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、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[57,58,59,60,61,62,63,64,65,66,67,68,69,7],"缂丝","立轴","设色","人物","群仙","庆寿","楼阁","祥云","松树","毛驴","亭台","花卉","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd48314f41436de32f7c78728cab970e3.jpg",[],5,"37474F",{"id":75,"slug":76,"title":77,"dynasty":53,"author":54,"museum":20,"description":78,"tags":79,"thumbUrl":87,"material":43,"size":44,"collection":45,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":90},267344,"man-xiu-ji-xiang-tian-mu-xiang-zhou-yi-ming-267344","满绣吉祥天母像轴","靛蓝身色的吉祥天母踞乘骡子，忿怒威严，诸护法仙众环伺左右。流云翻涌缠绕山峦，绣线晕染出明暗层次，将众神狞厉神威烘托得淋漓尽致。\n\n整作以满绣工艺织就，走线细密饱满，浓烈鲜亮的色块交织，既铺陈出藏地护法信仰的雄浑刚健，又尽显刺绣工艺的柔美精巧。四周红色绣框以重复梵文真言环绕，规整肃穆间更添神圣意蕴。构图繁密却层次分明，一针一线皆凝着匠人的虔敬心力，是信仰与技艺相融的典范，尽显此中顶尖水准。",[58,80,81,82,83,60,84,85,59,7,86],"刺绣","满绣","宗教","吉祥天母","马","兽","宗教画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9003962ed2f76a683c8717b10c02b384.jpg",[],3,"795548",{"id":92,"slug":93,"title":94,"dynasty":18,"author":54,"museum":20,"description":95,"tags":96,"thumbUrl":100,"material":43,"size":44,"collection":45,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":90},289472,"carlo-alberto-baratta-study-for-the-decoration-of-a-vault-yi-ming-289472","Carlo Alberto Baratta--Study for the Decoration of a Vault","这幅天顶装饰手稿以透视营造出穹顶纵深感，中心云雾翻涌，天使们舒展羽翼簇拥圣像，携着天国的灵动感破壁而出，将神圣升腾的瞬间定格。左右三角饰板里的小爱神姿态俏皮柔媚，与边角沉肃端坐的圣贤形成动静对冲，平衡了画面节奏。\n\n以灰调铺就底色，明暗晕染柔和通透，将布面化作穹顶壁面，人物如同浮雕般浮现，完美复刻巴洛克宗教装饰的华丽张力，让天国的恢宏与灵动跃然纸上，兼具宗教的庄严与艺术的浪漫表现力。",[82,27,97,98,99,36,7],"穹顶装饰","素描稿","壁画稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52ac0fb073e4848e63bfc7ab32418098.jpg",[],2,{"id":104,"slug":105,"title":106,"dynasty":18,"author":54,"museum":20,"description":107,"tags":108,"thumbUrl":117,"material":43,"size":44,"collection":45,"collections":118,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":48},289027,"louis-lagrene-e-les-gra-ces-lutine-es-par-les-amours-yi-ming-289027","Louis Lagrenée--Les Grâces lutinées par les amours","帷幔低垂晕开慵懒缱绻的闺中氛围，三位裸女舒展的体态柔润饱满，带着古典理想美人的松弛圣洁。\n\n小爱神们或是拽动衣袂，或是环身嬉戏，将静谧闺房揉进跳脱稚趣。细腻排线糅合柔和晕染，将肌肤的莹润起伏、织物的垂坠褶皱描摹得真实动人，光影在人体与纱幔间流淌，勾勒出柔美的明暗层次。神性的端庄与孩童的天真交织碰撞，让私密场景兼具优雅诗意与缱绻浪漫，将古典情爱主题诠释得温柔又富有生机。",[109,110,111,112,113,114,115,7,116],"素描","西方绘画","美人","小爱神","裸女","床帏","室内","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe473784c4321d86fdf9b63a995870aad.jpg",[],{"id":120,"slug":121,"title":122,"dynasty":18,"author":54,"museum":20,"description":123,"tags":124,"thumbUrl":129,"material":43,"size":44,"collection":45,"collections":130,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":48},288915,"giovanni-battista-tiepolo-two-seated-women-and-a-boy-on-clouds-yi-ming-288915","Giovanni Battista Tiepolo--Two Seated Women and a Boy on Clouds","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[125,36,126,109,127,128,29,7],"西洋画","淡彩","女性","孩童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb147d9340b8bb9f938edebe10011efa2.jpg",[],{"id":132,"slug":133,"title":134,"dynasty":18,"author":54,"museum":20,"description":135,"tags":136,"thumbUrl":142,"material":43,"size":44,"collection":45,"collections":143,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},289543,"attributed-to-pieter-de-jode-i-neptune-in-his-chariot-yi-ming-289543","Attributed to Pieter de Jode I--Neptune in his Chariot","健硕的海神高举三叉戟，须发贲张，虬结的肌肉迸发出撼人的力量，将神祇的暴怒威严展现得淋漓尽致。四匹昂首嘶吼的海马蹄踏浪涛，劲健的躯体带着战车在狂澜中破浪前行，海床裂隙的嶙峋岩壁为画面衬出蛮荒底色。\n画家以细腻排线晕染明暗，勾勒出肌肉的块面张力与海浪的翻涌动感，圆形构图将奔涌的磅礴气势凝于尺幅之间，恣肆笔触揉合野性与威仪，把上古海神驭浪出征的狂暴神话瞬间永远定格。",[137,138,139,140,141,109,36,7],"圆形构图","神话人物","海神","海马","战车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd08a33942c836040534f71ee80f3d114.jpg",[],1,{"id":146,"slug":147,"title":148,"dynasty":18,"author":54,"museum":20,"description":149,"tags":150,"thumbUrl":152,"material":43,"size":44,"collection":45,"collections":153,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},289528,"auguste-rodin-the-golden-age-yi-ming-289528","Auguste Rodin--The Golden Age","炭笔勾勒的线条松弛舒展，带着流动的韵律感。男女躯体凝练扎实，兼具古典雕塑的厚重张力，衣袂与头纱的曲线则轻柔如烟，裹着枝叶随步伐漾开。恋人怀抱着稚子，亲昵依偎间漫开暖意生机。下方的小爱童仰身探手，将画面的温情联结成完整的诗行。朦胧晕染的明暗柔化了硬朗轮廓，把神圣情爱与新生的喜悦揉进朦胧氛围里，既有速写的鲜活气韵，又藏着古典神话的祥和美满，将温柔静美定格于纸面。",[109,36,125,7,151,128,25],"裸人体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c2f2bc7743d2ab6898f6b77bf93cb72.jpg",[],{"id":155,"slug":156,"title":157,"dynasty":18,"author":54,"museum":20,"description":158,"tags":159,"thumbUrl":163,"material":43,"size":44,"collection":45,"collections":164,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},289485,"bertoia-god-the-father-with-four-angels-yi-ming-289485","Bertoia--God the Father with Four Angels","这幅素描以穹顶构图铺陈天界图景，棕褐笔调晕染出朦胧神性。天父居于画面中心，苍劲排线刻画出衣褶的厚重垂坠感，蓬松卷曲的须发烘托出威仪庄重的神性气场。环绕的天使姿态各异，灵动细线勾勒出孩童躯体的软嫩轻盈，与天父的沉郁厚重形成鲜明反差，或虔诚静立、或携持圣物穿梭云间。朦胧晕染的云雾将众神托举，模糊了天界边界，晕出缥缈圣洁的氛围感。画面以线造型，虚实共生，粗粝排线与细腻勾勒并存，既保留宗教题材的肃穆感，又借灵动笔意揉入浪漫柔美，神性与天真融为一体，尽显古典宗教创作的张力与氛围感。",[86,36,160,109,161,27,162,7],"白描","圣父","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F001467e632a483037b47413c94eb5504.jpg",[],{"id":166,"slug":167,"title":168,"dynasty":18,"author":54,"museum":20,"description":169,"tags":170,"thumbUrl":174,"material":43,"size":44,"collection":45,"collections":175,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},289301,"michelangelo-buonarroti-studies-for-the-libyan-sibyl-yi-ming-289301","Michelangelo Buonarroti--Studies for the Libyan Sibyl","暖调红粉笔在泛黄纸面上，定格住充满力量的男性躯干。创作者以精准凝练的线条，勾勒扭转背部的肌肉起伏，将躯体拉伸时的张力尽数铺展，每一笔都贴合肌肉的牵拉挤压，把静态纸面化为涌动着力量的舞台。\n\n旁侧的头像、手足小稿，是反复打磨形体的痕迹，低垂的侧颜柔和却精准，手部肌肉的紧绷感呼之欲出，尽显对人体结构的极致钻研。没有冗余笔触，每一道线条都带着呼吸感，粗粝纸色衬着暖红笔触，将写实解剖的理性与动态生命的野性融为一体，质朴却极具震撼力。",[109,60,171,172,7,173],"人体写生","局部速写","红粉笔画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7056ffbc16e1619d628af671c11b7770.jpg",[],{"id":177,"slug":178,"title":179,"dynasty":18,"author":54,"museum":20,"description":180,"tags":181,"thumbUrl":187,"material":43,"size":44,"collection":45,"collections":188,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},289221,"giuseppe-bernardino-bison-drawing-of-a-bracket-with-two-telamones-chained-up-yi-ming-289221","Giuseppe Bernardino Bison--Drawing of a Bracket with Two Telamones Chained up","这幅素描以明暗晕染构筑磅礴张力，两名特拉蒙巨像被锁链缚身，腰背弓曲，肌肉虬结紧绷，将千钧承重的压迫感具象化。粗粝须发与鼓胀筋肉迸发狂野力量，锁链缠缚更添悲怆宿命感，仿佛能听见他们隐忍的低吼。\n\n下方带翼神兽低垂颅首，与巨像沉郁姿态呼应，让画面构图浑然一体。淡墨铺陈出厚重体积，排线勾勒衣褶褶皱，明暗过渡柔和自然，寥寥数笔便将石雕的冰冷质感，与人物悲愤神态融为一体，让装饰托架挣脱匠气，成为凝固的苦难与力量的颂歌。",[109,36,7,182,183,184,185,186],"壮汉","锁链","怪兽","建筑构件","明暗画法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa59354f92924f9f33696be3eafd2f26d.jpg",[],{"id":190,"slug":191,"title":192,"dynasty":18,"author":54,"museum":20,"description":193,"tags":194,"thumbUrl":200,"material":43,"size":44,"collection":45,"collections":201,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":202},289037,"louis-claude-vasse-venus-teaching-cupid-to-use-his-bow-yi-ming-289037","Louis Claude Vassé--Venus Teaching Cupid to Use His Bow","这幅红粉笔素描以柔缓细腻的排线铺陈光影，将二人的互动晕染得静谧温柔。裸身女神垂眸颔首，指尖轻引身旁孩童的手，沉静缱绻的气息漫开。孩童依偎身侧，蓬松羽翼带着绒软质感，天真懵懂融在亲昵姿态里。\n\n画师以松弛却精准的线条勾勒圆润躯体轮廓，借红棕色调深浅变化，柔化肌肉起伏与衣料褶皱，让雕塑般的质感晕开温度，古典神话里的脉脉温情在笔端流淌，神性清冷与稚拙暖意交融，定格下这温柔亲昵的一瞬。",[109,36,7,195,196,112,113,27,197,198,199],"维纳斯","丘比特","人体","温情","弓箭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7892ec8cac0d953adc9ae9210605b5ba.jpg",[],"F48FB1",{"id":204,"slug":205,"title":206,"dynasty":18,"author":54,"museum":20,"description":207,"tags":208,"thumbUrl":212,"material":43,"size":44,"collection":45,"collections":213,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},289020,"luca-giordano-the-triumph-of-cybele-yi-ming-289020","Luca Giordano--The Triumph of Cybele","以奔放的棕褐线条晕染铺陈，蓬松云气托举浩荡神群，衣袂猎猎舒展，将凯旋巡行的磅礴藏在速写随性之中。拉车异兽肌肉紧绷，带着奔突的张力，神祇们姿态雄健昂扬，仪仗簇拥间错落有致，晕开热烈的行进韵律。潦草却精准的笔触，勾勒出华美奔放的氛围感，仿佛能听见云端号角齐鸣，把神话盛典的恢弘凝在纸面，随性酣畅里尽显浪漫遐想。",[109,7,60,141,209,210,211,138],"狮子","云端","凯旋场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2b182ce455e249789130f56179cc3a7.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":54,"museum":20,"description":218,"tags":219,"thumbUrl":223,"material":43,"size":44,"collection":45,"collections":224,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},288911,"giovanni-battista-piazzetta-david-with-the-head-of-goliath-yi-ming-288911","Giovanni Battista Piazzetta--David With the Head of Goliath","这幅素描以极具张力的构图，定格下俯身握持首级的瞬间，粗犷却精准的排线铺陈明暗，利落勾勒出躯体紧绷的肌肉轮廓，体积感呼之欲出。创作者摒弃史诗叙事的激昂，转而捕捉沉郁肃穆的情绪，褪去斩敌的狂喜，只剩战后的疲惫与沉重。画面虚实相生，淡逸的线条晕开衣褶的松弛，浓深的排线收紧肩臂的力道，于潦草的速写感中，将英雄暗藏的复杂心绪倾泻而出，用克制的笔墨烘托出强烈的戏剧氛围，把宏大叙事揉进细腻的情绪描摹里。",[109,36,7,220,221,222],"男性人物","大卫","歌利亚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2bf5aceaf0dcd715e3c22795e8eedbe.jpg",[],{"id":226,"slug":227,"title":228,"dynasty":18,"author":54,"museum":20,"description":123,"tags":229,"thumbUrl":233,"material":43,"size":44,"collection":45,"collections":234,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},288873,"giovanni-battista-tiepolo-marine-deity-with-attendant-female-figure-yi-ming-288873","Giovanni Battista Tiepolo--Marine Deity with Attendant Female Figure",[109,36,7,27,138,230,126,231,232],"线描","盔甲","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a6803ab35e2b20e0ff397c61f917b51.jpg",[],{"id":236,"slug":237,"title":238,"dynasty":18,"author":54,"museum":20,"description":123,"tags":239,"thumbUrl":242,"material":43,"size":44,"collection":45,"collections":243,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},288872,"giovanni-battista-tiepolo-river-god-with-an-oar-woman-holding-a-serpent-yi-ming-288872","Giovanni Battista Tiepolo--River God with an Oar, Woman Holding a Serpent",[36,7,126,109,138,128,240,241],"桨","蛇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7809bdfcf2c42a7636b031060aea55f0.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":18,"author":54,"museum":20,"description":123,"tags":248,"thumbUrl":251,"material":43,"size":44,"collection":45,"collections":252,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},288851,"giovanni-battista-tiepolo-time-and-truth-yi-ming-288851","Giovanni Battista Tiepolo--Time and Truth",[36,109,138,27,249,250,7],"速写","淡墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ff416f9f6cd446c089f442613d76442.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":18,"author":54,"museum":20,"description":123,"tags":257,"thumbUrl":261,"material":43,"size":44,"collection":45,"collections":262,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},288849,"giovanni-battista-tiepolo-two-seated-satyrs-and-a-child-satyr-yi-ming-288849","Giovanni Battista Tiepolo--Two Seated Satyrs and a Child Satyr",[109,249,126,36,7,258,259,260,230],"半人半兽","兽类","休憩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8211d017571dbbe64bf4320aa9f0467.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":18,"author":54,"museum":20,"description":267,"tags":268,"thumbUrl":274,"material":43,"size":44,"collection":45,"collections":275,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":48},288803,"peter-paul-rubens-the-garden-of-love-right-portion-yi-ming-288803","Peter Paul Rubens--The Garden of Love (right portion)","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[125,36,109,126,111,269,270,7,271,272,273],"小天使","园林","群像人物","古典服饰","欢愉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F354ffe34c0a663f6a3d86f3a89f7859d.jpg",[],{"id":277,"slug":278,"title":279,"dynasty":53,"author":54,"museum":20,"description":280,"tags":281,"thumbUrl":287,"material":43,"size":44,"collection":45,"collections":288,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},269417,"huang-yang-mu-diao-xian-ren-li-xiang-yi-ming-269417","黄杨木雕仙人立像","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[282,283,284,285,286,60,7],"木雕","雕刻","木质","黄杨木","仙人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9be44da6824acf25e858a0c4c16e1be.jpg",[],1777535720738]