[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"subject-shen-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7540,"shen-shi","绅士","绅士画高清赏析","精选中国历代绅士题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F356922e47f9ff208cd235b3ea0edcb70.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},288619,"jean-michel-moreau-the-younger-perfect-harmony-yi-ming-288619","Jean-Michel Moreau the Younger--Perfect Harmony","不详","佚名","藏地不详","这幅单色素描以柔缓的棕调晕开沙龙的慵懒雅致。细腻笔触勾勒出雕花墙板、柔垂纱幔与精致坐具，将室内典雅肌理尽数铺陈。竖琴手拨弦姿态舒展，女眷侧倚凝神，青年静坐倾听，三人沉醉在流淌的琴音里，神态松弛又带着隐秘的融洽。光影漫过纱裙褶皱与发间羽饰，晕开朦胧柔美的氛围，让静谧画面仿佛漾着琴音余韵，将知音和鸣的融洽，悄然定格在这场闲适雅集之中。",[23,24,25,26,27,7,28,29,30,31,32,33],"西洋画","素描","淡彩","人物","美人","乐器","竖琴","古钢琴","室内","贵族生活","和谐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F827780675cf1263b3de68c987765178c.jpg","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":66,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},232574,"mi-lai-si-118-yue-han-ai-fu-li-te-mi-lai-si-232574","米莱斯118","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[48,24,49,50,26,51,52,53,54,55,7,56,31,57,58,59,60,61,62,63,64,65],"白描","黑白","线条勾勒","画架","调色板","画笔","桌子","椅子","聚会","室外","日常场景","绘画活动","社交交谈","戴帽人物","餐桌","座椅","艺术创作","人物群像",[],1777535799119]