Medici; view from the front","铅色笔触轻落在灰蓝纸面上，将雕像的优雅凝于画中。细腻线条顺着躯体起伏铺展，柔化了大理石的冷硬，把女性躯体的圆润肌理勾勒得舒展自然，静穆的古典神性藏在每一处柔和的转折里。\n\n左下角的骷髅添上了别样意趣，古典人体的永恒之美，对照着凡俗生命的虚幻无常，生出淡淡的怅惘隐喻。右下角的手写题注，为这幅严谨的写生晕开一丝松弛的纪实温度，让静态的复刻多了写生时的鲜活临场感。整体笔触克制又精准，兼顾雕塑的庄重与纸面写生的柔和层次，将古典人体的沉静美感融在朴素的素描细节中。",[259,87,7,260,261,52,262],"素描","维纳斯","裸体人物","骷髅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4e20c4bb1454843c81c9d0b4729b4d7.jpg",[],6,{"id":267,"slug":268,"title":269,"dynasty":68,"author":69,"museum":20,"description":270,"tags":271,"thumbUrl":277,"material":76,"size":58,"collection":59,"collections":278,"showCount":279,"zanCount":11,"manualWeight":11,"mainColor":63},267404,"hu-lv-se-duan-pan-jin-xiu-feng-zhe-zhi-yu-lan-wen-gong-yi-yi-ming-267404","湖绿色缎盘金绣凤折枝玉兰纹宫衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[272,219,217,273,274,218,275,276,7,221],"宫衣","缎面","盘金绣","凤纹","折枝玉兰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F410cffc064cef19f94b1e5a0d7aa75ff.jpg",[],5,{"id":281,"slug":282,"title":283,"dynasty":68,"author":69,"museum":20,"description":284,"tags":285,"thumbUrl":292,"material":76,"size":58,"collection":59,"collections":293,"showCount":279,"zanCount":11,"manualWeight":11,"mainColor":136},259309,"jia-qing-kuan-qing-hua-fan-hong-cai-ba-xian-guo-hai-tu-wan-yi-ming-259309","嘉庆款青花矾红彩八仙过海图碗","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[286,287,288,220,7,29,289,290,291],"陶瓷","青花","矾红彩","海浪","日用具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72eab6747ae006c03353aca6a348763c.jpg",[],{"id":295,"slug":296,"title":297,"dynasty":124,"author":69,"museum":20,"description":298,"tags":299,"thumbUrl":303,"material":76,"size":58,"collection":59,"collections":304,"showCount":305,"zanCount":11,"manualWeight":11,"mainColor":63},288801,"peter-van-lint-flemish-venus-de-medici-view-from-the-back-yi-ming-288801","Peter van Lint, Flemish--Venus de' Medici; view from the back","炭笔循着灰蓝纸底晕染明暗，将维纳斯的背面形神复刻于纸面。细腻笔触顺着肌肉走势铺陈，腰臀的柔润弧线、腿部紧绷的张力被精准捕捉，完美诠释了古典人体的优雅韵律。\n左下角的骷髅与鲜活的肉身形成强烈对冲，一边是肉体的柔美鲜活，一边是死亡的冷峻肃穆，暗喻着肉身的转瞬即逝。创作者以精微的明暗过渡，将大理石雕塑的温润质感化为纸面层次，在忠实还原原作静穆气质的同时，让手绘笔触赋予雕像新的鲜活温度，静立间尽显古典人体的永恒美感。",[259,72,29,300,7,262,301,302],"裸女","写实","单色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1176d6d8cb29d3a838f3bdd3e9d2683.jpg",[],4,{"id":307,"slug":308,"title":309,"dynasty":68,"author":69,"museum":20,"description":310,"tags":311,"thumbUrl":321,"material":76,"size":58,"collection":59,"collections":322,"showCount":305,"zanCount":11,"manualWeight":11,"mainColor":40},270510,"cheng-cha-xian-ren-pen-jing-yi-ming-270510","乘槎仙人盆景","这件盆景以古木槎为骨，珠玉翠料攒作花枝，垂悬的珠果莹润灵动，晕开清润仙气。中央仙人衣袂飘然，敛目安坐，神态恬然超逸。两侧鎏金珐琅宝瓶，插满百宝缀成的花树，宝光交错间尽显华贵。下方绿釉底座塑出水芙蕖，菡萏亭亭、莲叶柔卷，漾出江南水泽的清灵意韵。它集木雕、珐琅与玉石镶嵌工艺于一体，将世外仙隐的悠然意趣，与清代极致造办精工相融，以人工匠造描摹世外清境，尽显盛世匠人的绝佳工艺与浪漫遐思。",[7,312,313,314,315,316,317,233,318,319,320],"盆景","仙人","荷花","树木","花卉","玉石","工艺品","珠饰","盆栽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd986d89b343e54cb932b0f47b6716487.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":18,"author":69,"museum":20,"description":327,"tags":328,"thumbUrl":330,"material":76,"size":58,"collection":59,"collections":331,"showCount":332,"zanCount":11,"manualWeight":11,"mainColor":40},288973,"tie-guai-li-tu-yi-ming-288973","铁拐李图","元代绘画中，文人画占据画坛主流。因元代未设画院，除少数专业画家直接服务于宫廷外，大都是身居高位的士大夫画家和在野的文人画家。他们的创作比较自由，多表现自身的生活环境、情趣和理想。山水、枯木、竹石、梅兰等题材大量出现，直接反映社会生活的人物画减少。作品强调文学性和笔墨韵味，重视以书法用笔入画和诗、书、画的三结合。",[25,112,87,329,7,50,194,315],"道教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1bebebc2371a4a83a509e5f542b0f84.jpg",[],3,{"id":334,"slug":335,"title":336,"dynasty":124,"author":69,"museum":20,"description":337,"tags":338,"thumbUrl":344,"material":76,"size":58,"collection":59,"collections":345,"showCount":332,"zanCount":11,"manualWeight":11,"mainColor":63},288867,"giovanni-battista-tiepolo-seated-river-god-nymph-yi-ming-288867","Giovanni Battista Tiepolo--Seated River God, Nymph","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[29,259,7,339,340,341,342,343],"河神","仙女","乐器","淡彩","亲密氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F986e7ac4b1c69be457e3c027ba3eab6d.jpg",[],{"id":347,"slug":348,"title":349,"dynasty":68,"author":69,"museum":20,"description":350,"tags":351,"thumbUrl":357,"material":76,"size":58,"collection":59,"collections":358,"showCount":332,"zanCount":11,"manualWeight":11,"mainColor":40},274520,"zi-tan-qian-luo-dian-qun-xian-zhu-shou-zhong-yi-ming-274520","紫檀嵌螺钿群仙祝寿钟","最早的钟原本是指古代汉族 传统的打击乐器，形状扁圆而中空，盛于春秋战国直至秦汉，多为青铜制，又叫“编钟”，自佛教传入中国后，逐渐变为一种宗教法器的代称，又叫“梵钟”或“半钟”原本叫“犍稚”又叫“信鼓”是寺院为报时、集众而敲击之用。",[291,290,234,352,353,233,354,355,356,7],"紫檀","嵌螺钿","珐琅器","钟表","群仙祝寿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F664fd8b94ec1a2c4d224440211ed17d0.jpg",[],{"id":360,"slug":361,"title":362,"dynasty":68,"author":69,"museum":20,"description":245,"tags":363,"thumbUrl":366,"material":76,"size":58,"collection":59,"collections":367,"showCount":332,"zanCount":11,"manualWeight":11,"mainColor":63},268757,"ming-huang-se-duan-xiu-ba-xian-qing-shou-wen-huai-dang-yi-ming-268757","明黄色缎绣八仙庆寿纹怀挡",[218,217,220,221,7,222,364,27,365],"日用织物","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F046ca61074873970a7a9a60d493adff3.jpg",[],{"id":369,"slug":370,"title":371,"dynasty":124,"author":69,"museum":20,"description":372,"tags":373,"thumbUrl":375,"material":76,"size":58,"collection":59,"collections":376,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},289540,"attributed-to-sahib-ram-head-of-krishna-cartoon-for-a-mural-of-the-raslila-yi-ming-289540","Attributed to Sahib Ram--Head of Krishna cartoon for a mural of the Raslila","###（不对，不能用###）重新写：\n这幅肖像以细腻笔触铺陈神性柔美，浅淡底色之上，暖金色的头饰层叠繁复，珠翠宝石用晕染与勾线区分色泽，流光婉转间尽显华贵庄重。\n\n侧脸轮廓柔和舒展，墨色长发卷曲垂落，鼻饰、耳间花形镶钻饰物精巧点缀，将神祇俊朗温润的气质晕染开来。未完成的底稿线条隐约可见，仿佛留存着创作时的构思轨迹，让静美的肖像多了几分灵动的创作温度，细密画的精致质感糅合宗教肖像的肃穆，将神祇的温柔神性娓娓道来。",[28,29,27,24,7,374,51],"奎师那","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24fb54a3856cf5e873c0734145d2cc8d.jpg",[],{"id":378,"slug":379,"title":380,"dynasty":124,"author":69,"museum":20,"description":381,"tags":382,"thumbUrl":385,"material":76,"size":58,"collection":59,"collections":386,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":387},289069,"jules-david-two-women-in-day-dresses-preparatory-drawing-yi-ming-289069","Jules David--Two Women in Day Dresses Preparatory drawing","这幅素描以圆形构图定格亲昵瞬间，女神与小爱神相互依偎，小爱神环住女神肩头，亲昵姿态晕开缱绻温情。创作者以细腻柔和的线条勾勒出人体舒展的柔美曲线，用极简排线轻绘明暗起伏，精准描摹出肌肤温润质感与衣料垂坠褶皱的韵律。\n\n淡笔铺绘的翻卷浪涛托举起二人，暗合爱神从海水中诞生的古典意象。没有繁复修饰，却将神性揉进松弛互动里，草稿独有的灵动随性让神祇褪却距离感，满溢温柔的古典浪漫，将脉脉爱意藏在克制笔触之间。",[259,113,87,7,300,383,289,384],"天使","册页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1b8b346dd9196382930938f7b49986a.jpg",[],"FFFFFF",{"id":389,"slug":390,"title":391,"dynasty":124,"author":69,"museum":20,"description":337,"tags":392,"thumbUrl":395,"material":76,"size":58,"collection":59,"collections":396,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},288859,"giovanni-battista-tiepolo-study-for-an-inkstand-yi-ming-288859","Giovanni Battista Tiepolo--Study for an Inkstand",[112,29,291,7,259,393,394],"文房用具","草图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc40a86a375c5398258001c54e7753cdd.jpg",[],{"id":398,"slug":399,"title":400,"dynasty":124,"author":69,"museum":20,"description":401,"tags":402,"thumbUrl":408,"material":76,"size":58,"collection":59,"collections":409,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},288812,"peter-oliver-the-family-of-cain-yi-ming-288812","Peter Oliver--The Family of Cain","这幅单色淡彩画作，以细腻排线晕染出洞窟前的图景。端坐的女子怀拥婴儿，垂睫敛目，衣褶层叠舒展，柔化了岩壁的粗粝，将母性的温婉尽数铺陈。身旁的壮年男子肌肉线条虬结，拄杖俯身望向妻儿，沉郁的神态里晕开缱绻的依恋，粗朴的兽皮装束尽显原始粗粝的质感。远景郊野晕染朦胧，荒寂中晕着静谧暖意。明暗将人物与山石自然区隔，克制的色调里，把这个家庭暗藏的深沉羁绊，揉进温柔又厚重的氛围之中。",[403,7,404,29,259,27,405,406,407],"宗教题材","该隐家族","山野","岩洞","家庭场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa009313dc3ec8fb9112bf18647c1da37.jpg",[],{"id":411,"slug":412,"title":413,"dynasty":124,"author":69,"museum":20,"description":414,"tags":415,"thumbUrl":420,"material":76,"size":58,"collection":59,"collections":421,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},288701,"workshop-of-gilles-marie-oppenord-study-for-a-garden-capriccio-yi-ming-288701","Workshop of Gilles-Marie Oppenord--Study for a Garden Capriccio","这幅蚀刻版画以半边立面铺展园林奇想，细密排线勾勒巴洛克式的华丽张力。右侧河神化身水景雕塑，水流自身侧奔涌而下，肌肉线条遒劲苍劲，尽显雄浑生机；左侧山林宁芙攀附壁面，藤蔓荒草缠绕周身，漫溢出野逸的古典浪漫。涡卷雕饰衔接立面层次，繁复细节雕琢出复古雅致的装饰感，将神话造像融于园林设计中，让实用的装饰稿兼具艺术幻想性，把雕塑意趣与造景构思精妙糅合，尽显古典装饰美学的雍容格调。",[416,113,7,417,418,87,419],"版画","园林题材","黑白","装饰设计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe91d35e67bbe5f63a7f771b44b1a6e8f.jpg",[],{"id":423,"slug":424,"title":425,"dynasty":124,"author":69,"museum":20,"description":426,"tags":427,"thumbUrl":431,"material":76,"size":58,"collection":59,"collections":432,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},288681,"attributed-to-andre-s-de-melgar-seated-satyr-holding-a-shell-dragon-horizontal-yi-ming-288681","attributed to Andrés de Melgar--Seated Satyr Holding a Shell - Dragon [horizontal]","这张手稿以灵动线条勾勒出怪诞绮丽的奇想世界。半人半兽的形象虬须怒张，神态沉郁威严，健硕躯体带着蛮荒野性，臂间环缠的龙形异兽尖牙利爪，身姿蜿蜒张扬，与古典涡旋饰纹缠绕交织，将神异怪趣与建筑装饰性融为一体。\n\n排线明暗精准晕出肌肉张力与构件体积，硬朗的建筑结构和柔媚飘带、虬曲异兽形成刚柔对冲，在静态纸面下仿佛涌动着诡谲生机，把奇诡幻想与装饰工艺的精致韵律揉合为一，尽显奇想与工巧的绝妙平衡。",[113,7,428,429,29,259,430],"龙","兽","装饰画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c79ef2c258f158f524238dbd49b668b.jpg",[],{"id":434,"slug":435,"title":436,"dynasty":68,"author":69,"museum":20,"description":437,"tags":438,"thumbUrl":442,"material":76,"size":58,"collection":59,"collections":443,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":136},269120,"zhu-gen-diao-ba-xian-qing-shou-shou-xing-yi-ming-269120","竹根雕八仙庆寿-寿星","随天然竹根肌理施艺，寿星额颅高耸、长髯垂胸，眉眼漾着融融笑意，尽显福寿矍铄的蔼然之态。作者将八仙巧镂于仙翁衣袂之间，人物错落排布，或持法宝、或呈恭贺之姿，把喜庆贺寿的意趣藏于细节之中。\n\n整器刀法朴拙老辣，顺着竹材天然纹理勾勒衣褶起伏，将仙翁的慈祥、八仙的灵动刻画得各有韵致。既保留了竹根的天然质感，又把传统庆寿主题融于方寸之中，尽显“以形写神”的精妙，是一件兼具意趣与工艺水准的雕刻佳作。",[439,233,440,220,7,441],"竹雕","寿星","人物造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0593bde8fa62455eb89cba7d6e32f8b.jpg",[],{"id":445,"slug":446,"title":447,"dynasty":68,"author":69,"museum":20,"description":284,"tags":448,"thumbUrl":449,"material":76,"size":58,"collection":59,"collections":450,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},259377,"dao-guang-kuan-qing-hua-ba-xian-tu-wan-yi-ming-259377","道光款青花八仙图碗",[286,287,220,7,290,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1bf6bd3dc73e7cac946528179dade62.jpg",[],{"id":452,"slug":453,"title":454,"dynasty":124,"author":69,"museum":20,"description":455,"tags":456,"thumbUrl":461,"material":76,"size":58,"collection":59,"collections":462,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289550,"baldassare-tommaso-peruzzi-crouching-figure-of-atlas-yi-ming-289550","Baldassare Tommaso Peruzzi--Crouching Figure of Atlas","屈膝蹲伏的泰坦全身肌肉紧绷虬结，每一道肌理都因背负天穹满是隐忍的张力。作者以苍劲简练的笔线塑造躯体体积，明暗块面精准刻画出肩背、腰腿的负重褶皱，卷发下的侧颜凝满苦难的坚毅。\n\n留白的圆形恰似虚空天穹，将千钧重压具象化，让观者仿佛能共情这份扛举天地的神性痛楚。粗犷又精准的笔触，把泰坦背负宿命的悲壮揉入每一道肌肉沟壑，寥寥数笔就将神话史诗的厚重感倾泻而出，尽显古典人体素描对力量与悲剧性的精妙诠释。",[259,87,7,457,458,459,460],"男性人体","力量感","擎天神","蹲伏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8aa5f942ef3ee1cfc4a9638e9cd6f771.jpg",[],{"id":464,"slug":465,"title":466,"dynasty":124,"author":69,"museum":20,"description":467,"tags":468,"thumbUrl":473,"material":76,"size":58,"collection":59,"collections":474,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289545,"attributed-to-peter-paul-rubens-hermaphrodite-yi-ming-289545","Attributed to Peter Paul Rubens--Hermaphrodite","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[469,259,470,87,471,7,472],"西洋画","红铅画","裸体人像","雌雄同体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0884fa07b86012019a54f6a245c27901.jpg",[],{"id":476,"slug":477,"title":478,"dynasty":124,"author":69,"museum":20,"description":479,"tags":480,"thumbUrl":486,"material":76,"size":58,"collection":59,"collections":487,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289543,"attributed-to-pieter-de-jode-i-neptune-in-his-chariot-yi-ming-289543","Attributed to Pieter de Jode I--Neptune in his Chariot","健硕的海神高举三叉戟，须发贲张，虬结的肌肉迸发出撼人的力量，将神祇的暴怒威严展现得淋漓尽致。四匹昂首嘶吼的海马蹄踏浪涛，劲健的躯体带着战车在狂澜中破浪前行，海床裂隙的嶙峋岩壁为画面衬出蛮荒底色。\n画家以细腻排线晕染明暗，勾勒出肌肉的块面张力与海浪的翻涌动感，圆形构图将奔涌的磅礴气势凝于尺幅之间，恣肆笔触揉合野性与威仪，把上古海神驭浪出征的狂暴神话瞬间永远定格。",[481,7,482,483,484,259,87,485],"圆形构图","海神","海马","战车","神话题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd08a33942c836040534f71ee80f3d114.jpg",[],{"id":489,"slug":490,"title":491,"dynasty":124,"author":69,"museum":20,"description":492,"tags":493,"thumbUrl":496,"material":76,"size":58,"collection":59,"collections":497,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289529,"auguste-rodin-study-of-a-nude-female-figure-satyress-yi-ming-289529","Auguste Rodin--Study of a nude female figure (Satyress)","这幅速写以奔放随性的炭笔线条，捕捉女性胴体的柔润起伏，未刻意雕琢细节，依靠虚实明暗晕染塑造体积。慵懒舒展的躯体带着野性柔媚，寥寥排线便交代出光影裹挟下的肌肉曲线，背景与形体的边界模糊相融，将松弛慵懒的氛围拉满。\n\n潦草却精准的线条带着创作时的即兴酣畅，把女性躯体的柔腴力量藏在松弛笔触之中，落笔毫无拘谨，却精准抓住了人体动态的神韵，仿佛下一秒躯体就会随着呼吸轻颤，将转瞬即逝的柔美定格在纸面。",[259,494,300,87,495,7],"速写","人体素描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d789f99a5931ed8d5934de25291d13c.jpg",[],{"id":499,"slug":500,"title":501,"dynasty":124,"author":69,"museum":20,"description":502,"tags":503,"thumbUrl":506,"material":76,"size":58,"collection":59,"collections":507,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289468,"carlo-maratti-allegorical-figure-of-peace-yi-ming-289468","Carlo Maratti--Allegorical Figure of Peace","红棕笔线松动灵动，淡墨晕染铺陈明暗层次，勾勒出拱顶之内的神圣群像。下方健硕的孩童半蹲托举，肌肉线条带着蓬勃张力，将上方的神女稳稳承托。神女身姿舒展沉静，手持丰饶枝，眉目间带着安泰祥和。左上角羽翼蓬松的天使展露出纹章，灵动笔触晕开朦胧的羽翼轮廓。\n\n带着即兴张力的装饰草稿里，未加修饰的线条藏着构思的流淌，古典神圣感与草稿松弛感相融，神性柔美与肉体力量彼此支撑，把安宁与丰饶的祈愿藏在奔放笔触间，鲜活生气呼之欲出。",[259,87,504,494,505,383,7,342],"寓意画","和平主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1ef63ef32b74a051c680b39eabdcf22.jpg",[],{"id":509,"slug":510,"title":511,"dynasty":124,"author":69,"museum":20,"description":512,"tags":513,"thumbUrl":516,"material":76,"size":58,"collection":59,"collections":517,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289304,"michel-dorigny-study-for-the-muse-urania-yi-ming-289304","Michel Dorigny--Study for the Muse Urania","画面由两处习作组成，左方女性头像仰首凝神，柔和排线晕出面部光影，将仰望时的虔诚灵动定格。右侧躯干习作则聚焦衣袍与姿态，错落的排线勾勒出厚重织物垂坠褶皱，持杖抚鼓的沉静姿态尽显古典肃穆。创作者以精准笔触拿捏动态张力，明暗交叠间铺陈出静穆典雅的神性氛围。作为创作草稿，带着松弛又严谨的鲜活质感，简练笔触藏着对人体动态与布料质感的精妙把控，将古典诗意融于方寸之间，尽显古典人物创作的细腻构思。",[259,87,469,514,7,515],"女性","习作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4400f3593c7b9f97c9d2fe9bd54df3f9.jpg",[],{"id":519,"slug":520,"title":521,"dynasty":124,"author":69,"museum":20,"description":522,"tags":523,"thumbUrl":526,"material":76,"size":58,"collection":59,"collections":527,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289295,"paolo-farinati-project-for-the-decoration-of-a-spandrel-winged-female-yi-ming-289295","Paolo Farinati--Project for the Decoration of a Spandrel Winged Female","身姿扭转的带翼女子舒展灵动，手臂扶着拱券结构，羽翼贴合躯干将力量与柔美相融。画家以棕色调素描结合水彩晕染在灰纸基底之上，借底色衬托亮部，深色线条利落勾勒肌肉与衣褶起伏。厚重衣袍褶皱流畅垂坠，精准表现出布料的重量感，人物神情专注肃穆，带着古典静穆之美。\n\n左下角的手写字迹带着草稿随性，留存下创作构思的鲜活痕迹，整幅画既有扎实的造型功底，线条虚实间尽显动态张力，又不失速写的松弛气韵，将装饰画稿的灵动雏形尽数呈现。",[259,342,87,524,7,430,525],"有翼女性","手绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F615fd3044bb71b8a31cb9763308bfc33.jpg",[],{"id":529,"slug":530,"title":531,"dynasty":124,"author":69,"museum":20,"description":532,"tags":533,"thumbUrl":535,"material":76,"size":58,"collection":59,"collections":536,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289293,"paolo-gerolamo-piola-standing-figure-of-apollo-with-a-lyre-yi-ming-289293","Paolo Gerolamo Piola--Standing Figure of Apollo with a Lyre","以淡蓝灰铺就底色，用白垩与深色线条塑就阿波罗身姿。裸身的太阳神肌肉线条柔而有张力，卷发垂肩，神态沉静高贵。他一手持里拉琴，仿佛余音仍在指尖流转，另一手握着神谕小瓶，松垮衣袍搭在臂间，垂坠褶皱舒展自然，衬出躯体挺拔舒展。\n\n作者以明暗晕染烘托形体，淡色底衬让白色躯体更显圣洁温润，寥寥几笔便勾勒出古典神祇的庄严俊美，将阿波罗的音乐天赋与神格威仪相融，带着古典主义的静穆优雅，每一处线条都诉说着希腊神祇的不朽魅力，简约精准地定格了太阳神的神性光辉。",[469,87,7,534,341,259,27],"阿波罗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F982f8a619e2e6e01d07afe9eb7a224a6.jpg",[],{"id":538,"slug":539,"title":540,"dynasty":124,"author":69,"museum":20,"description":541,"tags":542,"thumbUrl":546,"material":76,"size":58,"collection":59,"collections":547,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289274,"pierre-le-lu-corner-of-the-ambassador-s-staircase-at-versailles-yi-ming-289274","Pierre Lélu--Corner of the Ambassador's Staircase at Versailles","这幅棕色调装饰画稿以仰视视角铺展磅礴叙事，上方带翼女神持纹章权杖，威严伫立云海，尽显荣典之姿。下方健硕裸身灵怪与海神形象托举礼器，舰船构件、旌旗簇拥环伺，将军功王权揉入神话图景。明暗晕染层次分明，线条兼具张力与细腻感，巴洛克的华丽动感与古典叙事的庄严肃穆交融无间，仿佛鼓角铮鸣就在耳畔，将皇家庆典般的恢宏威仪凝于纸面。",[469,259,7,383,482,543,29,342,544,545],"宫廷","建筑装饰","裸像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb65d031895244ce47cc11ac75abdb8e1.jpg",[],{"id":549,"slug":550,"title":551,"dynasty":124,"author":69,"museum":20,"description":552,"tags":553,"thumbUrl":555,"material":76,"size":58,"collection":59,"collections":556,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289261,"pietro-da-cortona-a-wind-god-yi-ming-289261","Pietro da Cortona--A Wind God","这幅人体素描以松弛却精准的笔触，定格了充满神性张力的瞬间。健硕躯体的肌肉起伏自然流畅，肩胛、胸肌与手臂的块面经由明暗晕染，让力量感呼之欲出。硬朗的侧脸轮廓配合仰头姿态，将舒展不羁的神性尽显。\n\n飞扬的衣纹以奔放的速写线条带出风的动感，与紧实刻画的人体形成刚柔反差。淡色纸面上的炭笔痕迹虚实相生，恰到好处的留白将风神凌虚御空的飘逸与体魄的雄浑融为一体，仿佛能感受到气流在躯体周遭翻涌涌动，尽显古典神话题材里力量与浪漫交织的美学意趣。",[259,87,7,554,457],"风神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8190fa2c9e93b1ad1144667171e571ea.jpg",[],{"id":558,"slug":559,"title":560,"dynasty":124,"author":69,"museum":20,"description":561,"tags":562,"thumbUrl":565,"material":76,"size":58,"collection":59,"collections":566,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289258,"pietro-da-cortona-half-figure-of-a-bacchante-with-outstretched-yi-ming-289258","Pietro da Cortona--Half-Figure of a Bacchante with Outstretched","这幅红粉笔速写以松弛又精准的笔触，定格下舒展的瞬间。作者精准拿捏了人体动态，前伸的手臂肌肉线条饱满紧绷，张力十足，将女性躯体的力量感与柔美融于一体。蓬松的衣褶随性铺陈，发丝勾勒灵动飘逸，仿佛能看见她肆意舒展的模样。淡晕开的烟雾状线条虚化背景，烘托出迷醉松弛的氛围。没有繁琐的细节堆砌，仅用虚实交织的红调笔触，就将人物外放舒展的情绪传递得淋漓尽致，尽显巴洛克风格的动感生命力，扎实的造型功底让速写稿也拥有完整的情绪表达。",[259,29,7,563,564],"酒神女祭司","半身像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d3b2832afe5fdd8e486188ba843d05.jpg",[],{"id":568,"slug":569,"title":570,"dynasty":124,"author":69,"museum":20,"description":571,"tags":572,"thumbUrl":577,"material":76,"size":58,"collection":59,"collections":578,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289253,"pietro-da-cortona-the-triumph-of-nature-over-art-yi-ming-289253","Pietro da Cortona--The Triumph of Nature Over Art","古典庭院为幕，古树枝叶扶苏，雕花廊柱晕开巴洛克的华丽底色。中心女子仪态端然，静候着环绕而来的花环，自然的生机压过人工匠气。林神率孩童踏歌趋近，将枝蔓与花冠奉至她身侧，旁侧女子或仰首惊叹，或屈膝依偎，鲜活铺展出自然得胜的图景。\n\n棕褐走线松弛精准，明暗层次晕染灵动，光影游走于衣褶、廊柱之间，将巴洛克的动感揉入古典叙事。借群像互动，把自然凌驾匠艺的隐喻藏入线条肌理，让蓬勃生机与造物肃穆相映，将这场浪漫主题悄然叙说。",[259,469,87,7,573,574,315,575,576],"人物群像","古典建筑","神话场景","凯旋主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b82868fab1a86bfe4d90c5679c29369.jpg",[],{"id":580,"slug":581,"title":582,"dynasty":124,"author":69,"museum":20,"description":583,"tags":584,"thumbUrl":589,"material":76,"size":58,"collection":59,"collections":590,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":63},289148,"guercino-endymion-sleeping-yi-ming-289148","Guercino--Endymion 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