[{"data":1,"prerenderedAt":97},["ShallowReactive",2],{"subject-shen-niao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2709,"shen-niao","神鸟","神鸟画高清赏析","精选中国历代神鸟题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F034f0132570b8a66ee2f3eeb1bccab03.jpg",0,5,[14,39,57,74,85],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":35,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},227838,"xian-nv-cheng-luan-tu-yi-ming-227838","仙女乘鸾图","宋","佚名","藏地不详","《五代周文矩仙女乘鸾图》是五代南唐画家 所创作的一幅 。\n此图原载《历代名笔集胜册》第一册。\n此图线条工谨精细，如春蚕吐丝，柔中见刚。\n《五代周文矩仙女乘鸾图》，图画明月一轮，一仙女乘鸾飞翔。\n笔墨精妙飞动，设色艳丽，构图简洁，为宋画中精品。\n无款，旧题周文矩作。\n画中钤有「黔宁王子子孙孙永保之」、「都尉耿信公书画之章」、「信公珍赏」、「珍秘」、「会侯珍藏」、「明安国玩」、「宜尔子孙」等印多方。\n对幅有耿昭忠题，经《虚斋名画录》著录。\n耿昭忠题云：“风格高妙，飘飘然有凌霞绝尘之姿，是盖周文矩胸中迥出天机，故落笔超乎物表。\n张、吴、顾、陆、何难继踵。\n”襄平耿昭忠题。\n”本幅及裱边、对幅钤耿昭忠“真赏”、“黔宁王子孙永保之”、“丹诚”、“都尉耿信公书画之章”、“信公珍藏”、“珍秘”、“宜尔子孙”、“公”等鉴藏印，共17方。\n《圣朝名画评》云：“周文矩，建康句容人。\n美风度，学丹青，颇有精思。\n仕李煜，为待诏，能画冕服车器人物仕女。\n”又云：“周文矩用意深远，于繁富则尤工。\n”按此图虽无款，而作风飞动精丽，允为北宋早期的作品。\n旧题 作，今从之。\n《五代周文矩仙女乘鸾图》图绘一鸾凤于薄云淡雾中振翅飞鸣，其背上一仙女正茫然回首目视身后的一轮圆月。\n画家将仙女回眸之一刹那所显露出的怅惘之情刻画的生动传神，使本来单调的景物变得极富情趣并给人以想像力。\n仙女的眼神原无形，然作者却利用它使圆月和鸾凤之间产生一种内在的呼应关系，使画面具有气脉贯通的完整性。\n画家通过描绘仙女的衣带向后飘举暗示出无形的风力，并以此表明鸾凤疾翔时的速度与强烈的动感，与圆月之间形成动与静的对比。\n在人物形象的塑造上，仙女的造型越出了隋唐时期仕女画丰腴健壮的体态，表现出女性身材比例合理，造型匀称的特点。\n此图旧签题以及对幅耿昭忠的题记均言作者是五代周文矩。\n周文矩受南唐后主李煜颤笔书法的影响，喜以瘦挺颤掣的笔法入画，线条多转折顿挫，刚中有柔。\n与周文矩的用笔特点不符，因此，它应是宋代佚名画家所作。\n周文矩，生卒年代不详，句容（今属江苏）人，曾在南唐后主李煜时任画院翰林待诏。\n工画佛道、人物、车马、屋木、山水，尤精于仕女，多以宫廷或文人生活为题,以“用意深远”著称。\n其仕女画师从周昉，作风更加纤丽繁复，用笔多以“战笔”为特点。\n现藏故官博物院的《重解会棋图》是他的传世作品之一。\n传世作品有《重屏会棋图》、《 》等。",[23,24,25,26,27,28,29,7,30,31,32,33],"高清","国画","扇面","工笔","设色","人物","美人","飞鸟","月亮","云雾","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecd1fa7526358a03d725c63f905f8a92.jpg","",[],17,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":20,"description":45,"tags":46,"thumbUrl":52,"material":53,"size":54,"collection":35,"collections":55,"showCount":56,"zanCount":11,"manualWeight":11,"mainColor":38},290435,"dan-gang-qi-feng-tu-zhou-gao-qi-feng-290435","丹岗栖凤图轴","清","高其峰","高奇峰（1889—1933），晚清画家，名嵡，字奇峰，以字行，广东广州府番禺县（今广州）人。留学日本，同盟会员，与兄高剑父、陈树人画脉相连，画技相高，有“二高一陈”、“岭南三杰”、“岭南画派”创始人之一等盛誉。其人品高洁，“发扬真艺，领袖艺坛”（徐悲鸿）。画海横舟，劈波至勇，不薄墓碑“画圣高奇峰之墓”（林森书题）中民国“画圣”之名，时光如梭，颂声日高。 高奇峰的代表作品有《海鹰》《白马》《雄狮》《怒狮》《虎啸》《孤猿啼雪》《山高水长》等。出版有《高奇峰先生遗画集》。",[23,24,47,27,48,7,49,50,51],"立轴","水墨","凤凰","孤石","花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f7e20c9e5f8aa0ebe10551bebacd861.jpg","未知","Xcm*Xcm",[],7,{"id":58,"slug":59,"title":60,"dynasty":61,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":70,"material":53,"size":54,"collection":35,"collections":71,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},253562,"feng-huang-zhuan-yi-ming-253562","凤凰砖","汉","汉砖上的雕饰，包罗万象，繁复美观。无论是彩绘或是浮雕图像都生动活泼，线条灵活；其中表现的故事都是当时社会的缩影，在四川省彭山发现的汉墓中，有一种圹砖是专供筑墓或建隧道使用的，在结构中似乎已经知道应用物理学上的圆柱中空的道理。",[64,65,66,49,67,68,7,69],"砖刻","雕刻","篆书","汉代风格","纹饰","文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2a23620e47ad775c79e89167aad1103.jpg",[],3,"37474F",{"id":75,"slug":76,"title":77,"dynasty":43,"author":78,"museum":20,"description":79,"tags":80,"thumbUrl":10,"material":83,"size":35,"collection":35,"collections":84,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":38},215090,"tui-bei-tu-ce-16-jiao-bing-zhen-215090","推背图册-16","焦秉贞","焦秉贞是中国清朝时期著名的画家，他被认为是中国水墨画史上最伟大的画家之一。其中最著名的作品是他的推背图册，其中包含了十幅推背图。推背图是一种特殊的水墨画，它们通常是用单一的墨色在纸上描绘的，并且使用了特殊的技巧来创造出立体感。焦秉贞的推背图册在当时被认为是一件杰出的艺术品，并且至今仍然备受赞赏。",[23,24,27,26,81,7,82],"册","云","纸本,设色",[],{"id":86,"slug":87,"title":88,"dynasty":43,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":95,"material":53,"size":54,"collection":35,"collections":96,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},243047,"si-lun-tian-ji-zun-yi-ming-243047","四轮天鸡尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[43,91,92,65,93,7,94],"铜制","鎏金","器","四轮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F113aed27afd436b573c053852b972735.jpg",[],1777535753493]